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Vals No 14 - Guitar

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24 partitions trouvées

Les Roses Valse

Piano seul

Piano - Digital Download SKU: LV.9800 Composed by Johann Strauss Jr. Portraits, Wre…(+)

$5.99 5.49 € #Piano seul #Johann Strauss Jr #Les Roses Valse #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Two Part Invention No.14

2 Tubas (duo)

Instrumental Duet Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.993747(+)

$10.00 9.16 € #2 Tubas (duo) #Johann Sebastian Bach #Alan K #Two Part Invention No.14 #Alan K. Parks #SheetMusicPlus

VALS CU 3 CULORI SI 5 PETALE (Waltz with 3 colors and 5 petals) (instrumental miniature with 3 nucle

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.9…(+)

$2.50 2.29 € #Quatuor à cordes: 2 violons, alto, violoncelle #Andrei-Lucian DrÄƒgoi #Andrei-Lucian DrÄƒgoi #VALS CU 3 CULORI SI 5 PETALE #Andrei-Lucian Dragoi #SheetMusicPlus

Finger Exercise No. 13 & 14 (Key of C)

Piano seul

Piano Solo - Digital Download SKU: A0.807256 Composed by Kathryn Carpenter. Instruc…(+)

$1.99 1.82 € #Piano seul #Kathryn Carpenter #Finger Exercise No. 13 & 14 #Kathryn Carpenter #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed …(+)

$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861782 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861784 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part â€“ two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861786 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark Oâ€™Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861785 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. Mark O'Connor Musik International #6201717. Published by Mark O'Connor Musik International (A0.861785). String Quartet No. 2 Bluegrass (viola â€“ two vlns, vla, cel) MO170DViola Part (score and parts available)Music by Mark Oâ€™Connor31 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170DCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.74 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

La Campanella Paganini Etude No.3 in G# minor for Piano Solo
Piano seul

Piano Solo - Level 5 - Digital Download SKU: A0.862685 Composed by Franz Liszt. Arr…(+)

Piano Solo - Level 5 - Digital Download SKU: A0.862685 Composed by Franz Liszt. Arranged by Michael Bomier. Concert,Instructional,Romantic Period. Score. 14 pages. Michael Butkus-Bomier #3691681. Published by Michael Butkus-Bomier (A0.862685). We assume that anyone who is interested in this edited version of La Camp WANTS our slow tempo, our reduced intervals, our melodic alterations, hand re-assignments, and lack of holds, slurs, ties and all manner of gewgaws. This piece, in this edition, is meant to give The Aspiring Artist a really strong taste of just what is in store for them when they ARRIVE! This piece is a common concert closer, for Kissin, Lang Lang, Lisitsa and others. Try it on for size, and then gradually increase the pace, as the notes in this forsaken key become a bit less thorny. When you encounter the original version, you'll have a good leg up on what it takes to make those brilliant octaves, tremolos, chime effects, and thundering finale. MBB.
$4.25 3.89 € #Piano seul #Franz Liszt #Michael Bomier #La Campanella Paganini Etude No.3 in G# minor for Piano Solo #Michael Butkus-Bomier #SheetMusicPlus

Quartet No. 2, Opus 8: Minuetto

Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1109950 By NA. By Louis-…(+)

Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1109950 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 14 pages. B. L. Dugan #712296. Published by B. L. Dugan (A0.1109950). Advancing brass players will find this quartet in minuet form delightful to learn and perform. Length: c.4:00, with repeats. Moderately skilled high school musicians, or perhaps even middle schoolers, can perform Quartet No. 2 in festivals, recitals, concerts church services or other special occasions.
$14.00 12.83 € #NA #Becky Dugan #Quartet No. 2, Opus 8: Minuetto #B. L. Dugan #SheetMusicPlus

Quartet No.5: Funeral March

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109786 By NA. By Louis-…(+)

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109786 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. Chamber,Classical,Contest,Festival. 14 pages. B. L. Dugan #712151. Published by B. L. Dugan (A0.1109786). Advancing brass players will appreciate this interesting slow march. Careful attention should be given to the dotted rhythms and dynamics. Length: c. 3:00. Brass musicians high school and above will find Quartet No.5 suitable for festivals, recitals, concerts and other solemn occasions, perhaps a memorial or church service.
$16.00 14.66 € #NA #Becky Dugan #Quartet No.5: Funeral March #B. L. Dugan #SheetMusicPlus

Valse sentimentale Op.51, No.6
Piano Quatuor: piano, 2 violons, violoncelle

Piano Quartet (Violin, Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.…(+)

Piano Quartet (Violin, Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-7939 Composed by Peter Ilyich Tchaikovsky. Romantic Period. Score and Parts. 14 pages. SheetmusicLAB #CL-ROM-7939. Published by SheetmusicLAB (P5.CL-ROM-7939). 8.3 x 11.7 inches.
$3.50 3.21 € #Piano Quatuor: piano, 2 violons, violoncelle #Peter Ilyich Tchaikovsky #Valse sentimentale Op.51, No.6 #SheetmusicLAB #SheetMusicPlus

Chopin-Valse brillante Op.34 No.3,for piano
Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.659443 Composed by Frederic Chopin.…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.659443 Composed by Frederic Chopin. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #3662199. Published by Open Cloud (A0.659443). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Chopin (Chopin,FrÃ©dÃ©ric)ï¼Œ1810-1849ï¼Œfor Piano, published by More Sheet Music Press.
$3.99 3.66 € #Piano seul #Frederic Chopin #MSM #Chopin-Valse brillante Op.34 No.3,for piano #Open Cloud #SheetMusicPlus

Valse Noble, Op. 101, No. 14
Piano seul

Digital Download SKU: HX.375695 Composed by Cornelius Gurlitt. Classical. Piano Sol…(+)

Digital Download SKU: HX.375695 Composed by Cornelius Gurlitt. Classical. Piano Solo. 1 pages. Published by Hal Leonard - Digital (HX.375695).
$4.99 4.57 € #Piano seul #Cornelius Gurlitt #Valse Noble, Op. 101, No. 14 #Hal Leonard - Digital #SheetMusicPlus

Método - Curso de Teclado Primeiros Toques - Volume 3 - Sérgio Cunha

C Instrument,Digital Keyboard,Electronic Keyboard,Piano - Level 2 - Digital Download SK…(+)

C Instrument,Digital Keyboard,Electronic Keyboard,Piano - Level 2 - Digital Download SKU: A0.1314023 By SÃ©rgio Matias da Cunha. By Various. Arranged by SÃ©rgio Matias da Cunha. Instructional. Educational Method. 102 pages. SÃ©rgio Matias da Cunha #902751. Published by SÃ©rgio Matias da Cunha (A0.1314023). Integrando a coleÃ§Ã£o de quatro volumes, no volume 3 (com 102 pÃ¡ginas), em Teoria 1, sÃ£o aprimorados os conhecimentos sobre intervalos; teoria musical; acordes; escalas; leitura rÃtmica; coordenaÃ§Ã£o e percepÃ§Ã£o. Inicia-se aqui a execuÃ§Ã£o das primeiras mÃºsicas de um repertÃ³rio diversificado, dividido por fases em seus diferentes estilos. Nesta primeira fase teremos: 10 pequenas valsas; 14 mÃºsicas de natal; 12 tradicional brasileiro; 39 temas e canÃ§Ãµes; 5 movimentos de suÃte e 5 temas clÃ¡ssicos. ATENÃ‡ÃƒO: Algumas mÃºsicas com direitos autorais do volume 3 e do volume 4 estÃ£o disponÃveis para compra em: https://www.sheetmusicplus.com/ e tambÃ©m Â no site: https://www.sheetmusicdirect.com/ Â (Encontre o cÃ³digo da mÃºsica junto ao Ãndice). Encontre vÃ¡rias partituras colando o nome do arranjador (SÃ©rgio Matias da Cunha) na barra de pesquisa. ATENÃ‡ÃƒO: Compre os quatro volumes do â€œCurso de Teclado Primeiros Toquesâ€ no site https://www.sheetmusicplus.com/ colando o cÃ³digo na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$15.00 13.74 € #SÃ©rgio Matias da Cunha #SÃ©rgio Matias da Cunha #teoria musical #Método - Curso de Teclado Primeiros Toques - Volume 3 - Sérgio Cunha #SÃ©rgio Matias da Cunha #SheetMusicPlus

BEST OF FREDERIC CHOPIN (19 TUNES) - Collection [EASY PIANO]
Piano Facile

Easy Piano - Level 2 - Digital Download SKU: A0.1326467 By Frederic Chopin. By Fred…(+)

Easy Piano - Level 2 - Digital Download SKU: A0.1326467 By Frederic Chopin. By Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 58 pages. Darek #914613. Published by Darek (A0.1326467). BEST OF FREDERIC CHOPIN (19 TUNES) - Sheet Music Collection [EASY PIANO]Sheet music for piano or keyboard in easy arrangements for beginner pianists. FrÃ©dÃ©ric Chopin and 19 of the composer's most famous works. Easy sheet music | Romanticism | Classical Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners.Included: Articulation, Dynamics, Fingering and a simplified YouTube tutorial.Â Song List:1.Â Ballade No. 1 in G Minor, Op. 232.Â Ballade No. 4 in F Minor, Op. 523.Â Etude Op. 10, No. 3 in E Major (Tristesse)4.Â Etude Op. 25, No. 9 in Gb Major (Butterfly)5.Â Funeral March from Sonata Op. 35, No. 2 (3rd Movement)6.Â Mazurka in Bb Major Op. 7, No .17.Â Nocturne in Eb Major Op. 9, No. 28.Â Nocturne in F Minor Op. 55, No. 19.Â Nocturne No. 20 in C# Minor, Op. posth.10. Polonaise No. 6 in Ab Major, Op. 53 (Heroic)11. Polonaise Op. 40, No. 1 in A Major (Military)12. Prelude in A Major Op. 28, No. 713. Prelude in B Minor Op. 28, No. 614. Prelude in C Minor Op. 28, No. 2015. Prelude in Db Major Op. 28, No. 15 (Raindrop)16. Prelude in E Minor Op. 28, No. 417. Waltz in A Minor B. 150, No. 1918. Waltz in C# Minor Op. 64, No. 219. Waltz in Eb Major Op. 18, No. 1 (Grande Valse Brillante).
$20.00 18.32 € #Piano Facile #Frederic Chopin #Darek #BEST OF FREDERIC CHOPIN #Darek #SheetMusicPlus

Suite for First Position String Orchestra in Three Movements
Orchestre à Cordes

String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bo…(+)

String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and parts. 53 pages. Michael Butkus-Bomier #2032829. Published by Michael Butkus-Bomier (A0.862523). The GateWay Editions First Position String Orchestra Series presents this three-movement suite. A Moderato of about 4 mins duration, an Andante, the featured portion of the suite, running about 7 mins, and a final Allegro, all clocking in at just under 14 mins. ALL notes are playable in first position for ALL sections, of course! The basses sometimes shift to 1 1/2 position, as is the usual pedagogy for their instrument. No fast notes across strings or trills. A minimum of accidentals. These three pieces use tightly controlled rhythms, intervals, and melodic fragments, to create a maximum of symphonic euphony through the combination of just a few musical elements. The audio clip is the complete suite. This work can be the centerpiece of a concert for a youth orchestra, a community group, or a high school ensemble. The phrases are not longer than 4 notes, many are two-note groups, making the choices for bowings much easier than longer strings of notes. Each part has the first movement on page one, the second movement on two facing pages, and the third one the last page, making for easy organization of music onstage and in rehearsal. Score is 33 pgs. MBB.
$45.00 41.23 € #Orchestre à Cordes #Michael Bomier #Suite for First Position String Orchestra in Three Movements #Michael Butkus-Bomier #SheetMusicPlus

Satie: La Belle Excentrique - Grand ritournelle - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Di…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 12 pages. RayThompsonMusic #887972. Published by RayThompsonMusic (A0.1298050). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichÃ©s, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sÃ©rieuse (A Serious Fantasy). It was premiered at the ThÃ©Ã¢tre du ColisÃ©e in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello.1. Grande ritournelle (Grand Ritornello) (This one)2. Marche franco-lunaire (Franco-Lunar March)3. Valse du mysterieux baiser dans l'Å“il (Waltz of the Mysterious Kiss in the Eye)4. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet with piccolo,but could be played on flute if no piccolo available.
$7.95 7.28 € #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #Erik Satie #Ray Thompson #Satie: La Belle Excentrique - Grand ritournelle - wind quintet #RayThompsonMusic #SheetMusicPlus

Fifteen Safari Duets for Tubas
2 Tubas (duo)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument. In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records. 1. Elephants at Stave This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time. 2. Gallop – Thompson Gazelle at Amboseli This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. 3. Rhinos at Nairobi Game Park This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama. 4. Giraffes at Nairobi Twiga Park This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues. 5. Warthogs at Ngulia Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run. 6. Baboons at Kiliguni This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. 7. Pastoral – Cape Buffalo at Samburu The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole. 8. Song - Hippos at Mzima Springs This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt. 9. Leopards at Kimana Lodge This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. 10. Colobus Monkeys at the Ark This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. 11. Zebra Migration at Masai Mara This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide. 12. Ostrich at Samburu This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat. 13. Cheetah at Voi This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly. 14. Gallop – Gerenuk at Buffalo Springs This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees. 15. Lions at Mara Sopa This duet is in the style of a fanfare. The lion is considered the king of the savanna. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument. In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records. 1. Elephants at Stave This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time. 2. Gallop – Thompson Gazelle at Amboseli This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. 3. Rhinos at Nairobi Game Park This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama. 4. Giraffes at Nairobi Twiga Park This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues. 5. Warthogs at Ngulia Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run. 6. Baboons at Kiliguni This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. 7. Pastoral – Cape Buffalo at Samburu The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole. 8. Song - Hippos at Mzima Springs This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt. 9. Leopards at Kimana Lodge This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. 10. Colobus Monkeys at the Ark This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. 11. Zebra Migration at Masai Mara This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide. 12. Ostrich at Samburu This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat. 13. Cheetah at Voi This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly. 14. Gallop – Gerenuk at Buffalo Springs This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees. 15. Lions at Mara Sopa This duet is in the style of a fanfare. The lion is considered the king of the savanna. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 18.32 € #2 Tubas (duo) #Gregory Fritze #Fifteen Safari Duets for Tubas # Musica Nova USA #SheetMusicPlus

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