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Vous avez sélectionné:
We Have Seen a Great Light
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We Have Seen a Great Light
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1349545 By Vincent …
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1349545 By Vincent Miller. By Vincent Miller. Advent,Christmas,Classical,Religious,Sacred. 5 pages. Vincent Miller #934302. Published by Vincent Miller (A0.1349545).
$3.00
2.77 €
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Chorale SATB
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Vincent Miller
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We Have Seen a Great Light
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Vincent Miller
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.84 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.69 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Hope of the World 10: Zebulun, Naphtali by Stephen R Dalrymple
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818368 By Stephen R…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 27 pages. Stephen R Dalrymple #6709715. Published by Stephen R Dalrymple (A0.818368). Hope of the World: 10 Zebulun, Naphtalioriginal song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Isaiah 8-9 and Matthew 4.♫ Isaiah 8 ends and Isaiah 9 begins with the brutal Assyrian invasion and deportation of the northern 10 tribes of Israel (586 BC). Assyria was so effective in disrupting the nation, that we call the 10 northern tribes the “lost tribes of Israel.†God sent many prophets to warn the people that they were failing to keep their covenant with God and that judgment day was coming for the nation.♫ The tribes of Zebulun and Naphtali were located near the Sea of Galilee. They, like all the Northern people, would curse God on the day of darkness as they were killed or deported.♫ But Isaiah sees ahead to a time when Zebulun and Naphtali will be overcome with light and joy. “The people walking in darkness have seen a great light.†This prophecy was fulfilled as Jesus healed and taught in the cities of ancient Zebulun and Naphtali.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
1.85 €
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Chorale SATB
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Stephen R Dalrymple
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Hope of the World 10: Zebulun, Naphtali by Stephen R Dalrymple
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Stephen R Dalrymple
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SheetMusicPlus
You Found Me
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slad…
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
4.61 €
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Instruments en Do
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
Three Lions (Football's Coming Home)
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner an…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here\'s how to play the famous English football anthem \"Three Lions\" on piano! With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano. The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself! It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic. \"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics). \"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England. The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem. The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches. \"Three Lions\" makes for a surprisingly good piano cover! Here are the song\'s full lyrics: It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (We\'ll go on getting bad results) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Verse 1: Frank Skinner] Everyone seems to know the score, they\'ve seen it all before They just know, they\'re so sure That England\'s gonna throw it away, gonna blow it away But I know they can play, \'cause I remember [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Verse 2: David Baddiel] So many jokes, so many sneers But all those \"Oh, so nears\", wear you down through the years But I still see that tackle by Moore and when Lineker scored Bobby belting the ball, and Nobby dancing [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Bridge] England have done it, in the last minute of extra time! What a save, Gordon Banks! Good old England, England that couldn\'t play football! England have got it in the bag! I know that was then, but it could be again [Refrain] It\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (England have done it) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Chorus] (It\'s coming home) Three lions on a shirt (It\'s coming home, it\'s coming) Jules Rimet still gleaming (Football\'s coming home It\'s coming home) Thirty years of hurt (It\'s coming home, it\'s coming) Never stopped me dreaming (Football\'s coming home
$4.99
4.61 €
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Piano, Voix
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Baddiel, Skinner and The Lightning Seeds
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Mario Stallbaumer
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Three Lions
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Mario Stallbaumer
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
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