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Piano Quatuor: piano, 2 violons, violoncelle
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Vous avez sélectionné:
We Three Kings, for Two Violins and Cello
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We Three Kings, for Two Violins and Cello
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.544666 Composed by Jo…
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.544666 Composed by John Henry Hopkins Jr. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #3638147. Published by Cindy Blevins (A0.544666). This is a beautiful, playable arrangement for two violins and cello. You receive the score, the Violin 1, the Violin 2 and the Cello parts. My website: https://www.blevinsmusic.com.
$5.99
5.6 €
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Trio à Cordes: 2 violons, violoncelle
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John Henry Hopkins Jr
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Cindy Blevins
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We Three Kings, for Two Violins and Cello
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Cindy Blevins
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SheetMusicPlus
Fantasia on We Three Kings for flexible String/Violin Quartet or String Orchestra
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1094470 Composed by John Henry Hopkins Jr. Arranged by Lauren Cash. Christmas,Holiday,Instructional,Sacred. 10 pages. Lauren Cash #698522. Published by Lauren Cash (A0.1094470). This hauntingly beautiful rendition of We Three Kings has exciting musical flair while being simple enough for a beginning string/violin quartet or string orchestra to perform. Performers will love the advanced sound of this piece and the fact that everyone gets an opportunity to play the melody! You will also love the flexible orchestration (Viola/Violin III and Cello/Violin IV parts are all included!) and that the melody is always played by two sections at a time. This is the perfect piece for a Christmas concert, school concert, church Christmas event, or just for fun! Key of E minor.
$12.99
12.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Henry Hopkins Jr
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Lauren Cash
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Fantasia on We Three Kings for flexible String/Violin Quartet or String Orchestra
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Lauren Cash
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SheetMusicPlus
We Three Kings (Quartet for Flute, Two Violins and Cello)
Flûte, Violon et Violoncelle
Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.1080718 Comp…
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Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.1080718 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #684947. Published by John A. Dempsey (A0.1080718). In this festive quartet for flute, two violins and cello, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  17 pages of music (that includes the score and separate two-page parts for flute, violin 1, violin 2 and cello).  Key:  A minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99
11.21 €
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Flûte, Violon et Violoncelle
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (String Trio): Two Violins and Cello
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.524079 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.524079 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #4729435. Published by John A. Dempsey (A0.524079). In this festive string trio for two violins and cello, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental. A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture and silent prayer accompaniment.  15 pages of music (that includes the score and separate two-page parts for violin 1, violin 2 and cello).  Key: E minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99
9.34 €
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Trio à Cordes: violon, alto, violoncelle
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (String Quartet): Two Violins, Viola and Cello
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.524630 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.524630 Composed by John Henry Hopkins Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6090901. Published by John A. Dempsey (A0.524630). Arranged as a festive string quartet, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs as well as holiday recitals, Christmas concerts, traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  17 pages of music (that includes the score and separate two-page parts for violin 1, violin 2, viola and cello).  Key: A minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99
11.21 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Henry Hopkins Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings of Orient Are
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1337657 By Eve …
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1337657 By Eve C. Mailly. By John Henry Hopkins Jr. Arranged by Eve C. Mailly. Christian,Christmas,Holiday,Sacred,Traditional. 15 pages. Zene Strings #923421. Published by Zene Strings (A0.1337657). We Three Kings of Orient Are (original title Three Kings of Orient) or The Quest of the Magi, is a Christmas carol that was written by John Henry Hopkins Jr. in 1857. Â This arrangement for string trio features three variations, with each instrument having an opportunity to take the lead. Â As with all of our string trio arrangements, the middle part is included in both alto and treble clef, giving you the flexibility of performing it with either two violins and cello OR violin, viola and cello.From your friends at Zene Strings - enjoy! To see our other great arrangements visit https://www.ZeneSheetMusic.comQuestions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$12.99
12.14 €
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Trio à Cordes: violon, alto, violoncelle
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Eve C
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Eve C
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We Three Kings of Orient Are
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Zene Strings
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SheetMusicPlus
We Three Kings (String Quintet): Three Violins and Two Cellos
String Ensemble,String Quintet Cello,Violin - Level 3 - Digital Download SKU: A0.113413…
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String Ensemble,String Quintet Cello,Violin - Level 3 - Digital Download SKU: A0.1134132 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #734228. Published by John A. Dempsey (A0.1134132). Arranged as a festive string quintet for three violins and two cellos, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  18 pages of music (that includes the score and separate two-page parts for violin 1, violin 2, violin 3, cello 1 and cello 2).  Key: B minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
13.09 €
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (String Quintet): Two Violins, Viola and Two Cellos
String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.…
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String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1147451 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #747688. Published by John A. Dempsey (A0.1147451). Arranged as a festive string quintet for two violins, viola and two cellos, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  18 pages of music (that includes the score and separate two-page parts for violin 1, violin 2, viola, cello 1 and cello 2).  Key: B minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
13.09 €
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.43 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
What Child Is This (with "We Three Kings") (String Quartet and Piano)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.6…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.620368 By Stephen DeCesare. By Traditional, John H. Hopkins Jr. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred,Standards. Score and parts. 26 pages. Exultet Music #3249511. Published by Exultet Music (A0.620368). Two of the most played Christmas carols have now been freshly arranged and joined together for String Quartet (Violin (2), Viola, Cello) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$12.99
12.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Stephen DeCesare
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Stephen DeCesare
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What Child Is This
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Exultet Music
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SheetMusicPlus
2 Christmas Favourites for String Quartet (volume two)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1305686 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. 26 pages. David Burndrett #895141. Published by David Burndrett (A0.1305686). No.1 We Three KingsNo.2 The Angel GabrielI have arranged these pieces so that they can be played by grade four standard players upwards!As usual, I have added an optional violin three part, which is the same as the viola part, for if you do not have any viola player.I have also added an optional piano part.Download includes the score and all of the parts.
$9.95
9.3 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John H
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David Burndrett
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2 Christmas Favourites for String Quartet
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David Burndrett
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SheetMusicPlus
Twenty-One Christmas Carols for Violin Duet
2 Violons (duo)
Violin, String Duet, Violin Duet, Flexible String Duet - Intermediate - Digital Down…
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Violin, String Duet, Violin Duet, Flexible String Duet - Intermediate - Digital Download Composed by Various. Arranged by Steve Winstead. Christian, Sacred, Christmas. Score. 14 pages. Published by Sigma Squared Music
These Twenty-One Christmas Carols are a fun-to-play collection of well-known Christmas and holiday songs arranged in a flexible style, with a traditional feel and contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated at the end of every song.<br> <br> This book (223117) is suitable for two violins, and can also pair with other C instruments such asflute, oboe, or mallet percussion. It is compatible with the other string duet books in thisseries: <br> <br> Twenty-One Christmas Carols for Flexible String Duet, Viola book (223118) <br> Twenty-One Christmas Carols for Flexible String Duet, Cello book (223119)<br> <br> The following carols are included in the collection:<br> <br> 1. Angels We Have Heard on High<br> 2. Away in a Manger<br> 3. Carol of the Bells<br> 4. Deck the Halls<br> 5. The First Noel<br> 6. God Rest Ye, Merry Gentlemen<br> 7. Good King Wenceslas<br> 8. Hallelujah Chorus from The Messiah<br> 9. Hark! The Herald Angels Sing<br> 10. Jingle Bells<br> 11. Jolly Old Saint Nicholas<br> 12. Joy to the World<br> 13. O Come All Ye Faithful<br> 14. O Come, O Come Emmanuel<br> 15. O Holy Night<br> 16. O Little Town of Bethlehem<br> 17. O Tannenbaum<br> 18. Silent Night<br> 19. Wassail Song<br> 20. We Three Kings<br> 21. We Wish You a Merry Christmas.
$13.99
13.08 €
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2 Violons (duo)
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Various
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Twenty-One Christmas Carols for Violin Duet
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Sigma Squared Music
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SheetMusicPlus
The Christmas String Quartet Book
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 1 - Digital Download SKU: A0.549906 Composed …
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String Quartet String Quartet - Level 1 - Digital Download SKU: A0.549906 Composed by Various. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 69 pages. Jmsgu3 #3685895. Published by jmsgu3 (A0.549906). Christmas String Quartet Book Christmas Reharmonizations by James M. Guthrie. The Christmas String Quartet Book is a collection of the 18 Most Famous Christmas Songs with new and surprising harmony. Format First, your string quartet can perform the Christmas String Quartet Book directly from the score. This is easy because each song is only two pages long; hence, there are no page turns. Alternatively, this download includes a complete set of parts. So various combinations are also possible: e.g., violins read from the score on one stand, while the viola & cello each use the parts on separate stands. The Christmas String Quartet Book is available in whatever format works best for your ensemble. Performance This collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Christmas String Quartet Book could be chosen as the last verse of a hymn presentation. In this case, play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending on the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read. Music Each Christmas String Quartet Book song is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end correctly in the correct key to add an element of familiarity and closure. Tempo markings occur at the beginning of each piece, but you can adjust these to your liking.  Phrase markings appear throughout as a guide for bowing. Articulations are carefully calculated to emphasize the characteristics of the string instruments. Contents Veni, veni, Emmanuel (O Come, O Come, Emmanuel) Helmsley (Lo! He Comes with Clouds Descending) Antioch (Joy to the World) Carol (It Came Upon a Midnight Clear) Es ist ein Ros (Lo, How a Rose) Gloria God Rest You Merry Greensleeves In dulci jubilo (In Thee is Gladness) Mendelssohn (Hark the Herald Angels Sing) Personet hodie The First Noel Salzburg (At the Lamb’s High Feast We Sing) Three Kings of Orient Adeste Fideles (O Come All Ye Faithful) St Louis (O Little Town of Bethlehem) Away in a Manger Stille Nacht (Silent Night) Score: 36 pages, Parts: 6 pages. Total duration with no repeats: ca. 14:00
$38.95
36.42 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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James M
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The Christmas String Quartet Book
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jmsgu3
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SheetMusicPlus
We Three Kings of Orient Are (Piano Quartet for Two Violins, Cello and Piano)
Piano Quatuor: piano, 2 violons, violoncelle
Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christ…
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Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian, Spiritual, Sacred, World, Christmas. Score, Set of Parts. 23 pages. Published by John A. Dempsey (S0.285851). - Score,Set of Parts - Christian,Spiritual,Sacred,World,Christmas - John A. Dempsey
$14.00
13.09 €
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Piano Quatuor: piano, 2 violons, violoncelle
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John Henry Hopkins, Jr
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John A
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We Three Kings of Orient Are
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John A. Dempsey
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SheetMusicPlus
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