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Vous avez sélectionné:
We Three Kings for Easy Violin Solo
Partitions à imprimer
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We Three Kings for Easy Violin Solo
Violon
Violin Solo - Digital Download SKU: A0.504433 Composed by J. H. Hopkins Jr. Arrange…
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Violin Solo - Digital Download SKU: A0.504433 Composed by J. H. Hopkins Jr. Arranged by Marcos Soares. Children,Christmas,Classical,Holiday,Instructional. 1 pages. Published by Ateneu's (A0.504433). Easy arrangement for violin solo.
$1.99
1.84 €
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Violon
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J
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Marcos Soares
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We Three Kings for Easy Violin Solo
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Ateneu's
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SheetMusicPlus
We Three Kings of Orient Are (Violin Trio)
Trio à cordes: 3 violins
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.995333 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.995333 Composed by John Henry Hopkins Jr. Arranged by D.Berry. Christmas. Score and parts. 11 pages. D. Berry #4986877. Published by D. Berry (A0.995333). Easy violin trio music suitable for three violin soloists or for a classroom ensemble/violin group. All the music can be played in first position. .
$4.99
4.61 €
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Trio à cordes: 3 violins
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John Henry Hopkins Jr
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D
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We Three Kings of Orient Are
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D. Berry
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SheetMusicPlus
50 Christmas Carols for solo Violin
Violon
Composed by Christmas traditional. Christian, Spiritual, Sacred, Christmas, Recital.…
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Composed by Christmas traditional. Christian, Spiritual, Sacred, Christmas, Recital. Solo Part. 52 pages. Published by Glissato Music Publishing
Collection of 50 Christmas Carols for solo Violin, comfortable range and key, easy for beginner/intermediate.<br> Contents: A la nanita nana - Adeste Fideles - Angels from the Realms of Glory - As Lately We Watched, As with Gladness Men of Old - Auld Lang Syne - Away in a Manger - Bring a Torch, Jeanette, Isabelle - Carol of the bells - Children, Go Where I Send Thee - O Christmas Tree - Coventry Carol - The Deck the Halls - Ding Dong Merrily on High - First Noel - The Friendly Beasts - The Gloucestershire Wassail - Go Tell it on the Mountain - God Rest Ye Merry,Gentlemen - Good King Wenceslas - Hark! The Herald Angels Sing - Holly and the Ivy - The Huron Carol - I saw three ships - In dulci Jubilo - In Notte Placida - In the Bleak Midwinter - It Came Upon the Midnight Clear - Jingle Bells - Joy to The World - Lullaby - O Holy Night - O Little Town of Bethlehem - O Sanctissima - Oh, come, little children - Once in Royal David's City - Over the river and through the woods - Patapan - Quanno Nascette Ninno - Ring Out, Wild Bells - Rise Up Shepherd And Follow - Sans Day Carol - Silent Night - Toyland - The Twelve Days of Christmas - Up on the Housetop - We Three Kings of Orient Are - We Wish you a Merry Christmas - What Child Is This? - Winter's Snow.
$11.99
11.07 €
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Violon
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Christmas traditional
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50 Christmas Carols for solo Violin
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Glissato Music Publishing
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SheetMusicPlus
We Three Kings (Easy Violin Solo with Piano Accompaniment)
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.565932 By Sharon Wilson. By John …
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Piano,Violin - Level 2 - Digital Download SKU: A0.565932 By Sharon Wilson. By John Henry Hopkins Jr. and John Henry Hopkins Jr. Arranged by Sharon Wilson. Advent,Children,Christmas,Folk,Sacred. 6 pages. Sharon Wilson #6601195. Published by Sharon Wilson (A0.565932). Here is an easy instrumental duet arrangement (for VIOLIN solo with PIANO accompaniment) of the classic Christmas hymn We Three Kings of Orient Are by John H. Hopkins. The VIOLIN plays the melody throughout. An optional repeat and second ending is included in case a longer song is desired.All notes for the VIOLIN are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 4-page combined score with both VIOLIN and PIANO parts on each page plus a separate 1-staff score for the VIOLIN (1 page). This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Violin Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$4.99
4.61 €
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Violon et Piano
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Sharon Wilson
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Sharon Wilson
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We Three Kings
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Sharon Wilson
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SheetMusicPlus
Christmas Carols (A Collection of 10 Easy Violin Solos with Piano Accompaniment)
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.565942 By Sharon Wilson. By Folk …
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Piano,Violin - Level 2 - Digital Download SKU: A0.565942 By Sharon Wilson. By Folk Song, George Frideric Handel, James R. Murray, John Henry Hopkins Jr., Mykola Leontovych, and Traditional. Arranged by Sharon Wilson. Advent,Christmas,Classical,Folk,Sacred. 48 pages. Sharon Wilson #6601267. Published by Sharon Wilson (A0.565942). This collection contains 10 Christmas Carols arranged as easy instrumental duets (for VIOLIN solo with PIANO accompaniment). From flowing and peaceful to bright and uplifting, these arrangements are a welcome addition to the repertoire for beginning string students. These beloved Christmas songs are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.All notes for the VIOLIN in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (VIOLIN and PIANO) plus a separate 1-staff score for the VIOLIN.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Â Angels We Have Heard on HighAway in a MangerBring a Torch, Jeannette, IsabellaDing Dong! Merrily on HighJoy to the WorldO Come, All Ye FaithfulO Come, O Come, EmmanuelO Thou Joyful DayUkrainian Bell CarolWe Three KingsVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$15.00
13.85 €
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Violon et Piano
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Sharon Wilson
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Sharon Wilson
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
We Three Kings Of Orient Are (Easy key of C) Violin
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.604417 Arranged by Kevin Busse. Ch…
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Violin Solo - Level 1 - Digital Download SKU: A0.604417 Arranged by Kevin Busse. Christmas. 1 pages. Kevin Busse #3906075. Published by Kevin Busse (A0.604417). This is a simple transcription of We Three Kings Of Orient Are modified in the easy key of C for Violin.
$4.99
4.61 €
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Violon
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Kevin Busse
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We Three Kings Of Orient Are
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Kevin Busse
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SheetMusicPlus
We three Kings (easy violin + easy piano)
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.850936 Composed by John Henry Hop…
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Piano,Violin - Level 1 - Digital Download SKU: A0.850936 Composed by John Henry Hopkins Jr. (1820-1891). Arranged by Andrew Henderson. Christmas. 3 pages. Andrew Henderson #3926025. Published by Andrew Henderson (A0.850936). Merry Christmas! Playing music together as a family or with friends is one of the best ways to celebrate this holiday season. This arrangement comes with both the solo part and an easy piano accompaniment. Arrangements for different instruments are all in the same key so that they can be played at the same time if you have a larger group!For full details of all the songs and arrangements available, visit www.ajph.co.uk/christmas.
$1.99
1.84 €
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Violon et Piano
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John Henry Hopkins Jr
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Andrew Henderson
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We three Kings
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Andrew Henderson
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SheetMusicPlus
We Three Kings
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1136385 By Traditional. By Traditi…
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Violin Solo - Level 1 - Digital Download SKU: A0.1136385 By Traditional. By Traditional. Arranged by GDJ. Christian,Christmas,Holiday,Praise & Worship,Traditional. 1 pages. Grant Davis Jr. #736385. Published by Grant Davis Jr. (A0.1136385). It's an easy original arrangement for Violin. Perfect for beginners to play beautiful and joyful Christmas Eve songs and personal worship.
$6.99
6.46 €
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Violon
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Traditional
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GDJ
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We Three Kings
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Grant Davis Jr.
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SheetMusicPlus
We Three Kings Of Orient Are
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.679516 Composed by John Henry Hopk…
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Violin Solo - Level 2 - Digital Download SKU: A0.679516 Composed by John Henry Hopkins Jr. Arranged by Gert Th. Walter. Children,Christian,Christmas,Praise & Worship. 3 pages. Gert Th. Walter #3589673. Published by Gert Th. Walter (A0.679516). Very easy arrangement, but not only for pupil and beginners.
$3.99
3.68 €
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Violon
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John Henry Hopkins Jr
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Gert Th
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We Three Kings Of Orient Are
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Gert Th. Walter
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SheetMusicPlus
We Three Kings - Lead sheet arranged in traditional and jazz style (key of Em)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.858224 Composed by Tradition…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.858224 Composed by Traditional. Arranged by Stephen Bulat. Christmas,Praise & Worship,Romantic Period,Sacred. Score and parts. 5 pages. Stephen Bulat Publishing #3873425. Published by Stephen Bulat Publishing (A0.858224). The sheet music for this popular Christmas hymn includes 2 arrangements; one in the traditional style and one with jazz chord substitutions. Please click on the publisher to view this song in other keys as well as to purchase it in the Christmas Classics Fake Book compilation.A Holiday songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (e.g. violin, flute, singer) Please click on the publisher to view this song in other keys as well as to purchase it in the Christmas Classics Fake Book.Christmas Classics Fake Book (C Instruments): https://www.sheetmusicplus.com/title/20936007 - Item Number: S0.440923Christmas Classics Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/20940166 - Item Number: S0.444845Christmas Classics Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/20940155 - Item Number: S0.444839Christmas Classics Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/20953727 - Item Number: S0.453973SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$3.49
3.22 €
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Ensemble Jazz
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Traditional
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Stephen Bulat
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We Three Kings - Lead sheet arranged in traditional and jazz style
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Stephen Bulat Publishing
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SheetMusicPlus
20 Really Easy Christmas Carols for Violin
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.587798 Composed by Various. Arrang…
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Violin Solo - Level 1 - Digital Download SKU: A0.587798 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. 8 pages. David McKeown #4978265. Published by David McKeown (A0.587798). 20 Really Easy Christmas Carols for Violin is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner Violinists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than D at the bottom of the Treble ClefThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.38 €
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Violon
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Various
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David McKeown
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20 Really Easy Christmas Carols for Violin
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David McKeown
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SheetMusicPlus
Christmas Carols for All, Volume 1 (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.722546 Composed by Various. A…
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String Orchestra - Level 3 - Digital Download SKU: A0.722546 Composed by Various. Arranged by Randy Calistri-Yeh. Christian,Christmas,Classical. Score and parts. 114 pages. Custom Chamber Music #3365191. Published by Custom Chamber Music (A0.722546). Volume 1 of our Christmas collection (the Green Book) contains ten classic Christmas carols that both you and your audience are sure to love.Be sure to also check out Volumes 2 and 3, each with 10 different carols!This arrangement is for string orchestra (violin 1/2/3, viola, cello, bass). NOTE: violin 3 and viola are different parts, but either can be skipped if there are not enough musicians.Other arrangements of these carols, as well as two other volumes of Christmas carols, are available at the publisher link above or at www.customchambermusic.com.The carols included in Volume 1 are: I Heard the Bells on Christmas Day Angels from the Realms of Glory We Three Kings Away in a Manger (Mueller) O Christmas Tree (O Tannenbaum) Joy to the World While Shepherds Watched Their Flocks God Rest You Merry, Gentlemen O Come, O Come, Emmanuel Silent NightEach carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts. Each carol also includes a new original descant counter-melody to feature your soloists and add a unique sound to your performance. The descant and melody are provided on each part to allow flexible solos. You will receive a full score and all individual parts in a single PDF file.
$16.95
15.65 €
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Orchestre à Cordes
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Various
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Randy Calistri-Yeh
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Christmas Carols for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Christmas Time for Violin
Violin - Difficulty: easy-medium SKU: HL.4472620 Violin Solo Collection (in Firs…
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Violin - Difficulty: easy-medium SKU: HL.4472620 Violin Solo Collection (in First Position). Arranged by Harvey S. Whistler. Rubank Solo Collection. Christmas. Instrumental solo/piano accompaniment set. With solo part and piano accompaniment. 16 pages. Rubank Publications #RUBL267. Published by Rubank Publications (HL.4472620). ISBN 9781423444916. UPC: 073999726206. 9x12 inches.14 solos with piano accompaniment. Also includes lyrics and Christmas stories with illustrations.
Song List: Deck the Hall The First Noel God Rest Ye Merry, Gentlemen Good King Wenceslas Hark! The Herald Angels Sing It Came Upon the Midnight Clear Jingle Bells Jolly Old St. Nicholas Joy To The World O Come, All Ye Faithful (Adeste Fideles) O Holy Night O Little Town of Bethlehem Silent Night We Three Kings Of Orient Are
$7.99
7.38 €
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Harvey S
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Christmas Time for Violin
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Rubank Publications
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SheetMusicPlus
Christmas and Carols to download for violin solo
Violon
This is an exclusive arrangements for violin solo of VERY EASY skill level from the origin…
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This is an exclusive arrangements for violin solo of VERY EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, Greensleeves, greensleaves, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, jesu joy of man desiring, green sleeves, greensleves, the first noel, angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing,o holy night , o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas, etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,children,hymn,sacred,advent,carol,festival
$10.99
10.15 €
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Violon
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Christmas and Carols to download for violin solo
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Virtualsheetmusic
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Songs of Romance: Sampler Gig Pack - Three selections (I'm Always Chasing Rainbows, It Had To Be You
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858949 Composed by Carroll & McCarthy, Jones & Kahn, and Whiting & Egan. Arranged by Stephen Bulat. Holiday,Jazz,Love,Wedding. Score and parts. 7 pages. Stephen Bulat Publishing #6260847. Published by Stephen Bulat Publishing (A0.858949). This sampler pack includes lead sheet arrangements (melody, lyrics & chords) of three romantic jazz songs in their original keys. Songs include: I'm Always Chasing Rainbows (key of G) It Had To Be You (key of G) Till We Meet Again (key of F minor)A jazz standard songbook must-have, each arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to minimize page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view these arrangements in other keys as well as to purchase in Classic Love Songs - A Valentine's Day Fake Book.Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249
$5.99
5.53 €
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Carroll & McCarthy, Jones & Kahn, and Whiting & Egan
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Stephen Bulat
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Songs of Romance: Sampler Gig Pack - Three selections
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Stephen Bulat Publishing
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SheetMusicPlus
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