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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Walk A Thin Line
Non classifié
35
Piano & claviers
Piano, Voix
72
Piano seul
11
Piano, Voix et Guitare
4
Instruments en Do
2
Guitares
Basse electrique
15
Paroles et Accords
2
Mandoline
1
Voix
Chorale SATB
33
Chorale 3 parties
2
Chorale TTBB
1
Vents
2 Saxophones (duo)
9
Saxophone, Clarinette (duo)
5
Hautbois, Piano (duo)
4
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Clarinette et Piano
3
Cor anglais, Piano
3
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone Tenor et Piano
2
Flûte traversière et Piano
2
Flûte, Trompette (duo)
2
Clarinette et Alto
2
2 Clarinettes (duo)
2
Flûte, Alto (duo)
2
2 Flûtes traversières (duo)
2
Saxophone Soprano et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Alto et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte à bec Soprano, Piano
1
Saxophone Baryton, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
+ 26 instrumentations
Retracter
Cuivres
Cor anglais, Piano
3
Trombone et Piano
3
Trompette, Piano
3
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Cor et Piano
1
Trompette, Saxophone (duo)
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
2 Violoncelles (duo)
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Alto, Piano
2
Violon, Violoncelle (duo)
2
Violoncelle, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Trio à Cordes: violon, alto, violoncelle
1
Violon et Piano
1
2 Violons (duo)
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1
Ensemble Jazz
1
Orchestre d'harmonie
1
Orchestre
1
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
HARMONICA
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LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Walk A Thin Line
Partitions à imprimer
287 partitions trouvées
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Just a Closer Walk With Thee
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Anonymous
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Leonora Hardy
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Just a Closer Walk With Thee
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Leonora Hardy
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.776943 Composed by Anonymous. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leonora Hardy...
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Piano,Vocal,Voice - Level 3 - SKU: A0.776943 Composed by Anonymous. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leonora Hardy #6474629. Published by Leonora Hardy (A0.776943). An easily learned arrangement for the church pianist who wants something a little different from what a standard hymnal has to offer. A vocal line, represented by a saxophone sound, is included which could also be used by a solo instrument. Lyrics are included as well as chords for guitar. Intermediate level. Right hand melody. Hymn.
$3.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Dashing Away with the Smoothing Iron - SSA
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Chorale 3 parties
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FACILE
#
Folklorique/Traditionel
#
Traditional
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Jenny Walker
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Dashing Away with the Smoothin
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J Walker
#
SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.923508 Composed by Traditional. Arranged by Jenny Walker. Folk. Octavo. 4 pages. J Walker #6668839. Published by ...
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Choral Choir (SSA) - Level 2 - SKU: A0.923508 Composed by Traditional. Arranged by Jenny Walker. Folk. Octavo. 4 pages. J Walker #6668839. Published by J Walker (A0.923508). This folk song does nothing for gender equality, but is nevertheless a reflection of past times when 19th century women were expected to carry out all the linen chores. It is a lively number and has a catchy tune. Interestingly enough, The musical comedy duo Flanders and Swann quoted some of the text at the beginning of each verse of their song The Gas Man Cometh.
$2.99
Crazy Little Thing Called Love
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Basse electrique
#
FACILE
#
Dwight Yoakam
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Jared Plane
#
Crazy Little Thing Called Love
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Jared Plane
#
SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1382007 By Dwight Yoakam. By Freddie Mercury. Arranged by Jared Plane. Blues,Contemporary,Pop,Rock. Score. 4 pages. ...
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Bass Guitar TAB - Level 2 - SKU: A0.1382007 By Dwight Yoakam. By Freddie Mercury. Arranged by Jared Plane. Blues,Contemporary,Pop,Rock. Score. 4 pages. Jared Plane #966633. Published by Jared Plane (A0.1382007). John Deacon's original bass line as played to the Queen classic, Crazy Little Thing Called Love from their 1980 album, The Game. Crazy Little Thing Called Love was recently featured in the 2018 film, Bohemian Rhapsody - a biographical musical drama that focuses on the life of Queen frontman, Freddie Mercury. This bass line is great for bass students wishing to get in to walking bass lines in a rock context. This PDF download comes with both Standard Notation, TAB and reference chord symbols. This is a classic bass line that all bass players should know.
$5.00
Rock-a-my-Soul - Tuba trio
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Anon
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Phil Beaman
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Rock-a-my-Soul - Tuba trio
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Phil Beaman
#
SheetMusicPlus
Brass Ensemble Tuba - Level 1 - SKU: A0.845281 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score and parts. 7 p...
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Brass Ensemble Tuba - Level 1 - SKU: A0.845281 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score and parts. 7 pages. Phil Beaman #6658981. Published by Phil Beaman (A0.845281). Rock-a-my-Soul is a Traditional song that is equal parts folk, gospel, spiritual, and camp song. Therefore, it is great for school, church, lessons, or with friends in the room.This easy, lively arrangement is divided into five 8-bar sections: Intro, Verse 1 with accented rhythms, Chorus with a jazzy walking bass line, Verse 2 with fuller harmony, (all sections repeated) then Coda.The Melody goes back and forth between Parts I and II and stays within the range of 1 octave. Part III is super easy and just gently rocks back and forth between 4 repeated half notes (minims) to anchor the beat and maintain harmony and key while the other parts move around and syncopate.This song teaches light syncopation with a tie into Beat 3. Great harmonies are created when all 3 parts are together. But you won't think about that because this version is so much fun to play!Range - 9th - low Eb (1 ledger line below) to fourth line F
$5.99
U.S.G. National Walk Round. A Song For The Times
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Piano, Voix
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Dan D
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Dan D
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U.S.G. National Walk Round. A
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.12989 Composed by Dan D. Emmett. Capitol--Washington, D.C., Eagles, Flags, Portraits, Ulysses S. Grant, Campaigns & battles. L...
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Piano and voice - SKU: LV.12989 Composed by Dan D. Emmett. Capitol--Washington, D.C., Eagles, Flags, Portraits, Ulysses S. Grant, Campaigns & battles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12989). U.S.G. National Walk Round. A Song For The Times. First Produced At Bryant's Minstrels, New York. Words and Music By Dan D. Emmett. Published 1864 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus; dance interlude with piano and voice instrumentation. Subject headings for this piece include Capitol--Washington, D.C., Eagles, Flags, Portraits, Ulysses S. Grant, Campaigns & battles. First line reads I suppose you have heard of the great commander, He's second to none but Alexander.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Crazy Little Thing Called Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Dwight Yoakam
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Dan Sanchez
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Crazy Little Thing Called Love
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Dan Sanchez
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.799117 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Dan ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.799117 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Dan Sanchez. Rock. Score and parts. 16 pages. Dan Sanchez #4776459. Published by Dan Sanchez (A0.799117). This arrangement of Crazy Little Thing Called Love by Queen for String Quartet can also be performed with a String Trio, since the 2nd Violin part is optional. Your listeners will love this toe-tapping tune, so much so that you might get an air-guitarist joining you on the side! While the 1st Violin gets most of the melody on this, there is a pretty sweet Viola solo part, so your violist can channel their inner Brian May. 2nd Violin has some counterpoint, and Cello has a smooth walking bass line. And everybody swings! One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
The Firemen's Marching Song. A Walk Around
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Chorale SATB
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The Firemen's Marching Song. A
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11626 Firefighters, Pride, Jenny Lind, Rescues, Love, Spouses, Time, Singing. Lester S. Levy Collection...
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Piano and voice (solo and SATB chorus) - SKU: LV.11626 Firefighters, Pride, Jenny Lind, Rescues, Love, Spouses, Time, Singing. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11626). The Firemen's Marching Song. A Walk Around. by Quails. Published 1865 by Root & Cady, 67 Washington St. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Firefighters, Pride, Jenny Lind, Rescues, Love, Spouses, Time, Singing. First line reads When conflagration fierce and wild is raging here in town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Dumb Things
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Basse electrique
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FACILE
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Paul Kelly
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Jared Plane
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Dumb Things
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Jared Plane
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SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1378783 By Paul Kelly. By Paul Kelly. Arranged by Jared Plane. Contemporary,Jazz,Pop,Rock. Score. 4 pages. Jared Pla...
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Bass Guitar TAB - Level 2 - SKU: A0.1378783 By Paul Kelly. By Paul Kelly. Arranged by Jared Plane. Contemporary,Jazz,Pop,Rock. Score. 4 pages. Jared Plane #963491. Published by Jared Plane (A0.1378783). Jon Schofield's original bass line as played on the Paul Kelly song, Dumb Things released on the 1987 album, Under the Sun. This bass line is played with a swing feel and is great for bass students wishing to explore walking bass lines in a rock context. This transcription comes with Standard Notation and bass TAB.
$5.00
You'll Have To Get Off And Walk. Comic Novelty Song and Refrain
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Piano, Voix
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Dave Reed
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Dave Reed
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You'll Have To Get Off And Wal
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.19040 Composed by Dave Reed. Portraits, Balloons (Aircraft), Accidents, Cartoons, Horse racing. Lester S. Levy Collection. 6 p...
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Piano and voice - SKU: LV.19040 Composed by Dave Reed. Portraits, Balloons (Aircraft), Accidents, Cartoons, Horse racing. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19040). You'll Have To Get Off And Walk. Comic Novelty Song and Refrain. By Dave Reed. Published 1908 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Balloons (Aircraft), Accidents, Cartoons, Horse racing. First line reads When I was but a tiny tot, I knocked the neighbors cold.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I Walk The Line
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Piano seul
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FACILE
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Country
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Johnny Cash
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Paul Taylor
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I Walk The Line
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.803275 By Johnny Cash. By Johnny Cash. Arranged by Paul Taylor. Country. Score. 3 pages. Paul Taylor #4282993. Published ...
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Piano Solo - Level 2 - SKU: A0.803275 By Johnny Cash. By Johnny Cash. Arranged by Paul Taylor. Country. Score. 3 pages. Paul Taylor #4282993. Published by Paul Taylor (A0.803275). A late beginner or early intermediate piano solo with lyrics and chord symbols. It is also a great opportunity for the pianist to experience key changes within a single country piece of music. The broken chord work in the left hand is also a nice preparation for the Alberti bass style of the classical composers and mimics the lead guitar part of this song very nicely. .
$4.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
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Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
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French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Trompette, Euphonium (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. J...
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Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pa...
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Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Alto, Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arra...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz....
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
A Night In Tunisia
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Ter...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Rock-a-my-Soul -Violin Trio
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Trio à cordes: 3 violins
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DÉBUTANT
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Anon
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Phil Beaman
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Rock-a-my-Soul -Violin Trio
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Phil Beaman
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 1 - SKU: A0.844435 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score...
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String Ensemble,String Trio Violin - Level 1 - SKU: A0.844435 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score and parts. 7 pages. Phil Beaman #3362587. Published by Phil Beaman (A0.844435). Rock-a-my-Soul is a Traditional song that is equal parts folk, gospel, spiritual, and camp song. Therefore, it is great for school, church, lessons, or with friends in the room.This easy, lively arrangement is divided into five 8-bar sections: Intro, Verse 1 with accented rhythm, Chorus with a jazzy walking bass line, Verse 2 with fuller harmonies, (all sections repeated) then a Coda.The Melody goes back and forth between Part I and II and stays within the range of 1 octave. Part III is super easy and just gently rocks back and forth on 4 repeated half notes (minims) to help anchor the beat and maintain harmony and key while the other parts move around and syncopate.This song teaches light syncopation with a tie into Beat 3. Great harmonies are created when all 3 parts are together. But you won't think about that because this version is so much fun to play!
$5.99
Rock-a-my-Soul -Viola Trio
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Trio à cordes: 3 altos
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DÉBUTANT
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Anon
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Phil Beaman
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Rock-a-my-Soul -Viola Trio
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Phil Beaman
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SheetMusicPlus
String Ensemble,String Trio Viola - Level 1 - SKU: A0.844438 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score ...
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String Ensemble,String Trio Viola - Level 1 - SKU: A0.844438 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score and parts. 7 pages. Phil Beaman #3363129. Published by Phil Beaman (A0.844438). Rock-a-my-Soul is a Traditional song that is equal parts folk, gospel, spiritual, and camp song. Therefore, it is great for school, church, lessons, or with friends in a room.This easy, lively arrangement is divided into five 8-bar sections: Intro, Verse 1 with accented rhythm, Chorus with a jazzy walking bass line, Verse 2 with fuller harmonies, (all sections repeated) then Coda.The Melody goes back and forth between Parts I and II and stays within the range of 1 octave. Part III is super easy and just gently rocks back and forth between 4 repeated half notes (minims) to help anchor the beat and maintain the harmony and key while the other parts move around and syncopate.This song teaches light syncopation with a tie into Beat 3. Great harmonies are created when all 3 parts are together. But you won't think about that because this version is so much fun to play!
$5.99
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