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Uncle Charles
Non classifié
6
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5
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1
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1
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--INSTRUMENTS--
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ALTO
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CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
Uncle Charles
Partitions à imprimer
25 partitions trouvées
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1
Uncle Charles
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Todd Murphy
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Uncle Charles
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Todd Murphy
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1024936 Composed by Todd Murphy. Jazz. Score and parts. 93 pages. Todd Murphy #3629447. Published by Tod...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1024936 Composed by Todd Murphy. Jazz. Score and parts. 93 pages. Todd Murphy #3629447. Published by Todd Murphy (A0.1024936). Uncle Charles was written for Soundscape Big Band Jazz (São Paulo, Brazil) and is a medium up swing chart based on modified rhythm changes. The chart features an intro that has the bass instruments dueling it out early on. As the composer is a bass trombonist himself, he tends to give interesting and demanding lines to this instrument and Uncle Charles is no exception. On the high end, the trumpets can opt for an 8va Ab phrase if they are feeling brave that day (Listen to Jr. Galante on Soundscape´s recording to hear it well done)! The three soloists (trumpet and two tenors) constantly trade off solos between themselves and the bridge is always accompanied with an improvised second tenor solo (Uncle Charles in the case of SoundScape Big Band Jazz). All this along with wah wahs, plungers and Mingus like effects makes this chart fun and challenging.
$20.00
"Shake Hands with Uncle Sam!
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Chorale SATB
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Charles Carroll Sawyer
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Charles Carroll Sawyer
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I'd have a word with you
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"Shake Hands with Uncle S
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.14046 Composed by Charles Carroll Sawyer. Patriotism, Nationalism, Peace. Lester S. Levy Collection. 4 ...
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Piano and voice (solo and SATB chorus) - SKU: LV.14046 Composed by Charles Carroll Sawyer. Patriotism, Nationalism, Peace. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14046). Shake Hands with Uncle Sam!. Words and Music Composed By Charles Carroll Sawyer. Published 1866 by C.C. Sawyer, 59 Fulton Avenue in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Patriotism, Nationalism, Peace. First line reads My countrymen, pray, listen; I'd have a word with you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Uncle Sam What Ails You? Song & Chorus
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Piano, Voix
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John M
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Uncle Sam What Ails You? Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23239 Composed by John M. Loretz. Civil War--Union, Campaigns & battles, Patriotism. Lester S. Levy Collection. 4 pages. Publi...
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Piano and voice - SKU: LV.23239 Composed by John M. Loretz. Civil War--Union, Campaigns & battles, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23239). Uncle Sam What Ails You? Song & Chorus. Words by Charles C. Sawyer. Music by John M. Loretz. Published 1862 by Sawyer & Thompson, 59 Fulton Ave. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Campaigns & battles, Patriotism. First line reads Uncle Sam, wake up! wake up! Sure, courage never fails you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Uncle Sam What Ails You? Song & Chorus
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Piano, Voix
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John M
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Uncle Sam What Ails You? Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.13598 Composed by John M. Loretz. Patriotism, Campaigns & battles, Slavery, African Americans. Lester S. Levy Collection. 4 pa...
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Piano and voice - SKU: LV.13598 Composed by John M. Loretz. Patriotism, Campaigns & battles, Slavery, African Americans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13598). Uncle Sam What Ails You? Song & Chorus. Words by Charles C. Sawyer. Music by John M. Loretz. Published 1862 by Sawyer & Thompson, 59 Fulton Av. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Patriotism, Campaigns & battles, Slavery, African Americans. First line reads Uncle Sam, wake up! wake up! Sure, courage never fails you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Uncle Sam's Menagerie; Union Campaign Song and Chorus
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Piano, Voix
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J
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Uncle Sam's Menagerie; Union C
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.13763 Composed by J. William Pope. Presidential elections, Political platforms, Satire, Abraham Lincoln. Lester S. Levy Collec...
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Piano and voice - SKU: LV.13763 Composed by J. William Pope. Presidential elections, Political platforms, Satire, Abraham Lincoln. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13763). Uncle Sam's Menagerie; Union Campaign Song and Chorus. Words and Music Composed by J. William Pope. Published 1864 by Charles C. Mellor, no. 81 Wood Street in Pittsburgh, Pa. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Presidential elections, Political platforms, Satire, Abraham Lincoln. First line reads I'd like to have you all to know That I, that I Am going to have a little show.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Uncle Sam's Menagerie
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Piano, Voix
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J
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Uncle Sam's Menagerie
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.13298 Composed by J. William Pope. Presidential elections. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins Univ...
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Piano and voice - SKU: LV.13298 Composed by J. William Pope. Presidential elections. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13298). Uncle Sam's Menagerie. Words and Music by J. William Pope. Published 1864 by Charles C. Mellor, No.81 Wood Street in Pittsburgh. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Presidential elections. First line reads I'd like to have you all to know That I, that I am going to have a little show.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Old Uncle Ned
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Piano seul
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Charles Grobe
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Old Uncle Ned
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Charles Grobe. Stephen Collins Foster. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19937). - -...
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Composed by Charles Grobe. Stephen Collins Foster. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19937). - - - Johns Hopkins University Sheridan Libraries
$5.99
What An Afternoon! Comic Song
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Piano, Voix
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Charles Collette
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Charles Collette
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What An Afternoon! Comic Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.16818 Composed by Charles Collette. Parlors, Banjos, Percussion instruments, Caricatures, Portraits, Musicians, Nonsense songs...
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Piano and voice - SKU: LV.16818 Composed by Charles Collette. Parlors, Banjos, Percussion instruments, Caricatures, Portraits, Musicians, Nonsense songs. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16818). What An Afternoon! Comic Song. Written & Composed By Charles Collette. Published [n.d.] by in n.p. Composition of strophic with chorus (dance interlude) with piano and voice instrumentation. Subject headings for this piece include Parlors, Banjos, Percussion instruments, Caricatures, Portraits, Musicians, Nonsense songs. First line reads I'll sing you a song of my uncle Pete.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Togetherness
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Leroy Brathwaite
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Charles Beale
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Togetherness
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5313675. Published by charliebmusic (A0.865879). ‘Togetherness’ is a Soca Carnival hit from the 2007 Trinidad carnival, and was sung originally by Alison Hinds on her ‘Soca Queen’ album, with music and lyrics by Leroy Brathwaite, who happens to be Rhianna’s uncle.Suitable for Pride, a Holiday celebration or any show about community, the song contains powerful lyrics about unity, community and togetherness, as well as mentions of stopping the fighting and gun violence. The half time reggae in the middle 8 leads to a defiant unison section where the entire ensemble declares ‘They can’t be believe that we love one another’. This leads to a final explosion of joy. Especially infectious, this tune demands audience participation and choir movement of some kind.The song itself is relatively repetitive and builds in energy with every return of the main chorus. It is vocally demanding and high energy throughout, demanding some vocal stamina and knowledge of Trinidad pronunciation. It could also be an opportunity to learn about the history and practice of carnival across the world, both as celebration of individuality and also as fighting oppression.
$1.99
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pl...
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Large Ensemble Voice - SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Bach: English Suite No. 4, BWV 809, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 4, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414284 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414284 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #996057. Published by jmsgu3 (A0.1414284). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 4, BWV 809, for Saxophone Quartet - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 4, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1414084 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1414084 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 28 pages. Jmsgu3 #995854. Published by jmsgu3 (A0.1414084). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
Bach: English Suite No. 4, BWV 810, for Saxophone Quartet - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 4, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1414824 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1414824 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 30 pages. Jmsgu3 #996598. Published by jmsgu3 (A0.1414824). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
Bach: English Suite No. 5, BWV 810, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 5, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414906 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1414906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 63 pages. Jmsgu3 #996653. Published by jmsgu3 (A0.1414906). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 6, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1415630 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1415630 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 41 pages. Jmsgu3 #997346. Published by jmsgu3 (A0.1415630). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 6, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1415704 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1415704 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 83 pages. Jmsgu3 #997410. Published by jmsgu3 (A0.1415704). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: The Six English Suites Complete for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: The Six English Suites C
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1415714 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1415714 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 393 pages. Jmsgu3 #997421. Published by jmsgu3 (A0.1415714). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$98.85
Bach: English Suite No. 2 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 2 for
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1411850 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1411850 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 69 pages. Jmsgu3 #994079. Published by jmsgu3 (A0.1411850). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 3, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1413555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1413555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 29 pages. Jmsgu3 #995358. Published by jmsgu3 (A0.1413555). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 3, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1413866 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1413866 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 57 pages. Jmsgu3 #995653. Published by jmsgu3 (A0.1413866). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1413891 Composed by Johann S...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1413891 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 62 pages. Jmsgu3 #995668. Published by jmsgu3 (A0.1413891). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
Bach: English Suite No. 2, BWV 807, for Saxophone Quartet - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 2, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1411054 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1411054 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 34 pages. Jmsgu3 #993400. Published by jmsgu3 (A0.1411054). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
#
James M
#
Bach: English Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1408827 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1408827 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 28 pages. Jmsgu3 #991429. Published by jmsgu3 (A0.1408827). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
Shake Hands with Uncle Sam! Charles Carroll Sawyer piano and voice (solo and SATB chorus) NULL NULL Available Instantly 5.99 Johns Hopkins University Sheridan Libraries NULL Digital Print Composed by
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Cloches
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Musique Sacrée
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Hal H
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Shake Hands with Uncle Sam! Ch
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Hope Publishing - Digital
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SheetMusicPlus
Composed by Hal H. Hopson. Hope's All-Time Best Sellers Series. General, Sacred. Handbell score. Published by Hope Publishing - Digital (H1.10486DP). - handbel...
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Composed by Hal H. Hopson. Hope's All-Time Best Sellers Series. General, Sacred. Handbell score. Published by Hope Publishing - Digital (H1.10486DP). - handbell score - General, Sacred - Hope Publishing - Digital
$5.99
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Uncle Charles
