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Voix soprano et piano
SheetMusicPlus
Partitions à imprimer
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O, Divine Redeemer (Mezzo-Soprano or Baritone, Violin, Piano)
Voice, Violin and Piano
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Musique Sacrée
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Charles Francois Gounod
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O, Divine Redeemer
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Mike Carson
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SheetMusicPlus
Small Ensemble Piano, Violin, Voice - Composed by Charles Francois Gounod (1818-1893). Arranged by Mike Carson. Sacred. Score and parts. 21 pages. Mik...
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Small Ensemble Piano, Violin, Voice - Composed by Charles Francois Gounod (1818-1893). Arranged by Mike Carson. Sacred. Score and parts. 21 pages. Mike Carson #4594563. Published by Mike Carson
Setting of this sacred classic vocal solo with violin and piano.
$5.99
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 8: Mon bel et doux
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-08E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Nostalgie for soprano and piano trio --- FULL SCORE AND PARTS --- JCM2012
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jean-Christophe Masson
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Nostalgie for soprano and pian
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Jean-Christophe Masson
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.878769 Composed by Jean-Christophe Masson. Contemporary. Score. 20 pages. Jean-Christophe Masson #6306257. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.878769 Composed by Jean-Christophe Masson. Contemporary. Score. 20 pages. Jean-Christophe Masson #6306257. Published by Jean-Christophe Masson (A0.878769). ''Nostalgie'' vocalise pour soprano, violon, violoncelle et piano (2012) Courte pièce néo-tonale pour soprano et trio avec piano. Niveau professionnel Durée : 4 minutes Création le 23 mai 2012 aux ''amis du 7'' à Dijon, avec Clémentine Decouture (voix), Aude Randrianarisoa (violon), Jean-Christophe Masson (violoncelle) et Marie-Anne Faupin (piano).
$12.00
Aria: 'Mon coeur s'ouvre à ta voix' (Act II) from Samson et Dalila, Op. 47 (arr. for Violin & Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre &agra
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1216987 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. 9 pages. ACORDO...
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Piano,Violin - Level 3 - SKU: A0.1216987 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. 9 pages. ACORDO Sheet Music #813515. Published by ACORDO Sheet Music (A0.1216987). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
Sept Sonnets de Louise Labé (2021) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Sept Sonnets de Louise Lab&eac
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869872 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 59 pages. Thomas Oboe Lee #6570867. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869872 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 59 pages. Thomas Oboe Lee #6570867. Published by Thomas Oboe Lee (A0.869872). Louise Labé (1524-1566) wrote 24 sonnets.  I read somewhere (probably wikipedia) she was inspired by Francesco Petrach (1304-1374) when she wrote her sonnets, so much so that the first sonnet is in Italian.  In 2014 I wrote a song cycle of poems by Gaspara Stampa who was a contemporary of Labé.  Both poets wrote about the suffering and longing due to unrequited love.  Of the 24 I chose seven.1. Sonnet 1 ... Non havria Ulysse o qualqu'atro mai 2. Sonnet 2 ... O beaus yeux bruns3. Sonnet 3 ... Deus ou trois fois bienheureus la retour4. Sonnet 8 ... Je vis, je meurs: je me brule et me noye5. Sonnet 12 ... Lut, compagnon de ma calamité6. Sonnet 18 ... Baise m'encor, rebaise moi et baise7. Sonnet 23 ... Las! que me sert, que si parfaitement
$9.99
Repose en Paix (Pour saxo. Soprano et Orgue)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Denis Gagnon
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Denis Gagnon
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Repose en Paix
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D. Gagnon
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1131859 By Denis Gagnon. By Denis Gagnon. Arranged by Denis Gagnon. Religious,Sacred,Spiritual. Score. 4 pages. D....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1131859 By Denis Gagnon. By Denis Gagnon. Arranged by Denis Gagnon. Religious,Sacred,Spiritual. Score. 4 pages. D. Gagnon #732093. Published by D. Gagnon (A0.1131859). Arrangement pour saxophone soprano et orgue.
$20.00
Softly Awakes My Heart (Mon cœur s'ouvre à ta voix)
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Clarinette et Piano
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FACILE
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Classique
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Johnson Lee
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Johnson Lee
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Softly Awakes My Heart
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johnson lee
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1150462 By Johnson Lee. By Charles-Camille Saint-Saëns. Arranged by Johnson Lee. Romantic Period. Score and...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1150462 By Johnson Lee. By Charles-Camille Saint-Saëns. Arranged by Johnson Lee. Romantic Period. Score and part. 17 pages. Johnson lee #750637. Published by johnson lee (A0.1150462). Mon cœur s'ouvre à ta voix is a popular mezzo-soprano aria from Camille Saint-Saëns's opera Samson and Delilah also known in English as Softly Awakes My Heart.
$4.99
Ah! Je veux vivre - Roméo et Juliette (F Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Francois Gounod
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Jonathan Prentice
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Ah! Je veux vivre - Romé
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884731 Composed by Charles Francois Gounod. Arranged by Jonathan Prentice. Opera,Romantic Period. 11 pages....
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884731 Composed by Charles Francois Gounod. Arranged by Jonathan Prentice. Opera,Romantic Period. 11 pages. Jonathan Prentice #5776925. Published by Jonathan Prentice (A0.884731). Gounod's famous aria combines some thrilling coloratura and beautiful melodies making it a favourite concert piece. From act 1 of the opera, the young Juliette is both excited and nervous about her upcoming arranged marriage.
$1.99
Lonely Mother Cry Lullaby for Soprano, Cello, Piano
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for
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Sabrina Peña Young
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.976933 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.976933 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Peña Young #3430807. Published by Sabrina Peña Young (A0.976933). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer arranged for Soprano, Cello, and Piano. An simple emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
Solveig's Song for piano and high voice
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Piano, Voix et Guitare
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EnsembleSheetMusic
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Sjoerd van der Veen
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Solveig's Song for piano and h
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Sjoerd van der Veen
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.546487 By EnsembleSheetMusic. By Edvard Grieg. Arranged by Sjoerd van der Veen. Classical,Opera,Romantic Period,Weddi...
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Guitar,Piano,Vocal,Voice - SKU: A0.546487 By EnsembleSheetMusic. By Edvard Grieg. Arranged by Sjoerd van der Veen. Classical,Opera,Romantic Period,Wedding. Score. 3 pages. Sjoerd van der Veen #156502. Published by Sjoerd van der Veen (A0.546487). This beautiful song comes from the third act of Peer Gynt and was later extracted by Grieg in his second orchestral suite. Arranged for Soprano and piano. Also available for soprano and harp. Language: English (2 texts) and German.
$6.00
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
Bach / Gounod Ave Maria in B flat [Bb] • tenor sheet music with piano accompaniment
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in B f
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Benzaiten Editions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1289924 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1289924 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. Score. 5 pages. Benzaiten Editions #880343. Published by Benzaiten Editions (A0.1289924). Hey! Are you a tenor singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat [Bb] • tenor sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for tenor voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our tenor voice arrangement of Bach/Gounod's Ave Maria promises to inspire.  Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Home Sweet Home_Vocal/Piano
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Piano, Voix et Guitare
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Country
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Cal Lewiston
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Home Sweet Home_Vocal/Piano
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Lewiston Musi
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SheetMusicPlus
Piano/Vocal/Chords, Piano Accompaniment, Voice, Soprano Voice, Alto Voice, Tenor Voice, Guitar - Intermediate - Composed by Cal Lewiston. Swing, Pop, Coun...
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Piano/Vocal/Chords, Piano Accompaniment, Voice, Soprano Voice, Alto Voice, Tenor Voice, Guitar - Intermediate - Composed by Cal Lewiston. Swing, Pop, Country. Lead Sheet, Sheet Music Single. 4 pages. Published by Lewiston Musi
Copyright 2019 by Cal Lewiston; This arrangement Copyright 2020; Vocal/Piano demo performance by Hans Grim; Light Country "2" Feel; Includes chord changes for improvised Piano Solo "a la Floyd Cramer."
$4.99
Aria: 'Mon coeur s'ouvre à ta voix' (Act II) from Samson et Dalila, Op. 47 (arr. for Cello & Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre &agra
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ACORDO Sheet Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1216978 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. ...
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Cello,Piano - Level 3 - SKU: A0.1216978 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813507. Published by ACORDO Sheet Music (A0.1216978). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The piece is written in D-flat major, which can be challenging for some string players. Therefore, there is a version in G major.
$7.20
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Viola & Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre &agra
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. ...
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Piano,Viola - Level 3 - SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Cello & Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre &agra
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ACORDO Sheet Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1216982 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. ...
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Cello,Piano - Level 3 - SKU: A0.1216982 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813511. Published by ACORDO Sheet Music (A0.1216982). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
Quae morebat et dolebat
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Maurizio Chiavaroli
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Quae morebat et dolebat
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Maurizio Chiavaroli
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.790455 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Mauriz...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.790455 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chiavaroli #4297567. Published by Maurizio Chiavaroli (A0.790455). Composizione originale per soprano, mezzo soprano e pianoforte estratto dall'opera sacra Stabat Mater di Maurizio Chiavaroli disponibile anche nella versione per orchestra sinfonicaOriginal composition for soprano voice, mezzo soprano voice and piano extracted from the sacred opera Stabat Mater by Maurizio Chiavaroli also available in the version for simphony orchestra.
$4.99
Gloria et divitiae
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Maurizio Chiavaroli
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Gloria et divitiae
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Maurizio Chiavaroli
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1105591 Composed by Maurizio Chiavaroli. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 5 pages. Ma...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1105591 Composed by Maurizio Chiavaroli. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 5 pages. Maurizio Chiavaroli #708807. Published by Maurizio Chiavaroli (A0.1105591). Composizione sacra originale per soprano e pianoforte estratta dall'opera sacra Beatus vir di Maurizio Chiavaroli Sacred original composition for soprano voice and piano extracted from the sacred opera Beatus vir by Maurizio Chiavaroli.
$5.99
Et incarnatus est
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Voix haute
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Maurizio Chiavaroli
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Et incarnatus est
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Maurizio Chiavaroli
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.790673 Composed by Maurizio Chiavaroli. Christian,Christmas,Sacred,Standards,Wedding. 3 pages. Maurizio Chiavaroli #4888...
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High Voice,Vocal Solo - SKU: A0.790673 Composed by Maurizio Chiavaroli. Christian,Christmas,Sacred,Standards,Wedding. 3 pages. Maurizio Chiavaroli #4888975. Published by Maurizio Chiavaroli (A0.790673). Composizione sacra originale per soprano e pianoforte estratta dall'opera sacra Messa dell'aurora di Maurizio ChiavaroliSacred original composition for soprano voice and piano extracted form the sacred opera Messa dell'aurora by Maurizio Chiavaroli.
$4.50
O quam tristis et afflicta
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Maurizio Chiavaroli
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O quam tristis et afflicta
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Maurizio Chiavaroli
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.790453 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chia...
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High Voice,Vocal Solo - Level 4 - SKU: A0.790453 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chiavaroli #4297563. Published by Maurizio Chiavaroli (A0.790453). Composizione originale per soprano e pianoforte estratto dall'opera sacra Stabat Mater di Maurizio Chiavaroli disponibile anche nella versione per orchestra sinfonicaOriginal composition for soprano voice and piano extracted from the sacred opera Stabat Mater by Maurizio Chiavaroli also available in the version for simphony orchestra.
$4.99
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