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We Have Seen the Light
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We Have Seen the Light
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
We Have Seen the Light
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Musique Sacrée
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Heather Sorenson
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We Have Seen the Light
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.444005 Composed by Heather Sorenson. Advent,Sacred. Choral. Duration 231. Published by Hal Leonard - Digital (HX.444005).
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(Full Performance) - SKU: HX.444005 Composed by Heather Sorenson. Advent,Sacred. Choral. Duration 231. Published by Hal Leonard - Digital (HX.444005).
$1.99
We Have Seen the Light
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Musique Sacrée
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Heather Sorenson
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We Have Seen the Light
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.444006 Composed by Heather Sorenson. Advent,Sacred. Choral. Duration 231. Published by Hal Leonard - Digital (HX.444006)....
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(Accompaniment Only) - SKU: HX.444006 Composed by Heather Sorenson. Advent,Sacred. Choral. Duration 231. Published by Hal Leonard - Digital (HX.444006).
$14.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
We Have Seen the Light (5-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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We Have Seen the Light
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.436877 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by...
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Choral - SKU: HX.436877 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by Hal Leonard - Digital (HX.436877).
Digital Pack includes
:
We Have Seen the Light - Full Score
We Have Seen the Light - Piccolo
We Have Seen the Light - Percussion
We Have Seen the Light - Violin
We Have Seen the Light - Cello
$30.00
Hope of the World 10: Zebulun, Naphtali by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World 10: Zebulun,
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrympl...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 27 pages. Stephen R Dalrymple #6709715. Published by Stephen R Dalrymple (A0.818368). Hope of the World: 10 Zebulun, Naphtalioriginal song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Isaiah 8-9 and Matthew 4.♫ Isaiah 8 ends and Isaiah 9 begins with the brutal Assyrian invasion and deportation of the northern 10 tribes of Israel (586 BC). Assyria was so effective in disrupting the nation, that we call the 10 northern tribes the “lost tribes of Israel.†God sent many prophets to warn the people that they were failing to keep their covenant with God and that judgment day was coming for the nation.♫ The tribes of Zebulun and Naphtali were located near the Sea of Galilee. They, like all the Northern people, would curse God on the day of darkness as they were killed or deported.♫ But Isaiah sees ahead to a time when Zebulun and Naphtali will be overcome with light and joy. “The people walking in darkness have seen a great light.†This prophecy was fulfilled as Jesus healed and taught in the cities of ancient Zebulun and Naphtali.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
Vidimus stellam (We Have Seen His Star) (Downloadable Organ/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Kevin Siegfried
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Vidimus stellam
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and brass quintet or organ - Medium - SKU: MQ.8634-E Composed by Kevin Siegfried. Advent, Christmas, Epiphany, Christmas-Sacre...
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SATB choir (choir divisi) and brass quintet or organ - Medium - SKU: MQ.8634-E Composed by Kevin Siegfried. Advent, Christmas, Epiphany, Christmas-Sacred. Score & instrument parts. 39 pages. E. C. Schirmer Music Company - Digital #8634-E. Published by E. C. Schirmer Music Company - Digital (MQ.8634-E). Latin.In the tradition of Daniel Pinkham’s Christmas Cantata, Kevin Siegfried’s Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using traditional Latin texts drawn from Advent, Christmas, and Epiphany, Vidimus stellam evocatively traces the theme of Light through the Christmas season. In the choral parts, an expressive lyricism predominates, revealing Siegfried’s affinity for chant and early music. A balance between accessibility and challenge is maintained throughout. The brass quintet writing is richly varied and creatively interwoven through the score, at times powerful and majestic, playful and jubilant, atmospheric and coloristic.Contents:I. O OriensII. Rorate caeliIII. Hodie Christus natus estIV. Surge, illuminareV. Vidimus stellam.
$4.50
A Glorious Light Have Seen (Alternate Key)
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Cloches
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Musique Sacrée
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Noël
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Nikolaus Herman
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Lauran Delancy
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A Glorious Light Have Seen
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Headless Mallets
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SheetMusicPlus
Handbell - SKU: A0.862101 Composed by Nikolaus Herman. Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6139853...
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Handbell - SKU: A0.862101 Composed by Nikolaus Herman. Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6139853. Published by Headless Mallets (A0.862101). A Glorious Light Have Seen (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune LOBT GOTT, IHR CHRISTEN utilizing bells E5-F#6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This is a bright arrangement utilizing eighth notes for a festive sound. This piece is available in another key for those who prefer to play the piece with more standardized 8-Bell duet handbell assignments under the title A Glorious Light Have Seen. The hymn texts most commonly associated with this tune are: The People That in Darkness Sat (Epiphany), Let All Together Praise Our God (Christmas), and O Happy Day When We Shall Stand. All notes are rung and no tables are needed. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM029.
$7.00
We Have Seen The Light
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Chorale SATB
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We Have Seen The Light
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.436633 Advent,Sacred. Choral. 18 pages. Duration 230. Published by Hal Leonard - Digital (HX.436633). ...
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(SATB) - SKU: HX.436633 Advent,Sacred. Choral. 18 pages. Duration 230. Published by Hal Leonard - Digital (HX.436633).
$2.35
We Have Seen the Light - Violin
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Pack Instrumental pour Chorale
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Musique Sacrée
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We Have Seen the Light - Violi
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.436876 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by...
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Choral - SKU: HX.436876 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by Hal Leonard - Digital (HX.436876).
$7.00
We Have Seen the Light - Full Score
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Pack Instrumental pour Chorale
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Musique Sacrée
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We Have Seen the Light - Full
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.436873 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 18 pages. Duration 230. Hal Leonard - Digital #307711. Published b...
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Choral - SKU: HX.436873 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 18 pages. Duration 230. Hal Leonard - Digital #307711. Published by Hal Leonard - Digital (HX.436873).
$7.00
We Have Seen the Light - Percussion
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Pack Instrumental pour Chorale
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Musique Sacrée
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We Have Seen the Light - Percu
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.436875 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by...
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Choral - SKU: HX.436875 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by Hal Leonard - Digital (HX.436875).
$7.00
We Have Seen the Light - Cello
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Pack Instrumental pour Chorale
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Musique Sacrée
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We Have Seen the Light - Cello
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.436877 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by...
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Choral - SKU: HX.436877 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 3 pages. Duration 230. Hal Leonard - Digital #307711. Published by Hal Leonard - Digital (HX.436877).
$7.00
We Have Seen the Light - Piccolo
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Pack Instrumental pour Chorale
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Musique Sacrée
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We Have Seen the Light - Picco
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.436874 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 2 pages. Duration 230. Hal Leonard - Digital #307711. Published by...
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Choral - SKU: HX.436874 This edition: scorch. Advent,Sacred. Choral Instrumental Pak. 2 pages. Duration 230. Hal Leonard - Digital #307711. Published by Hal Leonard - Digital (HX.436874).
$7.00
A Glorious Light Have Seen
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Cloches
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Musique Sacrée
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Noël
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Nikolaus Herman
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Lauran Delancy
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A Glorious Light Have Seen
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Headless Mallets
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SheetMusicPlus
Handbell - SKU: A0.862100 Composed by Nikolaus Herman. Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6139849...
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Handbell - SKU: A0.862100 Composed by Nikolaus Herman. Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6139849. Published by Headless Mallets (A0.862100). A Glorious Light Have Seen is an 8-Bell handbell arrangement of the hymn tune LOBT GOTT, IHR CHRISTEN utilizing bells F5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This is a bright arrangement utilizing eighth notes for a festive sound. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title A Glorious Light Have Seen (Alternate Key). The hymn texts most commonly associated with this tune are: The People That in Darkness Sat (Epiphany), Let All Together Praise Our God (Christmas), and O Happy Day When We Shall Stand. All notes are rung and no tables are needed. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM028.
$7.00
Forty Days (From Ashes We Came) - Congregational Version
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Piano, Voix
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FACILE
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Musique Sacrée
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Stacey Plays Hymns
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Forty Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1190932 By Stacey Plays Hymns. By Stacey Plays Hymns. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 4...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1190932 By Stacey Plays Hymns. By Stacey Plays Hymns. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Anastace #790462. Published by Anastace (A0.1190932). As seen on Youtube - this brand new, original hymn for Lent blends solid theology with haunting, Celtic-style melodies and a simple refrain, easy for any congregation or small choir to pick up and start singing immediately. This is the official congregational version, with a concise two-page piano version with all the words, harmonies, and accompaniment easily laid out. At the end of the PDF is a separate page that you can print to put in the bulletin or share in online services so the congregation can see just the melody and lyrics. By purchasing this full professional version you have a license to use this version in up to 4 services, as well as can legally print it in your bulletin or other church materials, therefore the price is higher as it includes these rights. For additional usage please contact me.Alternate versions, including large print, lead sheet, or the choral arrangement for an anthem-style performance are all available- or contact me at staceyplayshymns@gmail.com for any other parts or formats you may need.I am delighted to serve congregations and choir directors with new music and so honoured with the support for this song so far. God bless you!See the youtube link for an ideal presentation- consider using a soft keyboard pad sound instead of piano for an even more ethereal effect!
$6.00
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
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Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Heather Sorenson: We Have Seen the Light (COMPLETE) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Heather Sorenson
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Virtualsheetmusic
Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill level. / sacred,advent
Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill level. / sacred,advent
$32.99
Heather Sorenson: We Have Seen The Light - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Heather Sorenson
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Virtualsheetmusic
Instantly printable sheet music by Heather Sorenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred,advent
Instantly printable sheet music by Heather Sorenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred,advent
$5.33
Vidimus stellam from Vidimus stellam (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Kevin Siegfried
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Vidimus stellam from Vidimus s
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and organ - Medium - SKU: MQ.8818-E Composed by Kevin Siegfried. Epiphany. Instrument parts. 10 pages. E. C. Schirmer Music Co...
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SATB choir (choir divisi) and organ - Medium - SKU: MQ.8818-E Composed by Kevin Siegfried. Epiphany. Instrument parts. 10 pages. E. C. Schirmer Music Company - Digital #8818-E. Published by E. C. Schirmer Music Company - Digital (MQ.8818-E). Latin.In the tradition of Daniel Pinkham’s Christmas Cantata, Kevin Siegfried’s Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using traditional Latin texts drawn from Advent, Christmas, and Epiphany, Vidimus stellam evocatively traces the theme of Light through the Christmas season. In the choral parts, an expressive lyricism predominates, revealing Siegfried’s affinity for chant and early music. A balance between accessibility and challenge is maintained throughout. This is the fifth and final movement, Vidimus stellam, based on the Epiphany text, We have seen his star in the East. The organ begins quietly as if in awe, with the same material the choir will sing as Vidimus stellam. The mood remains quiet and adoring until it is interrupted by a majestic restatement of the opening material. A gentler section follows Venit lumen tuum (Your light is come). And again bursting out, the same text is repeated in a grand conclusion to this movement and the entire work.
$2.65
Rorate caeli from Vidimus stellam (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Kevin Siegfried
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Rorate caeli from Vidimus stel
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and organ - Medium - SKU: MQ.8815-E Composed by Kevin Siegfried. Advent. Instrument parts. 8 pages. E. C. Schirmer Music Compa...
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SATB choir (choir divisi) and organ - Medium - SKU: MQ.8815-E Composed by Kevin Siegfried. Advent. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8815-E. Published by E. C. Schirmer Music Company - Digital (MQ.8815-E). Latin.In the tradition of Daniel Pinkham’s Christmas Cantata, Kevin Siegfried’s Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using traditional Latin texts drawn from Advent, Christmas, and Epiphany, Vidimus stellam evocatively traces the theme of Light through the Christmas season. In the choral parts, an expressive lyricism predominates, revealing Siegfried’s affinity for chant and early music. A balance between accessibility and challenge is maintained throughout. This is the second movement, Rorate caeli, based on the Advent text, Let the earth be opened and send forth a Savior. The organ provides quiet and spare fanfare passages as an introduction and throughout. As the texture builds, the fanfare occurs in two voices imitatively. Otherwise, the vocal parts are very much in the foreground and predominate the movement.
$2.25
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We Have Seen the Light
