Page d'accueil
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
14
Partitions Numériques
7
Librairie Musicale
24
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Uprising Of Love
Partitions à imprimer
7 partitions trouvées
<
1
Uprising Of Love
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Rock
#
Melissa Etheridge
#
Pakk Hui
#
Uprising Of Love
#
Pakk Hui
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.888586 By Melissa Etheridge. By Melissa Etheridge. Arranged by Pakk Hui. Pop,Rock. Octavo. 13 pages. Pakk Hui #5...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.888586 By Melissa Etheridge. By Melissa Etheridge. Arranged by Pakk Hui. Pop,Rock. Octavo. 13 pages. Pakk Hui #5739273. Published by Pakk Hui (A0.888586). Uprising of Love by Melissa Etheridge for TTBB and Piano. This is a power anthem for the marriage equality movement. There are no separate band parts for this number. This includes the TTBB and Piano, as well as the lead sheet in the same PDF.
$5.25
The Auld Hoose / Loch Lomond / Comin' Thro' The Rye / The Bluebells Of Scotland
#
Accordéon
#
Traditional
#
Julia Gordon
#
The Auld Hoose / Loch Lomond /
#
Julia Gordon
#
SheetMusicPlus
Accordion - SKU: A0.822592 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,World. Score. 5 pages. Julia Gordon #3578371. Published by Jul...
(+)
Accordion - SKU: A0.822592 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,World. Score. 5 pages. Julia Gordon #3578371. Published by Julia Gordon (A0.822592). four Scottish airs arranged as a set for accordion THE AULD HOOSEWritten by Carilina Oliphant (Lady Nairne, 1766-1845) this is a nostalgic song about her birthplace in Gask, Perthshire.LOCH LOMONDLoch Lomond, also known as ‘The Bonnie Banks o' Loch Lomond’, is a well-known traditional Scottish song first published in 1841 in 'Vocal Melodies of Scotland'. There are many theories about the meaning of the song, most of which are connected to the Jacobite Uprising of 1745. One interpretation based on the lyrics is that the song is sung by the lover of a captured Jacobite rebel set to be executed in London following a show trial. The heads of the executed rebels were then set upon pikes and exhibited in all of the towns between London and Edinburgh in a procession along the 'high road' (the most important road), while the relatives of the rebels walked back along the 'low road' (the ordinary road travelled by peasants and commoners).COMIN’ THRO’ THE RYEThe lyrics were written in 1782 by Robert Burns (1759–96) who put the words to the melody of the ‘Common' Frae The Town’, a variant of the tune to which 'Auld Lang Syne' is usually sung.THE BLUEBELLS OF SCOTLANDThe Bluebells of Scotland is the usual modern name for a Scottish folk song. It was written by Dora Jordan, an English actress and writer, and first published in 1801.
$6.50
My Love is Like a Red, Red Rose (SAB Choir A Cappella)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Scottish Traditional / Words:
#
Thomas Quigley
#
My Love is Like a Red, Red Ros
#
Thomas Quigley
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1113976 Composed by Scottish Traditional / Words: Robert Burns. Arranged by Thomas Quigley. A Cappella,Contest,Fe...
(+)
Choral Choir (SAB) - Level 3 - SKU: A0.1113976 Composed by Scottish Traditional / Words: Robert Burns. Arranged by Thomas Quigley. A Cappella,Contest,Festival,Traditional. Octavo. 6 pages. Thomas Quigley #715875. Published by Thomas Quigley (A0.1113976). Though only in three parts and unaccompanied, the texture here is suprisingly full, with the voices blending beautifully to create highly attractive harmonies. Ideal for highlighting the expressive qualities of your choir, this is a wonderful concert item, is truly enjoyable to perform and is a song well-loved by audiences.
$2.50
Joseph and Grace (Downloadable)
#
Shane M
#
Joseph and Grace
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3505-E Composed by Shane M. Lynch. Secular, 21st Centur...
(+)
Soprano voice and tenor voice soli, SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3505-E Composed by Shane M. Lynch. Secular, 21st Century, Lament/Grief/Sorrow, Love. Instrument parts. 15 pages. Galaxy Music Corporation - Digital #1.3505-E. Published by Galaxy Music Corporation - Digital (MQ.1.3505-E). English.Written for the Washington and Lee University Singers in 2016, this is a haunting setting of parts of several poems by Joseph Mary Plunkett, the man who came up with the ill-fated plan for the Easter Uprising. Much of it he wrote for the great love of his live, Grace Gifford, who he married seven hours before his execution for his part in planning the failed revolution. The tenor and soprano soloists take the part of the lovers. The music expresses their love, but also the foreboding of what is to come. A masterful, mysterious, and moving piece for a capable college or community choir. Duration: 5:00.
$2.85
Bywaj dziewczÄ™ zdrowe
#
Unknown
#
Joanna Garbacz
#
Bywaj dziewczÄ™ zdrowe
#
Joanna Garbacz
#
SheetMusicPlus
Choral Choir,Choral (SAA) - Level 2 - SKU: A0.1152363 Composed by Unknown. Arranged by Joanna Garbacz. A Cappella,Country,Patriotic,Romantic Period,Trad...
(+)
Choral Choir,Choral (SAA) - Level 2 - SKU: A0.1152363 Composed by Unknown. Arranged by Joanna Garbacz. A Cappella,Country,Patriotic,Romantic Period,Traditional. 1 pages. Joanna Garbacz #752586. Published by Joanna Garbacz (A0.1152363). Polish patriotic song from XIX century. Song from the November Uprising, probably written at the end of 1830. The text is attributed to Rajnold Suchodolski, the author of many patriotic works from that era. Music author - unknown. The text combines patriotic and romance threads - it is a farewell to the beloved of a soldier leaving for war, a participant of the November Uprising. The character and mood of the songs are typical of Polish Romanticism and creativity.
$1.99
Suit Suite for Three Euphoniums and Three Tubas
#
3 Euphoniums
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sy Brandon
#
Suit Suite for Three Euphonium
#
Sy Brandon
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #32248...
(+)
Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #3224881. Published by Sy Brandon (A0.754940). This composition, composed for the Kansas State University Tuba-Euphonium Ensemble, is inspired by the suits of a deck of cards and their associated representations. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money's sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A flutter-tongued chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between the euphoniums and the tubas. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again.
$14.99
Symbology for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sy Brandon
#
Symbology for Concert Band
#
Sy Brandon
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
(+)
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
<
1
Uprising Of Love