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--INSTRUMENTS--
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Variations for Multi-Hands Piano
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6
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Crtitères actifs :
Variations for Multi-Hands Piano
Partitions à imprimer
3 partitions trouvées
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1
Variations for Multi-Hands Piano
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1 Piano, 4 mains
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Contemporain
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Paul SanGregory
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Variations for Multi-Hands Pia
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Distant Engraver Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Di...
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1 Piano,4 Hands,Piano Duet - SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Distant Engraver Music (A0.977046). This set of six variations is based on a theme made only of chords. The theme is quiet and simple, yet as the variations begin adding rhythms, melodies and textures, various musical styles, characters and dramatic expressions appear. When certain variations take on characteristics of jazz or salsa, audience members might even forget that they are still hearing the same basic chord structure. This piece is written so that almost any number of players can take turns performing it on either one, or two pianos. When fewer players perform the piece, one pianist can play two or three of the easier parts simultaneously. The minimum number of performers needed is four, but to facilitate the playing of cross rhythms, some groups may prefer 5 or 6 players in some variations. The music is written on 5 separate staves with suggestions of where and how to rotate players in and out of the performance, but performers should feel free to divide the parts between themselves in any way that works for them. Videos of two different performances can be seen at the following links:http://paulsg.net/Videos/MHVariations.movhttps://www.youtube.com/watch?v=k4jbIXK1LiQ&feature=youtu.be
$10.00
6 Little Variations on "Frere Jacques"
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Piano seul
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FACILE
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Contemporain
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Archippe N
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6 Little Variations on "F
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Archippe Yepmou
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1011319 Composed by Archippe N. Yepmou. Classical,Contemporary. Score. 2 pages. Archippe Yepmou #3142233. Published by Ar...
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Piano Solo - Level 2 - SKU: A0.1011319 Composed by Archippe N. Yepmou. Classical,Contemporary. Score. 2 pages. Archippe Yepmou #3142233. Published by Archippe Yepmou (A0.1011319). Frère Jacques is a famous French nursery rhyme of the eighteenth century, known throughout the world in multiple languages. These 6 variations will be excellent for apprentice pianists who want to gain independence from the hands at play.
$1.99
Chorale St. Antoni - Proto-Notation Beginner Arrangement w/ Teacher Duet (2P4H or 1P4H)
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Piano Facile
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DÉBUTANT
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Classique
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Franz Joseph Haydn
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Nicole Elyse DiPaolo
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Chorale St. Antoni - Proto-Not
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Nicole Elyse DiPaolo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 1 - SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romanti...
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Instrumental Duet Instrumental Duet,Piano - Level 1 - SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romantic Period,Standards. Score and parts. 5 pages. Nicole Elyse DiPaolo #4611217. Published by Nicole Elyse DiPaolo (A0.799608). This theme is originally attributed to Franz Joseph Haydn, who included it as the slow movement of his Divertimento for Winds in Bb, Hob.II:46. However, it's uncertain whether he actually wrote the theme or took it from another source (like a hymn tune, which the St. Anthony name would suggest, or a folksong). Several decades later, Johannes Brahms ran across Haydn's Divertimento, liked the theme, and used it in his Variations on a Theme by Haydn, now the most famous setting of this theme. Carl Czerny also used it for a variation set. Specifically arranged for the early-stage piano student who is just beginning to play hands together, and for teachers who don't wish to prolong the hands alone stage, this unique adaptation keeps the hands in rhythmic unison and symmetrical contrary motion, optimizing ease of playing when first beginning to engage the both hands motor area of the brain. Throughout the piece, the student uses the same finger at the same time in both hands, and the fingers are matched to both-white or both-black keys, respectively. Strongly auditory and kinesthetic learners who don't require visual feedback may successfully learn this piece via rote instruction, too. This arrangement has also been designed so that it can work in both 2-piano 4-hands and 1-piano 4-hands settings.Additionally, the transposition to G-flat major (from B-flat) allows the student to take advantage of the black keys' inherent posture- and accuracy-enhancing qualities, which are vital in those early lessons when correct technique habits need to be installed. Finally, particularly for the adult student who's keen to dive into the classical repertoire: this is a genuine, well-known piece of music treated by multiple famous composers from the common practice era. Even finicky audience members will enjoy this piece, which will not sound like something a first-year piano student might play: some of the world's most elite orchestras have also recorded this work in Brahms's arrangement. Given that the tune is potentially a bit long for a beginner student, I've placed a double bar after m. 10, noting that if necessary, a student could excerpt mm. 1-10 and perform these without the middle section and return of A. I have not reproduced Haydn's original(?) repeats, but the student and teacher could add them if desired. The PDF, when purchased, will include both the student part (half of which is pictured) and a full score in standard notation for the teacher.
$3.99
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1
Variations for Multi-Hands Piano
