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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Vem var han?
Non classifié
196
Piano & claviers
Piano seul
72
Piano Facile
12
1 Piano, 4 mains
9
Orgue
5
Piano, Voix
4
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 5 instrumentations
Retracter
Guitares
Guitare
10
Piano, Guitare (duo)
6
Guitare notes et tablatures
3
Dulcimer
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale Unison
4
Chorale 3 parties
2
Voix duo
1
Chorale SSAATTBB
1
Chorale 2 parties
1
+ 1 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte traversière et Piano
22
Quintette de Saxophone: 5 saxophones
17
Clarinette et Piano
16
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
Quatuor de Saxophones: 4 saxophones
12
Saxophone Tenor et Piano
10
Ensemble de Clarinettes
8
Ensemble de saxophones
8
2 Saxophones (duo)
7
Saxophone Baryton, Piano
7
Saxophone Soprano et Piano
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Clarinettes: 4 clarinettes
7
Cor anglais, Piano
6
2 Flûtes traversières (duo)
6
Ensemble de Flûtes
6
Clarinette
5
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
3 Saxophones (trio)
4
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Flûte traversière
3
Saxophone Alto
2
Hautbois
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
2 Clarinettes (duo)
2
2 Flûte à bec (duo)
2
Saxophone et Guitare
2
Flûte à bec Tenor
2
Flûte à bec Soprano
1
Flûte, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Basson (duo)
1
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Violon (duo)
1
Trio de Flûtes: 3 flûtes
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Euphonium, Piano (duo)
12
Trombone et Piano
12
Trompette, Piano
11
Quatuor de Cuivres
11
Cor et Piano
11
Ensemble de Trompettes
7
Ensemble de Trombones
7
Cor anglais, Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Tuba et Piano
4
Ensemble de Cors
4
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Cor (duo)
2
Trombone
2
2 Cors (duo)
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Cors (trio)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Tuba et Orgue
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
3 Trombones (trio)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
22
Alto, Piano
15
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle, Piano
10
Harpe
7
Violon
6
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Violons (duo)
4
Alto seul
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
3
Ensemble de Violons
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre
22
Orchestre de chambre
20
Orchestre d'harmonie
14
Orchestre à Cordes
13
Cloches
4
Ensemble de Percussions
4
Ensemble Jazz
2
Ensemble de cuivres
1
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 7 instrumentations
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Autres
Instruments
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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Partitions à imprimer
1 024 partitions trouvées
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1001
Dancla - Air varie No. 5 in C Major - Intermediate
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Alto, Piano
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INTERMÉDIAIRE
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Charles Dancla
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Piacere Music Sheets
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Dancla - Air varie No. 5 in C
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Piacere Music Sheets
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1150234 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. S...
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Piano,Viola - Level 3 - SKU: A0.1150234 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score and part. 15 pages. Piacere Music Sheets #750409. Published by Piacere Music Sheets (A0.1150234). Opus/Catalog Number: Serie 1, Op.89, No. 5 Key/Tone: C Major Movements/Sections: Moderato - Cantabile (var 1 - var 2) Year/Date of Composition: 1858 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is part of the Six petits Airs variés pour le violon avec accompagnement de piano sur des thèmes italiens, and it is a set of four challenging variations on a theme by Weigl. The original score is for violin and piano, in the key of G Major. This is an arrangement for viola and piano, set in the key of C Major. It features the following technical challenges for the violist: Sautillé bowing - Ricochet - Three-note chords - Left-hand pizzicato - Martelé Included: Full score and separated parts for each instrument.
$10.95
Dancla - Air varie No. 5 in G Major - Intermediate
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Violon et Piano
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INTERMÉDIAIRE
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Charles Dancla
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Piacere Music Sheets
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Dancla - Air varie No. 5 in G
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Piacere Music Sheets
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1150227 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. ...
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Piano,Violin - Level 3 - SKU: A0.1150227 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. 16 pages. Piacere Music Sheets #750402. Published by Piacere Music Sheets (A0.1150227). Opus/Catalog Number: Serie 1, Op.89, No. 5 Key/Tone: G Major Movements/Sections: Moderato - Cantabile (var 1 - var 2) Year/Date of Composition: 1858 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is part of the Six petits Airs variés pour le violon avec accompagnement de piano sur des thèmes italiens, and it is a set of four challenging variations on a theme by Weigl. It features the following technical challenges for the violinist: Sautillé bowing - Ricochet - Three-note chords - Left-hand pizzicato - Martelé Included: Full score and separated parts for each instrument.
$8.95
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
Andante con moto, second movement of Symphony No. 4 "The Italian"
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Classique
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RiverBells Sacramento
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Paul W
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Andante con moto, second movem
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Allen/Myer Musicals
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1089791 By RiverBells Sacramento. By Felix Bartholdy Mendelssohn. Arranged by Paul W. Allen and Susan Coddington-A...
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Instrumental Solo - Level 4 - SKU: A0.1089791 By RiverBells Sacramento. By Felix Bartholdy Mendelssohn. Arranged by Paul W. Allen and Susan Coddington-Allen. Classical. Individual part. 13 pages. Allen/Myer Musicals #694004. Published by Allen/Myer Musicals (A0.1089791). Andante con moto is a lyrical section of Mendelssohn's bombastic Fourth Symphony. This arrangement contains all the notes of the symphonic work, but is cast to the specific timbre of the English handbell, combining all six octaves of bells with four octaves of selected chimes. The arrangement is particularly delightful due to its charming melody, varied handbell techniques, challenging dynamics, and alternating but related keys. It is a grand concert piece certain to please both ringer and audience. The price below allows you purchase of 10 copies.
$44.99
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Grieg - Piano Concerto in A Minor - Op.16 1st Movement - For Piano four hands Original With Fingered
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1 Piano, 4 mains
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AVANCÉ
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Classique
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Edvard Grieg
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poon
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Grieg - Piano Concerto in A Mi
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poon
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1291824 Composed by Edvard Grieg. Arranged by poon. Classical. Score. 46 pages. Poon #882435. Published b...
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1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1291824 Composed by Edvard Grieg. Arranged by poon. Classical. Score. 46 pages. Poon #882435. Published by poon (A0.1291824). Grieg - Piano Concerto in A Minor - Op.16 1st Movement - For Piano four hands - Original With Fingered.
$4.99
Theme and Variation
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1 Piano, 4 mains
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DÉBUTANT
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Classique
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Franz Schubert
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Chris Hsu
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Theme and Variation
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Chris Hsu
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.506074 Composed by Franz Schubert. Arranged by Chris Hsu. Classical. Score. 3 pages. Chris Hsu #117673. P...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.506074 Composed by Franz Schubert. Arranged by Chris Hsu. Classical. Score. 3 pages. Chris Hsu #117673. Published by Chris Hsu (A0.506074). This is a piano duet based on Schubert's 2nd movement of his Piano Sonata No. 4 in A Minor arranged for beginner piano students.
$5.00
Grieg - Piano Concerto in A Minor - Op.16 3rd Mvt - For Piano four hands Original
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1 Piano, 4 mains
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AVANCÉ
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Classique
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Edvard Grieg
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poon
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Grieg - Piano Concerto in A Mi
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poon
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1290534 Composed by Edvard Grieg. Arranged by poon. Classical. Score. 60 pages. Poon #881250. Published b...
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1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1290534 Composed by Edvard Grieg. Arranged by poon. Classical. Score. 60 pages. Poon #881250. Published by poon (A0.1290534). Grieg - Piano Concerto in A Minor  - Op.16 3rd Movement - For Piano four hands Original.
$2.99
CHINESE RHAPSODY No.3 For Saxophone with various ensemble, Op.46(1988) [Solo part]
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Saxophone Alto
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AVANCÉ
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.1048928 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individua...
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Alto Saxophone Solo - Level 5 - SKU: A0.1048928 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 9 pages. DoReMi Edition #653322. Published by DoReMi Edition (A0.1048928). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$7.99
Handel - The Water Music - Suite III for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Handel - The Water Music - Sui
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Aled Jones
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SheetMusicPlus
String Quartet - Intermediate - Composed by George Frideric Handel (1685-1759). Arranged by Aled Jones. Baroque Period, Wedding, Funeral, Graduation...
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String Quartet - Intermediate - Composed by George Frideric Handel (1685-1759). Arranged by Aled Jones. Baroque Period, Wedding, Funeral, Graduation, Recital. Score, Set of Parts. 34 pages. Published by Aled Jones
This is the complete third suite of The Water Music by Handel arranged here for string quartet. This suite is a brilliant example of some of the best baroque music ever written. Split into 7 movements, each with a fantastic variety of moods and textures. This is perfect music for both recital and background purposes.
The parts are equally challenging, with interest for each part throughout making it a satisfying and enjoyable arrangement to perform and listen to.
Duration ~15.00
This arrangement was originally produced for Quartet Volut. Get in touch with us at www.quartetvolute.com to find out more.
$12.99
An Italian Set for Oboe, Bassoon, and Piano Trio in 4 Movements
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Hautbois, Piano (duo)
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AVANCÉ
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James Nathaniel Holland
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An Italian Set for Oboe, Basso
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James Nathaniel Holland
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Piano - Level 5 - SKU: A0.730195 Composed by James Nathaniel Holland. Concert,Contemporary,Musical/Show. Score and parts. 10...
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Small Ensemble Bassoon,Oboe,Piano - Level 5 - SKU: A0.730195 Composed by James Nathaniel Holland. Concert,Contemporary,Musical/Show. Score and parts. 105 pages. James Nathaniel Holland #5835. Published by James Nathaniel Holland (A0.730195). Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Presentation of piece: https://www.youtube.com/playlist?list=PLEcbVsA36MCsKuYS8xYgwMZm5A5nzTrFU Total Duration: 24'29 Follow the tradition of the Oboe, Bassoon, and Piano Trio. These varied and fun movements musically tour the great country of Italy with sentimental melodies and a grand Tarentella Rossini ending. Movements: 1. Working Girls 2. Pompeii 3. Time, Death, and Judgment 4. La Commedia dell'Arte.
$14.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Sarabande by Handel guitar solo
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Sarabande by Handel guitar sol
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PianoSheetNow
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SheetMusicPlus
Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo, Acoustic guitar - Advanced Intermediate - Composed by George Frideric Handel (1685-17...
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Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo, Acoustic guitar - Advanced Intermediate - Composed by George Frideric Handel (1685-1759). Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, Recital. Sheet Music Single, Tablature. 3 pages. Published by PianoSheetNow
Sarabande (with two variiations) the 4th movement from the Keyboard suite in D minor (HWV 437) by George Frideric Handel for solo keyboard (harpsichord), composed between 1703 and 1706 and published in 1733.
Guitar solo. With downloadable mp3 just for audio help.
Guitar in drop D tuning (low E to D).
Intermediate to advanced intermediate Guitar. With standard notation and tablature (TAB).
Pages: Three pages (3) 2:10' min.
$2.99
Four World Variants for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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Four World Variants for Clarin
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Sonata Grendel Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Son...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Sonata Grendel Publishing #3133453. Published by Sonata Grendel Publishing (A0.837482). All the movements of Four World Variants are based on one theme. The theme proper can be heard in the fugue subject of the first movement. The second movement uses the theme in retrograde inversion (backwards and upside down) to emulate the music of Gagaku. Gagaku literally translates as elegant music and is the ancient imperial court music of Japan. The third movement uses the theme in retrograde (simply backwards) to create a sarabande. Sarabandes are typically associated with the dance suites of the Baroque era but are said to have originated in Central and North America. The Sarabande was banned for a time in 16th century Spain for it’s lascivious nature. The final movement uses the original form of the theme combined with a traditional drumming pattern of the Ewe people of Togo, Benin, and Ghana, West Africa. I. Europe: An Enlightenment Fugue II. Asia: A Gagaku Serenade III. A New World Sarabande IV. Africa: Ewe Polyrhythms This 14 minute suite is scored for two four B-flat clarinets and is ideal for high school, college or professional players. You can find information on Brett L. Wery’s music at: http://www.societyofcomposers.org/members/BrettL.Wery/ or follow him on Facebook at: https://www.facebook.com/werymusic/
$27.95
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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Chorale SATB
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INTERMÉDIAIRE
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James Nathaniel Holland
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An Adagio Suite, in Three Move
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holla...
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Choral Choir (SATB) - Level 3 - SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95
Romance from Chopin's Piano Concerto No. 1 Op 11 Second movement for Solo Piano
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Piano seul
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AVANCÉ
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Philip Kim
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Philip Kim
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Romance from Chopin's Piano Co
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Philip Kim
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1512679 By Philip Kim. By Frederic Chopin. Arranged by Philip Kim. 19th Century,Chamber,Classical,Romantic Period. Score....
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Piano Solo - Level 5 - SKU: A0.1512679 By Philip Kim. By Frederic Chopin. Arranged by Philip Kim. 19th Century,Chamber,Classical,Romantic Period. Score. 11 pages. Philip Kim #1087624. Published by Philip Kim (A0.1512679). This is the beautiful second movement from Chopin's Piano Concerto in E minor Op. 11 that I transcribed for solo piano. This is one of my favorite concerto movements of all time. There are already a few transcriptions of this movement, particularly done by Balakirev, which is wonderful. The complete concerto is also available. Thanks for your purchase and enjoy. My other concert transcriptions of piano concertos:Chopin's Piano Concerto in E minor Op. 11 Complete MovementsBeethoven Piano Concerto No. 5 Op. 73 Emperor Concert Transcription For Solo Piano Complete movements Rachmaninoff Piano Concerto No. 2 Op. 18 Concert Transcription for Solo Piano (Complete Movements)Rhapsody on a Theme of Paganini Op. 43 18th Variation for solo piano
$13.00
Suite for Baroque Ensemble in 5 Movements
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James Nathaniel Holland
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Suite for Baroque Ensemble in
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James Nathaniel Holland
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SheetMusicPlus
Large Ensemble Cello,Guitar,Harpsichord,Lute,Piano,Viola,Violin - SKU: A0.730231 Composed by James Nathaniel Holland. Contemporary,Jazz. Score and parts...
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Large Ensemble Cello,Guitar,Harpsichord,Lute,Piano,Viola,Violin - SKU: A0.730231 Composed by James Nathaniel Holland. Contemporary,Jazz. Score and parts. 152 pages. James Nathaniel Holland #368313. Published by James Nathaniel Holland (A0.730231). Suite for Baroque Ensemble contains 5 varied movements: I. Tea Time II. Serenade III. Winter Tempests IV. The Spell and the popular V. Casanova. These pieces display grace, elegance and virtuosity. Updated styles for an old group of instruments. Lute can be substituted for guitar and the piano for harpsichord. Great program of 21st century music for concerts or recital in contrast to Baroque music. Full score and parts are included. Duration: 20 min.
$18.95
Texas Symphony, Movement V. "Metro"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kathryn Ellis
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Texas Symphony, Movement V. &q
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published ...
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Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published by Ellis (A0.885230). Metro is the fifth and final movement of A Texas Symphony- This piece takes the listener on a current day musical road trip, from Houston to Dallas to Austin. The journey begins with a travel theme, a variation of which is also then played between each city. The beginning of the travel theme is identified by a snare and timpani rhythm. Houston is the first city of the road trip an the music represents oil wells pumping – a constant timpani beat and triangle is played throughout the Houston music to represent the rhythm of the active oil wells pumping. The travel theme comes back with a key change as the music takes the listener to Dallas, where three ideas are represented; art and glamour, driving on freeway loops around Dallas, and exhilarating night life. The music is upbeat and changes keys several times. The travel theme returns in a different key while traveling to Austin, which is represented by a lyrical Texas waltz, a familiar Texas folk song, and a fiddle theme played in a more classical style. The finale is a blending of themes from the three cities and the travel theme.
$50.00
Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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W
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W
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Jari A
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Hail To The Spirit of Freedom
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 28 pages. JV MUSIC #6087241. Published by JV MUSIC (A0.722809). Hail To The Spirit of Freedom for Brass Quintet By W. C. Handyarranged by Jari Villanueva2 Trumpets, Horn in F, Trombone, Tuba, (opt. Drums)Optional parts for Alto Horn and TC BaritoneWilliam Christopher Handy (November 16, 1873 – March 28, 1958) was a composer and musician who was known as the Father of the Blues. Handy was one of the most influential songwriters in the United States.Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.W.C. Handy wrote numerous compositions including St Louis Blues, Memphis Blues, Yellow Dog Blues, along with this march Hail to the Spirit of Freedom written in 1915. This march was written for the Lincoln Jubilee commemorating the 50th anniversary of the Emancipation held in Chicago. There are quotes Tramp, Tramp, Tramp, Columbia, Gem of the Ocean, Hail Columbia, My Old Kentucky Home, Old Black Joe, Hot Time in the Old Town, Dixie. Yankee Doodle, and the bugle call Reveille.
$18.00
Concerto in C for Flute and Harp - II Movement
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Classique
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Various
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Dico
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Concerto in C for Flute and Ha
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Dico Ferreira
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Double Bass,Flute,Harp,Oboe,Violin - Level 5 - SKU: A0.511131 By Various. By Wolfgang Amadeus Mozart. Arranged by Dico. Cl...
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Small Ensemble Cello,Clarinet,Double Bass,Flute,Harp,Oboe,Violin - Level 5 - SKU: A0.511131 By Various. By Wolfgang Amadeus Mozart. Arranged by Dico. Classical,Wedding. Score and parts. 34 pages. Dico Ferreira #122057. Published by Dico Ferreira (A0.511131). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.CONCERTO IN C FOR FLUTE AND HARP- Flute solo- Part 2: Oboe (Clarinet)- Harp solo- Violin 1, 2- Cello- Double bass
$22.00
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals) V. L'Éléphant - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Ray Thompson
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Saint-Saëns: Le Carnaval
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553834 Composed by Camille Saint-Saens. Arranged by Ray Thompson...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553834 Composed by Camille Saint-Saens. Arranged by Ray Thompson. Contemporary,Romantic Period,Standards. 7 pages. RayThompsonMusic #4897109. Published by RayThompsonMusic (A0.553834). The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and lasts around 25 minutes.Originally scored Double bass and piano: this section is marked Allegro pomposo, the perfect caricature for an elephant. The piano plays a waltz-like triplet figure while the bass hums the melody beneath it. Like Tortues, this is also a musical joke-the thematic material is taken from the Scherzo from Mendelssohn's incidental music to A Midsummer Night's Dream and Berlioz's Dance of the Sylphs from The Damnation of Faust. The two themes were both originally written for high, lighter-toned instruments (flute and various other woodwinds, and violin, accordingly); the joke is that Saint-Saëns moves this to the lowest and heaviest-sounding instrument in the orchestra, the double bass.Arranged her for standard wind quintetI have given the tune to the bassoon with the horn taking the 8 bars of the Dance of the Sylphs music.The  notes of the chords are given to the other 3 instruments but not always tutti _ wind players have to breath!
$9.95
Trois Chansons de Guerre (miniatures sur des poèmes de Guillaume Apollinaire) (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Frank Ferko
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Trois Chansons de Guerre
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8080-E Composed by Frank Ferko. Funeral. 9 pages. Duration 3 minutes, 36 seconds. E. C. Schirmer Music Compa...
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SATB choir unaccompanied - Medium - SKU: MQ.8080-E Composed by Frank Ferko. Funeral. 9 pages. Duration 3 minutes, 36 seconds. E. C. Schirmer Music Company - Digital #8080-E. Published by E. C. Schirmer Music Company - Digital (MQ.8080-E). French.Composed at the request of the choral ensemble Sospiri, the work is in three short movements:I. La Grace ExiléeII. Les Feux du BivouacIII. L'Adieu du CavalierThe 1915 texts are by the French poet Guillaume Apollinaire. Since he served in the French military, his poetry on the aspects of life in time of war is from first-hand experience. Graceful, charming, and varied, the music paints the text with elegance. A memorable concert piece for an a cappella SATB ensemble. Duration: 3:36.
$2.25
Handel: Seven Pieces from Water Music for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.552017 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instruct...
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String Quartet String Quartet - Level 3 - SKU: A0.552017 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 32 pages. Jmsgu3 #6053165. Published by jmsgu3 (A0.552017). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players read from the score - the most extended piece is only three pages long.Contents:1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, hornpipes, lively fanfares, and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Many orchestras have performed Water Music and are famous for special occasions like coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based, and his music was trendy. Handel wrote several pieces for use at weddings, including the famous Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites specifically designed for this purpose. The bride and groom would usually have a special dance to the tune of Handel's Water Music, a trendy piece for the occasion. Guests at the wedding would be treated to various of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$39.95
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