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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Vote For Me
Non classifié
11
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Piano, Voix et Guitare
25
Piano seul
5
Piano, Voix
3
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1
Guitares
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1
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1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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XYLOPHONE
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Vous avez sélectionné:
Vote For Me
Partitions à imprimer
64 partitions trouvées
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51
Vote For Me
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Chorale SATB
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AVANCÉ
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Rock
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Chicago
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Patrick Sheehan
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Vote For Me
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Patrick Sheehan
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.747936 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Octavo. 95 pages. Patrick Sheehan #49...
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Choral Choir (Mixed) - Level 5 - SKU: A0.747936 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Octavo. 95 pages. Patrick Sheehan #4968947. Published by Patrick Sheehan (A0.747936). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, GOSPEL CHORUS (Soprano, Alto, Tenor, Bass), Tenor Saxophone (Bb), Baritone Saxophone (Eb), Trumpet (Bb), Trombone, Hammond B3 Organ, Grand Piano, Electric Guitar, Bass, Conga Drums, Drumset. All parts transcribed by ear from the original recording from Chicago XI released in 1977. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
Vote For Me
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Chorale 3 parties
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INTERMÉDIAIRE
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Rock
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Chicago
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Tim Sarsany
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Vote For Me
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Tim Sarsany
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.535770 By Chicago. By Robert Lamm. Arranged by Tim Sarsany. Pop,Rock. Octavo. 12 pages. Tim Sarsany #4611497. Pub...
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Choral Choir (SSA) - Level 3 - SKU: A0.535770 By Chicago. By Robert Lamm. Arranged by Tim Sarsany. Pop,Rock. Octavo. 12 pages. Tim Sarsany #4611497. Published by Tim Sarsany (A0.535770).
$1.99
Sing for Peace
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Chorale SATB
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FACILE
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Leonhard Stampler
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Leonhard Stampler
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Sing for Peace
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Leonhard Stampler
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1371453 Composed by Leonhard Stampler. Arranged by Leonhard Stampler. 21st Century,A Cappella,Contemporar...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1371453 Composed by Leonhard Stampler. Arranged by Leonhard Stampler. 21st Century,A Cappella,Contemporary,Multicultural,Pop,World. 16 pages. Leonhard Stampler #955672. Published by Leonhard Stampler (A0.1371453). Sing for Peace is a song dedicated to all who are suffering from war and terrorism.The lyrics of this song are based on and inspired by these quotes showing us how music can ease tension, bring people together and inspire change:“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.†(Leonard Bernstein)“Where words fail, music speaks.†(Hans Christian Andersen)“Some of us are born with a weakness for music. As a baby, music would stop whatever thought I was having. If I was worried, it would stop me worrying; if I was crying, it would stop me crying. Music was a healing thing for me.†(Andrea Bocelli)“Music is the message of peace, and music only brings peace.†(Zubin Mehta)“Brotherhood despite all wars and conflicts: I try - to the best of my ability - to serve this idea in my music.†(Béla Bártok)“Music is meaningless noise unless it touches a receiving mind.†(Paul Hindemith)Music - that wonderful language - should be a source of communication among men. (Pablo Casals)When music and courtesy are better understood and appreciated, there will be no war.†(Confucius).
$2.99
Prenominal Preludes for Piano: Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Graham Yates
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2
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Prenominal Preludes for Piano:
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Graham Yates
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.887978 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 12 pages. Graham Yates #6027709. Published by Gra...
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Piano Solo - Level 4 - SKU: A0.887978 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 12 pages. Graham Yates #6027709. Published by Graham Yates (A0.887978). These short piano solos were commissioned as part of the second annual Christmas in July showcase in 2020. Each composition encodes the donor’s first name (praenomen) as a musical motif, which is stated before the start of each piece. It also serves as a sketch that is loosely based on some aspect about the subject: 1. The classical-style Katies kleine Sonatine is a pun on Katie Cline and Eine kleine Nachtmusik; 2. Garrett is a proudly unusual character and his piece is vaguely atonal at times; 3. Jennie is a generous and deep soul, in a way that reminded me of Beethoven’s Andante cantabile from the Pathétique sonata; 4. Barbara’s second commission was an occasion for me to explore a Chopinesque etude style and unlikely harmonies; 5. Jamie is boisterous, fiercely devoted, strong-minded, and plays ukulele. The pieces can, of course, be enjoyed on their own merit.
$9.99
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Nevermore for alto and classical guitar (mp3)
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Contemporain
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András Csáki
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00
Drag Me Down
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Chorale SATB
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INTERMÉDIAIRE
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One Direction
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Eric Hagmann
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Drag Me Down
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.796824 By One Direction. By Jamie Scott, John Henry Ryan, and Julian Bunetta. Arranged by Eric Hagmann. A Cappel...
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Choral Choir (SATB) - Level 3 - SKU: A0.796824 By One Direction. By Jamie Scott, John Henry Ryan, and Julian Bunetta. Arranged by Eric Hagmann. A Cappella,Pop. Octavo. 6 pages. Eric Hagmann #4580515. Published by Eric Hagmann (A0.796824). An SATB + solo contemporary a cappella arrangement of Drag Me Down by One Direction. Recorded in 2015 for their fifth album, Made in the A.M., Drag Me Down was One Direction's first single since Zayn Malik left the group in March of the same year. It topped the charts in the United Kingdom, Ireland, France, Austria, and New Zealand, and it won the fan-voted Best Video Award at the 2016 Brit Awards.This arrangement retains the energy and intensity of the original song while adding a dash of supportive harmony to give it that contemporary a cappella flavor. The main melody fits comfortably in most tenor ranges but also could be performed easily by treble voices with minimal adjustment during the pre-chorus/chorus. Vocal percussion is encouraged, and this tune would be perfect for someone who might be learning beatboxing for the first time. Easy enough to learn over the course of a few rehearsals but still challenging enough to keep it engaging, this piece would be great as an opener or closer in your high school or college ensemble's repertoire. Soprano range: Bb4-E5Alto range: G3-C5Tenor range: C3-G4Bass range: F2-C4.
$2.25
Nevermore for alto and classical guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Warin Solomons
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$11.00
Vote for Me by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Chicago
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Vote for Me
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Musicnotes
Performed by: Chicago: Vote For Me Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), sc...
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Performed by: Chicago: Vote For Me Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 3 pages -- Classic Rock~~Album Rock~~Rock & Roll
$3.25
Don't Stop Me Now
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Queen
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Freddie Mercury
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Lorenzo Bocci
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Don't Stop Me Now
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1473668 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 84 pages. Lorenzo Bocci #1051385. Published ...
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Concert Band - Level 3 - SKU: A0.1473668 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 84 pages. Lorenzo Bocci #1051385. Published by Lorenzo Bocci (A0.1473668). DON'T STOP ME NOW performed by Queenfor Concert Band - Grade 3 - - More Queen MusicComposed by Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'51''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Don't Stop Me Now is a song by the British rock band Queen, featured on their 1978 album Jazz and released as a single on 26 January 1979. Written by lead singer Freddie Mercury, it was recorded in August 1978 at Super Bear Studios in Berre-les-Alpes (Alpes-Maritimes), France, and is the twelfth track on the album. The song also appears on the band's 1981 compilation album Greatest Hits. In 2014, Rolling Stone readers voted it their third-favourite song by Queen.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pl...
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Large Ensemble Voice - SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Don't Stop Me Now
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Ensemble Jazz
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INTERMÉDIAIRE
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Queen
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John Ivor Holland
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Don't Stop Me Now
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John Ivor Holland
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1439369 By Queen. By Freddie Mercury. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock. 51 p...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1439369 By Queen. By Freddie Mercury. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock. 51 pages. John Ivor Holland #1019377. Published by John Ivor Holland (A0.1439369). Don't Stop Me Now is a song by the British rock band Queen, written by frontman Freddie Mercury, featured on their 1978 album 'Jazz' and released as a single on 26 January 1979. Featuring in films, commercials, and television shows, the song has grown in popularity in the decades since its release. Bobby Olivier of Billboard attributes its initial rebirth to its appearance in the 2004 cult classic zombie apocalypse film 'Shaun of the Dead' and in 2014, Rolling Stone readers voted it their third-favourite song by Queen. The single reached number 9 in the UK charts but only number 86 in the US; despite this, the song has grown in stature with time and has been popularised not only by consistent airplay, but by its use in advertisements, television programmes and films, and through cover versions. Have a good time with your band and vocalist in this authentic treatment, featuring solo for your star tenor sax player.
$59.99
Take Me Out To The Ball Game for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Albert Von Tilzer
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Jari A
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Take Me Out To The Ball Game f
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JV MUSIC
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.722757 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. 20th Century,F...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.722757 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Traditional. Score and parts. 9 pages. JV MUSIC #3484197. Published by JV MUSIC (A0.722757). Take Me Out To The Ball Game for Woodwind QuintetA delightful setting of the iconic baseball tune for Woodwind Quintet by Jari VillanuevaA young lady by the name of Katie was a devoted baseball fanatic. In fact almost every penny she had was spent on tickets to see her favorite team. Her boyfriend wanted to take her to see a show on a weekend afternoon but Katie declined instead insisting on going to the ballpark. This was not uncommon for her as she attended every home game sitting where she could call the players (usually by the first name) and let the umpires have it when an unfavorable ruling was made. In the heat of a game when the score was tied Katie would get other fans to cheer on the team by singing.https://www.youtube.com/watch?v=OWgCdUlmtpY
$12.00
Libera me, Domine
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Chorale SSAATTBB
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AVANCÉ
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Irina Rebhuna
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Libera me, Domine
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATTBB) - advanced - SKU: S9.Q46154 Composed by Irina Rebhuna. This edition: choral score. Distinguished Choral Music. Downloadable, Chor...
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Mixed choir (SSAATTBB) - advanced - SKU: S9.Q46154 Composed by Irina Rebhuna. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4' 40. Schott Music - Digital #Q46154. Published by Schott Music - Digital (S9.Q46154). Latin.As a singing teacher, choir director and not least as a passionate professional choir singer, Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me, Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem, in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning – over a musical tapestry woven by the remaining voices - and taken up again by all tenors at the end, is ideal for ambitious amateur choirs. The idea behind this work, says the composer, is 'the human reflection on the uncertain – on death, on Judgment Day or on what is inexplicable to us. Such as humility, excitement, fear,and atonement. The chant ends without ending, there is no solution. Life goes on because we ask the following question again and again: What will happen next?'.
$4.99
Remember Me (from "Little Fish")
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Piano, Voix et Guitare
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the Way
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Michael John LaChisua
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Remember Me
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000298 Composed by Michael John LaChisua. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-XS-0000298. Publ...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000298 Composed by Michael John LaChisua. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-XS-0000298. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000298). ISBN 9780739074046. UPC: 038081403380.This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Mirac.
$3.99
She Looked at Me (from "See What I Wanna See")
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Piano, Voix et Guitare
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the Way
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Michael John LaChisua
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She Looked at Me
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000330 Composed by Michael John LaChisua. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-XS-0000330. Publ...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000330 Composed by Michael John LaChisua. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-XS-0000330. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000330). ISBN 9780739074046. UPC: 038081403380.This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Mirac.
$3.99
Walk With Me for flute and violin
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Flûte, Violon
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INTERMÉDIAIRE
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Adrienne Inglis
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Walk With Me for flute and vio
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Adrienne Inglis
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SheetMusicPlus
Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.1018469 Composed by Adrienne Inglis. Classical,Wedding. 3 pages. Adrienne Inglis (ASCAP) #623986. Pub...
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Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.1018469 Composed by Adrienne Inglis. Classical,Wedding. 3 pages. Adrienne Inglis (ASCAP) #623986. Published by Adrienne Inglis (ASCAP) (A0.1018469). Lovely, intermediate-level flute and violin duet playable on other treble instruments, perfect for a wedding or anniversary or recital. Inspired by the composer’s nibling’s passion for hiking, this duet captures a sense of their devoted love for each other and their commitment to walking side by side as they journey through life together. The duet celebrates the natural world and environment.
$4.99
Thule, the Period of Cosmography and The Andalusian Merchant (mp3)
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Renaissance
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Thomas Weelkes
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David Warin Solomons
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Thule, the Period of Cosmograp
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059480 Composed by Thomas Weelkes. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 239. David Warin Solomons ...
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Choir - SKU: A0.1059480 Composed by Thomas Weelkes. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 239. David Warin Solomons #3387825. Published by David Warin Solomons (A0.1059480). Sung by the dwsChoraleThule, the period of Cosmography (and The Andalusian merchant) - a madrigal for 6 voices by Thomas Weelkes Interpretation: Iceland (it means Iceland here, since Hecla (Hekla) is mentioned, although Thule does now refer to other distant places), the period (ie full stop) of mapmaking (ie the end of the known world) boasts of its volcano Hecla, whose sulphurous fire melts the ice and thaws the sky Etna's flames on Sicily are no higher than this (this is poetic licence, Etna is actually higher than Hecla!) These things are amazing but not as amazing as me because I can be both cold and hot, with fear and with love The second verse is fairly self explanatory, although there is debate as to whether Fogo (= fire in Portuguese) refers to the volcano in Cape Verde (off Senegal) or to Tierra del Fuego. I would vote for Cape Verde since the harmony, when referring to Fogo, is probably one of the most chromatic pieces of writing in the madrigal repertoire and is a marvellous depiction of the lava flowing down a volcano.
$3.00
White Horses
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Orchestre
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FACILE
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Ben Nisbet and Michael Carr
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Kevin Riley
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White Horses
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pa...
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Full Orchestra - Level 2 - SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
$60.00
Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
Bougainiville Regional Anthem
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Herr Karl Linger
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Keith Terrett
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Bougainiville Regional Anthem
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1147994 Composed by Herr Karl Linger. Arranged by Keith Terrett. Classical,Historic,Multicultur...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1147994 Composed by Herr Karl Linger. Arranged by Keith Terrett. Classical,Historic,Multicultural,Patriotic,World. 8 pages. Keith Terrett #748189. Published by Keith Terrett (A0.1147994). The regional anthem of Bougainville arranged for Classical Brass Quintet. Bougainville is an autonomous area of Papua New Guinea. Autonomous since 2000, it voted for independence in 2019, which is scheduled to be obtained before 2027. The anthem of the autonomous territory was adopted in 2018 and will most likely be adopted as the new nation’s anthem once independence is achieved. Titled “My Bougainvilleâ€, the melody is that of the Australian patriotic song “The Song of Australia†(one of four songs considered on a national plebiscite for that country’s anthem, but was rejected), the lyricist is unknown. It is not uncommon for anthems in the Pacific region to use the tune of a patriotic song or hymn of a current or former colonizer (as evidenced by the “Pacific hymn†genre of anthems); Australia governed Bougainville as a part of Papua New Guinea from after World War I to Papua New Guinea’s independence in 1975. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Many of my national anthem are now available on Nomadplay app.
$7.99
Tammurriata Nera
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Jazz combo
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FACILE
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E
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Gianluca Marano
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Tammurriata Nera
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by Gianluca Marano
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SheetMusicPlus
Jazz Combo - Level 2 - SKU: A0.708636 By E. A. Mario / Edoardo Nicolardi. By E. A. Mario / Edoardo Nicolardi. Arranged by Gianluca Marano. Country,Folk,...
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Jazz Combo - Level 2 - SKU: A0.708636 By E. A. Mario / Edoardo Nicolardi. By E. A. Mario / Edoardo Nicolardi. Arranged by Gianluca Marano. Country,Folk,Multicultural,Pop,Traditional,World. Score and parts. 39 pages. By Gianluca Marano #317205. Published by by Gianluca Marano (A0.708636). Black Tammurriata tells the story of a woman who gives birth to a black child, conceived by a soldier during the American occupation . The woman, however, accepts her child, strengthened by her own maternal love. The whole story is told by a kind of Greek choir , which ironizes that although the woman turns the point of view of the fact ( Seh, vote and spin, seh seh, spin and vote, seh ) , or affibbi Italian names such as Ciccio, Antonio, Peppe or Ciro ( ca tu 'or call me Ciccio or' Ntuono, ca tu 'or call me Peppe or Giro ), the child who gave birth is still black ( chillo' or fatto è niro niro, niro niro comm'a cche ). Arrangement for: 5 Clarinet Bb 5 Sax Alto Eb 3 Trumpet Bb 2 Trombone 2 Glockenspiel 2 Percussion.
$9.99
I Have Songs
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Piano, Voix
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INTERMÉDIAIRE
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Rachel J
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I Have Songs
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Rachel J Peters
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1302206 Composed by Rachel J. Peters. Broadway,Classical,Musical/Show,Opera. Score. 6 pages. Rachel J Peters #8918...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1302206 Composed by Rachel J. Peters. Broadway,Classical,Musical/Show,Opera. Score. 6 pages. Rachel J Peters #891810. Published by Rachel J Peters (A0.1302206). Song for soprano or mezzo-soprano Music and Lyrics by Rachel J. PetersDURATION: 2:45WORLD PREMIERE: Cornelia Street Cafe, 2018A colleague once complimented me on a song of mine he’d heard at a concert. As we chatted, I realized that that song was old enough to vote! And, as a matter of fact, I have songs old enough to do…a lot of things.Suitable for a recital or cabaret setting.
$5.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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