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Under the Clouds
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Clouds/Rain
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU…
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Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 13 pages. Sydney Stevens, Water Music #3089187. Published by Sydney Stevens, Water Music (A0.859675). Contact: sydneystevenspianostudio@gmail.comClouds/Rain (from Seasons Suite): Dark clouds gather. A thunderstorm begins with gentle rain..High energy, forward moving instrumental. Arranged for Piano & English Horn. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, Scott Cossu, A la Windham HillFrom Album: SeasonsTheme: Music that portrays the building of a thunderstorm in mid-winter.Mood: Dark, flowing, energeticMusical Traits: Single notes and octaves in left hand piano with driving right hand triplet pattern.Long, sustained melodic English Horn part.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:52Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$5.50
5.03 €
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Sydney Stevens
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English Horn. Full score &
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Clouds/Rain
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Sydney Stevens, Water Music
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.2 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Mountain Goats And Other Creatures
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
91.47 €
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Orchestre à Cordes
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.65 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
(ghost) Riders In The Sky (a Cowboy Legend)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
13.72 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767274 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.48 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Lyons Music Services
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SheetMusicPlus
String Quartet No. 12 ... The Seasons (2010) full score
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99
9.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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String Quartet No. 12 ... The Seasons
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Thomas Oboe Lee
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SheetMusicPlus
Clouds, A Fantasy for Voice, Violin and Piano
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730826 By Debbie Allen.…
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730826 By Debbie Allen. By Debbie Allen. Arranged by Debbie Allen. Classical,Contemporary,Contest,Festival,Instructional,Spiritual. 22 pages. Nottingham Scores #339083. Published by Nottingham Scores (A0.730826). Art reflects what we see and hear, as well as what we imagine. Music is sonic art. The sequence of sounds we hear spark our interest, imagination, and emotions. This vocal music, with instrumental accompaniment, is meant to represent the wonder of the clouds in the atmosphere above us. The text expresses our understanding of the purpose of clouds, as well as our curiosity about how they form and how they look as we gaze up at the sky. The shift between major and minor keys represents the dynamic nature of the clouds. Sometimes clouds are welcome. Sometimes clouds are a hindrance. Sometimes clouds create dangerous situations. The vocal part may be sung by a soprano or a tenor. Dramatic interpretation is encouraged and welcome, allowing the artists to share their relationship with clouds.
$7.99
7.31 €
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Voix Tenor, Piano
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Debbie Allen
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Debbie Allen
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Clouds, A Fantasy for Voice, Violin and Piano
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Nottingham Scores
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SheetMusicPlus
(ghost) Riders In The Sky (a Cowboy Legend)
Chorale TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan J…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
11.88 €
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Chorale TTBB
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Thunder Shower
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.961638 Composed by Kim S. Bean. Con…
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Piano Solo - Level 4 - Digital Download SKU: A0.961638 Composed by Kim S. Bean. Contemporary. Score. 4 pages. Kim S. Bean #5869767. Published by Kim S. Bean (A0.961638). Solo Piano. Late Intermediate. 4 pages. The second piece from the suite A View From Home.You and all living creatures are languishing in the stifling heat. You feel the air feebly stir, drops of rain falling here and there. A gust of wind, the clouds let loose their store of rain. Lightning streaks across the sky, booming thunder replies. Passing quickly, the storm leaves the air fresh and clean.Other pieces available in this suite are: A Golden Summer Day, Autumn Colors, Snowstorm and The View From Home.
$5.99
5.48 €
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Piano seul
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Kim S
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Thunder Shower
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Kim S. Bean
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SheetMusicPlus
A Ride Through the Countryside
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1032547 Composed by Catherine Slack…
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Piano Solo - Level 3 - Digital Download SKU: A0.1032547 Composed by Catherine Slack. 20th Century,Concert,New Age. Score. 3 pages. Catherine Slack #4996309. Published by Catherine Slack (A0.1032547). Peaceful and delightfula ride through countryside;rolling fields,roaming animals,beautiful like a flower –resting under wispy clouds. Not even a stormdisrupts the enchantmentof the peaceful countryside.
$2.99
2.74 €
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Piano seul
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Catherine Slack
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A Ride Through the Countryside
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Catherine Slack
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SheetMusicPlus
Dark Clouds - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.572340 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.572340 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Standards. Score and part. 7 pages. James M Stevens Music ASCAP #3419251. Published by James M Stevens Music ASCAP (A0.572340). This is an arrangement for Flute and Piano of Stevens' minimalism composition, Dark Clouds, at the intermediate level. There is a separate flute part in the the score and the piano part is a stand alone solo. The piano track as heard is available under Dark Clouds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/aD-e99y7pDM
$6.99
6.39 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Dark Clouds - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Dark Clouds - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.572337 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.572337 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Standards. 7 pages. James M Stevens Music ASCAP #3418501. Published by James M Stevens Music ASCAP (A0.572337). This is an arrangement of Stevens' minimalism composition, Dark Clouds, for intermediate violin and piano. There is a separate violin part in the score and the piano can be used as a separate stand alone minimalist piece. The track as heard is available under Dark Clouds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/2dTGq5RG-RU
$6.99
6.39 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Dark Clouds - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holl…
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Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$99.99
91.47 €
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Orchestre
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Hudson Holland
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SheetMusicPlus
Lost in the Clouds - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573948 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573948 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6204437. Published by James M Stevens Music ASCAP (A0.573948). Written December 19, 2020, this an original flute and piano composition in a relaxed and dreamy style in the key of F major with a lyrical melody above and repetitive mystic pattern in the piano. There is a separate flute part in the score and the piano part as seen can serve as a independent new age piano solo. The accompaniment track as heard can be found under Lost in the Clouds Piano Track.
$6.99
6.39 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Lost in the Clouds - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Lost in the Clouds - Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.573949 Composed by James Michael St…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.573949 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6204441. Published by James M Stevens Music ASCAP (A0.573949). Written December 19, 2020, this an original oboe and piano composition in a relaxed and dreamy style in the key of F major with a lyrical melody above and repetitive mystic pattern in the piano. There is a separate oboe part in the score and the piano part as seen can serve as a independent new age piano solo. The accompaniment track as heard can be found under Lost in the Clouds Piano Track.
$6.99
6.39 €
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Hautbois, Piano (duo)
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James Michael Stevens
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James Michael Stevens
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Lost in the Clouds - Oboe & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Lost in the Clouds - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.573947 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.573947 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #6204421. Published by James M Stevens Music ASCAP (A0.573947). Written December 19, 2020, this an original violin and piano composition in a relaxed and dreamy style in the key of F major with a lyrical melody above and repetitive mystic pattern in the piano. There is a separate violin part in the score and the piano part as seen can serve as a independent new age piano solo. The accompaniment track as heard can be found under Lost in the Clouds Piano Track.
$6.99
6.39 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Lost in the Clouds - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Above the Clouds - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.572746 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.572746 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3928159. Published by James M Stevens Music ASCAP (A0.572746). This is an original composition for Flute & Piano in a relaxed and romantic style at the intermediate level. There is a separate flute part in the score and the track as heard is available under Above the Clouds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=nCATyDtyHGg
$6.99
6.39 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Above the Clouds - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Above the Clouds - Clarinet & Piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.572748 Composed by James Michae…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.572748 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3928173. Published by James M Stevens Music ASCAP (A0.572748). This is an original composition for Clarinet & Piano in a relaxed and romantic style at the intermediate level. There is a separate clarinet part in the score and the track as heard is available under Above the Clouds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=6y4nkTuWAg8
$6.99
6.39 €
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Clarinette et Piano
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James Michael Stevens
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James Michael Stevens
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Above the Clouds - Clarinet & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Above the Clouds - Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.572747 Composed by James Michael St…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.572747 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3928167. Published by James M Stevens Music ASCAP (A0.572747). This is an original composition for Oboe & Piano in a relaxed and romantic style at the intermediate level. There is a separate oboe part in the score and the track as heard is available under Above the Clouds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=7pyx_i_5n_A
$6.99
6.39 €
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Hautbois, Piano (duo)
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James Michael Stevens
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James Michael Stevens
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Above the Clouds - Oboe & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Above the Clouds - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.572745 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.572745 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #3928133. Published by James M Stevens Music ASCAP (A0.572745). This is an original composition for Violin & Piano in a relaxed and romantic style at the intermediate level. There is a separate violin part in the score and the track as heard is available under Above the Clouds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=E0Yphpv5Plk
$6.99
6.39 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Above the Clouds - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
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