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Variations on a Theme of Mozart for Young Violist and Piano
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Variations on a Theme of Mozart for Young Violist and Piano
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Variations on a Theme of Mozart for Young Violist and Piano
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Alto, Piano
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FACILE
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Contemporain
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Robert Debbaut
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Variations on a Theme of Mozar
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ROBERT DEBBAUT
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #634219...
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Piano,Viola - Level 2 - SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #6342197. Published by ROBERT DEBBAUT (A0.939404). Mozart set Christian Adolph Overbeck’s text to Komm, lieber Mai in January 1791 shortly before what would be his last birthday. Overbeck, a poet and lawyer and later Mayor of Lübeck, wrote a set of poems in 1776 under the title Fritzchen an den Mai (Fritz on the May). This song is highly regarded among the German art songs of the era. Mozart coupled it with two other songs under the title Sehnsucht nach dem Fruhlinge (Longing for Spring). Seemingly taken by his theme, Mozart uses it again in the finale of his last piano concerto, Piano Concerto No. 27 in B-flat Major, K. 595. Mozart’s three songs were published in a collection of children’s song by Ignaz Alberti. While the voice is supposed to be that of a child, it is really an adult’s longing for the flowering of Spring and the promise of new birth and, perhaps, new love.This set of variations were written as a recital work with a young violist (playable in first position) in mind. They are abouyt five minutes in length.
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Variations on a Theme of Mozart for Young Violist and Piano
