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Waiting All Night
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Vous avez sélectionné:
Waiting All Night
Partitions à imprimer
65 partitions trouvées
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51
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Up in a Balloon. Galop
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Piano seul
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Leybourne
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Leybourne
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J
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Up in a Balloon. Galop
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.19037 Composed by Leybourne. Arranged by J.S. Knight. Balloons (Aircraft), Angels. Lester S. Levy Collection. 4 pages. Published by John...
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Piano - SKU: LV.19037 Composed by Leybourne. Arranged by J.S. Knight. Balloons (Aircraft), Angels. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19037). Up in a Balloon. Galop. By Leybourne. Arr. by J.S. Knight. Published 1869 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of da capo, with programmatic captions (e.g., Waiting for a Braodway Stage) with piano instrumentation. Subject headings for this piece include Balloons (Aircraft), Angels. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Waiting
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Piano seul
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INTERMÉDIAIRE
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Kim S
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Waiting
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published b...
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Piano Solo - Level 3 - SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published by Kim S. Bean (A0.961679). Waiting, 2 pages, is an intermediate piece in the key of D minor, is the fifth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Waiting, is in 6/8 time, opens with the tolling of a bell in a clock tower. Students will learn to make an audience wait , creating suspense. The music begins a frantic staccato motif that requires the student to cross their hands quickly. The piece ends in the key of F major as a hope filled surprise. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
After Midnight for Flute Choir (3 flutes, Alto and Bass flutes with a Flute 4/Alto alternate part)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Michelle Coon
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After Midnight for Flute Choir
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M. Coon
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.569667 Composed by Michelle Coon. 20th Century,Contemporary. 13 pages. M. Coon #179078. Published by M. Coon (A0.5...
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Woodwind Ensemble - Level 3 - SKU: A0.569667 Composed by Michelle Coon. 20th Century,Contemporary. 13 pages. M. Coon #179078. Published by M. Coon (A0.569667). This is a piece written for Flute Choir with the Alto and Bass being important parts. The impetus behind this work was an unplanned stay in an unfamiliar airport overnight waiting for a connection that had been cancelled. Its is interesting that a lot actually can go on after midnight in a mostly empty airport especially as it moves towards early morning. (The audio clip starts in bar 4).
$10.00
Jennie is Waiting For Me. Ballad
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Chorale SATB
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Henry Tucker
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Jennie is Waiting For Me. Ball
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11495 Composed by Henry Tucker. Waterfronts, Homecomings, Love, Night. Lester S. Levy Collection. 3 pag...
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Piano and voice (solo and SATB chorus) - SKU: LV.11495 Composed by Henry Tucker. Waterfronts, Homecomings, Love, Night. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11495). Jennie is Waiting For Me. Ballad. Words by Geo. B. Pennock. Music by Henry Tucker. Published [n.d.] by E.H. Harding, 288 Bowery in New York. Composition of strophic with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Waterfronts, Homecomings, Love, Night. First line reads The sun is fast hiding its beautiful face.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Soprano and Brass Quintet
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Peet du Toit
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Allelujah from Motet Exsultate
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet ...
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Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet du Toit #956760. Published by Peet du Toit (A0.1372453). This religious solo motet was composed when Mozart was staying in Milan. During the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn. In modern times, the motet is usually sung by a female soprano.I was tempted to combine the soprano and a brass quintet. We have performed this arrangement quite successfully at many venues, including a national music festival (Wakkerstroom, South Africa, March 2023).
$25.00
Waiting for the Sandman (SSAA, a cappella) - original jazz song by Sarah and Gil Jaysmith
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Chorale SSAA
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INTERMÉDIAIRE
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Sarah Jaysmith
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Sarah Jaysmith
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Waiting for the Sandman
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Sarah Jaysmith
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.849286 Composed by Sarah Jaysmith. Arranged by Sarah Jaysmith. A Cappella,Holiday,Jazz,Wedding. Octavo. 7 pages....
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Choral Choir (SSAA) - Level 3 - SKU: A0.849286 Composed by Sarah Jaysmith. Arranged by Sarah Jaysmith. A Cappella,Holiday,Jazz,Wedding. Octavo. 7 pages. Sarah Jaysmith #4642305. Published by Sarah Jaysmith (A0.849286). This original song has a wonderful jazzy nostalgia feel to it, and the arrangement for SSAA a cappella enhances that. There is a small amount of divisi at the end. The harmonies are mostly homophonic, allowing the warmth of the voices to shine through. The duration is about 3 minutes.It's a simple story - girl meets boy, girl is too shy to ask his name, girl spends sleepless night wishing she had been brave, girl amazingly meets boy the next day (thanks to a little Sandman magic!). This recording is a rehearsal recording, and is a little under tempo, but still gives you the feel of the piece. Try a new song that audiences and your singers will love! Sarah Jaysmith has been arranging and composing choral music for many years. Find her at www.sarahjaysmith.com
$2.50
The Dark Knight
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Piano seul
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INTERMÉDIAIRE
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Kim S
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The Dark Knight
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published b...
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Piano Solo - Level 3 - SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published by Kim S. Bean (A0.961678). The Dark Knight, 2 pages, is an intermediate piece in the key of G minor, is the fourth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Dark Knight, is in 4/4 time, with broken diminished chords. Students will develop the skill to play chords with a clean sound, curved fingers as well as creating a mood of suspense. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
Wonderful Tonight
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Rock
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Eric Clapton
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Thomas Graf
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Wonderful Tonight
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568911 By Eric Clapton. By Eric Clapton. Arranged by Thomas Graf. Pop,Rock. 36 pages. Thomas Gr...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568911 By Eric Clapton. By Eric Clapton. Arranged by Thomas Graf. Pop,Rock. 36 pages. Thomas Graf - the-hit-factory.com #3407975. Published by Thomas Graf - the-hit-factory.com (A0.568911). This arrangement is an easy to play adaption of Eric Clapton's world famous classic. What a great part of the music history! On 7 September 1976, Clapton wrote Wonderful Tonight for Boyd while waiting for her to get ready to attend Paul and Linda McCartney's annual Buddy Holly party. More music: www.the-hit-factory.com Instrumentation: Tpt 1/2 in C/Bb, Horn in Eb/F, Trombone C/Bb, Tuba/Bass in Eb/Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/yllCjsA3yBA
$14.99
Wonderful Tonight
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Rock
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Eric Clapton
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Thomas Graf
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Wonderful Tonight
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568912 By Eri...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568912 By Eric Clapton. By Eric Clapton. Arranged by Thomas Graf. Pop,Rock. 30 pages. Thomas Graf - the-hit-factory.com #3407979. Published by Thomas Graf - the-hit-factory.com (A0.568912). This arrangement is an easy to play adaption of Eric Clapton's world famous classic. What a great part of the music history! On 7 September 1976, Clapton wrote Wonderful Tonight for Boyd while waiting for her to get ready to attend Paul and Linda McCartney's annual Buddy Holly party. More music: www.the-hit-factory.com Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/gQfSZmwmr5I
$14.99
O Holy Night - Cantique de Noel - for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Adolphe-Charles Adam
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Barbara Arens
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O Holy Night - Cantique de Noe
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Barbara Arens
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1143864 Composed by Adolphe-Charles Adam. Arranged by Barbara Arens. 19th Century,Christmas,Contemporary,Holiday,Traditi...
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Cello,Piano - Level 4 - SKU: A0.1143864 Composed by Adolphe-Charles Adam. Arranged by Barbara Arens. 19th Century,Christmas,Contemporary,Holiday,Traditional. Score and part. 6 pages. Barbara Arens #744171. Published by Barbara Arens (A0.1143864). This incredibly lyrical Christmas song was just waiting to be arranged for Cello (which basically plays the original song) and a soft, lyrical, contemporary piano accompaniment. Intermediate/Late Intermediate.
$5.00
Wedding March from A Midsummer Night's Dream for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James Haynor
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Wedding March from A Midsummer
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James Haynor
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1281654 Composed by Felix Bartholdy Mendelssohn. Arranged by James Haynor. Romantic Period....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1281654 Composed by Felix Bartholdy Mendelssohn. Arranged by James Haynor. Romantic Period. 10 pages. James Haynor #867697. Published by James Haynor (A0.1281654). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.Arranged here for Brass Quintet “ Wedding March “ makes a great processional. It’s the one everyone is waiting for!( Duration - 2:28 )Â
$10.00
Wedding March from A Midsummer's Night Dream for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James Haynor
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Wedding March from A Midsummer
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James Haynor
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1281655 Composed by Felix Bartholdy Mendelssohn. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1281655 Composed by Felix Bartholdy Mendelssohn. Arranged by James Haynor. Romantic Period. 10 pages. James Haynor #868128. Published by James Haynor (A0.1281655). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.Arranged here for Woodwind Quintet “ Wedding March “ makes a great processional. It’s the one everyone is waiting for!( Duration - 2:28 )Â
$10.00
Waiting All Night
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Rudimental
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United Composer Group
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Waiting All Night
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United Composers Group
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1032666 By Rudimental. By Amir Izadkhah, Edward Jonathan Harris, James Newman, John...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1032666 By Rudimental. By Amir Izadkhah, Edward Jonathan Harris, James Newman, John Harris, Kesi Dryden, and Piers Sean Aggett. Arranged by United Composer Group. Contemporary. Score and parts. 34 pages. United Composers Group #5205163. Published by United Composers Group (A0.1032666).
$19.99
Waiting For The Night
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Contemporain
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Ultra Vision
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CHajp
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Waiting For The Night
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CHajp
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SheetMusicPlus
Small Ensemble - SKU: A0.932802 By Ultra Vision. By Martin Gore. Arranged by CHajp. Contemporary. Score and parts. 5 pages. CHajp #6202287. Published by...
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Small Ensemble - SKU: A0.932802 By Ultra Vision. By Martin Gore. Arranged by CHajp. Contemporary. Score and parts. 5 pages. CHajp #6202287. Published by CHajp (A0.932802).
$9.99
Waiting for the dawn
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Chorale SATB
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Eoin Buchanan
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Waiting for the dawn
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Eoin Buchanan
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.1025502 Composed by Eoin Buchanan. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Eoin Buchanan #4829951. Publ...
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Choral Choir (Mixed) - SKU: A0.1025502 Composed by Eoin Buchanan. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Eoin Buchanan #4829951. Published by Eoin Buchanan (A0.1025502). Watching a loved one suffer is never easy. This short work describes a little of the darkness as one waits through the night for the dawn to safely break and angelic hope that faith might bring. Written for 2 Soprano choirs and small ensemble of oboe, horn & bassoon the work reaches its climax on the very last chord where Gods eternal light shines through the heavy weight of darkness.
$15.00
Midnight Sleigh Ride, from Winter Carols for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Midnight Sleigh Ride, from Win
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James Nathaniel Holland
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.730190 Composed by James Nathaniel Holland. Christmas,Contemporary. Score and parts. 26 pages. James N...
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String Quartet String Quartet - Level 4 - SKU: A0.730190 Composed by James Nathaniel Holland. Christmas,Contemporary. Score and parts. 26 pages. James Nathaniel Holland #1920409. Published by James Nathaniel Holland (A0.730190). Take your audience on a snowy ride through the woods at midnight. Cello is featured with a recurring, haunting melody while the violins sound the sleigh bells. All is well at the end when our sleigh arrives to home with a warm fire and dinner waiting.
$8.95
Can You Feel The Love Tonight
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Film Walt Disney
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Elton John
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Genessa West
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Bassoon)
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Can You Feel The Love Tonight
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Genessa West
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1173692 By Elton John. By Elton John and Tim Rice. Arranged by G...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1173692 By Elton John. By Elton John and Tim Rice. Arranged by Genessa West. Broadway,Contemporary,Musical/Show,Pop,Rock,Wedding. 11 pages. Genessa West #773841. Published by Genessa West (A0.1173692). This stirring pop ballad from Walt Disney's The Lion King by the inimitable Elton John, is for Woodwind Quintet (Flute, Oboe, Clarinet Horn & Bassoon). It lasts just over 3 minutes.The arrangement is by the clarinetist and woodwind teacher Genessa West. It's been carefully arranged for playability and is definitely accessible to your intermediate students. Â This song is known and loved by adults and children alike, so will give pleasure to both players and their audience. It's perfect for any performance. So what are you waiting for? Snap it up right now!
$13.99
Waiting All Night by Rudimental - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Rudimental
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Waiting All Night
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Musicnotes
Performed by: Rudimental: Waiting All Night Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (...
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Performed by: Rudimental: Waiting All Night Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 8 pages -- Electronic~~Pop~~Club/Dance~~Dance~~Jungle
$5.75
Tutte dormono sulla collina
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Violon et Piano
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Gospel Spirituel
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Jazz
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Monica Bergo
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it
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #...
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99
To One in Paradise - Vocal Duet
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Voix duo, Piano
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INTERMÉDIAIRE
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Richard deCosta
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Richard deCosta
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To One in Paradise - Vocal Due
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Richard deCosta
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SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1308011 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. 21st C...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1308011 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. 21st Century,Baroque,Historic,Romantic Period,Singer/Songwriter. 4 pages. Richard deCosta #897288. Published by Richard deCosta (A0.1308011). Haunting electronica rendition of Poe's To One in ParadiseEmbark on a melodious journey through Edgar Allan Poe's To One in Paradise with this captivating vocal duet. The neo-Baroque intricacies entwined within the score escort the listeners back to a time of ornate expressions and profound emotions. The composition is laden with melodious arcs that ascend to euphoric peaks and descend into contemplative valleys, echoing the poignant essence of Poe's verses. The vocalists, enveloped in a tender dialogue, weave through the stanzas, their voices entwining with grace, and delving into the sorrow and hope inked in the poet's words. This piece is a heartfelt ode to the ethereal beauty of cherished memories and the melancholy of lost love. A timeless narrative that resonates through the ages, waiting to be unveiled by the emotive prowess of passionate performers.To One in ParadiseBy Edgar Allan PoeThou wast that all to me, love,For which my soul did pine—A green isle in the sea, love,A fountain and a shrine,All wreathed with fairy fruits and flowers,And all the flowers were mine.Ah, dream too bright to last!Ah, starry Hope! that didst ariseBut to be overcast!A voice from out the Future cries,“On! on!â€â€”but o’er the Past(Dim gulf!) my spirit hovering liesMute, motionless, aghast!For, alas! alas! with meThe light of Life is o’er!No more—no more—no more—(Such language holds the solemn seaTo the sands upon the shore)Shall bloom the thunder-blasted tree,Or the stricken eagle soar!And all my days are trances,And all my nightly dreamsAre where thy grey eye glances,And where thy footstep gleams—In what ethereal dances,By what eternal streams.
$7.99
Hush, Sweet Baby, sacred vocal solo for Christmas
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Hush, Sweet Baby, sacred vocal
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.702435 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christmas,Praise & Worship,Sacred. Octavo. 8 pages....
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Choral Choir (SATB) - Level 4 - SKU: A0.702435 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christmas,Praise & Worship,Sacred. Octavo. 8 pages. Kevin G. Pace #6686875. Published by Kevin G. Pace (A0.702435). Sacred vocal solo for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. See text below: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
$3.95
Hush, Sweet Baby - sacred choral music for Christmas
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Hush, Sweet Baby - sacred chor
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,...
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Choral Choir (SATB) - Level 4 - SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kevin G. Pace #872711. Published by Kevin G. Pace (A0.1281368). Sacred choral music for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. Text: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
$1.99
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
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Waiting All Night
