A simple arrangement of the classic Herbie Hancock "cool" tune. The melody get's passed around the quartet and allows for improvisation, with a Bass Trombone and 1st Trombone solo in the middle. Aimed at amateur ensembles with an intermediate range, with solos that explore the harmony of the tune without getting too crazy.

As recorded by Super Bone on YouTube.

Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.

Composed by Natalie Rebecca Lovejoy. Post-Romantic, Impressionistic, 21st Century. Score, Sheet Music Single. 4 pages. Published by 193rd Street Music Publishing.

A beautiful piano solo inspired by piano pieces from the early 18th century/Romantic Period

#piano #pianist #pianomusic #newmusic #newpianomusic #womencomposers

The Main Theme from Star Trek Voyager, composed by Jerry Goldsmith, arranged for string quartet by Alison Gillies.

Watch: https://youtu.be/8vgQXiLDnsk

Unlike The Next Generation, where composer Jerry Goldsmith's theme from Star Trek: The Motion Picture was reused, Goldsmith composed and conducted an entirely new main theme for Voyager. This arrangement of the main theme for string quartet has all the grandeur of the original.

This is a super cool version of Star Trek's Voyager! This arrangement has 10 parts. The 10th part can be played easily by a Tuba or Bass Trombone.
The 1st part starts with the first three notes being very high...although those three notes can be dropped down the octave and it will still sound great.
Parts 1 - 5 have Bass Clef and Tenor Clef versions.
As written... the ranges of the parts are as follows.

1st - D natural an octave above the staff down to B natural on the second line of the staff.
2nd - B natural an octave above the staff down to the B natural on the second line of the staff.
3rd - A natural an octave above the staff down to the B natural on the second line of the staff.
4th - B natural an octave above the staff down to the B natural on the second line of the staff.
5th - G natural an octave above the staff down to the D natural on the middle line of the staff.
6th - E natural an octave above the staff down to the G natural on the bottom line of the staff.
7th - G natural an octave above the staff down to the D natural on the middle line of the staff.
Bass 1 - G natural on the top space of the staff down to the D below the staff.
Bass 2 - F sharp on the second from the top line of the staff down to the A flat below the staff.
Tuba/Bass 3 - C natural on the second from the bottom of the staff down to the A below the staff.