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Up 'Gainst The Wall
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ALTO
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CHORALE - CHAN…
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Vous avez sélectionné:
Up 'Gainst The Wall
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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Up Against The Wall Redneck
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Orgue
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Country
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Jerry Jeff Walker
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Up Against The Wall Redneck
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.914840 By Jerry Jeff Walker. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal L...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.914840 By Jerry Jeff Walker. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #883100. Published by Hal Leonard - Digital (HX.914840). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Up 'Gainst The Wall
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Instruments en Do
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Jazz
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John Coltrane
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Up 'Gainst The Wall
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument - SKU: HX.1039750 By John Coltrane. This edition: scorch. Jazz. Real Book - Melody/Chords. 1 pages. Hal Leonard - Digital #883099. Publishe...
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C Instrument - SKU: HX.1039750 By John Coltrane. This edition: scorch. Jazz. Real Book - Melody/Chords. 1 pages. Hal Leonard - Digital #883099. Published by Hal Leonard - Digital (HX.1039750).
$1.99
Up Against the Wall, Redneck Mother
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Piano seul
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Rock
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Tunescribers
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Up Against the Wall, Redneck M
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ArrangeMe
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SheetMusicPlus
Piano Solo - SKU: A0.1332572 Arranged by Tunescribers. Rock. Score. 6 pages. ArrangeMe #43896. Published by ArrangeMe (A0.1332572). ...
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Piano Solo - SKU: A0.1332572 Arranged by Tunescribers. Rock. Score. 6 pages. ArrangeMe #43896. Published by ArrangeMe (A0.1332572).
$9.95
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
Optimism Within
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Piano, Voix
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AVANCÉ
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Jason V
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Optimism Within
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Barabba Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba Music #965779. Published by Barabba Music (A0.1381060). A song for soprano and pianoText by Helen Keller from her Essay Optimism WithinWritten for Ann MossText:Once I knew the depth where no hope was, and darkness lay on the face of all things. Then love came and set my soul free.  Once I knew only darkness and stillness. Now I know hope and joy. Once I fretted and beat myself against the wall that shut me in. Now I rejoice in the consciousness that I can think, act and attain heaven.My life was without past or future; death, the pessimist would say, a consummation devoutly to be wished. But a little word from the fingers of another fell into my hand that clutched at emptiness, and my heart leaped to the rapture of living. Night fled before the day of thought, and love and joy and hope came up in a passion of obedience to knowledge. Can anyone who escaped such captivity, who has felt the thrill and glory of freedom, be a pessimist?Darkness cannot shut me in again.
$10.00
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Compositions 1960
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Contemporain
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La Monte Young
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Divisi Labs
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Compositions 1960
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Divisi Labs
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SheetMusicPlus
Large Ensemble - Level 1 - SKU: A0.1010670 Composed by La Monte Young. Arranged by Divisi Labs. 20th Century. Score and parts. 9 pages. Divisi Labs #656...
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Large Ensemble - Level 1 - SKU: A0.1010670 Composed by La Monte Young. Arranged by Divisi Labs. 20th Century. Score and parts. 9 pages. Divisi Labs #6562549. Published by Divisi Labs (A0.1010670). The Compositions 1960 are a set of pieces written in 1960 by composer La Monte Young. These pieces are unique in the sense that Young heavily emphasizes performance art, through extra-musical actions such as releasing a butterfly into the room or pushing a piano against a wall. History In 1959, while studying at Berkeley, Young traveled to Darmstadt to study with Karlheinz Stockhausen. During that summer, Stockhausen frequently discussed the music of American Composer John Cage. As a result, rather than gaining interest in Stockhausen's works, Young left Darmstadt having found inspiration in Cage's works. A year later in 1960, Young did indeed have the opportunity to study with Cage and Richard Maxfield in New York. During his studies, Young gave New York's first loft concert in Yoko Ono's loft. Some of the pieces that he performed would later become part of his Compositions 1960 Pieces Each piece has a unique set of instructions to be followed by the performer. These instructions may include the setting up of the piece, and what to do during the piece. Some of the pieces will even specify what the audience should do.
$4.99
Up Against The Wall Redneck
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Piano, Voix et Guitare
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Country
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Jerry Jeff Walker
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Up Against The Wall Redneck
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jerry Jeff Walker. Country. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Jerry Jeff Walker. Country. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
A Dizzy Night in Tunisia
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dizzy Gillespie
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A Dizzy Night in Tunisia
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SheetMusicPlus
Jazz Ensemble - Advanced Intermediate - Digital Download By Dizzy Gillespie. Arranged by Roger Wallace. Score, Set of Parts. 79 pages. Published by Roger W...
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Jazz Ensemble - Advanced Intermediate - Digital Download By Dizzy Gillespie. Arranged by Roger Wallace. Score, Set of Parts. 79 pages. Published by Roger Wallace
Jazz Ensemble. Latin and Swing, multi-meter. The Dizzy Gillespie classic features Trombone 1 playing the melody as a half-time ballad against Latin style rhythm accompaniment. After an optionally open solo section (in swing tempo), an ensemble soli (without rhythm section) leads to a jazz waltz by the lower voices. The final section features Alto Sax 1, Flugelhorn and Trombone 1 in an up-tempo recap of the melody. See Conductor score for an overview.
A 3-line Conductor score (5 pages) is provided in place of the full score.
Includes an optional Tuba part (with key figures cued for others).
A full length audio version can be heard in the YouTube video.
Also available for Trombone Quartet, Trombone Quintet and Brass Quintet.
Look for more arrangements by Roger Wallace in Sheet Music Plus.
$25.00
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Up 'Gainst The Wall
