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Vivo!: 1st Percussion
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Vous avez sélectionné:
Vivo!: 1st Percussion
Partitions à imprimer
7 partitions trouvées
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Vivo!: 1st Percussion
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Orchestre d'harmonie
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Methodes
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Douglas E
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Concert/Contest
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Vivo!: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017395_PC1 1st Percussion. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Shee...
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Concert Band - SKU: AX.00-PC-0017395_PC1 1st Percussion. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017395_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017395_PC1). UPC: 038081516158.Written in the style of a Broadway overture, here's a colorfully scored original work in A-B-A form. Spirited rhythms, soaring melodies, and delightful tonality shifts provide the joyfully musical materials for a most satisfying and happy-sounding program offering that sounds more difficult than it plays. Perfect for contest or concert as well as an uplifting opener or closer for any program. (2:00)Closer; Concert/Contest; Festival; Opener.
$3.00
Survivor
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Destiny's Child
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Logan Widmor
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Survivor
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Logan Widmor
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SheetMusicPlus
Choral Choir,Choral,TBB Chorus - Level 1 - SKU: A0.1496470 By Destiny's Child. By Anthony Dent, Beyonce Knowles, and Matthew Knowles. Arranged by Logan ...
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Choral Choir,Choral,TBB Chorus - Level 1 - SKU: A0.1496470 By Destiny's Child. By Anthony Dent, Beyonce Knowles, and Matthew Knowles. Arranged by Logan Widmor. 21st Century,A Cappella,Contemporary,Pop. 14 pages. Logan Widmor #1072994. Published by Logan Widmor (A0.1496470). A Cappella arrangement of Survivor by Destiny's Child for solo, TBB divisi voices, and Vocal Percussion.If you have any questions, feel free to contact the arranger at lwidmusic@gmail.com.
$2.99
Yo Vivo Cantando (I Live to Sing): 1st Percussion
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Percussion (partie séparée)
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Methodes
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Jay Althouse
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Yo Vivo Cantando
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Jay Althouse. For SoundPax. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music...
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By Jay Althouse. For SoundPax. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$3.00
In Reverance
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Charlie Whelan
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In Reverance
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Charlie Whelan
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - SKU: A0.1465818 Composed by Charlie Whelan. 21st Century. Brass Band. 25 pages. Charlie Whelan #1044407. Published by Charlie Whelan (A0.1465818). Written for the Care of Police Survivors charity event- Light the Lakes, In Reverance is a slow, melodic piece featuring a couple of memorable, moving motifs throughout. The tuneful lines are shared between all parts, varying texture, before an uplifting middle section in odd time. The original motif returns with thicker orchestration before a loud and thickly-scored climax.Written for standard brass band with 1 very basic percussion part featuring suspended cymbal only.
$25.00
Theme From Fallout(R) 4
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Orchestre d'harmonie
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FACILE
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Inon Zur
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David Boyd
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Theme From Fallout(R) 4
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David Boyd
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1515530 Composed by Inon Zur. Arranged by David Boyd. 21st Century,Instructional,Video Game. 101 pages. David Boyd #108...
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Concert Band - Level 2 - SKU: A0.1515530 Composed by Inon Zur. Arranged by David Boyd. 21st Century,Instructional,Video Game. 101 pages. David Boyd #1089883. Published by David Boyd (A0.1515530). The Fallout 4 Main Theme is an iconic piece of video game music, instantly recognizable for its blend of melancholy and grandeur. Originally composed by Inon Zur, the theme reflects the post-apocalyptic world of the Fallout series, evoking both the devastation of the landscape and the hope for rebuilding. This flex band arrangement strives to capture the emotional depth of the original while making the piece accessible to a wide range of ensemble configurations.Instrumentation and Flexibility:This arrangement is designed for a flexible band format, it can be performed by various combinations of instruments and group sizes. The scoring allows for a minimum of 5 parts, which can be covered by any instrumental family, including strings with optional percussion to add depth and texture. The arrangement works with a standard wind ensemble, but it can also be performed effectively by smaller groups, including mixed wind, brass, and string ensembles.Part 1: Flute, Oboe, Clarinet, Trumpet, ViolinPart 2: Flute, Clarinet, Alto Sax, Trumpet, ViolinPart 3: Clarinet, Alto Sax, Tenor Sax, Horn in F, ViolaPart 4: Tenor Sax, Horn in F, Trombone, Euphonium, CelloPart 5: Bass Clarinet, Baritone Sax, Bassoon, Trombone, Euphonium, Tuba, Double BassPercussion: Suspended Cymbal, Roto Toms/Snare/Tenor Drum x 2, Bass Drum A condensed, non-transposed score is also provided,Everything can change in an instant, whether or not you're ready. This wasn't the world I wanted, but it was the one I found myself in. This time I'm ready. Because I know... War. War never changes. - Sole Survivor of Vault 111, Fallout 4.
$49.99
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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Stanley M Hoffman
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
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SheetMusicPlus
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,...
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
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Piano, Voix
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AVANCÉ
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Stanley M Hoffman
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00
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Vivo!: 1st Percussion
