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Welcome to the Jungle - Trumpet 4
Sheetmusicplus
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3
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2
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1
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1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Welcome to the Jungle - Trumpet 4
SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
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1
26
Welcome To The Jungle
#
Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE
#
Guns N' Roses
#
Diego Marani
#
Welcome To The Jungle
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528233 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl R...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528233 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. 15 pages. Diego Marani #5317403. Published by Diego Marani (A0.528233). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for classroom, repertoire and for a powerful encore.
$14.99
Welcome To The Jungle
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Guns N' Roses
#
Diego Marani
#
Welcome To The Jungle
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528230 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Ax...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528230 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. 18 pages. Diego Marani #5315853. Published by Diego Marani (A0.528230). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.It is suitable for classroom, repertoire and for a powerful encore.
$14.99
Welcome To The Jungle
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Guns N' Roses
#
Diego Marani
#
Welcome To The Jungle
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528229 By Guns N' Roses. By D...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528229 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. 14 pages. Diego Marani #5315635. Published by Diego Marani (A0.528229). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.It is suitable for classroom, repertoire and for a powerful encore.
$14.99
Welcome To The Jungle
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Rock
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Guns N' Roses
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Max Stannard
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Welcome To The Jungle
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Max Stannard Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1499163 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Max Stannard. Rock. Brass Band. 61 pages. Max Stannard Music #1075212. Published by Max Stannard Music (A0.1499163). This arrangement is of the iconic song, Welcome to the Jungle, by the band Guns N' Roses, the opening track on their debut album, Appetite for Destruction (1987). This arrangement was made for Friezland Brass Band's performance at the Red Admiral Entertainment contest in their jungle themed programme.
$24.99
Welcome To The Jungle
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Metal/Hard Rock
#
Rock
#
Guns N' Roses
#
Ed Zunic
#
Welcome To The Jungle
#
Ed Zunic
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.887781 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arrang...
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String Quartet String Quartet - Level 4 - SKU: A0.887781 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Ed Zunic. Metal,Rock. Score and parts. 22 pages. Ed Zunic #3691649. Published by Ed Zunic (A0.887781). Welcome To The Jungle for string quartet with an optional bass part.
$12.99
Welcome To The Jungle - Score Only
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Rock
#
Guns N' Roses
#
Barbara Anderson-Jones
#
Welcome To The Jungle - Score
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Barbara Anderson-Jones
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.1091283 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arr...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.1091283 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Barbara Anderson-Jones. Rock. 11 pages. Barbara Anderson-Jones #695454. Published by Barbara Anderson-Jones (A0.1091283). This is an abridged version of this song and is arranged as a flute trio. This is for intermediate to advanced players. If you like this score check out my other arrangements at http://www.sheetmusicplus.com/publishers/barbara-anderson-jones/4070.
$12.99
Welcome To The Jungle
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
#
Metal/Hard Rock
#
Rock
#
Guns N' Roses
#
Jorge Juárez
#
Welcome To The Jungle
#
Georgie Guitar
#
SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.766493 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jorg...
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Alto Saxophone Solo - Level 4 - SKU: A0.766493 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jorge Juárez. Metal,Rock. Individual part. 4 pages. Georgie Guitar #5724515. Published by Georgie Guitar (A0.766493). An accurate note for note transcription of the vocals to be played Instrumental on Alto Sax.
$4.99
Welcome To The Jungle
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
#
Metal/Hard Rock
#
Rock
#
Guns N' Roses
#
Jorge Juárez
#
Welcome To The Jungle
#
Georgie Guitar
#
SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.766494 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jor...
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Tenor Saxophone Solo - Level 4 - SKU: A0.766494 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jorge Juárez. Metal,Rock. Individual part. 4 pages. Georgie Guitar #5724517. Published by Georgie Guitar (A0.766494). An accurate note for note transcription of the vocals to be played Instrumental on Tenor Sax.
$4.99
Welcome To The Jungle
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Violon
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INTERMÉDIAIRE/AVANCÉ
#
Metal/Hard Rock
#
Rock
#
Guns N' Roses
#
Jorge Juárez
#
Welcome To The Jungle
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Georgie Guitar
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.766495 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jorge Juá...
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Violin Solo - Level 4 - SKU: A0.766495 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Jorge Juárez. Metal,Rock. 4 pages. Georgie Guitar #5724521. Published by Georgie Guitar (A0.766495). An accurate note for note transcription of the vocals to be played Instrumental on Violin.
$4.99
Welcome to the Jungle - Trombone 4
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Trombone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Guns N' Roses
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Paul Murtha
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Welcome to the Jungle - Trombo
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Hal Leonard - Digital
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SheetMusicPlus
Jazz band Trombone 4 - Level 4 - SKU: HX.256907 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leona...
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Jazz band Trombone 4 - Level 4 - SKU: HX.256907 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256907).
$6.00
Welcome To The Jungle
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Batterie
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INTERMÉDIAIRE
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Pop musique
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Guns N' Roses
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COPYDRUM
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Welcome To The Jungle
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COPYDRUM
#
SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.1161980 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by COPYDRUM...
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Drum Set,Drums - Level 3 - SKU: A0.1161980 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by COPYDRUM. Pop. Score. 4 pages. COPYDRUM #762353. Published by COPYDRUM (A0.1161980).
$5.00
Welcome to the Jungle - Baritone Sax
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Guns N' Roses
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Paul Murtha
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Welcome to the Jungle - Barito
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Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Baritone Sax - Level 4 - SKU: HX.256899 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leo...
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Jazz band Baritone Sax - Level 4 - SKU: HX.256899 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256899).
$6.00
Welcome to the Jungle - Alto Sax 2
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Saxophone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Guns N' Roses
#
Paul Murtha
#
Welcome to the Jungle - Alto S
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Alto Sax 2 - Level 4 - SKU: HX.256896 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leona...
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Jazz band Alto Sax 2 - Level 4 - SKU: HX.256896 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256896).
$6.00
Welcome to the Jungle - Aux Percussion
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Guns N' Roses
#
Paul Murtha
#
Welcome to the Jungle - Aux Pe
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Aux Percussion - Level 4 - SKU: HX.256912 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal L...
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Jazz band Aux Percussion - Level 4 - SKU: HX.256912 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256912).
$6.00
Welcome to the Jungle - Tenor Sax 2
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Saxophone (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Guns N' Roses
#
Paul Murtha
#
Welcome to the Jungle - Tenor
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Tenor Sax 2 - Level 4 - SKU: HX.256898 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leon...
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Jazz band Tenor Sax 2 - Level 4 - SKU: HX.256898 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256898).
$6.00
Welcome to the Jungle - Alto Sax 1
#
Saxophone (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Guns N' Roses
#
Paul Murtha
#
Welcome to the Jungle - Alto S
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Alto Sax 1 - Level 4 - SKU: HX.256895 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leona...
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Jazz band Alto Sax 1 - Level 4 - SKU: HX.256895 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256895).
$6.00
Welcome to the Jungle - Piano
#
Metal/Hard Rock
#
Guns N' Roses
#
Rick Stitzel
#
Welcome to the Jungle - Piano
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 2 - SKU: HX.407884 By Guns N' Roses. Arranged by Rick Stitzel. This edition: scorch. Metal,Pop,Rock. 4 pages. Hal Leonard - Digital #0. Published ...
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Level 2 - SKU: HX.407884 By Guns N' Roses. Arranged by Rick Stitzel. This edition: scorch. Metal,Pop,Rock. 4 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.407884).
$6.00
Welcome to the Jungle - Trombone 3
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Trombone (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Guns N' Roses
#
Paul Murtha
#
Welcome to the Jungle - Trombo
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Trombone 3 - Level 4 - SKU: HX.256906 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leona...
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Jazz band Trombone 3 - Level 4 - SKU: HX.256906 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256906).
$6.00
Welcome to the Jungle - Trombone 2
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Trombone (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Guns N' Roses
#
Paul Murtha
#
Welcome to the Jungle - Trombo
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz band Trombone 2 - Level 4 - SKU: HX.256905 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leona...
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Jazz band Trombone 2 - Level 4 - SKU: HX.256905 By Guns N' Roses. Arranged by Paul Murtha. Jazz,Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.256905).
$6.00
Welcome to the Jungle - Trombone 4
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Trombone (partie séparée)
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FACILE
#
Metal/Hard Rock
#
Guns N' Roses
#
Rick Stitzel
#
Welcome to the Jungle - Trombo
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 2 - SKU: HX.407924 By Guns N' Roses. Arranged by Rick Stitzel. This edition: scorch. Metal,Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published ...
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Level 2 - SKU: HX.407924 By Guns N' Roses. Arranged by Rick Stitzel. This edition: scorch. Metal,Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.407924).
$6.00
Requiem
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Orchestre de chambre
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Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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