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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are the Ladies
Non classifié
12
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Piano seul
1
Guitares
Guitare notes et tablatures
1
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Chorale SATB
4
Chorale 3 parties
2
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
We are the Ladies
Partitions à imprimer
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51
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Brisbane Ladies (Augathella Station)
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Chorale SATB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
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Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
Carol of the Wise Men
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Chorale SATB
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FACILE
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie R...
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Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51
We are the Ladies (for Piano)
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Piano seul
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INTERMÉDIAIRE
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Anita Malhotra
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We are the Ladies
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Artsmania
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.912556 Composed by Anita Malhotra. Film/TV,Romantic Period. Score. 1 pages. Artsmania #16693. Published by Artsmania (A0....
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Piano Solo - Level 3 - SKU: A0.912556 Composed by Anita Malhotra. Film/TV,Romantic Period. Score. 1 pages. Artsmania #16693. Published by Artsmania (A0.912556). A short piano piece in the style of Chopin meant to evoke a group of elegant young women dressed for a ball. Inspired by the discussion Who are the ladies? in Season 1, Episode 2 of the TV series Girls..
$1.99
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Season's Upon Us, The
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Chorale SSAA
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FACILE
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Dropkick Murphy's
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Dan Bradley
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Season's Upon Us, The
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Mare Dan Music
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1460822 By Dropkick Murphy's. By Alexander Barr, James Lynch, Jeff Da Rosa, Ken Casey, Matthew Kelly...
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Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1460822 By Dropkick Murphy's. By Alexander Barr, James Lynch, Jeff Da Rosa, Ken Casey, Matthew Kelly, and Timothy John Brennan. Arranged by Dan Bradley. A Cappella,Celtic,Christmas,Holiday,Irish,Punk. 14 pages. Mare Dan Music #1039722. Published by Mare Dan Music (A0.1460822). Ladies - this one is for you SSAA of the DropKick Murphy's seasonal piece The Season's Upon Us This is at least PG-13 for mature audiences and not recommended for children or Children's Choir. Although it has some rough language the sentiment is purely Christmas. We have dysfunctional familiesbut we love them anyway and gather for the holidays. Performance notes: Can be performed A Capella or with a button accordion, flute/pennywhistle, keyboard, bodhran, and guitar chords are noted.
$2.25
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
We are a single voice SATB/ TTBB
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Chorale SATB
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FACILE
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Tim Knight
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We are a single voice SATB/ TT
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Tim Knight
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.930687 Composed by Tim Knight. Contemporary,Romantic Period. Octavo. 6 pages. Tim Knight #5002637. Published by ...
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Choral Choir (SATB) - Level 2 - SKU: A0.930687 Composed by Tim Knight. Contemporary,Romantic Period. Octavo. 6 pages. Tim Knight #5002637. Published by Tim Knight (A0.930687). This was written for a massed choir festival in Leeds Town Hall, it has a part for Upper voices and lower voices which could be one choir, or could, as it was in the perfromance be a Ladies choir and male Voice choir, the music and words are written by award winning Yorkshire composer Tim Knight , www.timknightmusic.com and the piece perfectly expresses the joy of singing, even allowing space in the central chantlike section for people to say what they feel about music and what it means to them.
$1.99
We Three Kings/Scarborough Fair combo SA duet SSAA choir and violin quartet and piano
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Noël
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John Henry Hopkins Jr
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Connie Boss
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We Three Kings/Scarborough Fai
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Connie Boss
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SheetMusicPlus
Alto Voice,Choir,Piano,Soprano voice,Violin - Level 2 - SKU: A0.1312886 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Chri...
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Alto Voice,Choir,Piano,Soprano voice,Violin - Level 2 - SKU: A0.1312886 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Christian,Christmas,Holiday. 21 pages. Connie Boss #901720. Published by Connie Boss (A0.1312886). I have always loved Scarborough Fair. I needed to do something a little different than the Simon and Garfunkel version which is very iconic. I also wanted to use the melody for a Christmas song. I thought about how close We Three Kings was in places and decided it was a great song to do a combo with. This version is for the ladies SA duet with an SSAA choir - ahs only, violin quartet and piano. I have this in all kind of version including a men's version and SATB as well. I have version of just duet and piano and then with choir or with strings as well. Parts are included with this purchase. I hope you enjoy the mysterious sounding music. I just felt it was needed on this arrangement. For any questions or requests, email cdboss@cvalley.net.
$7.99
We Three Kings/Scarborough Fair combo SATB strings and piano
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Noël
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John Henry Hopkins Jr
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Connie Boss
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We Three Kings/Scarborough Fai
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - SKU: A0.1312839 Composed by John Henry Hopkins Jr./English Ballad. Arrang...
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Alto Voice,Bass Voice,Cello,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - SKU: A0.1312839 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #901674. Published by Connie Boss (A0.1312839). I have always loved Scarborough Fair. I needed to do something a little different than the Simon and Garfunkel version which is very iconic. I also wanted to use the melody for a Christmas song. I thought about how close We Three Kings was in places and decided it was a great song to do a combo with. This version is for the ladies SATB duet - strings and piano. I have this in all kind of version including a women's version and TTBB as well. I have version of just duet and piano and then with choir or with strings as well. Parts are included with this purchase. I hope you enjoy the mysterious sounding music. I just felt it was needed on this arrangement. For any questions or requests, email cdboss@cvalley.net.
$5.99
We Three Kings/Scarborough Fair combo SA duet, SSAA choir, strings and piano
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Noël
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John Henry Hopkins Jr
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Connie Boss
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We Three Kings/Scarborough Fai
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Connie Boss
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SheetMusicPlus
Alto Voice,Cello,Choir,Piano,Soprano voice,Violin - Level 2 - SKU: A0.1312811 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss...
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Alto Voice,Cello,Choir,Piano,Soprano voice,Violin - Level 2 - SKU: A0.1312811 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Christian,Christmas,Holiday. 21 pages. Connie Boss #901645. Published by Connie Boss (A0.1312811). I have always loved Scarborough Fair. I needed to do something a little different than the Simon and Garfunkel version which is very iconic. I also wanted to use the melody for a Christmas song. I thought about how close We Three Kings was in places and decided it was a great song to do a combo with. This version is for the ladies SA duet with an SSAA choir - ahs only, strings and piano. I have this in all kind of version including a men's version and SATB as well. I have version of just duet and piano and then with choir or with strings as well. Parts are included with this purchase. I hope you enjoy the mysterious sounding music. I just felt it was needed on this arrangement. For any questions or requests, email cdboss@cvalley.net.
$7.99
Fine Knacks for Ladies (mp3)
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Renaissance
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John Dowland
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David Warin Solomons
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Fine Knacks for Ladies
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059405 Composed by John Dowland. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 142. David Warin Solomons #3...
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Choir - SKU: A0.1059405 Composed by John Dowland. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 142. David Warin Solomons #3383555. Published by David Warin Solomons (A0.1059405). Score:http://www.sheetmusicplus.com/title/21204418?aff_id=175705Arrangement for men's voices created and sung by David Warin SolomonsFine knacks for ladies, cheap, choice, brave and new,Good pennyworths but money cannot move,I keep a fair but for the fair to view,A beggar may be liberal of love.Though all my wares be trash, the heart is true.Great gifts are guiles and look for gifts again,My trifles come as treasures from my mind,It is a precious jewel to be plain,Sometimes in shell the Orient's pearls we find.Of others take a sheaf, of me a grain.Within this pack pins, points, laces and gloves,And divers toys fitting a country fair,But in my heart, where duty serves and loves,Turtles and twins, Court's brood, a heav'nly pair.Happy the man that thinks of no removes.
$2.00
The Love We're In
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Guitare notes et tablatures
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Rock
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Barenaked Ladies
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The Love We're In
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Barenaked Ladies. By Kevin Hearn, Ed Robertson, Tyler Stewart, and Jim Creeggan. Pop/Rock. 3 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS...
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By Barenaked Ladies. By Kevin Hearn, Ed Robertson, Tyler Stewart, and Jim Creeggan. Pop/Rock. 3 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013222). - - Pop/Rock - Alfred Music - Digital Sheet Music
$2.99
You Raise Me Up
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Musique Sacrée
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Thomas Fettke
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Choral Worship Collection
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You Raise Me Up
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (Women's Choir) - SKU: JX.00-32241 A Treasury of Inspirational Favorites (Songbook). Arranged by Thomas Fettke. This edition: Singer...
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Choir Sacred (Women's Choir) - SKU: JX.00-32241 A Treasury of Inspirational Favorites (Songbook). Arranged by Thomas Fettke. This edition: Singer's Edition. Choral (Sacred); Choral Worship Collection; Collections; Performance Music Ensemble; Worship Resources. Sacred. Book. 85 pages. Jubilate Music Group - Digital #00-32241. Published by Jubilate Music Group - Digital (JX.00-32241). English.You Raise Me Up is a terrific resource for ladies' choirs and ensembles! Here is one treasury combining current artist favorites, top CCLI praise and worship songs, choral classics and the best of contemporary gospel. Included are poignant and thoughtful ballads, energetic up-tempo selections and beautiful expressions of hope and faith. You'll find the arrangements interesting, yet accessible. Whether sung to the full orchestral Instrutrax or the tasteful and creative keyboard accompaniments in the book, You Raise Me Up provides valued material for worship services and concerts. Your ladies and their audiences will love the collection.Titles: Band of Angels * Beneath the Cross * Blessed Be the Name * Forever * God of Grace * How Can I Keep from Singing? * Indescribable * Voice of Praise * We Declare Your Majesty * You Raise Me Up.
$8.95
Trödelmarkt der Träume
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Wilfried Hiller
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Trödelmarkt der Träu
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Schott Music - Digital
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SheetMusicPlus
Klavier (für Die Papiertragödie mit Papierbögen präpariert) 2 singers and piano - advanced - SKU: S9.Q45180 Scenic miniatures. Revised ve...
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Klavier (für Die Papiertragödie mit Papierbögen präpariert) 2 singers and piano - advanced - SKU: S9.Q45180 Scenic miniatures. Revised version for two singers and piano. Composed by Wilfried Hiller. This edition: single sheet. Downloadable, Separate edition. Duration 60 minutes. Schott Music - Digital #Q45180. Published by Schott Music - Digital (S9.Q45180). German.'Our theatre is not like other theatres … we count on your participation, Ladies and Gentlemen!' These words from the prologue of the theatre singer are typical of our flea market of dreams. The audience shall be encouraged to think, dream, fantasize. (Wilfried Hiller in the programme of the world premiere) Without explicitly meaning to, the flea market and amusement racket theatre of Hiller and Ende has to be understood as alienation from the great opera in general and for children in particular. Here, imagination finds old and new stories, here is the home of the theatre, here is the place where the 'extravaganza music of Hiller' can be heard. Here is not just melancholy and remembrance, sorrow for things past, lost. Here, dawdling also has another meaning: silence, standstill, leisure, time – for dreaming. Jumble, dawdling – these are things that do not go well with the rush and urge for action of our time. But they suit the theatre, the music for children, the children's music theatre of Hiller and Ende.' (from: Gunter Reiß, Trödelmarkt der Träume […]; in Üben & Musizieren, 2/1991, p. 19ff).
$48.99
Better Days
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedd...
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
Better Days
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged b...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
"Die Zauberflöte" for String Quartet, No.16, "Nur stille! stille!"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Franz Danzi
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"Die Zauberflöte&quo
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ACORDO Sheet Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.778045 Composed by Wolfgang Amadeus Mozart. Arranged by Franz Danzi. Classical. Score and parts. 6 pag...
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String Quartet String Quartet - Level 3 - SKU: A0.778045 Composed by Wolfgang Amadeus Mozart. Arranged by Franz Danzi. Classical. Score and parts. 6 pages. ACORDO Sheet Music #5988465. Published by ACORDO Sheet Music (A0.778045). Danzi, Franz Ignaz (1763-1826) was a German composer. His works are not so popular. Only his wind quintets are know among woodwind players. He revered W. A. Mozart, and arranged Die Zauberflöte for string quartets. A set of the part notes was published by M. Falter, Munich around 1800. His arrangement consists of 17 pieces as follows. No.1, Hm! Hm! Hm! Hm! No.2, Zum Leiden bin ich auserkoren No.3, Schnelle Füsse rascher Mut No.4, Es lebe Sarastro Sarastro lebe! No.5, Herr ich bin zwar Verbrecherin No.6, Wenn tugend und gerechtigkeit No.7, Wie? wie? wie? No.8, O Isis und Osiris No.9, Bald prengt den Morgen zu verkünden No.10, Der, welcher wandert diese Straße voll Beschwerden No.11, Tamino mein! No.12, Wir wandelten durch Feuersgluten No.13, Papagena! Papagena! Weibchen! Täubchen! No.14, Klinget, Glockchen, klinget! No.15, Pa-Pa-Pa-Papageno No.16, Nur stille! stille! No.17, Heil sei euch GeweihtenThe arrangement was very faithful to the original, and is valuable in that players could enjoy the wonderful music as a chamber music.We first made the transcript of the sheet music published by M. Falter, and combined them to make scores. The scores show some discrepancies, which are usual in such old music notes, and was revised to obtain unified styles and articulations. In the revising, we referred the original score by Mozart.No.16, Nur stille! stille! is for Monostatos, the Queen of the Night, and the three ladies. They are going to sneak into the temple. Thunder, lightning, and tempest interrupt them, and finally they go to hell. Danzi's arrangement ends just before the thunder.
$7.80
Mad House
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Rihanna
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Jacob D
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Mad House
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A DIFFERENT TYPE OF STEW
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SheetMusicPlus
Marching Band - Level 4 - SKU: A0.1489610 By Rihanna. By Makeba Ronnie Riddick, Robyn Fenty, Saul Gregory Milton, and William Frederick Kennard. Arrange...
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Marching Band - Level 4 - SKU: A0.1489610 By Rihanna. By Makeba Ronnie Riddick, Robyn Fenty, Saul Gregory Milton, and William Frederick Kennard. Arranged by Jacob D. Hopson II. 21st Century,Contemporary,Halloween,Hip-Hop,Thriller. 22 pages. A DIFFERENT TYPE OF STEW #1066477. Published by A DIFFERENT TYPE OF STEW (A0.1489610). The arrangement of this song is meant for marching bands. Your Audience will be on the edge of their seats at the opening moments of this majestic work of art. Every chord will make the Hair on the back of your neck stand up as each sound wave fills your heart. So as I give you this work of art, I will leave you with this Quote.Ladies and gentlemenTo those among you who are easily frightenedWe suggest you turn away nowTo those of you who think they can take itWe say, welcome to the MAD HOUSE!-Mad House lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC, Universal Music Publishing Group.
$50.00
Broken Chains - Citizens of Heaven
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Chorale SATB
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FACILE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Broken Chains - Citizens of He
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.927478 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Praise & Worship,Sacred,Spir...
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Choral Choir (SATB) - Level 2 - SKU: A0.927478 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Christian Music Ministries #6321019. Published by Christian Music Ministries (A0.927478). Based upon Philippians 3:20 ...but our citizenship is in heaven, and we eagerly await a saviour from there, the Lord Jesus Christ.For 3 soloists – 1 main role (soprano), and two supporting parts (soprano and alto – or these parts may be sung by the ladies of the choir) plus 4–part choir (in the choruses and coda) and piano accompaniment. Guitar chords also included. This is a long piece – around 7 minutes. The choir parts are relatively easy to learn. This piece works very well with live flute if you have a good player available.From the musical Jail Break (2005). A backing track and/or instrumental parts are available on request from events@cmm.org.ukOptional instrumental parts available: flutes, oboe, clarinets in Bb, 1st violins, 2nd violins, violas, cellos
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We are the Ladies
