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Vous avez sélectionné:
Waltz Moods
Partitions à imprimer
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26
Fantasy Waltzes: No. 8
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,Musical/Show. Score. 3 pages. Zellev Music #1052569. Published by Zellev Music (A0.1474978). Key Signature: G majorTime Signature: 3/4Tempo: Vivace, ma ritmico (vivace, considerably, 148bpm)Difficulty: IntermediateWilliam Alwyn (1905-1985) Fantasy Waltzes: No. 8 in G Major The Fantasy Waltzes is a suite of eleven piano pieces composed in London between June 1954 and April 1955 and is arguably one of Alwyn’s finest works for piano solo. Alwyn uses the basic three-four waltz rhythm with a great variety of style, and much of the music has that of a romantic approach, although here and there are nods to the composer’s earlier neo-classical style. The idea for the Fantasy Waltzes originated while Alwyn was on holiday in Norway after a visit to Grieg’s lakeside home. Although conceived as a continuous cycle, the suite does divide into two parts, Nos. 1-6 and Nos. 7-11, which encompass many moods from happy to sad, to mysterious and solemn, with the eighth waltz being one of the most attractive of the set. The Fantasy Waltzes are dedicated to the New Zealand pianist Richard Farrell, who gave the first performance of the work in a BBC broadcast on 2nd June 1957. Less than a year later, Farrell’s promising career as a concert pianist was cut tragically short after being killed in a car accident. Alwyn admired Farrell’s playing greatly and dedicated the fifth of his Twelve Preludes for piano to Farrell’s memory.
$4.00
3.62 €
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Piano seul
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William Alwyn
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Zellev
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Fantasy Waltzes: No. 8
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Zellev Music
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SheetMusicPlus
Waltz Op. 54 No. 4 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1193714 Composed by Antonin Dvorak. Arranged by Ted R. Marcus. 19th Century,Chamber,Contest,Festival,Romantic Period. 22 pages. Ted R. Marcus #793187. Published by Ted R. Marcus (A0.1193714). Originally from a suite of waltzes for piano, this piece is most often performed as the Waltz in D major in Dvorak's arrangement for strings. Transposed to B-flat major, this version for woodwind quintet brings a new and colorful perspective to a tuneful Slavonic-flavored waltz with shifting moods, meant for the concert hall rather than for the ballroom. This advanced arrangement is suitable for college and adult ensembles, or perhaps for an adventurous high school quintet. It's a great concert opener, finale, or encore.Duration: approx: 3:30Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
13.58 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Ted R
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Waltz Op. 54 No. 4 for Woodwind Quintet
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Ted R. Marcus
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SheetMusicPlus
Waltz No. 13 in A major, Op. 1 No. 1
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1016500 Composed by Grant Dersom. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.1016500 Composed by Grant Dersom. Classical,Contemporary,Romantic Period. Score. 4 pages. Sonive Publishing #6286527. Published by Sonive Publishing (A0.1016500). The gliding Waltz No. 13 uses gentle variations on a simple motif to guide the listener through several musical moods.
$1.99
1.8 €
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Piano seul
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Grant Dersom
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Waltz No. 13 in A major, Op. 1 No. 1
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Sonive Publishing
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SheetMusicPlus
Cello Moods & Images
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1041180 By Tabitha Kierszka. By Ta…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1041180 By Tabitha Kierszka. By Tabitha Kierszka. Arranged by Tabitha Kierszka. Instructional. Score and part. 54 pages. Tabitha Kierszka #645911. Published by Tabitha Kierszka (A0.1041180). A collection of 17 pieces with descriptive titles for beginning cellists. Online audio is available! Audio tracks for play along purposes can be obtained through the link in the book. Each piece has two audio tracks: one with cello and piano (demo) and one with piano only (accompaniment). All pieces are in 1st position. Occasional use of the 4th finger. The first pieces: Quiet Thoughts and Two-Finger Jig require only the use of fingers 1 and 2! The pieces are arranged - more or less - in increasing order of difficulty. The piano part can easily be played by intermediate pianists. Score: 37 pages, separate cello part: 16 pages Titles: 1. Quiet Thoughts 2. Two-Finger Jig 3. Autumn Song 4. A Sailor's Song 5. Lullaby 6. Seagulls 7. Solemn Melody 8. Getting Ready! 9. Sailing on a Quiet Sea 10. In Classical Style (in 3 movements) 11. Emerald Hills 12. Jourmey by Train 13. Nostalgic Waltz 14. Smoothly 15. Climbing the Old Castle's Tower 16. Longing 17. A Little Tango.
$5.00
4.53 €
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Violoncelle, Piano
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Tabitha Kierszka
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Tabitha Kierszka
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Cello Moods & Images
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Tabitha Kierszka
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SheetMusicPlus
Viola Moods & Images
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1041179 By Tabitha Kierszka. By Ta…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1041179 By Tabitha Kierszka. By Tabitha Kierszka. Arranged by Tabitha Kierszka. Instructional. Score and part. 57 pages. Tabitha Kierszka #645910. Published by Tabitha Kierszka (A0.1041179). A collection of 18 pieces with descriptive titles for beginning violists. Online audio for demo and play-along purposes is available! There is a link inside the book. Each piece has two audio tracks: one with viola and piano (demo) and one with accompaniment only. 17 of the pieces are in 1st position, the 18th piece is in 3rd position, but without any shifting. Occasional use of the 4th finger. Three pieces: Quiet Thoughts, Two-Finger Jig and Longing require only the use of fingers 1 and 2! The pieces are arranged - more or less - in increasing order of difficulty. The piano part can easily be played by intermediate pianists. Score: 39 pages, separate viola part: 16 pages Titles: 1. Quiet Thoughts 2. Two-Finger Jig 3. Autumn Song 4. A Sailor's Song 5. Lullaby 6. Seagulls 7. Solemn Melody 8. Getting Ready! 9. Sailing on a Quiet Sea 10. In Classical Style (in 3 movements) 11. Emerald Hills 12. Jourmey by Train 13. Nostalgic Waltz 14. Smoothly 15. Climbing the Old Castle's Tower 16. Longing 17. A Little Tango 18. A Sad Tale.
$5.00
4.53 €
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Alto, Piano
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Tabitha Kierszka
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Tabitha Kierszka
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Viola Moods & Images
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Tabitha Kierszka
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SheetMusicPlus
Violin Moods & Images
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1041175 By Tabitha Kierszka. By T…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1041175 By Tabitha Kierszka. By Tabitha Kierszka. Arranged by Tabitha Kierszka. Instructional. 54 pages. Tabitha Kierszka #645904. Published by Tabitha Kierszka (A0.1041175). A collection of 18 pieces with descriptive titles for beginning violinists. Online access to audio is available! Each piece has two audio tracks: one demo version with violin, and one with piano accompaniment only. 17 of the pieces are in 1st position, the 18th piece is in 3rd position, but without any shifting. Occasional use of the 4th finger. Three pieces: Quiet Thoughts, Two-Finger Jig and Longing require only the use of fingers 1 and 2! The pieces are arranged - more or less - in increasing order of difficulty. The piano part can easily be played by intermediate pianists. Score: 39 pages, violin part: 15 pages Titles: 1. Quiet Thoughts 2. Two-Finger Jig 3. Autumn Song 4. A Sailor's Song 5. Lullaby 6. Seagulls 7. Solemn Melody 8. Getting Ready! 9. Sailing on a Quiet Sea 10. In Classical Style (in 3 movements) 11. Emerald Hills 12. Jourmey by Train 13. Nostalgic Waltz 14. Smoothly 15. Climbing the Old Castle's Tower 16. Longing 17. A Little Tango 18. A Sad Tale.
$5.00
4.53 €
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Violon et Piano
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Tabitha Kierszka
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Tabitha Kierszka
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Violin Moods & Images
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Tabitha Kierszka
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SheetMusicPlus
Waltz for Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.955725 Composed by Phil Thrift. 20t…
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Piano Solo - Level 3 - Digital Download SKU: A0.955725 Composed by Phil Thrift. 20th Century,Contemporary. Score. 4 pages. Phil Thrift #5375145. Published by Phil Thrift (A0.955725). This is the fourth in a set of miniatures for piano. There are different moods and plenty of two-part writing with independent lines to bring out.
$2.99
2.71 €
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Piano seul
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Phil Thrift
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Waltz for Piano
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Phil Thrift
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SheetMusicPlus
Mist Waltz, March and Finale
Quatuor de Flûtes : 4 flûtes
Flute Quartet - Level 5-6 - Digital Download SKU: F2.FM1138 Composed by David Baker…
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Flute Quartet - Level 5-6 - Digital Download SKU: F2.FM1138 Composed by David Baker. Contrasting moods. Classical. Score and Parts. 22 pages. Forton Music - Digital #FM1138. Published by Forton Music - Digital (F2.FM1138). ISBN 9790570790371. 8.25 x 11.75 inches.
$14.95
13.54 €
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Quatuor de Flûtes : 4 flûtes
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David Baker
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Mist Waltz, March and Finale
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Forton Music - Digital
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SheetMusicPlus
Waltzes Book 1
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.982828 Composed by Trudy Roughgarde…
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Piano Solo - Level 3 - Digital Download SKU: A0.982828 Composed by Trudy Roughgarden. Contemporary. Score. 15 pages. Trudy Roughgarden #2034431. Published by Trudy Roughgarden (A0.982828). These are waltzes written for my adult students, many of whom began lessons as an adult, and are looking for music that is both playable and musically nourishing. The moods are generally romantic.
$6.00
5.43 €
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Piano seul
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Trudy Roughgarden
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Waltzes Book 1
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Trudy Roughgarden
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SheetMusicPlus
Waltz Moods
Saxophone Tenor et Piano
Edited by Himie Voxman. Classical, Contest, Festival. Tenor Sax and Piano. 8 pages. …
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Edited by Himie Voxman. Classical, Contest, Festival. Tenor Sax and Piano. 8 pages. Published by Rubank Publications
$4.99
4.52 €
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Saxophone Tenor et Piano
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Waltz Moods
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Rubank Publications
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SheetMusicPlus
Rubank Treasures for Tenor Saxophone
Saxophone, Tenor Saxophone - Grade 2-4 SKU: HL.121409 Book with Online Audio (st…
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Saxophone, Tenor Saxophone - Grade 2-4 SKU: HL.121409 Book with Online Audio (stream or download). Edited by Himie Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.121409). ISBN 9781480352445. UPC: 884088922986. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • Berceuse (Barat) • Crépuscule (Parès) • Estilian Caprice (Paul) • Intermezzo (Koepke) • Largo and Allegro (Boni) • March of a Marionette (Gounod) • Night Piece (Ostransky) • Orientale (Barat) • Prelude and Allegro (Ostransky) • Sarabanda and Gavotta (Corelli) • Sinfonia/Arioso (Bach) • Waltz Moods (Johnson).
Song List: Berceuse Intermezzo Alleluja Prelude And Allegro Crepuscule (Twilight) Largo And Allegro Sinfonia From Cantata No. 156 (Arioso) Estilian Caprice March Of A Marionette Night Piece Orientale Sarabanda And Gavotta Waltz Moods Sinfonia
$17.99
16.29 €
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Berceuse (Barat) &bull
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Rubank Treasures for Tenor Saxophone
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Rubank Publications
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SheetMusicPlus
Nine Waltzes for Ten Fingers
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Russell Olesh. 21st Century,…
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Piano Solo - Intermediate - Digital Download Composed by Russell Olesh. 21st Century, 20th Century, Romantic Period, Classical Period, Repertoire. 63 pages. Published by Russell Olesh
"Nine Waltzes For Ten Fingers" is a collection of nine intermediate level waltzes. The pieces range in moods from happy, to serene, joyful, and quirky. When you purchase the collection you will also have access to online practice tracks to help you learn each piece.<br> <br> Pieces:<br> 1. Swashbuckling<br> 2. A Minor Waltz<br> 3. Joyful Tears<br> 4. Bittersweet<br> 5. Celebration!<br> 6. Shakira's song<br> 7. Carnival Games<br> 8. A Spring Day<br> 9. The Mimic.
$19.99
18.1 €
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Piano seul
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Russell Olesh
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Nine Waltzes for Ten Fingers
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Russell Olesh
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SheetMusicPlus
Vita Nova, For Flute And Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. Score and part. 28 pages. Geraldine (Denny) Green at Oakmountmusic #900774. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1311840). ALL PURCHASES COME WITH SCORE AND PARTSDuration – 12 minutes approx.Vita Nova is a single movement work for flute and piano, commissioned by flautist Gary Woolf and written in July/August 2019. It received its world premiere in September 2019 in Germany as part of a concert to celebrate the retirement of Gary’s Boss, Wolfgang Bernhardt, the work’s dedicatee and himself an excellent musician. It was this special occasion which inspired the work’s title, Latin for New Life.The piece is packed with excitement and has a wide range of moods, from the rather somber opening to the comical, lively main theme, which resembles a strange cross between a fast, crazy waltz and a jig. In the middle there is a flamboyant flute cadenza which leads us into a calm, ethereal, slightly mysterious section, before the lively, mischievous waltzy jig returns, to eventually lead us into a beautiful calm, dignified ending derived from the somber opening melody but now with glorious, positive harmony and a feeling that all is right and good.
$15.00
13.58 €
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Flûte traversière et Piano
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Gary Woolf - Flute and Sebastian Kurz - Piano
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Vita Nova, For Flute And Piano
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Geraldine
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SheetMusicPlus
Mood Suite - Complete Score
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.938016 Composed by Liz Nedela. Clas…
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Piano Solo - Level 4 - Digital Download SKU: A0.938016 Composed by Liz Nedela. Classical,Contemporary,Contest,Festival,Instructional. Score. 28 pages. Liz Nedela #6114751. Published by Liz Nedela (A0.938016). Mood Suite is a set of five piano solos depicting moods that we all experience: Restless, Peaceful, Mood Swings (Monkey Thoughts), Anger, Fun (Dance-Crazy Waltz). The set began as a commission for the Billings (MT) Music Teachers Association (1986) and has been used in several variations for specific events; some have changed titles, but all remain the same music. All have been enjoyed by students, teachers, and professional pianists! The set is comprised of teaching pieces, each in its own scale and style. The title changes have been influenced by the purpose of the event (i.e. see PDX), as well as nicknames by students or performers; (i.e. Mood Swings became Monkey Thoughts; Fun became Dance and then Crazy Waltz). Have fun with these pieces! Interpret them to fit your own moods! NOTE: The recording is a live performance of Restless, Peaceful, Crazy Waltz, used in the concert for PDX. Mood Swings and Anger recordings can be obtained at no charge from the composer. Also Note: some pieces are sold separately.
$8.50
7.7 €
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Piano seul
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Liz Nedela
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Mood Suite - Complete Score
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Liz Nedela
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SheetMusicPlus
Sweetie Girl
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1018974 Composed by Timothy P Boyle…
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Piano Solo - Level 2 - Digital Download SKU: A0.1018974 Composed by Timothy P Boyles ASCAP. Arranged by Timothy P Boyles ASCAP. Jazz. Score. 1 pages. Musical Moods Publishing Co. #2852827. Published by Musical Moods Publishing Co. (A0.1018974). Easy Piano - Jazz Waltz - Fun to play.
$2.50
2.26 €
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Piano seul
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Timothy P Boyles ASCAP
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Timothy P Boyles ASCAP
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Sweetie Girl
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Musical Moods Publishing Co.
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SheetMusicPlus
Valsarín [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596565 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596565 Composed by Juan MarÃa Solare. 20th Century,Holiday,Instructional,Love,Wedding. Score. 7 pages. Juan Maria Solare #4628435. Published by Juan Maria Solare (A0.596565). ValsarÃn * a piano waltz by Juan MarÃa Solare Description: A haunting waltz for solo piano with classical influences. Gentle and sweet, without agressive sounds. Featured in the CD Tango Monologues by Juan Maria Solare (http://www.juanmariasolare.com/CD_tango_monologues.html). On Spotify: https://play.spotify.com/track/5eTqWEWqDq3YU9uwehTsoW Also on Youtube: https://youtu.be/9bvzV7Nx7jQ Sounds like / for fans of: Frederic Chopin, Erik Satie, Franz Liszt, Maurice Ravel, George Gershwin, Pyotr Ilyich Tchaikovsky. Main genre: classical. Secondary genres: 20th Century (1920-present), Acoustic Underscores, Adult Contemporary, Easy Listening, Elevator, Impressionistic (1900-1920), Latin Pop, Lounge, Neo-Classical, Romantic (1820-1900), South American, Tango, Underscore, Waltz, World Music Moods Blissful, Calm, Content, Elegant, Emotional, Ethereal, Happy, Haunting, Heartwarming, Hopeful, Innocent, Inspired, Light, Lonely, Melancholy, Mellow, Mysterious, Optimistic, Passive, Peaceful, Playful, Positive, Reflective, Relaxed, Romantic, Sad, Sedate, Seductive, Serene, Sexy, Spiritual, Thoughtful, Uplifting, Worried Brief analysis - Theme A in C, upbeat - Theme B in A, on the beat - Theme C in E, after the beat Thus, the keys of the themes are in tird relationship (to both sides of the central key, C major). And the rhythms of each theme present complementarity.
$2.50
2.26 €
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Piano seul
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Juan MarÃa Solare
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Valsarín [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Black Lotus
Piano seul
Piano Solo - Digital Download SKU: A0.1252474 By Scholler. By Scholler. Arranged by…
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Piano Solo - Digital Download SKU: A0.1252474 By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Contest,Festival,Film/TV,Multicultural,World. Score. 5 pages. Scholler #846449. Published by Scholler (A0.1252474). Black Lotus is a captivating and challenging piano solo that combines intricate rhythms with contrasting moods. The piece is characterized by its unconventional time signatures, ranging from 7/16 to 3/8 to 7/8, which continually challenge the pianist's rhythmic precision and adaptability.The composition begins with a constant exploration of rhythmic variations, creating a sense of musical chaos. However, amidst the rhythmic complexity, a serene and delicate melody emerges, offering a contrasting calm and quiet atmosphere. This melodic line serves as a tranquil oasis within the rhythmic storm, providing moments of respite for both the performer and the listener.As the piece progresses, it transitions into the second part, where the atmosphere becomes calm and peaceful. However, the tranquility is periodically interrupted by unexpected and irregular measures, which serve as subtle reminders of the earlier rhythmic challenges. These interruptions add an element of surprise and unpredictability to the overall musical narrative.After the intermittent disruptions, the composition briefly ventures into a peaceful waltz-like section. The lilting and graceful waltz rhythm provides a temporary escape from the previous complexities, offering a soothing and elegant respite. However, this tranquility is transient, as the piece returns to the main theme, rekindling the initial chaos.Finally, Black Lotus concludes with a powerful rendition of the main theme, showcasing the pianist's virtuosity and the culmination of the piece's diverse elements. The final moments bring the composition to a dramatic close, leaving the audience captivated and in awe of the journey they have experienced.Black Lotus is a unique and challenging piano solo that demands technical mastery and a deep understanding of rhythm. It offers an opportunity for pianists to showcase their skill and artistry while navigating through the intricate rhythmic landscape and delivering the contrasting emotions of calmness and chaos.SchollermusicTheodosius Bates
$2.99
2.71 €
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Piano seul
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Scholler
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Scholler
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Black Lotus
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Scholler
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SheetMusicPlus
Album for the Youth
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1426456 Composed by Eric Tran. 21st…
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Piano Solo - Level 3 - Digital Download SKU: A0.1426456 Composed by Eric Tran. 21st Century,Children,Classical. Score. 14 pages. Happy Dog Publishing #1007154. Published by Happy Dog Publishing (A0.1426456). Eric Tran's Album for the Youth showcases the ability of young pianists with 6 intermediate-early advanced piano pieces with a variety of characters and moods. Each piece paints an evocative picture, from the catchy rhythms of Pirate Dance, the mystery and wonder in Snow in the Village, to the dazzling Toccatina. 1. Pirate Dance2. Shadow Waltz3. Snow in the Village4. Mazurka5. Evening Prayer6. ToccatinaEric Tran is a pianist and composer, currently on faculty at University of Wisconsin-Madison. In addition to his concert works, he has written over 100 pedagogical piano pieces for varying levels.
$13.99
12.67 €
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Piano seul
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Eric Tran
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Album for the Youth
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Happy Dog Publishing
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SheetMusicPlus
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.05 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Soft Touching: seven smooth tunes for piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1255201 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1255201 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 16 pages. Max Potseluiev #848747. Published by Max Potseluiev (A0.1255201). Soft Touching: Seven Smooth Tunes for Piano is a captivating and enchanting album composed by Max Potseluiev. This collection of seven serene piano compositions takes the listener on a mesmerizing journey of tranquility and introspection.The album opens with Awakening, a gentle and soothing piece that sets the tone for the entire musical experience. The delicate melodies and graceful harmonies awaken the senses and invite the listener to embark on a serene exploration of emotions.As the album unfolds, each track paints a vivid musical landscape, showcasing the composer's skill in crafting melodies that touch the heart and soothe the soul. From the poignant and contemplative Melancholy to the enchanting and ethereal Elven Dreams, the album offers a diverse range of emotions and moods, capturing the essence of quiet beauty and introspective moments.Chinese Spring transports the listener to a serene and blossoming world, while Dreams under the Moon evokes a sense of reverie and contemplation. The delicate Sentimental Waltz tugs at the heartstrings with its romantic charm, while Letting Go of Love explores the depths of emotional release and healing in an improvisational jazz ballad style. Throughout the album, Max Potseluiev's compositions shine with a soft touch and a keen sensitivity, drawing inspiration from various musical influences and weaving them into a seamless tapestry of tranquility. The melodies flow effortlessly, creating a serene and immersive atmosphere that invites the listener to escape the noise of the world and find solace in the beauty of these seven smooth tunes.Soft Touching: Seven Smooth Tunes for Piano is an album that resonates with both relaxation and introspection. It offers a refuge for the weary soul, a sanctuary where the delicate notes of the piano provide a soft touch, easing the mind and allowing for moments of serenity and self-reflection. This musical collection is a testament to the power of music to heal, inspire, and transport us to a place of inner calm and harmony.
$24.99
22.63 €
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Piano seul
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Max Potseluiev
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Soft Touching: seven smooth tunes for piano
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Max Potseluiev
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SheetMusicPlus
Sonata dell'Arte
Tba. Pft. - Advanced - Digital Download SKU: F2.FM484 Composed by Yuri Povolotsky. …
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Tba. Pft. - Advanced - Digital Download SKU: F2.FM484 Composed by Yuri Povolotsky. Tuba and Piano. Score and part. 31 pages. Forton Music - Digital #FM484. Published by Forton Music - Digital (F2.FM484). ISBN 9790570483839.The name itself immediately submerges the piece in an atmosphere of buffoonery and theatricality; a kaleidoscopic changing of masks, rhythms and moods. The themes of a comic march and arias in the 'lamento' spirit are intertwined in the sonata form of the first movement. The waltz-like second movement imitates a brass band, with a pastoral theme in a Siciliano rhythm in the middle section, suddenly ending with a few bars of a funeral procession. The positive movement and energy of the classically inspired finale, with it's small, meditative cadenza for the soloist, affirm the joyful aspect of the whole piece.
$9.95
9.01 €
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Yuri Povolotsky
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Sonata dell'Arte
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Forton Music - Digital
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.34 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.61 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.34 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.34 €
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Guitare
#
Richard Strauss
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Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
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