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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Variations and Theme
Non classifié
595
Piano & claviers
Piano seul
518
Orgue
55
Piano Facile
37
Accompagnement Piano
17
Piano, Voix
12
1 Piano, 4 mains
11
Piano, Voix et Guitare
9
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
4
Clavecin
4
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
60
Guitare notes et tablatures
15
4 Guitares (Quatuor)
6
2 Guitares (duo)
5
3 Guitares (trio)
3
Ukulele
3
Piano, Guitare (duo)
2
Ukulele Baryton
2
Mandoline
1
Partitions De Groupes
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
10
Chorale TTBB
3
Chorale 3 parties
3
Chorale SSATB
1
Chorale Unison
1
Vents
Flûte traversière et Piano
58
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Clarinette
29
Quatuor de Saxophones: 4 saxophones
28
Saxophone Alto et Piano
27
Flûte et Guitare
27
Clarinette (partie séparée)
26
Flûte traversière
26
Clarinette et Piano
25
2 Clarinettes (duo)
20
Flûte, Hautbois, Clarinette, Basson
20
Quatuor de Clarinettes: 4 clarinettes
20
Hautbois, Piano (duo)
16
Saxophone (partie séparée)
15
Saxophone Tenor et Piano
15
2 Saxophones (duo)
13
Flûte, Clarinette (duo)
13
2 Flûtes traversières (duo)
13
Saxophone Soprano et Piano
13
Flute (partie séparée)
12
Saxophone Alto
9
Quintette de Saxophone: 5 saxophones
8
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Tenor
7
Ensemble de Clarinettes
7
Clarinette Basse, Piano
6
3 Clarinettes (trio)
6
Hautbois (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
Clarinette, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Saxophone Baryton, Piano
4
3 Saxophones (trio)
4
Flûte, Clarinette et Basson
4
Saxophone, Clarinette (duo)
4
Hautbois
4
Ensemble de Flûtes
3
Cor anglais, Piano
3
Clarinette, Guitare (duo)
3
Clarinette et Alto
3
Flûte à bec Alto, Piano
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quatuor de Flûtes à bec
2
Flûte à bec Soprano
2
3 Flûtes à bec (trio)
2
Clarinette, Violoncelle (duo)
2
Ensemble de saxophones
2
Flûte, Violoncelle
2
Piccolo, Piano
2
Clarinette, Violon (duo)
2
Hautbois, Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon
2
Flûte, Saxophone (duo)
2
Saxophone et Guitare
1
Clarinette Basse
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Hautbois et alto (duo)
1
Flûte, Clarinette, Piano (trio)
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Saxophone, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
Cor anglais, Guitare (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Hautbois (duo)
1
Cor Anglais
1
Flûte, Alto (duo)
1
Saxophone
1
2 Clarinettes, Piano
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trombone (partie séparée)
24
Trompette
23
Trombone et Piano
21
Cor (partie séparée)
21
Cor et Piano
18
Trompette, Piano
17
Tuba et Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette (partie séparée)
10
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 trombones
7
Cor
6
Trombone
6
Tuba (partie séparée)
5
Tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cornet A Pistons
3
Quatuor de cuivres: 4 cors
3
Cornet et Piano
3
Cor anglais, Piano
3
Trompette, Trombone (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse
2
Quatuor de Cuivres
2
Cor, Orchestre
1
Trompette, Orchestre
1
Ensemble de Cors
1
Trompette, Cor (duo)
1
Trompette, Saxophone (duo)
1
2 Trombones (duo)
1
4 Tubas
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
2 Cors (duo)
1
3 Tubas (trio)
1
Cor Anglais
1
2 Trompettes (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
47
Violoncelle, Piano
31
Violon
31
Violon (partie séparée)
21
Violoncelle
15
2 Violons (duo)
14
Alto, Piano
13
Violon, Alto (duo)
12
Violon, Violoncelle (duo)
12
Violon, Guitare (duo)
11
Alto seul
10
Contrebasse (partie séparée)
10
Trio à Cordes: violon, alto, violoncelle
9
Harpe
9
Violoncelle , Guitare (duo)
8
Violoncelle (partie séparée)
6
2 Violoncelles (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
4
2 Altos (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violon, Basson (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orchestre
2
Contre Basse
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
1
Harpe et mandoline
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
Violon, Violoncelle, Clarinette
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
173
Cloches
97
Orchestre à Cordes
74
Orchestre
59
Orchestre de chambre
17
Ensemble de cuivres
15
Percussion (partie séparée)
7
Timbales (partie séparée)
6
Ensemble Jazz
3
Ensemble de Percussions
3
Percussion
1
Batterie (partie séparée)
1
Quintette à Vent
1
2 Xylophones
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Piano et Orchestre
1
Batterie
1
+ 13 instrumentations
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Autres
Instruments
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COR ANGLAIS
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs d&
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
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Orchestre d'harmonie
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AVANCÉ
#
Classique
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts....
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Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
Variations on a Canarian Hymn
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Mus...
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Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00
Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band Version Score and Parts PD
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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Shades of Eltham
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by...
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Concert Band - Level 3 - SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by BJE Music (A0.750863). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about the two thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way.I hope you enjoy my musical tribute to the Shades. The MP3 was recorded with NotePerformer.Now available as an orchestral arrangement as well. See Related Scores.
$30.00
Variations sur un thème de Jean-Claude Petit
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Mandoline
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AVANCÉ
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Vincent Beer-Demander
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Variations sur un thème
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Les Productions d'OZ - Digital
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SheetMusicPlus
Mandolin - Advanced - SKU: ZZ.DZ-3355 Composed by Vincent Beer-Demander. Score. 12 pages. Les Productions d'OZ - Digital #DZ 3355. Published by Les Prod...
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Mandolin - Advanced - SKU: ZZ.DZ-3355 Composed by Vincent Beer-Demander. Score. 12 pages. Les Productions d'OZ - Digital #DZ 3355. Published by Les Productions d'OZ - Digital (ZZ.DZ-3355). ISBN 9782897952723.
$6.95
The Raymond Variations for Piano (Set 1)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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S
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these include a
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The Raymond Variations for Pia
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S. G. Potts
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #351210...
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Piano Solo - Level 4 - SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99
Variations on a Theme
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Orchestre d'harmonie
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DÉBUTANT
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Jerry Frazier
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Variations on a Theme
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PDF Band Music
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SheetMusicPlus
Concert Band - Beginning - SKU: B0.PDF-BAND380 Composed by Jerry Frazier. Variations on a Theme is a compelling choice for Beginning level band students...
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Concert Band - Beginning - SKU: B0.PDF-BAND380 Composed by Jerry Frazier. Variations on a Theme is a compelling choice for Beginning level band students. Multicultural. Score and Parts. 29 pages. PDF Band Music #PDF-BAND380. Published by PDF Band Music (B0.PDF-BAND380). 8.5 x 11 inches.Variations on a theme is a fun piece of music for your second semester beginning group. The theme (Twinkle Twinkle) is stated in unison and variations follow. Each variation is of increasing difficulty. Also, each section of the band is featured. An interesting way to program Variations on a Theme would be to repeat the short drum interludes and at that time develop a short narration which illustrates the progress of the band. Parents are sure to be wowed at the advanced sound of the last variation. Enjoy.
$38.70
Variations on Hallelujah (Downloadable)
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Cloches
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FACILE
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Contemporain
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Michael Burkhardt
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Variations on Hallelujah
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
2 or 3 Octaves Handbells or Handchimes - Easy - SKU: MQ.30-875-E Composed by Michael Burkhardt. 21st Century. Handbell score. 12 pages. MorningStar Musi...
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2 or 3 Octaves Handbells or Handchimes - Easy - SKU: MQ.30-875-E Composed by Michael Burkhardt. 21st Century. Handbell score. 12 pages. MorningStar Music Publishers - Digital Sheet Music #30-875-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.30-875-E). UPC: 688670308758.This piece was composed as a teaching piece for developing ringing and damping technique, as well as an intorduction to the concepts of theme and variations and canon.
$4.75
Variations And Theme (for Flute Solo And Band) (33-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Anne McGinty
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Variations And Theme
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.146032 Composed by Anne McGinty. Concert. 8 pages. Duration 510. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1460...
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Level 4 - SKU: HX.146032 Composed by Anne McGinty. Concert. 8 pages. Duration 510. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.146032).
Digital Pack includes
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Variations And Theme (for Flute Solo And Band) - Full Score
Variations And Theme (for Flute Solo And Band) - Flute Solo
Variations And Theme (for Flute Solo And Band) - Flute (Piccolo)
Variations And Theme (for Flute Solo And Band) - Oboe
Variations And Theme (for Flute Solo And Band) - Bassoon
Variations And Theme (for Flute Solo And Band) - Bb Clarinet 1
Variations And Theme (for Flute Solo And Band) - Bb Clarinet 2
Variations And Theme (for Flute Solo And Band) - Bb Clarinet 3
Variations And Theme (for Flute Solo And Band) - Eb Alto Clarinet
Variations And Theme (for Flute Solo And Band) - Bb Bass Clarinet
Variations And Theme (for Flute Solo And Band) - Eb Contra Alto Clarinet
Variations And Theme (for Flute Solo And Band) - Eb Alto Saxophone 1
Variations And Theme (for Flute Solo And Band) - Eb Alto Saxophone 2
Variations And Theme (for Flute Solo And Band) - Bb Tenor Saxophone
Variations And Theme (for Flute Solo And Band) - Eb Baritone Saxophone
Variations And Theme (for Flute Solo And Band) - Bb Trumpet 1
Variations And Theme (for Flute Solo And Band) - Bb Trumpet 2
Variations And Theme (for Flute Solo And Band) - Bb Trumpet 3
Variations And Theme (for Flute Solo And Band) - F Horn 1
Variations And Theme (for Flute Solo And Band) - F Horn 2
Variations And Theme (for Flute Solo And Band) - F Horn 3
Variations And Theme (for Flute Solo And Band) - F Horn 4
Variations And Theme (for Flute Solo And Band) - Trombone 1
Variations And Theme (for Flute Solo And Band) - Trombone 2
Variations And Theme (for Flute Solo And Band) - Trombone 3
Variations And Theme (for Flute Solo And Band) - Baritone B.C.
Variations And Theme (for Flute Solo And Band) - Baritone T.C.
Variations And Theme (for Flute Solo And Band) - Tuba
Variations And Theme (for Flute Solo And Band) - String Bass
Variations And Theme (for Flute Solo And Band) - Percussion
Variations And Theme (for Flute Solo And Band) - Mallet Percussion
Variations And Theme (for Flute Solo And Band) - Timpani
Variations And Theme (for Flute Solo And Band) - Piano Accompaniment
$80.00
VARIATIONS OF THREE GREEK THEMES
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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ERWIN CHANDLER
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VARIATIONS OF THREE GREEK THEM
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Paterchan Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.925266 Composed by ERWIN CHANDLER. 20th Century. Score and parts. 103 pages. Paterchan Music #4737277. Published by Pat...
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Concert Band - Level 5 - SKU: A0.925266 Composed by ERWIN CHANDLER. 20th Century. Score and parts. 103 pages. Paterchan Music #4737277. Published by Paterchan Music (A0.925266). Variations was commissioned by the New Holland (Pa) Band to commemorate its tour of Greece. The work is based on the Greek national anthem Natane to 21 (a song of Independence ) and Horas Zacongoy, a Greek dance. The main theme in 7/8 meter is typical. The second theme is set as a Brass Chorale. A fast Coda section accelerates to the end in a reaffirmation of the true meaning of Independence..
$60.00
One Little Candle
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Cloches
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INTERMÉDIAIRE
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George Mysels and Maloy Roach
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Richard Giszczak
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One Little Candle
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1247418 Composed by George Mysels and Maloy Roach. Arranged by Richard Giszczak. 20th Century,Pop. Indivi...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1247418 Composed by George Mysels and Maloy Roach. Arranged by Richard Giszczak. 20th Century,Pop. Individual part. 3 pages. Singing Winds Music Company #842048. Published by Singing Winds Music Company (A0.1247418). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S. al Fine.
$4.99
Theme and Variations on Amazing Grace
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1 Piano, 4 mains
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John Newton
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Kwok Man Ho Marco
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Theme and Variations on Amazin
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Kwok Man Ho Marco
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - SKU: A0.1284462 Composed by John Newton. Arranged by Kwok Man Ho Marco. 21st Century,Classical,Folk,Traditional. Score. 27 ...
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1 Piano,4 Hands,Piano Duet - SKU: A0.1284462 Composed by John Newton. Arranged by Kwok Man Ho Marco. 21st Century,Classical,Folk,Traditional. Score. 27 pages. Kwok Man Ho Marco #875634. Published by Kwok Man Ho Marco (A0.1284462). Theme and Variations on Amazing GraceOriginal Melody by John NewtonVariations and Harmonization for Piano Duet by Kwok Man Ho MarcoPiano scoreFor any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$19.99
Variations on "Non piu mesta" for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini, Frederic Ch
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Yoon Jae Lee
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Variations on "Non piu me
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Ondine Press
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Sta...
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Flute,Piano - Level 4 - SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
$15.00
Variations on a theme by Haydn
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Johannes Brahms
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Nejc BeÄan
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Variations on a theme by Haydn
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UpBeat Editions
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1357134 Composed by Johannes Brahms. Arranged by Nejc BeÄan. 19th Century,Classical,Contest,Festival,Romantic Period...
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Concert Band - Level 5 - SKU: A0.1357134 Composed by Johannes Brahms. Arranged by Nejc BeÄan. 19th Century,Classical,Contest,Festival,Romantic Period. 188 pages. UpBeat Editions #941763. Published by UpBeat Editions (A0.1357134). The Variations on a theme by Haydn, now also called the St. Anthony Variations is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B-flat major based on a “Chorale St. Antoniâ€, eight variations and a finale. It is often said to be the first independent set of variations for orchestra in the history of music. Brahms composed the work on a theme entitled “Chorale St. Antoni†found in a wind ensemble composition. At the time Brahms discovered it, the wind ensemble piece carried an attribution to the composer Joseph Haydn. Brahms titled his own composition accordingly, crediting Haydn for the theme, but publishers in the early nineteenth century often attached the names of famous composers to works by unknown or lesser known composers in order to move inventory. Subsequent research has concluded that the wind piece Brahms used as a source does not fit Haydn’s style. Today the wind ensemble piece remains without clear attribution.A transcription faithful to the original for Concert band.Full set of Score and parts.Further info:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.
$249.00
"39 Variations on an Original Theme in F Major" for piano Op. 98
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"39 Variations on an Orig
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Publ...
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Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Published by Freeland Publications (A0.980450). Duration: ca. 90 minutes-2 hours. Quite possibly the longest set of piano variations in the entire classical music literature, with the exception, perhaps, of certain sets of variations for piano by Kaikhosru Shapurgi Sorabji. This work ends with a monstrous 35-page long fugue. In the 18th century, Bach composed the Goldberg Variations (30 variations), in the 19th century Beethoven composed the Diabelli Variations (33 variations), in the 20th century Frederic Rzewski composed The People United Will Never Be Defeated (36 variations), and now, in the 21st century, Gary Noland has composed his monumental 39 Variations on an Original Theme in F Major. (There seems to be a pattern of three variations added on for each century). This is a work for adventurous first-rate pianists! Some of the variations are self-contained and may be played separate from the whole.I'm fascinated by your variations. Perhaps a marathon performance with many pianists doing several variations? Could be interesting. RIchard Strauss would have loved it.-Jed Distler, pianist. Sheer genius!!!! Move over Bach!!!!!-Alfred Watson, composer & pianist. Very nice and exciting! I listened [to] both the parts on you tube and I was not bored at all ... impeccable technique with echos (in my opinion) from Bach, Beethoven, Satie up to contemporaries, and many others ... many compliments!!!-Sisto PalombellaOne word: monumental!-Joseph Ford, composerThis is amazing music … Wow!!!-John William BaxterBeautifully put together. Three cheers!-Scott Giles, composerThis is a remarkable set of variations, not only for the immensely imaginative treatment of the theme but also for the vast array of stylistic influences incorporated into the score. One need only listen to five minutes to appreciate the craftsmanship!-Lenny Cavallaro, composerI'm enjoying this very much. I liked the intellectual rigor that underlies it.-John Melcher, composerAmazing work!-Rudolf SchmittLink to Section One: https://www.youtube.com/watch?v=4JQYgBiP388Link to Section Two: https://www.youtube.com/watch?v=UjQLOoPGvII&t=1025s
$30.00
Elegy Sentimentale for Concert Band
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Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert
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Keith Terrett
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SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
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Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Variations on a Theme by Handel
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Piano seul
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AVANCÉ
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Aaron Robinson
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Variations on a Theme by Hande
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Music at Immanuel
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.876610 Composed by Aaron Robinson. 20th Century,Contemporary,Romantic Period. Score. 34 pages. Music at Immanuel #6213245...
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Piano Solo - Level 5 - SKU: A0.876610 Composed by Aaron Robinson. 20th Century,Contemporary,Romantic Period. Score. 34 pages. Music at Immanuel #6213245. Published by Music at Immanuel (A0.876610). VARIATIONS ON A THEME BY HANDEL for piano by American composer Aaron Robinson, based on a theme by George Frederic Handel: Suite in D Minor (HVW 437) IV: Sarabande. These set of variations not only reflect the style, nuance and voice of the composer; overall, they reference, and even borrow at times the unique characteristics found within the standard literature of such composers as Chopin, Rachmaninoff, Schumann, Liszt, Kabalevsky, Ives, Copland, etc. All the while displaying a quality of humorous air throughout the demanding pianistic virtuosity.
$4.99
Ode to Joy - Theme and Variations (Easy Piano)
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Piano Facile
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Amanda Dills
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Ode to Joy - Theme and Variati
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.829765 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Christmas,Easter,Romantic Period,Sacred,Standards. Sco...
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Easy Piano - Level 1 - SKU: A0.829765 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Christmas,Easter,Romantic Period,Sacred,Standards. Score. 4 pages. Amanda Dills #5287557. Published by Amanda Dills (A0.829765). One of the most famous musical themes in the world has been arranged for easy piano, arranged here in a series of 4 short pieces. The theme and three variations can each be played or taught separately, or in any combination, for a wide variety of settings or players. 1. THEME - In middle C position, the theme is simple, straightforward and fun for beginning players.2. VARIATION 1 (Carousel) - This variation is in C position and 3/4 time, with opportunities for phrasing and finger crossing.3. VARIATION 2 (Rainy Day) - This variation is in A minor, with the melody in the left hand - great for expanding note reading and hand independence.4. VARIATION 3 (Finale) - The final variation is in D Major, and played very quickly and rhythmically, with a fun octave jump a for both hands at the end.
$1.99
Variations and Theme
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Rodion Shchedrin
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Variations and Theme
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Schott Music - Digital
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SheetMusicPlus
Violin - difficult - SKU: S9.Q15713 Composed by Rodion Shchedrin. This edition: Sheet music. Violin Library. Downloadable. Duration 9 minutes. Schott Mu...
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Violin - difficult - SKU: S9.Q15713 Composed by Rodion Shchedrin. This edition: Sheet music. Violin Library. Downloadable. Duration 9 minutes. Schott Music - Digital #Q15713. Published by Schott Music - Digital (S9.Q15713). Thema der hintersinnig-virtuosen Variationen ist das Andante aus Leopold Mozarts Sinfonie D-Dur (Eisen D 26).
$11.99
Variations for Multi-Hands Piano
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1 Piano, 4 mains
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Contemporain
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Paul SanGregory
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Variations for Multi-Hands Pia
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Distant Engraver Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Di...
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1 Piano,4 Hands,Piano Duet - SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Distant Engraver Music (A0.977046). This set of six variations is based on a theme made only of chords. The theme is quiet and simple, yet as the variations begin adding rhythms, melodies and textures, various musical styles, characters and dramatic expressions appear. When certain variations take on characteristics of jazz or salsa, audience members might even forget that they are still hearing the same basic chord structure. This piece is written so that almost any number of players can take turns performing it on either one, or two pianos. When fewer players perform the piece, one pianist can play two or three of the easier parts simultaneously. The minimum number of performers needed is four, but to facilitate the playing of cross rhythms, some groups may prefer 5 or 6 players in some variations. The music is written on 5 separate staves with suggestions of where and how to rotate players in and out of the performance, but performers should feel free to divide the parts between themselves in any way that works for them. Videos of two different performances can be seen at the following links:http://paulsg.net/Videos/MHVariations.movhttps://www.youtube.com/watch?v=k4jbIXK1LiQ&feature=youtu.be
$10.00
Handel - Sarabanda - Theme and Variations - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE
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Classique
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G
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John M
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Handel - Sarabanda - Theme and
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.984725 Composed by G.F. Handel - Sarabanda - Theme and Variations. Arranged by John M. Honeycutt. Baroque. Score. 4 pages...
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Piano Solo - Level 3 - SKU: A0.984725 Composed by G.F. Handel - Sarabanda - Theme and Variations. Arranged by John M. Honeycutt. Baroque. Score. 4 pages. Music Innovators Workshop #4359441. Published by Music Innovators Workshop (A0.984725). This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.)
$2.00
Variations and Fugue on a Theme by Henry Purcell for Tuba and Piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Jack Curtis Dubowsky
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Variations and Fugue on a Them
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De Stijl Music Digital
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SheetMusicPlus
Tuba, Piano Tuba, Piano - Advanced - SKU: D3.SM-17-0021 Composed by Jack Curtis Dubowsky. Tuba. Contemporary. Sheet music. 33 pages. De Stijl Music Digi...
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Tuba, Piano Tuba, Piano - Advanced - SKU: D3.SM-17-0021 Composed by Jack Curtis Dubowsky. Tuba. Contemporary. Sheet music. 33 pages. De Stijl Music Digital #SM-17-0021. Published by De Stijl Music Digital (D3.SM-17-0021). 8.5 x 11 inches.Theme and seven variations, closing with a fugue (8th variation). The theme is the Cold Genius' bass aria from Purcell's opera King Arthur (c. 1691). Variations are in a variety of styles, traditional and contemporary. Contemporary effects and extended techniques include wind or colored noise, and singing through horn while playing. There is a marked spot for an optional performer cadenza. Tuba/Piano score and separate Tuba part supplied.
$14.95
Variations and Fugue on a Christmas Carol (Downloadable)
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Orgue
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INTERMÉDIAIRE
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Noël
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Byron Adams
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Variations and Fugue on a Chri
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet ...
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Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet Music #8764-E. Published by MorningStar Music Publishers - Digital Sheet Music
This score is based on the old British Carol "I saw three ships." There are seven variations preceding the fugue. After the theme has been stated, the first two variations extend the theme; the third variation introduces the pedals. The next three variations are in the style of Baroque genres: the fourth variation is a noel written as an homage to Daquin; the fifth variation is a figured chorale, in which the chorale Von Himmel hoch, da komm ich her makes its first appearance; and the sixth is a Handelian rigaudon. The seventh variation is a "carillion" in which Von Himmel hoch reappears. After a dramatic, dissonant chord, the score concludes with a chorale fugue during which Von Himmel hoch appears in the pedal. Composed for and dedicated to David Higgs, in celebration of his twenty-five years of teaching at the Eastman School of Music. Duration: 6:45.
$11.00
Carson Cooman - Sonata No. 3 for Violin and Piano (2012)
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Violon et Piano
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AVANCÉ
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Carson Cooman
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Carson Cooman - Sonata No. 3 f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik ...
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Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik Music Publishing #2034877. Published by Musik Fabrik Music Publishing (A0.775977). Sonata No. 3 for Violin and Piano (2012) was written for violinist Warren Davidson and pianist Donna Amato, superb musicians for whose advocacy on behalf of my music I am very grateful. The first movement, Canto, is an extended song that develops through a variety of textures. The second movement, Lamento, is a fierce lament in the tradition of an old Irish caoine. The thirdmovement, Variazioni, is structured as two presentations of the theme surrounding five free variations. The theme serves both as the basis of the musical material for each variation as well as the structural template. Each variation also contains material referring back specifically to the previous variation. The opening theme is declamatory. The first variation is fast and limber. The second variation is introspective and stratified. The third variation is fleeting. The fourth variation is distant and spare. The fifth variation is fast and driving. The final theme begins whispered and slowly regains its declamatory nature before an intense coda ends the work.
$29.85
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