English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
74
Partitions
Numériques
49
Librairie
Musicale
737
Matériel
de Musique
50
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
7
PIANO & CLAVIERS
Piano seul
13
Piano, Voix et Guitare
11
Piano, Voix
2
GUITARES
VOIX
Chorale SATB
1
Chorale SSAA
1
Chorale TTBB
1
Voix Alto, Piano
1
VENTS
Quatuor de Saxophones: 4 saxophones
1
CUIVRES
Trombone et Piano
1
4 Tubas
1
CORDES
4 Contrebasses
1
Alto, Piano
1
PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
2
Orchestre de chambre
1
Orchestre d'harmonie
1
Orchestre à Cordes
1
Orchestre
1
AUTRES
Vous avez sélectionné:
We Could Go Back
Partitions à imprimer
49 partitions trouvées
<
1
26
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
(+)
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.81 €
#
Steven H
#
Ashley Ivers
#
If You Could Go Back Piano Vocal Performance
#
Boothe Publishing
#
SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
(+)
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.81 €
#
Steven H
#
If You Could Go Back Guitar Vocal Performance
#
Boothe Publishing
#
SheetMusicPlus
If You Could Go Back Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by …
(+)
Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.81 €
#
Piano seul
#
Steven H
#
Ashley Ivers
#
If You Could Go Back Piano Minus Vocal
#
Boothe Publishing
#
SheetMusicPlus
We Could Go Back (featuring Moelogo)
Piano, Voix et Guitare
Interactive Download SKU: HX.397909 By Jonas Blue and Moelogo. This edition: Intera…
(+)
Interactive Download SKU: HX.397909 By Jonas Blue and Moelogo. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 5 pages. Published by Hal Leonard Europe (HX.397909).
$4.99
4.54 €
#
Piano, Voix et Guitare
#
Jonas Blue and Moelogo
#
We Could Go Back
#
Hal Leonard Europe
#
SheetMusicPlus
Back to the Heart
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
(+)
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.5 €
#
Voix Alto, Piano
#
Sydney Stevens
#
Back to the Heart
#
Sydney Stevens, Water Music
#
SheetMusicPlus
We Could Go Back by Jonas Blue - Piano/Vocal/Guitar, Singer Pro
Piano, Voix et Guitare
Performed by: Jonas Blue: We Could Go Back Digital Sheetmusic - instantly downloadable she…
(+)
Performed by: Jonas Blue: We Could Go Back Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 4 pages -- Dance-Pop~~Pop
$5.50
5 €
#
Piano, Voix et Guitare
#
Jonas Blue
#
Piano/Vocal/Guitar, Singer Pro
#
Musicnotes
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.63 €
#
Chorale TTBB
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.93 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Good Advice
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
$4.99
4.54 €
#
Piano, Voix
#
Cheryl Prazak
#
Jon Burr
#
Good Advice
#
Cheryl Prazak
#
SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.09 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holidays
#
Thomas Oboe Lee
#
SheetMusicPlus
Jonas Blue: We Could Go Back (featuring Moelogo) - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Jonas Blue for voice, piano or guitar of MEDIUM skill l…
(+)
Instantly printable sheet music by Jonas Blue for voice, piano or guitar of MEDIUM skill level. / pop
$6.97
6.34 €
#
Piano, Voix et Guitare
#
Jonas Blue
#
Virtualsheetmusic
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
(+)
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.65 €
#
Richard Wagner
#
Tristan und Isolde
#
Schott Music - Digital
#
SheetMusicPlus
Leaving Las Vegas
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015860 By Sheryl Crow. By Bill…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015860 By Sheryl Crow. By Bill Bottrell, David Baerwald, David Ricketts, Kevin Gilbert, and Sheryl Crow. Country. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015860. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015860). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
Sheryl Crow
#
Leaving Las Vegas
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
My Favorite Mistake
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015852 By Sheryl Crow. By Jeff…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015852 By Sheryl Crow. By Jeff Trott and Sheryl Crow. Country. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015852. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015852). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
Sheryl Crow
#
My Favorite Mistake
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
One
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015865 By Creed. By Mark Tremo…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015865 By Creed. By Mark Tremonti and Scott Stapp. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015865. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015865). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
Creed
#
One
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
If You Asked Me To
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015855 By Celine Dion. By Dian…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015855 By Celine Dion. By Diane Warren. Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015855. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015855). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
Celine Dion
#
If You Asked Me To
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Copperline
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015859 By James Taylor. By Jam…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015859 By James Taylor. By James Taylor and Reynolds Price. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015859. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015859). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
James Taylor
#
Copperline
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
When I See You Smile
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015853 Composed by Diane Warre…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015853 Composed by Diane Warren. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0015853. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015853). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
Diane Warren
#
When I See You Smile
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Live for Loving You
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015862 By Gloria Estefan. By D…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015862 By Gloria Estefan. By Diane Warren, Emilio Estefan Jr., and Gloria Estefan. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015862. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015862). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.63 €
#
Piano, Voix et Guitare
#
Gloria Estefan
#
Live for Loving You
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
No Time To Die
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.780150 By Billie Eilish. By Billi…
(+)
Bassoon Solo - Level 3 - Digital Download SKU: A0.780150 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Individual part. 15 pages. Graham Boag #6865057. Published by Graham Boag (A0.780150). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$15.99
14.54 €
#
Basson
#
Billie Eilish
#
Graham Boag
#
No Time To Die
#
Graham Boag
#
SheetMusicPlus
No Time To Die
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Bil…
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 & 4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS.
$15.99
14.54 €
#
Ensemble de cuivres
#
Billie Eilish
#
Graham Boag
#
No Time To Die
#
Graham Boag
#
SheetMusicPlus
C'è una favola triste
Piano seul
Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Sc…
(+)
Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99
3.63 €
#
Piano seul
#
Monica Bergo
#
C'è una favola triste
#
Monica Bergo
#
SheetMusicPlus
To Rise Again
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Al…
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
36.38 €
#
Trombone et Piano
#
Alex Schwarte
#
To Rise Again
#
Alex Schwarte
#
SheetMusicPlus
Surfer Girl
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1465964 By The Beach Boys. By Brian…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1465964 By The Beach Boys. By Brian Wilson. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1044567. Published by Timothy Stapay (A0.1465964). This arrangement of Surfer Girl is sure to get you ready to enjoy the Summer weather.Surfer Girl is a song by American rock band the Beach Boys from their 1963 album Surfer Girl. Written and sung by Brian Wilson, it was released as a single, backed with Little Deuce Coupe, on July 22, 1963. The single was the first Beach Boys record to have Brian Wilson officially credited as the producer.The song was based on a Dion and the Belmonts version of When You Wish Upon a Star, which has the same AABA form.[Verse 1]Little surfer, little oneMade my heart come all undone[Chorus]Do you love me, do you, surfer girl?(Surfer girl, my little surfer girl)[Verse 2]I have watched you on the shoreStanding by the ocean's roar[Chorus]Do you love me, do you, surfer girl?(Surfer girl, surfer girl)[Bridge]We could ride the surf togetherWhile our love would growIn my Woody I would take you everywhere I go[Verse 3]So I say from me to youI will make your dreams come true[Chorus]Do you love me, do you, surfer girl?Surfer girl, my little surfer girl[Outro]Little one (Girl, surfer girl, my little surfer girl)Little one (Girl, surfer girl, my little surfer girl)Little one (Girl, surfer girl, my little surfer girl).
$5.99
5.45 €
#
Piano seul
#
The Beach Boys
#
Timothy Stapay
#
Surfer Girl
#
Timothy Stapay
#
SheetMusicPlus
Love Of My Life
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.596585 By Queen. By Freddie Mercury…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.596585 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Juan MarÃa Solare. Rock. Score. 5 pages. Juan Maria Solare #5214229. Published by Juan Maria Solare (A0.596585). Love Of My Life -composed by Freddie Mercury- is one of the most beautiful ballads in the history of rock music, and a fantastic song to play as piano solo. This is not a simplified arrangement. Is an arrangement that will sound quite like the original - with the obvious difference that all music and secondary melodies must be played by a single instrument - the piano. This version follows the studio recording, not the version made by Queen for their live performances. My score includes chord symbols, in case you prefer to play them instead of reading exactly each note I've written. You can have a listen at YouTube (and soon on Spotify and other digital platforms): https://www.youtube.com/watch?v=d0J013MNcNU Love Of My Life was included on Queen’s album A Night at the Opera (1975). The ballad was composed for Mary Austin. Freddie Mercury said about this song: Love Of My Life is adapted on stage for guitar, but it was written on the piano. I've totally forgotten the original and if you asked me to play that now, I couldn't. Sometimes, I have to go back to the music sheet, and I can't read that well either. (Queen Archives – Freddie Mercury Interview, Melody Maker 05-02-1981) I hate this thing about trying to recreate the albums on stage. We sometimes deliberately change. Look at 'Love Of My Life', for instance. On record I play piano on that but on stage it's just Brian playing the guitar and me singing it, because it works on stage better that way. (Love Of My Life – Queenpedia.com – Freddie Mercury, Brian May, Roger Taylor, John Deacon, Discography, Bibliography, Charts.)
$5.00
4.55 €
#
Piano seul
#
Queen
#
Juan MarÃa Solare
#
Love Of My Life
#
Juan Maria Solare
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
