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V'amo di core
Partitions à imprimer
12 partitions trouvées
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V'amo di core
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Chorale SATB
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Classique
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Wolfgang Amadeus Mozart
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V'amo di core
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - easy to advanced - SKU: S9.Q49997 Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. Downloadable. Schott Music - Digi...
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Mixed choir (SATB) - easy to advanced - SKU: S9.Q49997 Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. Downloadable. Schott Music - Digital #Q49997. Published by Schott Music - Digital (S9.Q49997). Italian.
$1.99
Six famous Neapolitan songs
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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E
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Edoardo Pepe
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Six famous Neapolitan songs
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RoughPiano
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.962843 Composed by E. Tagliaferri/N. Valente/L. Bovio, F. Campanella/G. Donizetti/R. Sacco, G. Cottrau/G. Genoino, G. Lam...
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Piano Solo - Level 4 - SKU: A0.962843 Composed by E. Tagliaferri/N. Valente/L. Bovio, F. Campanella/G. Donizetti/R. Sacco, G. Cottrau/G. Genoino, G. Lama/L. Bovio, M. P. Costa/S. Di Giacomo, and V. Russo/E. Di Capua/A. Mazzucchi. Arranged by Edoardo Pepe. Concert,Romantic Period. Score. 39 pages. RoughPiano #6866861. Published by RoughPiano (A0.962843). Instrumental arrangements for piano solo of six famous Neapolitan songs. For advanced/intermediate level, using harmonic and polyphonic variations. Useful to be used as an encore at the end of a piano recital.
$25.00
Triskel (Orff Instruments & Chamber Orchestra) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Triskel
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Ce...
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Chamber Orchestra - Level 3 - SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Celtic,Chamber,Children,Classical,Irish. 47 pages. Publisher by Rudesindo Soutelo #826603. Published by Publisher by Rudesindo Soutelo (A0.1230983). Ao Grupo Instrumental da EB de V.P. de Âncora e à Orquestra ARTEAMRudesindo Soutelo:Triskel (2023) for Orff Instruments and Chamber Orchestra [ca. 7'42]O eixo do mundo / The axis of the worldPremière: 16-V-2023. Teatro dos Bombeiros de Vila Praia de Âncora (Portugal). Int.: Grupo Instrumental Orff da EB de V.P. de Âncora (Prof. Manuela Moura) e Orquestra ARTEAM de Viana do Castelo. Dir.: Diogo Costa.ISWC: T-315.743.482-3ISMN: 979-0-707704-10-3Páginas de amostra / Sample pages: https://www.researchgate.net/publication/370676001=oOo=The Triskel is present in many ancient cultures but it is in the Celtic culture where it has acquired a greater prominence. It represents the power of the Sun, the axis of the world, the original matrix. It is an allegory of the number 3; of the past, present and future; of the Christian Trinity. It evokes the differences in the unity of the great whole, the Universe.The work was originally composed to integrate an Instrumental Group Orff (Glockenspiel Soprano and Alto, Metallophones and Xylophones Soprano, Alto and Bass), from the General Elementary School, as soloists in a Chamber Orchestra. The organising complex of the work is [4 (2, 2), 3 (2, 1)].There is, also, an edition for Marimba and Chamber Orchestra.=oOo=O Triskel está presente em muitas culturas antigas, mas é na cultura celta onde adquiriu um maior relevo. Representa o poder do Sol, o eixo do mundo, a matriz original. É uma alegoria do número 3; do passado, presente e futuro; da Trindade cristã. Evoca as diferenças na unidade do grande todo, o Universo.A obra foi composta originalmente para integrar um Grupo Instrumental Orff (Glockenspiel Soprano e Alto, Metalofones e Xilofones Soprano, Alto e Baixo), do Ensino Básico geral, como solistas de uma Orquestra de Câmara. O complexo organizador da obra é [4 (2, 2), 3 (2, 1)].Existe, ainda, uma edição para Marimba e Orquestra de Câmara.
$10.00
Il Lamento di Tristano (La Rotta)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Anonymous
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Orlan Charles
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Il Lamento di Tristano
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.814590 Composed by Anonymous. Arranged by Orlan Charles. Classical,Standards. Score and parts. 17 pages. ORLAN CHARLE...
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Brass Ensemble - Level 3 - SKU: A0.814590 Composed by Anonymous. Arranged by Orlan Charles. Classical,Standards. Score and parts. 17 pages. ORLAN CHARLES MARCHIORI PRADO #3860505. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814590). A famous medieval anonymous song from XIV century - Il Lamento di Tristano (La Rotta) arranged by recorder trio (sopranino/soprano - alto/tenor - bass) and guitar (DADGBE)I played this arragement in this video: https://www.youtube.com/watch?v=h9oNIeIbY24 If you want to see other arrangements like this, look for my channel, Orlan Charles on Youtube, or follow my social networks below: Email: orlandagaita@gmail.com Instagram: @orlancharles Facebook: https://www.facebook.com/orlancharlespage/
$9.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
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Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Ascoli-Shelley Cycle
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Ascoli-Shelley Cycle
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1261426 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Contemporary. Score. 54 pages. Thomas Oboe ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1261426 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Contemporary. Score. 54 pages. Thomas Oboe Lee #854502. Published by Thomas Oboe Lee (A0.1261426). I first came upon Percy Bysshe Shelley's poem translated into Italian by Roberto Ascoli in a chamber work by Ottorino Respighi entitled Il Tramonto. I was so taken by this work for mezzo-soprano and string quartet that I did my own version of the Shelley-Ascoli text for soprano and piano, also called Il Tramonto. In the meanwhile, I found at an antique bookstore online a first edition copy of Poesie di P. B. Shelley (Milano Fratelli Treves, Editori, 1905) with more translations into Italian by Roberto Ascoli. The Italian versions are so much more beautiful than the English that I was compelled to create another song cycle of some of these poems in Italian for soprano and piano. I. Canto II. Versi III. Canto Funebre IV. Su Una Violetta Morta V. Filosofia Dell'Amore VI. A .... VII. A Jane VIII. Frammento.
$9.99
Il circolo dei poeti istinti
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Piano seul
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FACILE
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Contemporain
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Monica Bergo
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Il circolo dei poeti istinti
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.976859 Composed by Monica Bergo. Contemporary. Score. 3 pages. Monica Bergo #3238829. Published by Monica Bergo (A0.97685...
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Piano Solo - Level 2 - SKU: A0.976859 Composed by Monica Bergo. Contemporary. Score. 3 pages. Monica Bergo #3238829. Published by Monica Bergo (A0.976859). 2017 Holiday Contest Entry IL CIRCOLO DEI POETI ESTINTI Sì stai con noi se la notte incantata da noi ti ha portata ora tu ballerai la patetica danza nel buio che avanza se non tremi conosci già il tormento e il rimpianto quel che sei presto tu scorderai e quel dono non maledirai. Strana questa danza qui la tua esistenza non ha confini scordati chi eri dentro i tuoi pensieri soltanto noi. Muse ispiratrici senza più radici non hai legami gira un po' la testa senti questa orchestra suona per te Se fosse amico il re dell’universo Noi pregheremmo lui della tua pace Poiché hai pietà del nostro mal perverso… Nel mezzo del cammin di nostra vita Mi ritrovai per una selva oscura Che la diritta via era smarrita.. Smania che distruggerà fame che cibo non (ha) (La)crima va nei tuoi occhi il rimpianto per chi ami tanto se vuoi allora và torna al sole che scalda ricorda che scalza hai danzato una notte con noi non potrai rinnegare quel confine varcato a metà corri, torna alla tua realtà Siamo i rinnegati di quei tempi andati noi fuori tempo pagine sbiadite siamo imprigionati tu come noi fame di sapere dove puoi portare? alla deriva dentro i nostri amori lacrime e dolori resta con (noi) (La) dimensione è la tua... ma tu ti volti e vai via... Monica Bergo
$3.99
The Children's Journey (Five Piano Pieces from The Little Lyric Suite)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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The Children's Journey
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Rocco Di Pietro
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1290932 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Score. 14 pages. Rocco Di Pietro #88161...
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Piano Solo - Level 4 - SKU: A0.1290932 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Score. 14 pages. Rocco Di Pietro #881617. Published by Rocco Di Pietro (A0.1290932). “The emotion it seems roused in children when they are left alone in the darkis not dread, but desire. An overwhelming and fearful longing for the one whocan bring them solace for an apparent loss of self in the absence of the visible world.The light becomes both a beacon and a being, a summons and a response, illuminatingthe darkness that is a prelude to sleep, which is next door to the next world.â€~ J. Lord ~I. The PlaygroundThe child’s journey starts in a toxic playground at home.II. Roaming Among the CuckoosThe child roams among cuckoos, who make their nests in other creatures’homes. He knows this well, with his plethora of step dads.III. First Loss, Inner FlightThe child experiences his first loss, and goes into inner flight.IV. A Curious StoryThe actual awaited long journey of the child begins. A very curious storyindeed. V. Hospitality Dream (About Strange Lands and Peoples)At last, the child arrives with his dream of hospitality among strange landsand peoples, and is met with a rude, if not deadly, awakening.
$12.00
Symphony No. 10
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Chorale SATB
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Sir Peter Maxwell Davies
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Symphony No. 10
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Schott Music - Digital
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SheetMusicPlus
Pic.3.afl-3.3Acl.bcl.cbcl.3(3.cbsn).cbsn-4.4.3.1-timp(temple bowl)6perc(glsp, mar, crots, 3sus cym(bow), 3 gongs, tub bells, 2 metal bars, s.d., tenor drum, v. ...
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Pic.3.afl-3.3Acl.bcl.cbcl.3(3.cbsn).cbsn-4.4.3.1-timp(temple bowl)6perc(glsp, mar, crots, 3sus cym(bow), 3 gongs, tub bells, 2 metal bars, s.d., tenor drum, v. lg b.d., 3 tom-toms, flexatone-str baritone solo, mixed choir (SATB) and orchestra - SKU: S9.Q21640 Alla ricerca di Borromini. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 327. Duration 45 minutes. Schott Music - Digital #Q21640. Published by Schott Music - Digital (S9.Q21640). Italian.In his 80th year, Peter Maxwell Davies returns in music to Rome, where he studied with Goffredo Petrassi in the late 1950’s. Full of darkly glowing sonorities (recalling the earlier Roma, Amor of 1998) and often in a language of startling harmonic directness, the Symphony sets Leopardi’s sonnet A se stesso, Borromini’s last testament and an anonymous sonnet which attacks Borromini’s work for its ‘eccentricity’ and ‘lack of coherence’. Davies has composed a deeply moving meditation on the nature of creativity, the artist’s relationship with the past and, ultimately, mortality. Chris Austin.
$30.99
A Christmas Tale
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Noël
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Rodion Shchedrin
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A Christmas Tale
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q46573 Opera-extravaganza in 2 acts. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study scor...
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SKU: S9.Q46573 Opera-extravaganza in 2 acts. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 120 minutes. Schott Music - Digital #Q46573. Published by Schott Music - Digital (S9.Q46573). Russian.Božena Nemtsova is one of the foremost Czech authors of the 19th century and among the greatest storytellers, with her treasure trove of fairy tales. Her stories also enjoy great popularity in Russia: The Twelve Months translated by Nikolai Leskov, provides the basis for Rodion Shchedrin’s new opera, A Christmas Tale. With traces of familiar fairy tales such as Cinderella and Snow White, the story tells of a beautiful, hardworking but unloved stepdaughter and her search for a violet in the snow. Ultimately she receives help from the months of the year and her kindheartedness is rewarded.Picc. · 3 (3. auch Altfl.) · Blockfl. (Alt und Tenor) · 2 · Engl. Hr. · 3 · (3. auch Bassklar.) · 2 · Kfg. - 4 · 4 · 3 · 1 - P. S. (I: Vibr. · Marimba · 4 Bong. · Sonagli [Troika] · 3 Campanacci · Camp. tub.; II: Crot. · Vibr. · Marimba · Spring Drum. · 4 Cup-bells · hg. Sonagli [Troika] · gr. Tr. · Glass Chimes · Mar. · Guiro · Forest Cube · Twist-shakes · Russian spoons · Zug-flauto · 2 Bell plates; III: hg. Crot. · Kuhgl. · Beckenpaar · Tamt. · Sonagli [Troika] · Tamb. rullante · Tamb. militare · Tamburo · Wind-chimes · Whistle · Metalbl. · Clav. · Wind machine · Twist-shakes · Jungle stick · Zug-flauto · 2 Gonghi; IV: 4 Kuhgl. · 2 Tamt. · 4 Bong. · Tamb. rullante · Tamb. militare · Tamburino · gr. Tr. · Hi-hat-Charleston · Bar Chimes · Wood Chimes [Bambus] · Raganella · Frusta · Guiro · Canone · Camp. tub. · Mar. · Clav. · Cup-bells · Bird-singing · Wind-machine · Bambusi [Tubi di bambù] · Russian spoons · Podium [choclo] · 4 Gonghi · Camp. russe · Chinese tree; V: 4 Camp. russe [ad lib.]) (5 Spieler) - Domra · Hfe. · Klav. (auch Cel.) · Clavicemb. · Synth. (Mininova oder Yamaha DX7) - Str.
$55.99
A Christmas Tale
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Noël
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Rodion Shchedrin
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A Christmas Tale
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q46741 Opera-extravaganza in 2 acts. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, Piano reduction. Durati...
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SKU: S9.Q46741 Opera-extravaganza in 2 acts. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 120 minutes. Schott Music - Digital #Q46741. Published by Schott Music - Digital (S9.Q46741). Russian.Božena Nemtsova is one of the foremost Czech authors of the 19th century and among the greatest storytellers, with her treasure trove of fairy tales. Her stories also enjoy great popularity in Russia: The Twelve Months translated by Nikolai Leskov, provides the basis for Rodion Shchedrin’s new opera, A Christmas Tale. With traces of familiar fairy tales such as Cinderella and Snow White, the story tells of a beautiful, hardworking but unloved stepdaughter and her search for a violet in the snow. Ultimately she receives help from the months of the year and her kindheartedness is rewarded.Picc. · 3 (3. auch Altfl.) · Blockfl. (Alt und Tenor) · 2 · Engl. Hr. · 3 · (3. auch Bassklar.) · 2 · Kfg. - 4 · 4 · 3 · 1 - P. S. (I: Vibr. · Marimba · 4 Bong. · Sonagli [Troika] · 3 Campanacci · Camp. tub.; II: Crot. · Vibr. · Marimba · Spring Drum. · 4 Cup-bells · hg. Sonagli [Troika] · gr. Tr. · Glass Chimes · Mar. · Guiro · Forest Cube · Twist-shakes · Russian spoons · Zug-flauto · 2 Bell plates; III: hg. Crot. · Kuhgl. · Beckenpaar · Tamt. · Sonagli [Troika] · Tamb. rullante · Tamb. militare · Tamburo · Wind-chimes · Whistle · Metalbl. · Clav. · Wind machine · Twist-shakes · Jungle stick · Zug-flauto · 2 Gonghi; IV: 4 Kuhgl. · 2 Tamt. · 4 Bong. · Tamb. rullante · Tamb. militare · Tamburino · gr. Tr. · Hi-hat-Charleston · Bar Chimes · Wood Chimes [Bambus] · Raganella · Frusta · Guiro · Canone · Camp. tub. · Mar. · Clav. · Cup-bells · Bird-singing · Wind-machine · Bambusi [Tubi di bambù] · Russian spoons · Podium [choclo] · 4 Gonghi · Camp. russe · Chinese tree; V: 4 Camp. russe [ad lib.]) (5 Spieler) - Domra · Hfe. · Klav. (auch Cel.) · Clavicemb. · Synth. (Mininova oder Yamaha DX7) - Str.
$57.99
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