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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Twofold
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Partitions à imprimer
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Twofold (Moss Piano Selections)
Piano seul
Composed by Jason Graves. Arranged by David Peacock. Video Games. 5 pages. Published…
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Composed by Jason Graves. Arranged by David Peacock. Video Games. 5 pages. Published by Materia Editions
$2.99
2.72 €
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Piano seul
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Jason Graves
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David Peacock
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Twofold
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Materia Editions
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SheetMusicPlus
NAMU AMIDA BUTSU - A Buddhist Motet of Faith and Thanksgiving for SATB Chorus and Piano
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939790 Composed by Richard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939790 Composed by Richard St. Clair. 20th Century,Praise & Worship,Sacred. Octavo. 27 pages. Richard St. Clair #3638559. Published by Richard St. Clair (A0.939790). This 9-minute composition, scored for mixed voices and piano, uses only one 7-syllable chant in the Pure Land Buddhist tradition, Namu Amida Butsu. The text of this music is a Jodo Shinshu chant of faith and thanksgiving to the great Savior, Amida Buddha.The translation of Namu Amida Butsu is twofold: I entrust myself to Amida Buddha and I give thanks to Amida Buddha.The chant is recited by millions of Jodo Shinshu Buddhists worldwide.
$24.99
22.73 €
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Chorale SATB
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Richard St
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NAMU AMIDA BUTSU - A Buddhist Motet of Faith and Thanksgiving for SATB Chorus and Piano
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Richard St. Clair
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SheetMusicPlus
O Sleep, Why Dost Thou Leave Me? (Semele)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1260597 Composed by George…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Octavo. 4 pages. Scott S. Stewart #853790. Published by Scott S. Stewart (A0.1260597). “O Sleep, Why Dost Thou Leave Me?â€, from Georg Friedrich Händel’s oratorio/opera Semele (1743), is sung by the lovely, yet vain and ambitious princess, Semele of Thebes.  She awakens and regrets that the dream she was having has ended, and calls upon Sleep to return and restore her peaceful vision. (This aria is often suggested listening to those suffering from insomnia.)  This arrangement is for 4-part SATB ensemble to be performed a cappella.  It’s purpose is twofold: to serve as an introduction to Händel and English Baroque music, while at the same time teaching young sopranos a performable aria for their solo repertoire. Performance time: 2:15+-.
$2.99
2.72 €
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Chorale SATB
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George Frideric Handel
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Scott S
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O Sleep, Why Dost Thou Leave Me?
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Scott S. Stewart
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SheetMusicPlus
Piano Trio No 1
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00
36.38 €
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Concerto in B-flat major, KV 595
Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1302391 Composed by W…
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Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1302391 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 114 pages. Mastery for Strings Press #892006. Published by Mastery for Strings Press (A0.1302391). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.
$15.99
14.54 €
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in B-flat major, KV 595
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Mastery for Strings Press
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SheetMusicPlus
If I Were A Rich Man
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1220894 By Hines Hine…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1220894 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #817235. Published by John Fries (A0.1220894). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof.  A Critical and Musical Survey explained that the song contains a greater number of Jewish commonplaces than any other number in the score, and added the song does twofold: it offers such a strong dose of idiom early in the show [which] is good for the overall unity, and the important dramatic function of introducing the central character of Tevye through song.  A repeated phrase throughout the song, all day long I'd bidi-bidi-bum, is often misunderstood to refer to Tevye's desire not to have to work.  However, in an interview with Terry Gross, Sheldon Harnick said he basically made up syllables that he thought would give the effect of Chassidic chanting.
$4.99
4.54 €
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Piano, Voix et Guitare
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Hines Hines & Dad
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John Fries
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If I Were A Rich Man
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John Fries
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SheetMusicPlus
Collection - Song Book Família Guiga
Instrumental Duet Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - Digital Downlo…
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Instrumental Duet Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.1093519 By FamÃlia Guiga. By Antônio Gregório Pereira, José Rodrigues Vieira, João Batista Pereira, and Xisto Pereira. Arranged by Célio Augusto Souza Pereira. Classical,Contemporary,Folk,Multicultural,Traditional,World. Score and parts. 121 pages. Célio Guiga #697583. Published by Célio Guiga (A0.1093519). This song book reveals part of the musical production of four composers FamÃlia Guiga: Antônio Gregório Pereira - “sô†Guiga (1886-1961), José Rodrigues Vieira - or Zé Rodrigues (1929-1972), João Baptista Pereira – or João Guiga (1940) and Xisto Pereira - or Xisto Guiga (1944-2013). The compilation gathers thirty compositions, including songs and instrumentals, which received lyrics by musicians of his own family and also from Leonardo Queiroz Gonçalves, a poet and friend of the family, afterwards. The musical transcriptions that are present in the book are used for the singing and musical performance of solo and accompaniment (melody and harmony), and can be played on any instrument. So his melodies were written in twofold claves system: in the treble clef that part of the main melody was noted, showing the lyrics for singers and a suggested arrangement for the bass part was noted in the bass clef. Both parts bring to the ciphered harmonies, aimed at guiding the musical performance of harmonic instruments (piano, guitar, keyboard etc.). There are also rhythm indications of each musical genre in the transcripts, which assists the execution of the songs. Finally, readers (students, professional and amateur musicians) will have the opportunity to enjoy a material that will make the implementation of the repertoire easier. And, beyond the artistic use, this song book reveals itself as a pedagogical tool. It is also a useful reference for learning and vocabulary expansion and about genre of this style of brazilian instrumental music, which main origin is in the popular musical language choro.
$20.00
18.19 €
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FamÃlia Guiga
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Collection - Song Book Família Guiga
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Célio Guiga
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SheetMusicPlus
Piano Concerto in G major, K. 453
Cello,Flute,Piano,Violin - Digital Download SKU: A0.1303067 Composed by Wolfgang Am…
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Cello,Flute,Piano,Violin - Digital Download SKU: A0.1303067 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 86 pages. Mastery for Strings Press #892654. Published by Mastery for Strings Press (A0.1303067). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. Hummel also considerably altered the solo keyboard parts to increase their range and brilliance.The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.
$15.99
14.54 €
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in G major, K. 453
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Mastery for Strings Press
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SheetMusicPlus
Piano Concerto in C major, K. 503
Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by W…
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Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.
$15.99
14.54 €
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in C major, K. 503
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Mastery for Strings Press
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SheetMusicPlus
Violin Concerto
2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - Digital Download SKU…
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2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - Digital Download SKU: S9.Q42526 Fur Violine und Orchester. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 16 minutes. Schott Music - Digital #Q42526. Published by Schott Music - Digital (S9.Q42526). My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the ‘journey’ of the piece. The work’s straightforward formal scheme consists of three movements (roughly fast–slow–fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to ‘recapture’ the simple melodic material stated by the solo violin – accompanied by the harp’s bass register – during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth).
$30.99
28.19 €
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Ryan Wigglesworth
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
Redeemer of the Nations, Come
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1100308 Composed by Sara G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1100308 Composed by Sara Garrard. Christmas,Film/TV,Holiday,Medieval,Sacred. Octavo. 7 pages. Sara Garrard #704185. Published by Sara Garrard (A0.1100308). A dramatic a capella setting of Catherine Winkworth's English lyric Redeemer of the Nations, Come. A cinematic medieval feel is created with drones, modal intervals and optional percussion. The YouTube version linked is for one voice multitracked + synths/percussion, but similar arrangement to the choral version here. Redeemer of the nations, come! Ransom of earth, here make Thy home! Bright Sun, oh dart Thy flame to earth, For so shall God in Christ have birth! Thou comest from Thy kingly throne, Son of God, the Virgin's Son! Thou Hero of a twofold race, Dost walk in might earth's darkest place. Thou stoopest once to suffer here, Risest o'er the starry sphere; Hell's gates at Thy descent were riven, E'er Thy ascent to highest Heaven. How bright Thy lowly manger beams! Down earth's dark vale its glory streams, The splendour of Thy natal night Shines through all Time in deathless light.
$4.50
4.09 €
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Chorale SATB
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Sara Garrard
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Redeemer of the Nations, Come
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Sara Garrard
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SheetMusicPlus
Decora Lux Aeternitatis
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253228 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253228 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 12 pages. Nicholas White Music #846862. Published by Nicholas White Music (A0.1253228). A choral setting of the ancient vesper hymn for choir and organ, composed for the choir of St. John Cantius Parish, Chicago, and dedicated to the memory of Gordon McMillan. This was recorded on Saturday, June 29, 2019, in the glorious surroundings of St. John Cantius, and was premiered at Mass on Sunday, June 30, 2019.Decóra lux æternitátis, áureamDiem beátis irrigávit Ãgnibus,Apostolórum quæ corónat PrÃncipes,ReÃsque in astra lÃberam pandit viam.Mundi MagÃster atque cæli Iánitor,Romæ paréntes arbitrÃque géntium,Per énsis ille, hic per crucis victor necem,Vitæsenátum laureáti póssident.O Roma felix, quæ duórum PrÃncipumEs consecráta glorióso sánguine!Hórum cruóre purpuráta céterasExcéllis orbis una pulchritúdines.Sit Trinitáti sempitérna glória,Honor, potéstas atque iubilátio,In unitáte, quæ gubérnat ómnia,Per univérsa sæculórum sǽcula.Amen.The beauteous light of God's eternal majestyStreams down in golden rays to grace this holy dayWhich crowned the princes of the Apostles' glorious choir,And unto guilty mortals showed the heavenward way.The teacher of the world and keeper of heaven's gate,Rome's founders twain and rulers too of every land,Triumphant over death by sword and shameful cross,With laurel crowned are gathered to the eternal band.O happy Rome! who in thy martyr princes' blood,A twofold stream, art washed and doubly sanctified.All earthly beauty thou alone outshinest far,Empurpled by their outpoured life-blood's glorious tide.All honour, power, and everlasting jubileeTo him who all things made and governs here below,To God in essence One, and yet in persons Three,Both now and ever, while unending ages flow.Amen.(Hymn from the Office of Vespers for SS Peter and Paul).
$2.00
1.82 €
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Chorale SATB
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Nicholas White
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Decora Lux Aeternitatis
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Nicholas White Music
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SheetMusicPlus
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