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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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XYLOPHONE
What Do I Do Now?
Non classifié
52
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20
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10
Instruments en Do
7
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5
1 Piano, 4 mains
1
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Piano Quatuor: piano, 2 violons, violoncelle
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+ 3 instrumentations
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Mandoline
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15
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7
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2
Voix Baryton, Piano
1
Chorale 3 parties
1
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1
Chorale TTBB
1
+ 2 instrumentations
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Vents
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Quintette de Saxophone: 5 saxophones
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Hautbois, Piano (duo)
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Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Piano
1
Clarinette, Alto et Piano (trio)
1
Saxophone Soprano et Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière et Piano
1
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1
Flûte, trombone et piano
1
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1
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1
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1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Flûtes
1
Flûte, Alto et Piano
1
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Trombone et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
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Quatuor de Cuivres
2
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
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Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone
1
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Violon et Piano
6
Alto, Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Trio à cordes: 3 violins
1
4 Violoncelles
1
2 Violons (duo)
1
Harpe, Voix
1
Alto et Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
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Ensemble de Violons
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Violon, Alto (duo)
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Harpe
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Crtitères actifs :
What Do I Do Now?
Partitions à imprimer
202 partitions trouvées
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201
What Was I Made For?
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Instruments en Do
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FACILE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1264579 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,W...
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C Instrument - Level 2 - SKU: A0.1264579 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Glauco Fernandes #857406. Published by Glauco Fernandes (A0.1264579). Lead Sheet Arrangement: What Was I Made For - Billie Eilish Elevate your musical skills with our lead sheet arrangement of the melody for the song What Was I Made For by the talented singer Billie Eilish. This arrangement provides the melody, chord symbols, and essential musical elements, making it perfect for any instrument and allowing for easy adaptations.âœ”ï¸ Versatile for any instrument: Our lead sheet arrangement is designed to be adaptable for musicians of any instrument. Whether you play the piano, guitar, saxophone, or any other instrument, you can easily interpret and perform this beautiful melody.âœ”ï¸ Ideal for improvisation: With the chord symbols provided, you have the freedom to explore and improvise around the melody, adding your own personal touch to the music. This arrangement allows for creative interpretations and unique performances.âœ”ï¸ From the Barbie movie soundtrack: What Was I Made For is one of the tracks from the soundtrack of the 2023 Barbie movie. With our lead sheet arrangement, you can capture the essence of the song and incorporate it into your own musical repertoire.âœ”ï¸ Explore Billie Eilish's talent: Billie Eilish is known for her unique style and captivating music. With our lead sheet arrangement of What Was I Made For, you can immerse yourself in Billie Eilish's musical world and bring her music to life through your instrument.âœ”ï¸ Professional quality: Our lead sheet arrangement is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation.âœ”ï¸ Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the lead sheet arrangement for What Was I Made For. This allows you to start practicing and performing this captivating melody right away.Enhance your musical abilities and create unique interpretations with our lead sheet arrangement of What Was I Made For by the talented Billie Eilish. Take this opportunity to explore the music of one of the most acclaimed artists of our time. Start playing What Was I Made For today and let your instrument bring the melody to life in your own distinctive way.
$4.99
Road to Nowhere
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Piano seul
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AVANCÉ
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Contemporain
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ren
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Road to Nowhere
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ren
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1017657 Composed by ren. Contemporary. Score. 7 pages. Ren #6207511. Published by ren (A0.1017657). i wrot...
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Piano Solo - Level 5 - SKU: A0.1017657 Composed by ren. Contemporary. Score. 7 pages. Ren #6207511. Published by ren (A0.1017657). i wrote this for my bachelor of music, it was the last thing i wrote and after not knowing what to do i somehow did this in like 2 days
$4.99
I See You
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Chorale SATB
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INTERMÉDIAIRE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lady Antebellum
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Con...
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String Quartet String Quartet - Level 4 - SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00
What Do You Mean?
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Piano seul
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DÉBUTANT
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Rock
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Justin Bieber
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Fernando Ramos
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What Do You Mean?
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Fernando Ramos
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1104897 By Justin Bieber. By Jason Boyd, Justin Bieber, and Mason Levy. Arranged by Fernando Ramos. Pop,Rock. Score. 2 pa...
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Piano Solo - Level 1 - SKU: A0.1104897 By Justin Bieber. By Jason Boyd, Justin Bieber, and Mason Levy. Arranged by Fernando Ramos. Pop,Rock. Score. 2 pages. Fernando Ramos #708134. Published by Fernando Ramos (A0.1104897). YouTube Link: https://youtu.be/MjFXUSRvHdM Other Arrangements Available: https://www.sheetmusicplus.com/publishers/fernando-ramos-sheet-music/3016426?isPLP=1 I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece. This arrangement was made for a mid-beginner student working in Level 1/2 of Alfred's Masterwork Classics, Primary II Class. Great exercise for counting tied eighth notes. But the truth is, when a student knows the song, sometimes the counting goes straight out the window! My student ended up learning this in about two weeks. We were both surprised! Pedal and fingering suggestions are included.
$4.99
I'll Be Seeing You
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Instruments en Do
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INTERMÉDIAIRE
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Etta James
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Johannes H
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Baritone range: B2–C4
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I'll Be Seeing You
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Johannes H. Hindriks
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1238248 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Johannes H. Hindriks. 20th Century,Broadway,Jazz,Mus...
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C Instrument - Level 3 - SKU: A0.1238248 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Johannes H. Hindriks. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 4 pages. Johannes H. Hindriks #833722. Published by Johannes H. Hindriks (A0.1238248). This Comfort Covers setting of the refrain of “I’ll Be Seeing Youâ€, known from Frank Sinatra’s singing, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 4-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–C5; Baritone range: B2–C4. Skill Level: Intermediate, with somewhat simplified rhythms. Capo as preferred. Click here for a full listing of Comfort Covers titles.
$3.99
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Even As I Am, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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be ye still
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Even As I Am, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1285859 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1285859 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #876989. Published by Kevin G. Pace (A0.1285859). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:What manner of men ought ye to be?What manner of women are ye?If feeling darkness instead of Christ’s light,Learn of his ways with full sight.Chorus:What manner of child ought ye to be?He said, “Even as I am . . . be ye.â€Recall the vast works He has displayed;Remember the words He has prayed.Kneel and do likewise with faith joyfully;Blessings will come as ye plead.To be like God’s Son, follow thou Him;He demonstrates peace . . . shunning sin.He’s the example of Father’s pure will.Know Jesus Christ; be ye still.To be lifted up at the last day,Be like Him in every way.When Christ appears ye shall see as He is;All light and glory be His!
$1.99
Do you want to build a rocket?
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Chorale 2 parties
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FACILE
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Sally Whitwell
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Do you want to build a rocket?
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Sally Whitwell
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279....
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Choral Choir (2-Part) - Level 2 - SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279. Published by Sally Whitwell (A0.1099392). Do you want to build a rocket? was originally composed for a wonderful group of children I worked with at the Young Music Society Winter School in Canberra. The first day that I went in to meet them, I sat down with them on the floor and asked them what kind of performance they wanted to build. It was around the time that the Disney animated feature Frozen was very popular with kids. Or not, as it turns out, because one little boy’s hand shot up straight away and he said: “Tell you what I don’t wanna build: a stupid snowman!†He suggested we build a rocket instead. So that’s what we did. It’s a song about the wonder and curiosity we feel about the universe, of our desire to explore it, and of the determination and grit required to achieve that dream. It’s some very hard yards to build a rocket and to learn to fly it, but our dreams are always worth the work! I hope you have fun with this song. Teachers, I invite you to get as theatrical as you dare with it. In our original performance we had all these toy instruments, toy toolkits, and painted cardboard boxes. (So many boxes!). Let’s just say, if you think it’s gonna be ‘too much’, it’s probably exactly the right amount. Sally Whitwell August 2022.
$1.99
Do You Want To Build A Snowman?
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Kristen Bell
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Lisa Ochoco
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Do You Want To Build A Snowman
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Renee Hyche McKee
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Peaceful Measures - Interchang
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. ...
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Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99
Do You Hear What I Hear
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Piano, Voix
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INTERMÉDIAIRE
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1507452 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Chri...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1507452 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. Score. 6 pages. Clem & Jun Bascar #1082854. Published by Clem & Jun Bascar (A0.1507452). Wonderful song. A smooth and cool rendition of Do you Hear What I Hear as originally sang and recorded by Carie Underwood.
$5.99
Do You Hear What I Hear
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Chorale SATB
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AVANCÉ
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Pentatonix, Whitney Houston
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ABC Chords
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507038 By Pentatonix, Whitney Houston. By Unknown. Arranged by ABC Chords. 21st Century,A Ca...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507038 By Pentatonix, Whitney Houston. By Unknown. Arranged by ABC Chords. 21st Century,A Cappella,Advent,Christian,Christmas. 31 pages. Clem & Jun Bascar #1082425. Published by Clem & Jun Bascar (A0.1507038). Wonderful arrangement by the Pentatonix with Whitney Houston.
$2.99
Do You Hear What I Hear
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Chorale SATB
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INTERMÉDIAIRE
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1507418 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappel...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1507418 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. 5 pages. Clem & Jun Bascar #1082825. Published by Clem & Jun Bascar (A0.1507418). A beautifully arranged SATB acapella. Just in for Christmas 2924 festival and celebrations.
$2.99
Do You Hear What I Hear
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Chorale SATB
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INTERMÉDIAIRE
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1507421 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappel...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1507421 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. 3 pages. Clem & Jun Bascar #1082828. Published by Clem & Jun Bascar (A0.1507421). Another SATB acapella for intermediate choir both for youth and adult. Happy singing and merry Christmas.
$2.99
Do You Hear What I Hear
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Piano, Voix
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FACILE
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1507448 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Chri...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1507448 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. Score. 23 pages. Clem & Jun Bascar #1082850. Published by Clem & Jun Bascar (A0.1507448). Nive Christmas song. Effective as a solo.
$5.99
Do You Hear What I Hear
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Chorale SATB
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AVANCÉ
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507428 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507428 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. 24 pages. Clem & Jun Bascar #1082836. Published by Clem & Jun Bascar (A0.1507428). With this song and arrangement Christmas will never be the same again.
$2.99
Do You Hear What I Hear
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Chorale SATB
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AVANCÉ
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507427 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507427 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. 24 pages. Clem & Jun Bascar #1082834. Published by Clem & Jun Bascar (A0.1507427). A very powerful, dynamic and full of intensity piece of music. Could be the Christmas song of the year.
$2.99
Do You Hear What I Hear
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Chorale SATB
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INTERMÉDIAIRE
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1470809 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappel...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1470809 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 20th Century,A Cappella,Christmas,Contemporary,Religious. 3 pages. Clem & Jun Bascar #1048432. Published by Clem & Jun Bascar (A0.1470809). An excellent ingredient for Christmaws celebration. A beatiful SATB arrangement for youth and adult choir.
$1.99
Do You Hear What I Hear
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Chorale SATB
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INTERMÉDIAIRE
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Carole King
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Unknown
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Do You Hear What I Hear
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Clem & Jun Bascar
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1470857 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 21st Century,A...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1470857 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Unknown. 21st Century,A Cappella,Christmas,Contemporary,Holiday. 24 pages. Clem & Jun Bascar #1048483. Published by Clem & Jun Bascar (A0.1470857). A very powerful and magnificently arranged Christma carol. Best for Christmas and festivals or any other Christmas acttivities. Appealing to both youth and adult choir. A must buy to every choir teacher and music enthusuasts.
$1.99
Do You Hear What I Hear
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Chorale SATB
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INTERMÉDIAIRE
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Carrie Underwood
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RoZita Berry
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Do You Hear What I Hear
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RoZita B
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976641 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by RoZita Berry. Christian,Gospel,Rock. O...
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Choral Choir (SATB) - Level 3 - SKU: A0.976641 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by RoZita Berry. Christian,Gospel,Rock. Octavo. 15 pages. RoZita B #4612851. Published by RoZita B (A0.976641). This is an arrangement of the well-known Christmas song by Noel Regney and Gloria Shayne Baker. It is for SSATBB choir and piano. It is on an intermediate level and is suitable for performance by church, high school, college, or community choirs. Duration is about 3:32 minutes. It would work well in a large auditorium with a big choir, I think. .
$1.99
Do You Hear What I Hear
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Chorale 3 parties
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INTERMÉDIAIRE
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Noël
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Carole King
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Steven Griffin
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Do You Hear What I Hear
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Steven Griffin
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1330092 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Steven Griffin. Christmas. 11 pages....
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1330092 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Steven Griffin. Christmas. 11 pages. Steven Griffin #917991. Published by Steven Griffin (A0.1330092). A gentle arrangement for SAB & piano of the well known re-telling of the Christmas story.
$4.00
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Twice on Sunday
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Piano, Voix
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INTERMÉDIAIRE
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Cheryl Prazak
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Jon Burr, with lyrics by Chery
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Jon Burr
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Twice on Sunday
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jbQ Media
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #96572...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday Â
$4.99
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