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Vous avez sélectionné:
Valse Espagnole
SheetMusicPlus
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Valse Espagnole
Flûte traversière et Piano
Flute and piano - easy to intermediate - Digital Download SKU: S9.Q6929 Composed by…
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Flute and piano - easy to intermediate - Digital Download SKU: S9.Q6929 Composed by Ernesto Kohler. This edition: Sheet music. Il Flauto traverso. Downloadable. Op. 57. Schott Music - Digital #Q6929. Published by Schott Music - Digital (S9.Q6929). Neben anspruchsvollen Konzertstücken schrieb Ernesto Köhler (1849-1907) vor allem methodische Literatur und Spielmusik im romantischen Stil, die an die Kleinformen Chopins, Schumanns oder Brahms erinnern und bis heute ein fester Bestandteil im Flötenunterricht, bei Schülerkonzerten und beim Wettbewerb Jugend musiziert sind. In diese Kategorie fällt auch der Valse Espagnole op. 57, ein ausdrucksstarkes Charakterstück für Unterricht und Konzert.
$9.99
9.03 €
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Flûte traversière et Piano
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Ernesto Kohler
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Valse Espagnole
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Schott Music - Digital
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SheetMusicPlus
Valse espagnole by Josef Hellmesberger jr.
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1021852 Composed by Josef Hellmes…
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Concert Band - Level 4 - Digital Download SKU: A0.1021852 Composed by Josef Hellmesberger jr. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 68 pages. Edition Schwalbe #6657029. Published by Edition Schwalbe (A0.1021852). Josef Hellmesberger jr. (1855 - 1907) shares not only the name with his father. Both were famous musicians and members of the Vienna Philharmonic as violonists, the son also as conductor with a preceding carreer as military bandmaster. He was also a highly talented composer. The Valse espagnole is an intermezzo from his ballet The Pearl of Iberia, which was premiered in 1902 at the Vienna Court Opera. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg and first performed conducted by Hansjoerg Angerer at their 2014 New Year's Concert on January 6th in Salzburg, Austria. A live recording of this piece is included on the CD Eine musikalische Reise UMR65, Barcode 9120007612141 available at https://naxosdirekt.de/items/eine-musikalische-reise-557962 . Further details at: https://www.blaeserphilharmonie-mozarteum.at/
$88.00
79.56 €
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Orchestre d'harmonie
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Josef Hellmesberger jr
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Albert Schwarzmann
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Valse espagnole by Josef Hellmesberger jr.
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Edition Schwalbe
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SheetMusicPlus
Valse No. 1 "Valse Espagnole"
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1003165 Composed by Stephen Valenti…
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Piano Solo - Level 5 - Digital Download SKU: A0.1003165 Composed by Stephen Valentine. Contemporary,Romantic Period. Score. 3 pages. Stephen Valentine #9393. Published by Stephen Valentine (A0.1003165). This waltz is good for the early advanced pianist, as it contains some octave patterns and requires a subtle artistic touch to make this waltz sing.
$1.99
1.8 €
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Piano seul
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Stephen Valentine
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Valse No. 1 "Valse Espagnole"
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Stephen Valentine
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SheetMusicPlus
Bonsoir
Flûte traversière et Piano
Flute and piano - easy to intermediate - Digital Download SKU: S9.Q6927 Romance
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Flute and piano - easy to intermediate - Digital Download SKU: S9.Q6927 Romance. Composed by Ernesto Kohler. This edition: Sheet music. Il Flauto traverso. Downloadable. Op. 29. Schott Music - Digital #Q6927. Published by Schott Music - Digital (S9.Q6927). Key: F major.Apart from demanding concert pieces, Ernesto Köhler (1849-1907) primarily wrote methodological literature and music for playing in the Romantic style which are reminiscent of the small forms of Chopin, Schumann or Brahms and to this day form an inherent part of flute lessons, pupils' concerts and the competition 'Jugend musiziert'. Under this category come the romance Bon soir Op. 29 and Valse Espagnole Op. 57, two expressive character pieces for lessons and concerts.
$9.99
9.03 €
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Flûte traversière et Piano
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Ernesto Kohler
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Bonsoir
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Schott Music - Digital
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SheetMusicPlus
Santiago
Guitare
Guitar - intermediate - Digital Download SKU: S9.Q53224 Valse Espagnole. Com…
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Guitar - intermediate - Digital Download SKU: S9.Q53224 Valse Espagnole. Composed by Albert Corbin. Edited by Bruno Szordikowski and Peter Ansorge. Arranged by Luis T. Romero. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 3 pages. Schott Music - Digital #Q53224. Published by Schott Music - Digital (S9.Q53224). German • English.Digital publication of the piece found in the following print music collection: Romantic Miniatures - 45 Pieces for Guitar.
$2.99
2.7 €
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Guitare
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Albert Corbin
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Luis T
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Santiago
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Schott Music - Digital
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.19 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Dolly Suite (for Wind Sextet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and parts. 113 pages. Philip Le Bas #3590141. Published by Philip Le Bas (A0.818162). Faure’s piano duet entitled Dolly Suite is here arranged by Philip Le Bas for a wind sextet, consisting of a standard wind quintet (flute, oboe, clarinet, horn and bassoon) plus bass clarinet. The bass clarinet gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. Dolly was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.1) The Berceuse (lullaby) is best remembered as the theme tune to the BBC’s Listen with Mother, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)2) Mi-a-ou has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.3) Le Jardin de Dolly is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.4) Kitty-Valse again has nothing to do with cats but with the family dog Ketty, who whirls round and round, in unrelenting cheerfulness.5) In Tendresse Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.6) The last piece, Le Pas Espagnole is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s Espana, and here the wind players can enjoy playing at full tilt in an exciting and tuneful end to the suite.
$6.99
6.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gabriel Faure
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Philip Le Bas
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Dolly Suite
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Philip Le Bas
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SheetMusicPlus
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