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--INSTRUMENTS--
ACCORDEON
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XYLOPHONE
Way He Makes Me Feel
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CHORALE - CHAN…
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Vous avez sélectionné:
Way He Makes Me Feel
SheetMusicPlus
Partitions à imprimer
21 partitions trouvées
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1
The Way He Makes Me Feel
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1228138 Composed by Alan Bergman, M…
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Easy Piano - Level 2 - Digital Download SKU: A0.1228138 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Tsuyoshi Yoroiguma. Broadway,Film/TV,Musical/Show,Standards. Score. 3 pages. Tsuyoshi Yoroiguma #824257. Published by Tsuyoshi Yoroiguma (A0.1228138). < Short EZ Piano #610>The Way He Makes Me Feel from Yentl  (Barbra Streisand)Let's play your favorite pop, rock, jazz etc. by piano (or keyboard).Short EZ Piano is an easy piano sheet music series that arranged by Tsuyoshi Yoroiguma.The PDF file includes 3 pages of sheet music.Playing time :1min40sec.Please visit arranger's blog to listen full sound sample http://yoroiguma.seesaa.net/page of 2023-5-8.
$8.50
7.84 €
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Piano Facile
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Alan Bergman, Marilyn Bergman, and Michel Legrand
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Tsuyoshi Yoroiguma
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Short EZ Piano #610>
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The Way He Makes Me Feel
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Way He Makes Me Feel
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1206913 By Barbra Streisand. By Michel Jean Legrand. Arranged by Uwe Rössler Roessler Rassler. 20th Century,Film/TV,Jewish,Pop,Wedding. 18 pages. Uwe Roessler #805096. Published by Uwe Roessler (A0.1206913). Truly one of the greatest movie themes: Michel Legrand´s The Way He Makes Me Feel from the movie Yentl in a romantic, highly effective, neo-classical arrangement for piano trio/quartet/quintet. Follows in form, key (B minor), tempo and dynamics the incomparable Barbara Streisand version from the original movie (hence the video link).Form: Intro / AABA (theme in violin) / AA (theme in cello) / BA (theme in violin) / OutroComes with full score and all individual parts. Ensemble minimum: violin1, cello, piano. Ensemble maximum: + violin2, bass. Additional (independent) voices for violin2 and bass included. Professional sheet material!
$25.00
23.05 €
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Barbra Streisand
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Way He Makes Me Feel
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Uwe Roessler
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SheetMusicPlus
The Way He Makes Me Feel
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1202920 Composed by Alan Bergman, M…
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Piano Solo - Level 3 - Digital Download SKU: A0.1202920 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by William C. Woods. Broadway,Film/TV,Musical/Show,Pop,Standards,Wedding. Score. 4 pages. William C. Woods #801652. Published by William C. Woods (A0.1202920). Intermediate Piano Solo.
$4.99
4.6 €
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Piano seul
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Alan Bergman, Marilyn Bergman, and Michel Legrand
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William C
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The Way He Makes Me Feel
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William C. Woods
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SheetMusicPlus
The Way He Makes Me Feel (from Yentl)
Piano, Voix et Guitare
Guitar,Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1221394 By Barbra …
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Guitar,Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1221394 By Barbra Streisand. This edition: scorch. Broadway,Musical/Show. Score. 5 pages. Duration 122. Hal Leonard - Digital #906050. Published by Hal Leonard - Digital (HX.1221394).
$4.99
4.6 €
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Piano, Voix et Guitare
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Barbra Streisand
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The Way He Makes Me Feel
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Hal Leonard - Digital
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SheetMusicPlus
The Way He Makes Me Feel
Quatuor à cordes: 2 violons, alto, violoncelle
Composed by Michel Legrand (1932-), Alan Bergman, and Marilyn Bergman. Arranged by C…
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Composed by Michel Legrand (1932-), Alan Bergman, and Marilyn Bergman. Arranged by Carl Darby. Broadway, Film/TV, Musical/Show, Wedding. Score and parts. 16 pages. Carl Darby #801592. Published by Carl Darby
$12.99
11.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Michel Legrand (1932-), Alan Bergman, and Marilyn Bergman
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Carl Darby
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The Way He Makes Me Feel
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Carl Darby
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SheetMusicPlus
The Way He Makes Me Feel
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.1202928 Composed by Alan Bergman,…
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Piano,Violin - Level 2 - Digital Download SKU: A0.1202928 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Helios D'Andrea. Pop. 3 pages. D'Andrea Helios #801660. Published by D'Andrea Helios (A0.1202928). Arranged for violin and piano.
$4.99
4.6 €
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Violon et Piano
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Alan Bergman, Marilyn Bergman, and Michel Legrand
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Helios D'Andrea
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The Way He Makes Me Feel
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D'Andrea Helios
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SheetMusicPlus
The Way He Makes Me Feel
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1202929 Composed by Alan Bergman, …
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Violin Solo - Level 2 - Digital Download SKU: A0.1202929 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Helios D'Andrea. Pop,Romantic Period. 1 pages. D'Andrea Helios #801661. Published by D'Andrea Helios (A0.1202929). Violin soloist.
$4.99
4.6 €
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Violon
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Alan Bergman, Marilyn Bergman, and Michel Legrand
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Helios D'Andrea
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The Way He Makes Me Feel
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D'Andrea Helios
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SheetMusicPlus
The Way He Makes Me Feel
Chorale TTBB
Composed by Michel Legrand (1932-). Arranged by Eric Knechtges. Contemporary. Octavo…
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Composed by Michel Legrand (1932-). Arranged by Eric Knechtges. Contemporary. Octavo. 9 pages. Eric T Knechtges #4790533. Published by Eric T Knechtges
$1.99
1.83 €
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Chorale TTBB
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Michel Legrand (1932-)
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Eric Knechtges
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The Way He Makes Me Feel
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SheetMusicPlus
He Said She Said
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1503412…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1503412 Composed by Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montano. A Cappella,Pop. 15 pages. Andrew Montano #1078860. Published by Andrew Montano (A0.1503412). He Said She Said was the first song CHVRCHES composed for their fourth album after the COVID-19 pandemic. The meaning behind the track focuses on the pressures of being true to oneself and living up to expectations, especially in the ongoing age of social media.The verses describe a hypocrisy and controlling, manipulative struggle with the singer's physicality and mental state. The quotes tell her to act a certain way or mold into a specific shape, but also mention to not go too far in either category. Not having a clear direction and attempting to please others makes the singer feel like they're losing their mind.Lauren Mayberry, the lead vocalist, said The barebones of thesong were there in about an hour and the opening line of thesong was the first lyric that came out.The song released with a music video following Mayberry trapped inside a transparent revolving door with no way ofescaping. She's seen bashing against the glass attempting to break out with shots of her spinning around.Martin Doherty, the synthesist and producer of the band, said The chords felt like they had this eternal tension in them—they never actually release, even though they get really big. Itfeels to me like a panic attack.The lyrics enhance this tense suffocation with Mayberry's build up in the pre chorus followed by her highest range in the chorus. She switches between a false voice/autotune into her natural voice after breaking free from the silence. Almost as if her falsified persona is begging for release but no one responds to her cry for help.
$4.99
4.6 €
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Chorale SATB
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Iain Cook, Lauren Mayberry, and Martin Doherty
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Andrew Montano
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He Said She Said
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Andrew Montano
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SheetMusicPlus
Only My Savior, a sacred hymn
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1452351 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1031677. Published by Kevin G. Pace (A0.1452351). A beautiful, heart-felt, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Who am I that when I fall, Thou offers only grace,That when I see my weaknesses, pure love shines from thy face?Who art Thou who cried for me in ever-wors’ning pain,That when I’m trapped in senseless sin, still suffered for my gain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou redeems my prideful, unkempt soul?That when I stray from righteousness, forgiveness is thy goal?Who art Thou who bled for me with drops like falling rain,That when I’m slow to show my love, still wipes away each stain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou should save, redeeming ev’ry flaw?That when I suffer selfishness, Thou shows me greater laws?Who art Thou who gave His life so I might live with Thee,That when I’ve given up all hope, still wants to be with me?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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only He died for my soul
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Only My Savior, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Way He Makes Me Feel
Piano seul
By Barbra Streisand. By Michel Legrand (1932-). For Piano. Pop/Rock; Adult Contemporary an…
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By Barbra Streisand. By Michel Legrand (1932-). For Piano. Pop/Rock; Adult Contemporary and Movies. 5 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.68 €
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Piano seul
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Barbra Streisand
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Adult Contemporary and Movies
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The Way He Makes Me Feel
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Way He Makes Me Feel
Piano Facile
By Barbra Streisand. By Michel Legrand (1932-). For Easy Piano. Adult Contemporary and Mov…
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By Barbra Streisand. By Michel Legrand (1932-). For Easy Piano. Adult Contemporary and Movies. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.68 €
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Piano Facile
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Barbra Streisand
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The Way He Makes Me Feel
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Way He Makes Me Feel
Piano Facile
By Michel Legrand (1932-). For Easy Piano. Pop/Rock and Movies. 5 pages. Published by Alfr…
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By Michel Legrand (1932-). For Easy Piano. Pop/Rock and Movies. 5 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.68 €
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Piano Facile
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Michel Legrand
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The Way He Makes Me Feel
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Way He Makes Me Feel
Piano, Voix et Guitare
By Michel Legrand (1932-). For Piano/Vocal/Chords. Movie and Movies. 5 pages. Published by…
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By Michel Legrand (1932-). For Piano/Vocal/Chords. Movie and Movies. 5 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.68 €
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Piano, Voix et Guitare
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Michel Legrand
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The Way He Makes Me Feel
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
95.42 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
Piano seul
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
4.61 €
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Piano seul
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
I Am One of His Sheep, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1278924 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1278924 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #870473. Published by Kevin G. Pace (A0.1278924). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:When I stray from His flock, and when I feel lost,When I don’t know my way, when I’m blind,The Good Shepherd is there with his loving care;He is there with his power to find.I am one of his sheep though still I am weak.He will leave ninety-nine as He seeks.Jesus rescues my soul, so I can be whole.He protects me and makes me complete.When I make a wrong choice and can’t hear His voice,When the winds and the rainstorms abound,The Good Shepherd will come and rescue with love;He will call ‘til His sheep are all found.I am one of his flock, so for me He sought.Still He blesses when with Him I walk.Jesus knows all the sheep He ever will keep,For He gave his whole life for the flock.I am one of his sheep He ever will keep.He is there with his love oh so deep.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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I Am One of His Sheep, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
21.19 €
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Various, Traditional
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French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Samantha Bramley
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.63 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.38 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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Way He Makes Me Feel
