What Child Is This - Christmas Viola - Partitions musicales à imprimer

44 partitions trouvées

Alto, Piano

Viola & Piano - Grade 3 - Digital Download SKU: R0.39262 Composed by Ted Parson. Ar…(+)

$5.95 5.48 € #Alto, Piano #Ted Parson #Jirka Kadlec #What Child Is This? #Editions Marc Reift - Digital #SheetMusicPlus

What Child Is This?

Alto seul

Instrumental Solo,Viola - Level 1 - Interactive Download SKU: A0.1307836 Composed b…(+)

$3.99 3.67 € #Alto seul #16th Century English Melody #Dominic Meccia #What Child Is This? #Dominic Meccia #SheetMusicPlus

10 Easy Classical Pieces For Viola & Piano

Alto, Piano

Composed by Various. Arranged by Eugene Egorov. Classical, Romantic Period. Score and …(+)

$12.99 11.96 € #Alto, Piano #Various #10 Easy Classical Pieces For Viola & Piano #Eugene Egorov #SheetMusicPlus

What Child Is This? - Viola by Traditional English folk song - for Viola

Alto seul

Sheet Music for What Child Is This? - Viola by Traditional English folk song arranged for …(+)

$3.99 3.67 € #Alto seul #Viola by Traditional English folk song #Musicnotes

String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel)

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861785 Composed …(+)

$15.00 13.81 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

This Is What Autumn Feels Like
Alto, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.1306674 By Jvke. By Jake Lawson an…(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.1306674 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by CÃ©sar Madeira. Children,Contemporary,Multicultural,Pop,Wedding,World. Score and part. 21 pages. Sheet Music To Play Editions #896004. Published by Sheet Music To Play Editions (A0.1306674). This Is What Autumn Feels Like by Jvke. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99 8.28 € #Alto, Piano #Jvke #CÃ©sar Madeira #This Is What Autumn Feels Like #Sheet Music To Play Editions #SheetMusicPlus

What a Lovely Stroll - Easy string ensemble (Mixed Abilities) for flexible instrumentation

String Ensemble - Level 1 - Digital Download SKU: A0.563398 Composed by Austin Ralp…(+)

String Ensemble - Level 1 - Digital Download SKU: A0.563398 Composed by Austin Ralphson. 20th Century,Instructional,Standards. Score and parts. 21 pages. Austin Ralphson #3675871. Published by Austin Ralphson (A0.563398). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments. Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group. WHAT A LOVELY STROLL is the first piece in this series, and follows a traditional ternary form.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5. The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99 9.2 € #Austin Ralphson #What a Lovely Stroll - Easy string ensemble #Austin Ralphson #SheetMusicPlus

Minuet Op.11 No.5 - Viola and Piano (Full Score)
Alto, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.1348996 Composed by Luigi Boccheri…(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.1348996 Composed by Luigi Boccherini. Arranged by CÃ©sar Madeira. 19th Century,Children,Classical,Early Music,Multicultural,World. Score and part. 3 pages. Sheet Music To Play Editions #933734. Published by Sheet Music To Play Editions (A0.1348996). Minuet Op.11 No.5 - G.275 by Boccherini. Arrangement for Viola and Piano. WithÂ Full Score. Enjoy it!This file DOES NOT contain Individual Parts.Â Full ScoreÂ only.Ridolfo Luigi Boccherini (1743 â€“ 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99 5.52 € #Alto, Piano #Luigi Boccherini #CÃ©sar Madeira #Minuet Op.11 No.5 - Viola and Piano #Sheet Music To Play Editions #SheetMusicPlus

Minuet Op.11 No.5 - Viola and Piano (Individual Parts)
Alto, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.1348995 Composed by Luigi Boccheri…(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.1348995 Composed by Luigi Boccherini. Arranged by CÃ©sar Madeira. 19th Century,Children,Film/TV,Multicultural,Romantic Period,World. Score and part. 5 pages. Sheet Music To Play Editions #933733. Published by Sheet Music To Play Editions (A0.1348995). Minuet Op.11 No.5 - G.275 by Boccherini. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Ridolfo Luigi Boccherini (1743 â€“ 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99 5.52 € #Alto, Piano #Luigi Boccherini #CÃ©sar Madeira #Minuet Op.11 No.5 - Viola and Piano #Sheet Music To Play Editions #SheetMusicPlus

Poem For Carlita (viola part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by…(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 4.14 € #Mark Oâ€™Connor
Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Poem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Records
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

This I Promise You - String Quartet - *NSYNC arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet - Intermediate - Digital Download By N Sync. Arranged by Sarah Celloba…(+)

String Quartet - Intermediate - Digital Download By N Sync. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee
"This I Promise You" is one of *NSYNC's most iconic love songs and a ubiquitous pop hit of the early 2000's. Originally written by Richard Marx, this song lasted 13 weeks at number 1 on the Billboard Adult Contemporary chart after its release, so any child of the 90's probably knows this one by heart! I had the honor of performing this song with Richard Marx himself as part of the quartet-in-residence for his 3-week residency "Satisfied: Only The Hits" at the Flamingo Hotel in Las Vegas, so I'm super excited to bring you my own version! This arrangement for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a laid back R&B-style groove, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there is nothing very difficult in any of the parts and this chart will be easily sightreadable for professionals, but students might need a minute to look at the syncopated rhythms in the violin parts. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "This I Promise You." Crowd pleasing guaranteed. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$16.99 15.64 € #Quatuor à cordes: 2 violons, alto, violoncelle #N Sync #Sarah Cellobat Chaffee #This I Promise You - String Quartet - *NSYNC arr. Cellobat - Recording Available! #SheetMusicPlus

Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…(+)

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory:Â Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, â€œAlmost Mayâ€. Like springtime in the Northern Hemisphere, â€œAlmost Mayâ€ unfolds slowly and majestically, with ever-evolving layers for the senses to discover.Â What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings.Â What to listen for: Variation IÂ The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur.Â What to listen for: Variation IIÂ The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.Â Credits:Â I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 23.01 € #Quatuor à cordes: 2 violons, alto, violoncelle #Heidi Savoie #Heidi Savoie #Almost May Score and Parts #Heidi Savoie #SheetMusicPlus

Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…(+)

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 7.37 € #Trio à Cordes: violon, alto, violoncelle #David Warin Solomons #Mysterious Moment for alto flute and string trio #David Warin Solomons #SheetMusicPlus

Variations on a Theme of Mozart for Young Violist and Piano
Alto, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut.…(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #6342197. Published by ROBERT DEBBAUT (A0.939404). Mozart set Christian Adolph Overbeckâ€™s text to Komm, lieber Mai in January 1791 shortly before what would be his last birthday. Overbeck, a poet and lawyer and later Mayor of LÃ¼beck, wrote a set of poems in 1776 under the title Fritzchen an den Mai (Fritz on the May). This song is highly regarded among the German art songs of the era. Mozart coupled it with two other songs under the title Sehnsucht nach dem Fruhlinge (Longing for Spring). Seemingly taken by his theme, Mozart uses it again in the finale of his last piano concerto, Piano Concerto No. 27 in B-flat Major, K. 595. Mozartâ€™s three songs were published in a collection of childrenâ€™s song by Ignaz Alberti. While the voice is supposed to be that of a child, it is really an adultâ€™s longing for the flowering of Spring and the promise of new birth and, perhaps, new love.This set of variations were written as a recital work with a young violist (playable in first position) in mind. They are abouyt five minutes in length.
$9.95 9.16 € #Alto, Piano #Robert Debbaut #Variations on a Theme of Mozart for Young Violist and Piano #ROBERT DEBBAUT #SheetMusicPlus

Yellow Submarine
2 Altos (duo)

Viola Duet Viola - Level 2 - Digital Download SKU: A0.588224 By The Beatles. By Joh…(+)

Viola Duet Viola - Level 2 - Digital Download SKU: A0.588224 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score. 5 pages. David McKeown #5309669. Published by David McKeown (A0.588224). Yellow Submarine, by the Beatles, was released on the 1966 album, Revolver. The song was written by Lennon and McCartney with the limited range of Ringo Starrâ€™s voice in mind. The recording of Yellow Submarine included numerous sound effects and backing vocals from everyone from Marianne Faithful to Brian Jones. There has been much speculation as to what the lyrics of Yellow Submarine might mean, but Lennon and McCartney insisted it was just a nonsense rhyme for children.This version of Yellow Submarine is arranged as a duet for two Violas. The full YouTube performance above is the Clarinet version off this arrangement.Musicians at an early intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 5.52 € #2 Altos (duo) #The Beatles #David McKeown #Yellow Submarine #David McKeown #SheetMusicPlus

4 Character Dances for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet - Intermediate - Digital Download Composed by Tilly Lockwood. Contempo…(+)

String Quartet - Intermediate - Digital Download Composed by Tilly Lockwood. Contemporary Classical, Repertoire, General Instructional, Children's Music, Recital. Score, Set of Parts. 33 pages. Published by Surrey Dance Music
A collection of four fun characterful sketches arranged for string quartet. I’ve left the melody mostly in the hands of the first, and all four will benefit from “playing together” skills, adding character with rubato and being aware of what each player is doing. For this reason, as well as the height to which the first reaches, I've graded it as intermediate. I’ve also added a few bow markings for guidance.
$14.95 13.77 € #Quatuor à cordes: 2 violons, alto, violoncelle #Tilly Lockwood #4 Character Dances for String Quartet # Surrey Dance Music #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861782 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.81 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861784 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part â€“ two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.81 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861786 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark Oâ€™Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.81 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 2 "Bluegrass" #Mark O'Connor Musik International #SheetMusicPlus

Almost May Lead Sheet
Instruments en Do

C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…(+)

C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May.Â Almost May - Theme and VariationsBackstory:Â Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, â€œAlmost Mayâ€. Like springtime in the Northern Hemisphere, â€œAlmost Mayâ€ unfolds slowly and majestically, with ever-evolving layers for the senses to discover.Â What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings.Â What to listen for: Variation IÂ The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur.Â What to listen for: Variation IIÂ The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.Â Credits:Â I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 2.75 € #Instruments en Do #Heidi Savoie #Heidi Savoie #Almost May Lead Sheet #Heidi Savoie #SheetMusicPlus

Almost May for Piano Solo
Piano seul

Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…(+)

Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player.Â Almost May - Theme and VariationsBackstory:Â Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, â€œAlmost Mayâ€. Like springtime in the Northern Hemisphere, â€œAlmost Mayâ€ unfolds slowly and majestically, with ever-evolving layers for the senses to discover.Â What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings.Â What to listen for: Variation IÂ The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur.Â What to listen for: Variation IIÂ The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 3.67 € #Piano seul #Heidi Savoie #Heidi Savoie #Almost May for Piano Solo #Heidi Savoie #SheetMusicPlus

Mysterious Moment for oboe and string trio

Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …(+)

Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 7.37 € #David Warin Solomons #Mysterious Moment for oboe and string trio #David Warin Solomons #SheetMusicPlus

Yellow Submarine
Clarinette et Alto

Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0…(+)

Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.588200 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5309619. Published by David McKeown (A0.588200). Yellow Submarine, by the Beatles, was released on the 1966 album, Revolver. The song was written by Lennon and McCartney with the limited range of Ringo Starrâ€™s voice in mind. The recording of Yellow Submarine included numerous sound effects and backing vocals from everyone from Marianne Faithful to Brian Jones. There has been much speculation as to what the lyrics of Yellow Submarine might mean, but Lennon and McCartney insisted it was just a nonsense rhyme for children.This version of Yellow Submarine is arranged as a duet for one Clarinet and one Viola. The full YouTube performance above is the Clarinet version off this arrangement.ï»¿Musicians at an early intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 5.52 € #Clarinette et Alto #The Beatles #David McKeown #Yellow Submarine #David McKeown #SheetMusicPlus

Yellow Submarine
Violon, Alto (duo)

Instrumental Duet Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.5…(+)

Instrumental Duet Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.588228 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5309675. Published by David McKeown (A0.588228). Yellow Submarine, by the Beatles, was released on the 1966 album, Revolver. The song was written by Lennon and McCartney with the limited range of Ringo Starrâ€™s voice in mind. The recording of Yellow Submarine included numerous sound effects and backing vocals from everyone from Marianne Faithful to Brian Jones. There has been much speculation as to what the lyrics of Yellow Submarine might mean, but Lennon and McCartney insisted it was just a nonsense rhyme for children.This version of Yellow Submarine is arranged as a duet for one Violin and one Viola. The full YouTube performance above is the Clarinet version off this arrangement.Musicians at an early intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 5.52 € #Violon, Alto (duo) #The Beatles #David McKeown #Yellow Submarine #David McKeown #SheetMusicPlus

Companionship Full Score - Score Only
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published by Rachel J Peters (A0.1371215). CAST: 7 adult principals and childrenâ€™s chorusINSTRUMENTATION: 1.0.1 (doubling t.sax).1/0.0.1.0/pft- perc (1)/1.1.1.1.1 (doubling elec.bass) (Parts are available separately for rental.)DURATION: 1 hour 15 minutesPAGES: 282WORLD PREMIERE: Fort Worth Opera, 2019; Premiere with Orchestra, Virginia Arts Festival, 2022Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. Adapted from the short story by Arthur Phillips.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please write to rachel@racheljpeters.com.
$50.00 46.04 € #Orchestre de chambre #Rachel J Peters #Companionship Full Score - Score Only #Rachel J Peters #SheetMusicPlus

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