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Vous avez sélectionné:
We've Had Our Moments
Partitions à imprimer
10 partitions trouvées
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"The Dog Had..." Variations
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Daniel Burwasser
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"The Dog Had..." Var
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Head and Stem
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1290458 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Romantic Pe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1290458 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Romantic Period. 35 pages. Head and Stem #881172. Published by Head and Stem (A0.1290458). BACKSTORY ON “The Dog Had…†Variations The origin of “The Dog Had…†Variations†stems from a frantic voicemail received from the composer’s mother-in-law many years ago while on a visit exclaiming that our dog at the time, Pepper, a chocolate-brown and white springer spaniel, “HAD†an accident of explosive proportions on their basement rug and that we needed to “GET HOME†and deal with it immediately. At first the family was taken aback by the phone message, but ultimately it became a source of hilarity and shortly afterward, the composer’s wife created a rhyme from the message and a tune immediately sprung from that. This tune simply became something our family sung together periodically over many year’s time for amusement until now when the composer came up with the idea to set it to variations for string quartet. In this work, the tune is first heard in simple fashion in its entirety in the viola. Fragments of the tune follow in various guises. For example, the rhythm of the words “GET HOME†as well as “I’VE HAD IT†are prominent thematic ideas used in the piece. There are also a couple of moments where the music sounds weak and demented, but also places where it sounds like a domestic quarrel and the theme is further broken down into fragments. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$20.00
We've Had Our Moments from Johnny Guitar - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Comédie Musicale
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We've Had Our Moments from Joh
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Musicnotes
We've Had Our Moments Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement ...
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We've Had Our Moments Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Guitar;Piano; 5 pages -- Show/Broadway~~Soundtrack~~Musical
$5.50
Martin Silvestri: We've Had Our Moments for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Comédie Musicale
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Martin Silvestri
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Virtualsheetmusic
Instantly printable sheet music by Joel Higgins for voice, piano or guitar of MEDIUM skill level. / musical/show
Instantly printable sheet music by Joel Higgins for voice, piano or guitar of MEDIUM skill level. / musical/show
$6.97
We've Had Our Moments
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Piano, Voix et Guitare
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Comédie Musicale
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Joel Higgins and Johnny Guitar
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We've Had Our Moments
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Joel Higgins and Johnny Guitar (Musical). For piano, voice, and guitar (chords only). Musical/Show. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Joel Higgins and Johnny Guitar (Musical). For piano, voice, and guitar (chords only). Musical/Show. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Formations for Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...
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Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
Turkish Rondo - Mozart (but not as you know it!) includes original flute solo - flute (in C) & piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Chris Lawry and Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.761564 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6...
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Flute,Piano - Level 4 - SKU: A0.761564 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424423. Published by Masquerade Music (A0.761564). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for (C) flute in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original flute solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
Turkish Rondo - Mozart (but not as you know it!) includes original clarinet solo - Bb clarinet & pia
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Chris Lawry, Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.761563 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6...
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Clarinet,Piano - Level 4 - SKU: A0.761563 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424419. Published by Masquerade Music (A0.761563). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Bb clarinet in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original clarinet solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
Turkish Rondo - Mozart (but not as you know it!) includes original sax solo - Tenor (or soprano) sax
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Chris Lawry and Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - SKU: A0.761562 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and p...
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - SKU: A0.761562 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424413. Published by Masquerade Music (A0.761562). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Tenor (or soprano) saxophone in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original saxophone solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
Turkish Rondo - Mozart (but not as you know it!) includes original sax solo - Alto (or baritone) sax
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Chris Lawry, Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.761561 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part....
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.761561 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424409. Published by Masquerade Music (A0.761561). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Alto (or baritone) saxophone in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original saxophone solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
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We've Had Our Moments
