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--INSTRUMENTS--
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TROMPETTE
TUBA
UKULELE
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XYLOPHONE
Walking in E major
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
Walking in E major
Partitions à imprimer
11 partitions trouvées
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1
Walking in E major
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1001524 Composed by Humberto Arraya…
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Piano Solo - Level 2 - Digital Download SKU: A0.1001524 Composed by Humberto Arraya. Children,Classical,Contemporary. Score. 1 pages. Humberto Arraya #6212331. Published by Humberto Arraya (A0.1001524). Pequeña pieza para piano.
$2.00
1.84 €
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Piano seul
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Humberto Arraya
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Walking in E major
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Humberto Arraya
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SheetMusicPlus
Concerto for Oboe and Bassoon in C minor.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Fri…
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
27.66 €
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Orchestre à Cordes
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon in C minor.
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Arte Nova Music Lab
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SheetMusicPlus
Walking the Wire by Boss - Piano Solo
Piano seul
Sheet Music for Walking the Wire by Sheet Music Boss arranged for Instrumental Solo in E M…
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Sheet Music for Walking the Wire by Sheet Music Boss arranged for Instrumental Solo in E Major. Digital sheet music from Musicnotes. --
$9.99
9.21 €
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Piano seul
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Piano Solo
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Musicnotes
Walking the Wire / Largo - Cello & Piano by The Piano Guys - Instrumental Duet
Violoncelle, Piano
Sheet Music for Walking the Wire / Largo - Cello & Piano by The Piano Guys arranged fo…
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Sheet Music for Walking the Wire / Largo - Cello & Piano by The Piano Guys arranged for Instrumental Duet;Instrumental Parts in E Major. Digital sheet music from Musicnotes. --
$5.99
5.52 €
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Violoncelle, Piano
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Cello & Piano by The Piano Guys
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Musicnotes
Five Ways to Play The 12-Bar Blues
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1334206 Composed by Danny Crocome. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1334206 Composed by Danny Crocome. Arranged by Danny Crocome. 20th Century,Blues,Instructional,Jazz,Rock. Guitar Tab. 6 pages. Danny Crocome Music #920403. Published by Danny Crocome Music (A0.1334206). These series of 5 info sheets show guitarists 5 different ways of playing a traditional 12-bar blues sequence in the key of E Major, as follows:1. The classic 12-bar blues riff (used in many familiar blues/rock & roll tunes)2. A single note riff (built from the chord tones of the 12-bar blues pattern)3. An embellished version of the classic riff (using additional notes)4. A walking bassline variation of the pattern (with hammer-ons and passing notes)5. A walking bassline with syncopated upper register notes (as used by players like Stevie Ray Vaughan).Having a firm understanding of the underlying chord pattern of the blues, and the numerous variations guitarists can play over these changes, is essential for guitarists. This is an excellent resource for learning many of the tricks that blues guitarists use to get that distinctive blues sound and feel.
$9.99
9.21 €
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Guitare notes et tablatures
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Danny Crocome
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Danny Crocome
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roll tunes)
2
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Five Ways to Play The 12-Bar Blues
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Danny Crocome Music
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SheetMusicPlus
A Royal Wedding
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1254857 By Elizabeth C. Axford. By …
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Piano Solo - Level 2 - Digital Download SKU: A0.1254857 By Elizabeth C. Axford. By Al Rita and Elizabeth C. Axford. Children,Historic,Instructional,Patriotic,Wedding. Score. 4 pages. Piano Press #848441. Published by Piano Press (A0.1254857). Early intermediate-level piano solo in E-flat Major; 4/4 meter, Maestoso; chords in both hands; left hand walking bass patterns and octaves; with pedal.
$3.99
3.68 €
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Piano seul
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Elizabeth C
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4/4 meter, Maestoso
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A Royal Wedding
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Piano Press
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SheetMusicPlus
I'll Walk Alone
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942…
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.98 €
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Dinah Shore
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F
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Extreme Warm-Ups and Chops Builders for Guitar
Guitare notes et tablatures
Guitar - Intermediate-Advanced - Digital Download SKU: M0.30510EB Composed by Micha…
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Guitar - Intermediate-Advanced - Digital Download SKU: M0.30510EB Composed by Michael J. Anthony. Scales, Arpeggios, Technique, Style. Jazz and Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30510EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30510EB). ISBN 9781619115484. 8.75x11.75 inches.In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodic motifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his or her interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass with comping, two line phrases, 'out of the box' geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor. In the words of Michael Anthony, I find that isolation of the right and left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation and tablature.
$17.99
16.59 €
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Guitare notes et tablatures
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Michael J
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Extreme Warm-Ups and Chops Builders for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massen…
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.52 €
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Violoncelle, Piano
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Jules Massenet (1842-1912)
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Flavio Regis Cunha
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
Violon et Piano
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Masse…
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.52 €
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Violon et Piano
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Jules Massenet (1842-1912)
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Flavio Regis Cunha
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
Easiest Electric Bass Book
Basse electrique
By William Bay. For Electric Bass Guitar. Rock and Blues. 24 pages. Published by Mel Bay P…
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By William Bay. For Electric Bass Guitar. Rock and Blues. 24 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609749781. A concise, easy-to-understand bass method in notation and tablature. This text will acquaint the bass player with basic chord progressions, chord notes, walking bass patterns, and a contemporary solo in the keys of C, G, F, B, B-flat, D, D minor, A, E-flat, A minor, G minor, E, E minor, A-flat, and C minor. Also included is a handy reference section on bass chords, including major, minor, diminished, augmented and many other chords in all keys.ISBN 9781609749781. A concise, easy-to-understand bass method in notation and tablature. This text will acquaint the bass player with basic chord progressions, chord notes, walking bass patterns, and a contemporary solo in the keys of C, G, F, B, B-flat, D, D minor, A, E-flat, A minor, G minor, E, E minor, A-flat, and C minor. Also included is a handy reference section on bass chords, including major, minor, diminished, augmented and many other chords in all keys.
$9.99
9.21 €
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Basse electrique
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William Bay
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Easiest Electric Bass Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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