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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
WHAT A MAN SHOULD BE
Non classifié
51
Piano & claviers
Piano seul
20
Piano, Voix
9
Piano, Voix et Guitare
6
Instruments en Do
3
Piano Facile
3
Piano grosses notes
3
Orgue
3
Orgue, Trompette (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Ukulele
5
Guitare
3
Guitare notes et tablatures
1
Voix
Chorale SATB
14
Voix Soprano, Piano
7
Voix Baryton, Piano
4
Chorale TTBB
4
Chorale 2 parties
3
Chorale 3 parties
3
Voix haute
2
Chorale Unison
2
Voix Alto, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette et Piano
2
Hautbois, Piano (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière et Piano
2
Ensemble de Flûtes
2
Saxophone Alto et Piano
1
2 Flûtes traversières (duo)
1
Clarinette
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Alto
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 7 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Trombones
1
Trompette
1
Quatuor de Cuivres
1
Trombone et Piano
1
Trompette, Trombone (duo)
1
Trombone
1
2 Cors (duo)
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Harpe
3
Violoncelle
3
Alto, Piano
1
Violon
1
Violoncelle, Piano
1
Harpe, Voix
1
Alto seul
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
10
Orchestre d'harmonie
8
Orchestre à Cordes
4
Orchestre de chambre
4
Orchestre
3
Marimba
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
WHAT A MAN SHOULD BE
Partitions à imprimer
232 partitions trouvées
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WHAT A MAN SHOULD BE
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Voix Baryton, Piano
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INTERMÉDIAIRE
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JYE BRYANT
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WHAT A MAN SHOULD BE
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Jye Bryant
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.1005791 Composed by JYE BRYANT. Folk,Musical/Show. 8 pages. Jye Bryant #6442683. Published by Jye ...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.1005791 Composed by JYE BRYANT. Folk,Musical/Show. 8 pages. Jye Bryant #6442683. Published by Jye Bryant (A0.1005791). From CAPTAIN MOONLITE - A New Australian Musical.
$4.99
WHAT A MAN SHOULD BE (REPRISE)
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Voix Baryton, Piano
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INTERMÉDIAIRE
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JYE BRYANT
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WHAT A MAN SHOULD BE
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Jye Bryant
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.1005801 Composed by JYE BRYANT. Celtic,Folk,Musical/Show. 11 pages. Jye Bryant #6443377. Published...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.1005801 Composed by JYE BRYANT. Celtic,Folk,Musical/Show. 11 pages. Jye Bryant #6443377. Published by Jye Bryant (A0.1005801). From CAPTAIN MOONLITE - A New Australian Musical.
$4.99
What A Man Should Be
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Piano, Voix
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INTERMÉDIAIRE
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JYE BRYANT
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What A Man Should Be
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Jye Bryant
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1238012 Composed by JYE BRYANT. Broadway,Celtic,Folk,Irish,Musical/Show. Score. 8 pages. Jye Bryant #833481. Publi...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1238012 Composed by JYE BRYANT. Broadway,Celtic,Folk,Irish,Musical/Show. Score. 8 pages. Jye Bryant #833481. Published by Jye Bryant (A0.1238012). From CAPTAIN MOONLITE - A New Australian Musical created by Jye BryantAndrew George Scott is disgusted by the cowardice of his friend, Bruun.
$4.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
Mankind May Have Joy—Medium-Range Vocal Solo and Piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Mankind May Have Joy—Med
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Daniel Carter
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.1077318 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Baroque,Classical,Praise & Worship,Sa...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.1077318 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Baroque,Classical,Praise & Worship,Sacred. 4 pages. Daniel Carter #681495. Published by Daniel Carter (A0.1077318). J. Marinus Jensen’s text is an optimistic reminder that despite sorrows in this life we are also created to have joy. “What gratitude to God we bring that mankind may have joy.†Daniel Carter’s melody and accompaniment are set in a neo-baroque style that gives performers and listeners a feeling of a joyful dance. Suitable for worship, devotionals, recitals, and concerts. Complete lyric: A voice hath spoken from the dust, Its message pure, without alloy, Of treasured hope and sacred trust: Oh, “men are that they may have joy.†Should sorrow come, we’ll not despair, For He would not that men should pine. The grief that comes we’ll learn to bear Until again the sun doth shine. For Adam feel that man might be, And men are that they may have joy. What gratitude to God we bring That mankind may have joy. Before the Lord, then, humbly go. His message will our spirits buoy. On us his blessings he’ll bestow, For “men are that they may have joy.†For Adam feel that man might be, And men are that they may have joy. What gratitude to God we bring That mankind may have joy.
$4.99
Plateau of Dances with a Scottish Flavour
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Alexandra Lehmann
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Plateau of Dances with a Scott
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Forton Music - Digital
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SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages...
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
O Jesus Christ, Thy Manger Is
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Quatuor de Cuivres
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DÉBUTANT
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J
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O Jesus Christ, Thy Manger Is
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1299412 By ... By Johann Cruger. Arranged by J. Randolph Hall. This edition: Interact...
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Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1299412 By ... By Johann Cruger. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Christmas,Classical,Holiday,Praise & Worship,Standards,World. 8 pages. Duration 78. J. Randolph Hall #3JpD87Nbqmv79u7okeAwSt. Published by J. Randolph Hall (A0.1299412). Key: Bb major.Crüger was a 17th Century cantor, teacher, and hymnist from Prussia (what is now Germany). The text was based on the manger scene out of the Gospel according to Luke. Thus, the piece should be performed sweetly [Dolce]. A modulation to a new key occurs towards the end of section A with the help of a German augmented sixth chord. Section B then includes a descant by yours truly.
$4.00
What Now My Love
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Piano seul
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AVANCÉ
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Elvis Presley
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Timothy Stapay
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What Now My Love
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay. Film/TV,Jazz,La...
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Piano Solo - Level 5 - SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #830811. Published by Timothy Stapay (A0.1235275). This arrangement of What Now My Love is written as performed by legendary pianist, Liberace. It's in a moderate Bolero rhythmic style.What Now, My Love? is the English title of a popular song whose original French version, Et maintenant (English: And Now) was written in 1961 by composer Gilbert Bécaud and lyricist Pierre Delanoë. The recurring musical pattern in the background is the Boléro by Ravel. English lyrics and the title were written by Carl Sigma.Lyrics:What now my love, now that you've left meHow can I live through another dayWatching my dreams turn to ashesAnd my hopes turn to bits of clayOnce I could see, once I could feelNow I am numb, I've become unrealI walk the night, without a goalStripped of my heart and my soulWhat now my love, now that it's overI feel the world falling all around meHere come the stars, tumbling around meThere's the sky, where that sea should beWhat now my love, now that you're goneI'd be a fool to go on and onNo one would care, no one would cryIf I should live if I should live or dieWhat now my love, now there is nothingOnly my last, my last good-byeWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
O Come, O Come, Emmanuel - a Contemporary arrangement for Flute, Oboe and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Noël
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9th Century Latin
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Len Rhodes
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O Come, O Come, Emmanuel - a C
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Len Rhodes Music
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 5 - SKU: A0.739975 Composed by 9th Century Latin. Arranged by Len Rhodes. Christian,C...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 5 - SKU: A0.739975 Composed by 9th Century Latin. Arranged by Len Rhodes. Christian,Christmas,Classical,Contemporary. Score and parts. 7 pages. Len Rhodes Music #3906793. Published by Len Rhodes Music (A0.739975). O Come, O Come, Emmanuel, in a contemporary setting for flute, oboe and piano. The arrangement is marked senza misura - there is an absence of bar lines throughout (alla Erik Satie Gnossiennes!) to give the performers absolute freedom of meter and tempo. The ensemble should be a disciplined trio; but technically, each part is not too demanding.Ideal for Advent, and indeed, the whole Christmas season. The download includes score and separate flute/oboe part - (advisable for the woodwinds to see what each player is doing!)
$5.99
Quod Deus Coniunxit (What God Has Joined)
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Orgue, Trompette (duo)
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INTERMÉDIAIRE
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Anthony Just
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The trumpet
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Quod Deus Coniunxit
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Justified Notes Music Group
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.1028814 Composed by Anthony Just. Christian,Contemporary,Sacred,Wedding. Score and...
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Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.1028814 Composed by Anthony Just. Christian,Contemporary,Sacred,Wedding. Score and parts. 2 pages. Justified Notes Music Group #4296771. Published by Justified Notes Music Group (A0.1028814). This piece for C-Trumpet and Organ was written as a Wedding Processional for the Cathedral of the Assumption in Louisville, KY, and first performed by the Cathedral's organist, Dr. Philip Brisson. It has since been added to the Cathedral's regular rotation of Mass processionals. Quod Deus Coniunxit is the first line of the verse Therefore what God has joined together, let no man put asunder. The piece shows two people as two voices (in this case, trumpet and organ) interweaving harmonies, passing the melody between them, symbolizing the joyful collaboration and triumphant celebration in two people becoming one. As the trumpet fades out in section D, the minor, discordant organ melody symbolizes difficulties and hard work. The symbolism continues as the trumpet fades back in, supporting the organ, ushering the melody back to a major chord in section E, as they work together towards a triumphant finish.Since this piece was composed as a processional for specific location, the length was written to fit the bride's 75 step procession. But it was deliberately written in sections to be flexible. The piece can (and should) be altered to fit the venue. The trumpet flourish in A, meant as a call to attention, can be omitted if desired. Section B can be repeated, and/or Section E can be omitted or repeated, to suit the necessary length.I hope you enjoy this piece!Anthony Just
$4.99
Carson Cooman: Pooh’s Serenade (2002) for bassoon, cello, and piano
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Carson Cooman
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Carson Cooman: Pooh’s Se
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.533705 Composed by Carson Cooman. Children,Contemporary. Score and par...
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Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.533705 Composed by Carson Cooman. Children,Contemporary. Score and parts. 16 pages. Musik Fabrik Music Publishing #3039007. Published by Musik Fabrik Music Publishing (A0.533705). I. Cloud SongII. Bear SongPooh’s Serenade (2002) for bassoon, cello, and piano was commissioned by hrCMEfor Arts First 2002. The work is dedicated to Lembit Beecher, in appreciation forwhat he has done for the ensemble. The “Pooh†of the title is, of course, Winnie-the-Pooh, the lovable bear from A. A. Milne’s books of stories, Winnie-the-Pooh (1926)and The House at Pooh Corner (1928).The work is cast in two short movements. The basic musical material is sharedbetween the movements. Each is inspired by a different one of Pooh’s “songs.†Thefirst movement, Cloud Song, was inspired by Pooh’s song as he pretends to be acloud, floating through the air tied to a balloon – attempting to fool some bees as hesteals their honey. The second movement, Bear Song, is inspired by one of Pooh’shappiness songs: “Sing Ho! for the life of a Bear!“This work may be performed in one of two ways: (1) The movements may be playedtogether as a chamber piece. The notes above should be printed in the program – andpossibly the texts as well. (2) A narrator could be used to read the poems before theplaying of each movement – and perhaps read also some extracts (to provide contextfor the poems) from the Milne stories.
$12.95
I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Ray Egan, Roy K Marsh & Paul W
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I never knew
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudle...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6216933. Published by Peet du Toit (A0.802657). This Quick-Step piece was recorded by Judy Garland in 1943 by Decca Records on her Second Souvenir album.The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Caribbean and African dancers. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive. The quickstep is danced to 4/4 music of 48-52 measures per minute.
$14.00
What Is and What Should Never Be
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Piano, Voix et Guitare
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Metal/Hard Rock
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Led Zeppelin
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What Is and What Should Never
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000093 By Led Zeppelin. By Jimmy Page and Robert Plant. Hard Rock/Metal. 4 pages. Alfred Music - Digital Sheet Music...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000093 By Led Zeppelin. By Jimmy Page and Robert Plant. Hard Rock/Metal. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000093. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000093). ISBN 9780739068885. UPC: 038081387758.Matching piano/vocal/guitar songbook to Led Zeppelin's second album, featuring detailed arrangements that capture all the nuances, including the intense bass lines of John Paul Jones and keyboard renditions of the essential guitar parts. Keyboardists, you're in for some fun: grab that pitch-bender and play the entire Heartbreaker guitar solo note-for-note. Guitar World magazine editor Brad Tolinski provides an insightful historical foreword, and Robert Plant has officially certified the accuracy of the lyrics. Titles: Whole Lotta Love * What Is and What Should Never Be * The Lemon Song * Thank You * Heartbreaker * Living Loving Maid (She's Just a Woman) * Ramble On * Moby Dick * Bring It on Home.
$3.99
Drive My Car / The Word / What You're Doing (love Version)
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Rock
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George Harrison, John Winston
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Jeff Perholtz
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Drive My Car / The Word / What
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.497408 Composed by George Harrison, John Winston Lennon, and...
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.497408 Composed by George Harrison, John Winston Lennon, and Paul James Mccartney. Arranged by Jeff Perholtz. Rock. Score and parts. 12 pages. Published by Fab Forward Entertainment (A0.497408). The Beatles - Drive My Car / The Word / What You're Doing (love version) [For Three Piece Horn Section &/or String Trio to accompany a Rock Band] This Beatles arrangement for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it heard on the Beatles Love album. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
He's A Man (From the musical 'Rising Sun')
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Tim J Spencer
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He's A Man
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Tim J Spencer/Green Panda Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.866338 Composed by Tim J Spencer. Broadway,Musical/Show. Score. 9 pages. Tim J Spencer/Green Panda Music #4...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.866338 Composed by Tim J Spencer. Broadway,Musical/Show. Score. 9 pages. Tim J Spencer/Green Panda Music #44913. Published by Tim J Spencer/Green Panda Music (A0.866338). 'He's a Man' is a song for alto voice taken from the musical 'Rising Sun' by British songwriter Tim J Spencer (PRS). 'Rising Sun' is set in a Japanese Women's P.O.W. camp at the end of the Second World War. In this song Abby, the main protagonist, has been alienated from the girls in her dorm room after she has been found with one of the prison guards. Unknown to the girls of the dormitory Abby and the un-named guard had a relationship when she first arrived in Singapore long before the war had started. She sings of her longing and her anger at what should be her life to make decisions. It is a powerful ballad for female voice. The MP3 is a demo with the composer's voice but is the key for the female voice as per the sheet music. The song is taken from the Tim Spencer Songbook.
$5.99
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
Funeral For A Tree
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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John Powell
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Funeral For A Tree
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contem...
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Choral Choir (Mixed) - Level 3 - SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
Listen To What The Man Said
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Orgue
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Jazz
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Paul McCartney and Wings
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Listen To What The Man Said
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1046567 By Paul McCartney and Wings. This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Sc...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1046567 By Paul McCartney and Wings. This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Score. 3 pages. Hal Leonard - Digital #479775. Published by Hal Leonard - Digital (HX.1046567). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
There's a Wideness in God's Mercy (SB)
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Chorale 2 parties
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DÉBUTANT
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Christian contemporain
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Musique Sacrée
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Curtis Hanson
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There's a Wideness in God's Me
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Curtis Hanson
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.1111202 Composed by Curtis Hanson. Contemporary,Sacred. Octavo. 5 pages. Curtis Hanson #713482. Published by C...
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Choral Choir (2-Part) - Level 1 - SKU: A0.1111202 Composed by Curtis Hanson. Contemporary,Sacred. Octavo. 5 pages. Curtis Hanson #713482. Published by Curtis Hanson (A0.1111202). In this post-pandemic era, demand for octavos for smaller choirs is on the rise. Here is a new melody and harmonic interpretation of the familiar text by Frederick Faber. The choral writing is not difficult though it has some chromatic alteration in the 3rd line of each verse with the harmony also somewhat different each time. The relaxed piano accompaniment is generally very supportive of the singers so the piece should be accessible for most choirs. It is also available for expanded choral voicing, solo voice, and as a simplified 4-part chorale hymn tune. This would be a welcome addition to the library with minimal voices. It would also work as a duet.
$2.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Perio...
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Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Toccata Op.10 for Piano Solo by Robert Schumann
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Piano seul
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AVANCÉ
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Schumann, R
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Michael Bomier
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Toccata Op.10 for Piano Solo b
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862654 Composed by Schumann, R. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 15 pa...
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Piano Solo - Level 5 - SKU: A0.862654 Composed by Schumann, R. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 15 pages. Michael Butkus-Bomier #3589173. Published by Michael Butkus-Bomier (A0.862654). The Toccata op.10 is more than a bold concert piece only attempted by the highest-level virtuosoi, like Horowitz, Bolet, and Pogerelich, it is, in our trimmed-down version, a classic case study in note-management as a Way of Life, for the Aspiring Concert Artist at the piano. Sometimes the harmony changes with every 1-8 note! The figuration is an alternating motion, often in both hands, from outer notes to inner notes, and back again, at a good clip, and without much of a break at all! Our setting has had some octaves removed, and has many of the chords respelled so you can see what the chord actually IS! Some leaps are octave-shifted.IF you decide this piece is worth a try, remember to think harmonically, and not just with notes. It is a series of chords, all displayed for the player to execute for the delight and astonishment of any listener. Even at our conservative tempo listing, the piece really shows how the piano can be its own three-man band! Pedal as little as possible, for the harmonic clarity that one should strive for. MBB
$9.95
Away In A Manger - Classical Guitar
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Guitare notes et tablatures
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FACILE
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Noël
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Ron k Wiggins
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Ron k Wiggins
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Away In A Manger - Classical G
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WigMusic
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1254431 By Ron k Wiggins. By WJ Kirkpatrick 1893. Arranged by Ron k Wiggins. Christian,Christmas,Classical,Religious. Guitar ...
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Guitar - Level 2 - SKU: A0.1254431 By Ron k Wiggins. By WJ Kirkpatrick 1893. Arranged by Ron k Wiggins. Christian,Christmas,Classical,Religious. Guitar Tab. 3 pages. WigMusic #848005. Published by WigMusic (A0.1254431). Arrangement for Classical Guitar of the Kirkpatrick melody of 1893. Â NOT the J. A. Murray melody from somewhat earlier.It begins with a creative technique of playing the melody in the bass and harmonizing with arpeggios that make good use of open strings. Â It ends with a reprise of the melody in a conventional chord melody styleThe difficultly of the piece is easy to intermediate. The included TAB should be helpful.
$1.99
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
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WHAT A MAN SHOULD BE
