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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Can Fly
Non classifié
32
Piano & claviers
Piano seul
19
Piano, Voix
14
Orgue
1
Piano Trio: piano, violon, violoncelle
1
Piano Facile
1
Guitares
Guitare notes et tablatures
3
Guitare
1
Voix
Chorale SATB
7
Chorale TTBB
2
Chorale 3 parties
2
Chorale 2 parties
2
Voix Alto, Piano
1
Chorale SSAA
1
Voix Tenor
1
Voix basse
1
Voix haute
1
+ 4 instrumentations
Retracter
Vents
Ocarina
14
Harmonica
9
Flûte à bec Soprano
8
Flûte à bec Alto
5
Flûte traversière
2
Saxophone (partie séparée)
1
Saxophone Alto
1
Saxophone Tenor
1
Flûte irlandaise
1
Clarinette
1
+ 5 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
2 Trompettes (duo)
1
Trompette
1
Cordes
Harpe
2
Violon
1
Alto, Piano
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle
1
Harpe, Voix
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre
4
Ensemble de cuivres
3
Orchestre d'harmonie
3
Ensemble Jazz
2
Piano et Orchestre
1
Orchestre à Cordes
1
Fanfare
1
Ensemble de Percussions
1
Orchestre de chambre
1
+ 4 instrumentations
Retracter
Autres
Instruments
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AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIELLE A RO…
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VIOLON
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XYLOPHONE
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Partitions Gratuites
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Nouveautes
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expert
avec audio
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Crtitères actifs :
We Can Fly
Partitions à imprimer
162 partitions trouvées
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151
We Can Fly
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Susanna Lindmark
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We Can Fly
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSA(TB) chorus and percussion - SKU: BJ.1384 Composed by Susanna Lindmark. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1384. Published by Bo Ejeby Forl...
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SSA(TB) chorus and percussion - SKU: BJ.1384 Composed by Susanna Lindmark. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1384. Published by Bo Ejeby Forlag - Digital (BJ.1384). 8.27 x 11.7 inches.We can fly was commissioned by Kultur i Vast and Marit Zetterstrom for the 4th European Choir Games in Gothenburg 2019. The song is composed for SSATB, mainly because it gives the options for different kinds of choirs to be able to take part and sing. Children choirs and youth choirs of equal voices can use the upper parts, and mixed choirs sing all parts. My wish for the song is to let it take flight, engaging the singers to sing together and let the music go through their heart and soul. Because we all know it is possible: Together we can fly! - Susanna Lindmark.
$4.80
FLY LITTLE DOVE
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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FLY LITTLE DOVE
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066791 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 369. THEMIS KOUTRAS #5214059. P...
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Piano - SKU: A0.1066791 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 369. THEMIS KOUTRAS #5214059. Published by THEMIS KOUTRAS (A0.1066791). This is a song in how we can communicate with GOD as much as we want to through the holy spirit who is expressed here as a dove
$3.99
We Can't Be Friends (Wait For Your Love)
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Piano seul
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DÉBUTANT
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Ariana Grande
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Natalie Hawkins
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We Can't Be Friends
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Natalie Hawkins
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SheetMusicPlus
Piano - Level 1 - SKU: A0.1453771 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Natalie Hawkins. 21st Century,Contem...
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Piano - Level 1 - SKU: A0.1453771 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Natalie Hawkins. 21st Century,Contemporary,Pop. Score (Chords/Lyrics). 1 pages. Natalie Hawkins #1032988. Published by Natalie Hawkins (A0.1453771). Quick 1-sheet arrangements for musicians who gig and need accurate reference charts on the fly.
$1.99
Open Your Wings and Fly
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Harpe
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FACILE
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New Age
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Sharone Stevenson
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Open Your Wings and Fly
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Sharone Stevenson
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1301834 By Sharone Stevenson. By Sharone Stevenson. New Age. Score. 16 pages. Sharone Stevenson #891427. Published by Sha...
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Lever Harp - Level 2 - SKU: A0.1301834 By Sharone Stevenson. By Sharone Stevenson. New Age. Score. 16 pages. Sharone Stevenson #891427. Published by Sharone Stevenson (A0.1301834). Our planet needs all the love we can give. Through the power of our music, let us create Healing Harmony and peace for all..
$7.95
You Know We Can't Go Back
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Guitare notes et tablatures
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Rock
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Noel Gallagher's High Flying B
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You Know We Can't Go Back
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Hal Leonard Europe
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SheetMusicPlus
Guitar - SKU: HX.341529 By Noel Gallagher's High Flying Birds. By Noel Gallagher. This edition: scorch. Rock. Guitar Tab. 7 pages. Hal Leonard Europe #7...
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Guitar - SKU: HX.341529 By Noel Gallagher's High Flying Birds. By Noel Gallagher. This edition: scorch. Rock. Guitar Tab. 7 pages. Hal Leonard Europe #71235. Published by Hal Leonard Europe (HX.341529).
$4.99
Drago Fly
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Guitare
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INTERMÉDIAIRE
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Doug Smith
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Drago Fly
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1217948 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk. Individual part. 6 pages. Doug Smith Guitar St...
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Solo Guitar - Level 3 - SKU: A0.1217948 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk. Individual part. 6 pages. Doug Smith Guitar Studio #814386. Published by Doug Smith Guitar Studio (A0.1217948). Dragon Fly is the third piece of the St. Croix River Sketches. On a canoetrip floating across the river from the Minnesota side to the Wisconsin side we move on from Stillwater to Hudson and encounter a number of dragon flies. One or more of them keep flying around our heads and landing on our elbows as they say press in to say hello.
$1.99
Still Fly
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In The Style Of Big Tymers
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Joshua Woshua Wright
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Still Fly
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DeAndre Preston
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1454751 By In The Style Of Big Tymers. By Bryan Williams and Byron Thomas. Arranged by Joshua Woshua Wright. This edition: Interactive Download. Contest. 22 pages. Duration 79. DeAndre Preston #6dxCoyrYCN74jSZ88zaZhq. Published by DeAndre Preston (A0.1454751). Key: C major.Whassup Fresh? It's our turn, baby Gator boots (Gator boots) With the pimped out Gucci suits (With them Gucci suits) Ain't got no job, but I stay sharp (I stay sharp) Can't pay my rent (I can't pay my rent) 'Cause all my money's spent (Mmm hmm) But that's okay, 'cause I'm still fly (Damn 'cause I'm so fly) Got a quarter tank of gas In my new E class (In my E-Class Benz) But that's alright, cause I'm gon' ride Got everything (We got everything) In my momma name (In my momma name) But I'm hood rich (Uh huh) na-na-na-na...
$49.99
Fly Me To The Moon (In Other Words)
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Tony Bennett
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R
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Fly Me To The Moon
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SBQUSA. Publications
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SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1385213 By Tony Bennett. By Bart Howard. Arranged by R. R. Cardo. Holiday,Jazz,Latin,...
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1385213 By Tony Bennett. By Bart Howard. Arranged by R. R. Cardo. Holiday,Jazz,Latin,Pop,Standards. 14 pages. SBQUSA. Publications #969222. Published by SBQUSA. Publications (A0.1385213). This version of Fly Me To The Moon is out of this World! Can be done with just Brass Quintet, we also have percussion as well. One of the great tunes, it's a great addition in any folder.
$20.00
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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2 Trompettes (duo)
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FACILE
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including more of the modern d
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Eddie Lewis
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Joy, Joy, Everyone Is Flying -
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Tiger Music
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Pub...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99
Fly Me To The Moon (in Other Words)
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Jazz
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Tony Bennett
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Michael Pilley
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Fly Me To The Moon
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Michael Pilley Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746258 By Tony Bennett. By Bart Howard and S...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746258 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score and parts. 13 pages. Michael Pilley Music #6561937. Published by Michael Pilley Music (A0.746258). The classic Frank Sinatra tune originally recorded with the Count Basie Big Band, this is an essential arrangement for any jazz vocalist to have in their library. This is a direct transcription of the recording, arranged for 4-6 horns (2 trumpets, alto sax / flute, tenor sax, baritone sax and trombone), and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$25.00
Fly Me To The Moon (in Other Words)
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Jazz
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Tony Bennett
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Michael Pilley
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Fly Me To The Moon
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Michael Pilley Music
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SheetMusicPlus
Small Ensemble Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746259 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Mich...
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Small Ensemble Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746259 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score and parts. 7 pages. Michael Pilley Music #6561943. Published by Michael Pilley Music (A0.746259). The classic Frank Sinatra tune originally recorded with the Count Basie Big Band, this is an essential arrangement for any jazz vocalist to have in their library. This is a direct transcription of the recording, arranged for 3 horns (trumpet, tenor sax / flute, and trombone), and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$15.00
Fly Me To The Moon (in Other Words)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Tony Bennett
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Michael Pilley
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Fly Me To The Moon
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746255 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score an...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746255 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score and parts. 27 pages. Michael Pilley Music #6561927. Published by Michael Pilley Music (A0.746255). The classic Frank Sinatra tune originally recorded with the Count Basie Big Band, this is an essential arrangement for any jazz vocalist to have in their library. This is a direct transcription of the recording, arranged for theatre band (vocal/keyboard, 2 trumpets, alto sax / flute, tenor sax, baritone sax, trombone and rhythm section) and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
When do We Get to the Tunnel? Song and Waltz Chorus
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Piano, Voix
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Ike Browne
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When do We Get to the Tunnel?
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18607 Composed by Ike Browne. Night, Tunnels, Railroads, Mountains, Travel, Brides, Railroad employees, Passengers, Gambling, ...
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Piano and voice - SKU: LV.18607 Composed by Ike Browne. Night, Tunnels, Railroads, Mountains, Travel, Brides, Railroad employees, Passengers, Gambling, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18607). When do We Get to the Tunnel? Song and Waltz Chorus. Words and Music by Ike Browne. Published 1888 by I.S. Browne in North Adams, Mass. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Night, Tunnels, Railroads, Mountains, Travel, Brides, Railroad employees, Passengers, Gambling, Courtship & love. First line reads While traveling thro' the country, As o'er the rail we fly.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Are Family
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Contemporain
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Sister Sledge
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Ben Trigg
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We Are Family
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OlivePress Music
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1002430 By Sister Sledge. By Bernard Edwards and Nile Rodgers. Arranged by Ben Trigg...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1002430 By Sister Sledge. By Bernard Edwards and Nile Rodgers. Arranged by Ben Trigg. Contemporary. 7 pages. OlivePress Music #6881793. Published by OlivePress Music (A0.1002430). Chord chart with horn cues for the band leader, and parts for Alto and Tenor Sax, Trumpet in Bb and Trombone (not all parts need to be covered to make an effective horn section). These charts are intended for use in function bands where the band leader can call the arrangements on the fly, therefore exact structures are not always fully represented, but often indicated through general verbal instructions. Used in real life with my function band, the staff size is great for low-light situations on paper or for displaying on a tablet smaller than A4.Find the complete 'For Pop Covers' catalogue from OlivePress Music at https://olivepressmusic.com/for-pop-covers/
$12.99
Rimsky-Korsakov "The flying chain..." Op.42 No3 Lower key A min DICTION SCORE w IPA & translation
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Nikolay Andreyevich Rimsky-Kor
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Russian for Singers
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Rimsky-Korsakov "The flyi
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1342906 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Si...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1342906 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #928416. Published by Natalia Melnik (A0.1342906). N. Rimsky-Korsakov Op.42 No.3  Редеет облаков Ð»ÐµÑ‚ÑƒÑ‡Ð°Ñ Ð³Ñ€Ñда…/The flying chain of clouds is thinning… /Redeet oblakov letuchaya gryada…Lower key A minorRange: D4 - G5Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/n-rimsky-korsakov-the-flying-chain-op-42-no3-lower-key-amin-full-packYou can watch the free video diction guide at the Russian for Singers YouTube Channelhttps://youtu.be/A_QcTdfyBRw?si=I73Hk7P5GdCnP6ClPlease SUBSCRIBE to Russian for Singers YouTube Channel for easy to use video diction tutorials.We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/booking
$8.50
Rimsky-Korsakov "The flying chain..." Op.42 No3 Original key DICTION SCORE w IPA & translation
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Nikolay Andreyevich Rimsky-Kor
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Russian for Singers
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Rimsky-Korsakov "The flyi
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1342907 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Si...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1342907 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #928417. Published by Natalia Melnik (A0.1342907). N. Rimsky-Korsakov Op.42 No.3Редеет облаков Ð»ÐµÑ‚ÑƒÑ‡Ð°Ñ Ð³Ñ€Ñда…/The flying chain of clouds is thinning… /Redeet oblakov letuchaya gryada…Original keyRange: E4 - A5Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/n-rimsky-korsakov-the-flying-chain-op-42-no3-orig-key-full-packYou can watch the free video diction guide at the Russian for Singers YouTube Channelhttps://youtu.be/A_QcTdfyBRw?si=I73Hk7P5GdCnP6ClPlease SUBSCRIBE to Russian for Singers YouTube Channel for easy to use video diction tutorials.We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/booking
$8.50
Butterfly Cloud
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James Gilbert
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Butterfly Cloud
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James Gilbert Music
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SheetMusicPlus
SKU: A0.1065180 Composed by James Gilbert. Blues,Dance,Jazz,Pop,Rock. Full Performance. Duration 74. James Gilbert Music #2043963. Published by James Gi...
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SKU: A0.1065180 Composed by James Gilbert. Blues,Dance,Jazz,Pop,Rock. Full Performance. Duration 74. James Gilbert Music #2043963. Published by James Gilbert Music (A0.1065180). Audio Recording Click here to see all of our titles available on SMP If you purchase a copy, please offer a review. You can follow us on the following social media sites: YouTube for music software tutorials and more Twitter: @MusicByJames or click here Facebook: Like Us on Facebook We'd love to hear from you, visit JamesGilbertMusic.com and drop us a note.
$1.99
Flying Disc [Children's Sound / Piano solo]
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Piano seul
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INTERMÉDIAIRE
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Masakazu YAMAMOTO
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Flying Disc [Children's Sound
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Motch Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1495884 Composed by Masakazu YAMAMOTO. 21st Century,Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Motch...
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Piano Solo - Level 3 - SKU: A0.1495884 Composed by Masakazu YAMAMOTO. 21st Century,Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Motch Music #1072413. Published by Motch Music (A0.1495884). Original work by Masakazu Yamamoto.This is a piece from Piano Piece Collection Children’s Sound. Let's throw the frisbee high into the air. It's fun to toss it back and forth with friends. But if you throw it too hard, it might go somewhere unexpected... Chase the sound as it soars through the sky and catch it firmly.with fingering The piece is included in Children’s Sound.You can purchase the music collection on the website below.(Sheet Music Plus / Sheet Music Direct)Works For PianoOriginal Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct)-----------------------------------------------------Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$6.00
We've a Million in the Field, 1,000,000
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Piano, Voix
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Stephen Foster
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We've a Million in the Field,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.19780 Composed by Stephen Foster. Civil War, Patriotism, Soldiers. Lester S. Levy Collection. 4 pages. Published by Johns Hopk...
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Piano and voice - SKU: LV.19780 Composed by Stephen Foster. Civil War, Patriotism, Soldiers. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19780). We've a Million in the Field, 1,000,000. Written and Composed by Stephen C. Foster. Published 1862 by S.T. Gordon, 706 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War, Patriotism, Soldiers. First line reads The flags are flying And brave men dying.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Song of Daedalus and Icarus
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Piano, Voix
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DÉBUTANT
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Mary C W Hardy
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Song of Daedalus and Icarus
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Mary C W Hardy
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1021151 Composed by Mary C W Hardy. Children,Folk. Score. 1 pages. Mary C W Hardy #5771673. Published by Mary C W ...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1021151 Composed by Mary C W Hardy. Children,Folk. Score. 1 pages. Mary C W Hardy #5771673. Published by Mary C W Hardy (A0.1021151). Written for junior age children who were studying Greek myths. Four short verses describing how Icarus feels after inventing his flying equipment and his desire to escape to home. Oh, we can fly...like the birds in the sky etc.
$3.00
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
Surrender
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Flûte à bec Soprano
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DÉBUTANT
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Natalie Taylor
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Josiel Oliveira
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Surrender
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M das Melodias
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 1 - SKU: A0.590682 By Natalie Taylor. By Jonathan Michael Howard and Natalie Ann Howard. Arranged by Josiel Olive...
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Recorder Solo,Soprano Recorder - Level 1 - SKU: A0.590682 By Natalie Taylor. By Jonathan Michael Howard and Natalie Ann Howard. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #199814. Published by M das Melodias (A0.590682). Music score Surrender for Soprano Recorder. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Natalie Taylor. We let the waters rise We drifted to survive I needed you to stay But I let you drift away My love, where are you? My love, where are you? Whenever you're ready, whenever you're ready Whenever you're ready, whenever you're ready Can we, can we surrender? Can we, can we surrender? I surrender No one will win this time I just want you back I'm running to your side Flying my white flag, my white flag My love, where are you? My love, where are you? Whenever you're ready, whenever you're ready Whenever you're ready, whenever you're ready Can we, can we surrender? Can we, can we surrender? I surrender Ooh-ooh-oh, oh-oh I surrender.
$4.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
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We Can Fly