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Vous avez sélectionné:
Una Cavatina
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Una Cavatina
Flute (or subbass flute, bass flute, alto flute in G) - Digital Download SKU: S9.Q55521…
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Flute (or subbass flute, bass flute, alto flute in G) - Digital Download SKU: S9.Q555214 Composed by Frank Michael. Downloadable. Volume op. 65/3. Musikverlag Zimmermann - Digital #Q555214. Published by Musikverlag Zimmermann - Digital (S9.Q555214). German • English • French.Una Cavatina, the third piece from op. 65, is meant for subbass flute, but can also be played by a flute with normal size, an alto flute or bass flute. The title refers to the form of an aria widely spread in the 18th and 19th century which was called cavatina. Further references to modified aspects of the cavatina are being made by hidden quotes from Mozart's Die Hochzeit des Figaro“ and Beethoven's String Quartet op. 130. Quite an effective piece!
$7.99
7.28 €
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Frank Michael
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Una Cavatina
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.52 €
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Flûte traversière et Piano
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.52 €
#
Hautbois, Piano (duo)
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Quartet No. 9
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - difficult - Digital Download SKU: S9.Q778629 (Beethoven-Study I…
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String quartet - difficult - Digital Download SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes. Schott Music - Digital #Q778629. Published by Schott Music - Digital (S9.Q778629). The 9th String Quartet forms the penultimate work in my Beethoven Study quartet cycle. Chronologically, however, it was composed after the 10th Quartet Cavatina. And indeed, when composing it, it felt like the conclusion of the cycle. While the 6th Quartet Studie über Beethoven, which opened the cycle, was still in one movement, the 7th in two and the 8th in three, this 9th Quartet is a four-movement work. The sacred musical number 9 inspired me to create an especially substantial and intense composition. The second movement, a Scherzo, and the fourth movement Allegro alla marcia have become simply gigantic in their dimensions and in the density of information and impulses in comparison to their historical models. This 9th quartet has a particular focus on Beethoven’s still unattainable Quartet in C# minor op. 131. The radical nature and modernity of this work are still burning issues for us today. As in the other quartets in the cycle, I have been amazed at the new forms which have evolved during my preoccupation with their historical models and the extent of previously unknown spiritual depths in my own music during the process of composition. While my study of Beethoven's symphonies in the orchestral piece Con brio led to the discovery of new tonal possibilities for the orchestra (the timpani treatment!) and the juxtaposition of Beethoven's choral fantasy with the Latin Dies irae in my ARCHE oratorio made it possible to develop new theological and thematic points of focus, in the string quartet cycle it is above all the development and discovery of new forms that could only emerge through the study of Beethoven's quartets. Jörg Widmann.
$132.99
121.1 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Joerg Widmann
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String Quartet No. 9
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Schott Music - Digital
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SheetMusicPlus
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