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Wait Till You See Her
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Partitions à imprimer
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Wait Till You See Her
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.773711 Composed by Richard Rodgers.…
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Piano Solo - Level 3 - Digital Download SKU: A0.773711 Composed by Richard Rodgers. Arranged by Anthony Giamanco. Contemporary. Score. 3 pages. Whole Tone Press #3692151. Published by Whole Tone Press (A0.773711). This elegant jazz arrangement for piano solo is such fun to play! Both intermediate-level pianists and pros will love the gorgeous harmonies. A wonderful addition to the jazz piano repertoire, and a fine choice for recital, concert, wedding reception, or any jazz gig. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$4.99
4.58 €
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Piano seul
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Richard Rodgers
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Anthony Giamanco
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Wait Till You See Her
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Whole Tone Press
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SheetMusicPlus
Wait Till You See Her
Chorale 2 parties
Choral Choir (TB) - Level 3 - Digital Download SKU: A0.1016463 Composed by Richard …
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Choral Choir (TB) - Level 3 - Digital Download SKU: A0.1016463 Composed by Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamber,Musical/Show,Pop,Standards. Octavo. 17 pages. William Bullock #5754933. Published by William Bullock (A0.1016463). A Bullock Editions publication for two-part men’s chorus and string quartet: Wait Till You See Her-Full Score & Parts. Music: Richard Rodgers. Lyrics: Lorenz Hart. Arrangement: William J. Bullock. Duration: 2:17. Arranger’s Note: Verse & intro (33 bars) and ABAB refrain (44 bars) included; flowing string accompaniment; program note included. Formats: Full Score & Parts (H0.793047-SC001290846); Chorus & Piano Reduction (H0.793049-SC001290846).
$13.99
12.85 €
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Chorale 2 parties
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Richard Rodgers
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William J
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Parts.
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Wait Till You See Her
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William Bullock
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SheetMusicPlus
Wait Till You See Her
Chorale 2 parties
Choral Choir (TB) - Level 3 - Digital Download SKU: A0.1016464 Composed by Richard …
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Choral Choir (TB) - Level 3 - Digital Download SKU: A0.1016464 Composed by Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamber,Musical/Show,Pop,Standards. Octavo. 5 pages. William Bullock #5754935. Published by William Bullock (A0.1016464). A Bullock Editions publication for two-part men’s chorus and string quartet: Wait Till You See Her-Chorus & Piano Reduction. Music: Richard Rodgers. Lyrics: Lorenz Hart. Arrangement: William J. Bullock. Duration: 2:17. Arranger’s Note: Verse & intro (33 bars) and ABAB refrain (44 bars) included; flowing string accompaniment. Formats: Full Score & Parts (H0.793047-SC001290846); Chorus & Piano Reduction (H0.793049-SC001290846).
$2.15
1.97 €
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Chorale 2 parties
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Richard Rodgers
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William J
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Piano Reduction.
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Wait Till You See Her
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William Bullock
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SheetMusicPlus
Wait Till You See Her
Instruments en Do
C Instrument - Digital Download SKU: HX.386953 By Rodgers and Hart. This edition: s…
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C Instrument - Digital Download SKU: HX.386953 By Rodgers and Hart. This edition: scorch. Broadway,Musical/Show,Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #896700. Published by Hal Leonard - Digital (HX.386953).
$3.99
3.66 €
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Instruments en Do
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her
Instruments en Do
C Instrument - Digital Download SKU: HX.398167 By Rodgers and Hart. This edition: s…
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C Instrument - Digital Download SKU: HX.398167 By Rodgers and Hart. This edition: scorch. Broadway,Musical/Show. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #896700. Published by Hal Leonard - Digital (HX.398167).
$3.99
3.66 €
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Instruments en Do
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her
Ligne De Mélodie, (Paroles) et Accords
C Instrument,Chords,Lyrics,Melody - Digital Download SKU: HX.400096 By Rodgers and …
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C Instrument,Chords,Lyrics,Melody - Digital Download SKU: HX.400096 By Rodgers and Hart. This edition: scorch. Broadway,Musical/Show. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #896700. Published by Hal Leonard - Digital (HX.400096).
$3.99
3.66 €
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Ligne De Mélodie, (Paroles) et Accords
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her
Ligne De Mélodie, (Paroles) et Accords
Digital Download SKU: HX.403065 By Rodgers and Hart. Broadway. Real Book - Melody/C…
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Digital Download SKU: HX.403065 By Rodgers and Hart. Broadway. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.403065).
$1.99
1.83 €
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Ligne De Mélodie, (Paroles) et Accords
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her (High Voice)
Voix haute
(High Voice) - Digital Download SKU: HX.470528 Broadway,Jazz,Standards. Real Book -…
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(High Voice) - Digital Download SKU: HX.470528 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470528).
$1.99
1.83 €
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Voix haute
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her [Reharmonized version] (arr. Jack Grassel)
Ligne De Mélodie, (Paroles) et Accords
Digital Download SKU: HX.475087 Arranged by Jack Grassel. Broadway,Jazz,Standards. …
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Digital Download SKU: HX.475087 Arranged by Jack Grassel. Broadway,Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.475087).
$1.99
1.83 €
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Ligne De Mélodie, (Paroles) et Accords
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Jack Grassel
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Wait Till You See Her [Reharmonized version]
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her (Low Voice)
Ligne De Mélodie, (Paroles) et Accords
Voice - Digital Download SKU: HX.1301268 Composed by Rodgers and Hart. This edition…
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Voice - Digital Download SKU: HX.1301268 Composed by Rodgers and Hart. This edition: scorch. Broadway,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #896700. Published by Hal Leonard - Digital (HX.1301268).
$1.99
1.83 €
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Ligne De Mélodie, (Paroles) et Accords
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
Wait Till You See Her
Ligne De Mélodie, (Paroles) et Accords
C Instrument,Guitar,Keyboard,Piano,Vocal - Interactive Download SKU: HX.410564 By R…
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C Instrument,Guitar,Keyboard,Piano,Vocal - Interactive Download SKU: HX.410564 By Rodgers and Hart. This edition: Interactive Download,scorch. Broadway,Musical/Show. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #896700. Published by Hal Leonard - Digital (HX.410564).
$3.99
3.66 €
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Ligne De Mélodie, (Paroles) et Accords
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Still The Lord Speaks - an original hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701758 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701758 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3388875. Published by Kevin G. Pace (A0.701758). An original hymn with text by Mark R. Fotheringham below.YouTube video: https://youtu.be/4tAsymMhk3EStill The Lord speaks to prophets. Still The Lord feeds His sheep. Watching His flock, He leads them, Still in His care to keep. Building His church and kingdom, Here in the latter days, Once again calling prophets, Teaching the world His ways. Still The Lord hears your pleading. Still The Lord answers prayer. If with your heart you seek Him, Still will you find He's there. Piercing the clouds of error, Shining in truth and light, Ever He waits to guide you, Helping you choose the right.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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Still The Lord Speaks - an original hymn
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Kevin G. Pace
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Paisley's Sonata
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brow…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
4.58 €
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Piano seul
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
L'alchimista
Piano seul
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99
3.66 €
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Piano seul
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
ALCHEMIST
Piano seul
Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00
4.59 €
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Piano seul
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Monica Bergo
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ALCHEMIST
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Moni Bergo
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SheetMusicPlus
Where Fancy is Free (Come by the Hills)
Chorale 3 parties
Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.890632 Composed by S…
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Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.890632 Composed by Stella ter Hart. Arranged by Stella ter Hart. Celtic,Folk,Holiday,Irish,Multicultural,Spiritual,World. 9 pages. Stella ter Hart #3426889. Published by Stella ter Hart (A0.890632). Capture the wonder of the highlands of the Isles in this exquisite arrangement of the traditional folk song, Where Fancy is Free (Come by the Hills). Written for SSA with harp (or piano) and violin (fiddle style). Haunting, gentle and lilting with a timeless message to leave all cares for tomorrow and enjoy the beauty of the day. Very effective word painting perfectly defines the leaving of cares to wait ... time seems to stand still until the last note of the violin fades away. Both Ireland and Scotland claim this beautiful folk song so take your pick as to where you want to take your audience's fancy to!
$2.25
2.07 €
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Chorale 3 parties
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Stella ter Hart
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Stella ter Hart
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Where Fancy is Free
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Stella ter Hart
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SheetMusicPlus
Through a Child's Eyes - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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Through a Child's Eyes - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Wait Till You See Her
Piano, Voix et Guitare
By Rodgers and Hart. For piano, voice, and guitar (chords only). Jazz; Standards. Piano/Vo…
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By Rodgers and Hart. For piano, voice, and guitar (chords only). Jazz; Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix et Guitare
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Rodgers and Hart
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Standards
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Wait Till You See Her
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Wait Till You See Her
Piano, Voix
By Frank Sinatra and Rodgers and Hart. Jazz; Standards. PV. 6 pages. Published by Hal Leon…
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By Frank Sinatra and Rodgers and Hart. Jazz; Standards. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix
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Frank Sinatra and Rodgers and Hart
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Standards
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Wait Till You See Her
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Wait Till You See Her
Instruments en Mib
By Rodgers and Hart. Eb Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pa…
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By Rodgers and Hart. Eb Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Instruments en Mib
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Rodgers and Hart
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Standards
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Wait Till You See Her
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Wait Till You See Her
Piano, Voix et Guitare
By Tony Bennett and Rodgers and Hart. For piano, voice, and guitar (chords only). Jazz; St…
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By Tony Bennett and Rodgers and Hart. For piano, voice, and guitar (chords only). Jazz; Standards. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix et Guitare
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Tony Bennett and Rodgers and Hart
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Standards
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Wait Till You See Her
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Wait Till You See Her
Ligne De Mélodie, (Paroles) et Accords
By Rodgers and Hart. Jazz, Standards. Leadsheet (melody/chords only). 1 pages. Published b…
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By Rodgers and Hart. Jazz, Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.38129). - leadsheet (melody/chords only) - Jazz,Standards - Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Ligne De Mélodie, (Paroles) et Accords
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Rodgers and Hart
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Wait Till You See Her
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Wait Till You See Her
Instruments en Sib
By Rodgers and Hart. Bb Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pa…
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By Rodgers and Hart. Bb Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Instruments en Sib
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Rodgers and Hart
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Standards
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Wait Till You See Her
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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