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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What He Wrote
Non classifié
64
Piano & claviers
Piano seul
33
Piano, Voix et Guitare
9
Piano, Voix
7
Instruments en Do
6
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Facile
1
+ 5 instrumentations
Retracter
Guitares
Guitare
3
Ukulele
1
Guitare notes et tablatures
1
Voix
Chorale SATB
15
Chorale 2 parties
2
Voix duo, Piano
1
Chorale 3 parties
1
Voix Soprano, Piano
1
Voix Tenor
1
Chorale Unison
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Chorale TTBB
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quatuor de Clarinettes: 4 clarinettes
7
Quintette de Saxophone: 5 saxophones
6
Ensemble de Clarinettes
6
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Quintette de Flûte : 5 flûtes
2
Hautbois, Piano (duo)
2
Quatuor de Saxophones: 4 saxophones
2
3 Saxophones (trio)
2
Flûte traversière et Piano
2
Saxophone Tenor et Piano
2
Clarinette et Piano
2
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
Ensemble de saxophones
1
Saxophone Alto et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 16 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette
3
Cor et Piano
3
Ensemble de Trompettes
2
Ensemble de Trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Trompette, Piano
1
Trombone
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
5
Violoncelle, Piano
3
Violon, Guitare (duo)
3
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
2
Harpe
2
Ensemble de Violons
2
2 Violons (duo)
1
Alto, Piano
1
Violon
1
4 Contrebasses
1
Alto seul
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
15
Ensemble de cuivres
6
Orchestre à Cordes
4
Orchestre
4
Ensemble Jazz
3
Jazz combo
1
Orchestre de chambre
1
Cloches
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
What He Wrote
Partitions à imprimer
322 partitions trouvées
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He Leadeth Me
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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William B
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c
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He Leadeth Me
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C.E. Walz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.767675 Composed by William B. Bradbury. Arranged by c.e. walz. Christian,Easter,Sacred. Score. 3 pages. C.E. Walz #572044...
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Piano Solo - Level 3 - SKU: A0.767675 Composed by William B. Bradbury. Arranged by c.e. walz. Christian,Easter,Sacred. Score. 3 pages. C.E. Walz #5720447. Published by C.E. Walz (A0.767675). I've always been interested in what the American churches were singing during the Civil War. William Bradbury wrote most of his popular tunes during that five year period of turmoil. One such hymn was He Leadeth Me, written in 1864. Grandma said that she likes Bradbury's children's song the best, Jesus Loves Me, which he wrote in 1859.My intermediate arrangement of He Leadeth Me is in the key of C, with no key changes. It is three pages long and length of time is 2:30. Perfect for prelude, offertory, communion, or prayer time.
$3.99
What A Wonderful World
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Piano seul
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INTERMÉDIAIRE
#
Contemporain
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Danny Mayo and Karen Ruth Stal
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Brenda Dillon
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What A Wonderful World
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Dillon's Music Group
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.918288 Composed by Danny Mayo and Karen Ruth Staley. Arranged by Brenda Dillon. Contemporary. Score. 3 pages. Dillon's Mu...
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Piano Solo - Level 3 - SKU: A0.918288 Composed by Danny Mayo and Karen Ruth Staley. Arranged by Brenda Dillon. Contemporary. Score. 3 pages. Dillon's Music Group #6115047. Published by Dillon's Music Group (A0.918288). What a Wonderful World was written by Bob Thiele and George David Weiss. It was recorded by Louis Armstrong and released in 1967. George Weiss stated that he specifically wrote the song for Louis Armstrong because he was inspired by Armstrong's ability to bring people of different races together. It gradually became a standard and was used in both films and television shows.About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. In addition to her contributions to the RMM Track for MTNA's pedagogy Saturday, she also presented group piano and RMM sessions throughout the U.S. She has publications with Hal Leonard and Alfred Music on her website (www.brendadillon.com).
$4.99
Do You Hear What I Hear
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Piano seul
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FACILE
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Contemporain
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Carrie Underwood
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Justin K
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Do You Hear What I Hear
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Justin Kenlon Reeve
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1001503 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Justin K. Reeve. Contemporary. Score. 4 pages....
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Piano Solo - Level 2 - SKU: A0.1001503 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Justin K. Reeve. Contemporary. Score. 4 pages. Justin Kenlon Reeve #6662159. Published by Justin Kenlon Reeve (A0.1001503). Do You Hear What I Hear? was written in October 1962 with lyrics by Noël Regney and music by Gloria Shayne Baker. It has sold tens of millions of copies and has been covered by hundreds of different artists.Regney was inspired to write the lyrics Said the night wind to the little lamb, 'Do you see what I see?' and Pray for peace, people everywhere, after watching babies being pushed in strollers on the sidewalks of New York City. Baker stated in an interview years later that neither could personally perform the entire song at the time they wrote it because of the emotions surrounding the Cuban Missile Crisis. Our little song broke us up. You must realize there was a threat of nuclear war at the time.It was Bing Crosby who made the song a worldwide smash hit when he recorded his own version of Do You Hear What I Hear? in 1963, and over the years Crosby's recording of the song has received wide radio play, and been a cherished Christmas favorite.
$4.99
What Child Is This?
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Piano seul
#
FACILE
#
Noël
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Justin K
#
Justin K
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What Child Is This?
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Justin Kenlon Reeve
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1001499 Composed by Justin K. Reeve. Arranged by Justin K. Reeve. 20th Century,Christmas,Contemporary. Score. 4 pages. Ju...
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Piano Solo - Level 2 - SKU: A0.1001499 Composed by Justin K. Reeve. Arranged by Justin K. Reeve. 20th Century,Christmas,Contemporary. Score. 4 pages. Justin Kenlon Reeve #6620105. Published by Justin Kenlon Reeve (A0.1001499). What Child Is This? was written by William Chatterton Dix in 1865. At the age of 29, William was struck with a sudden near-fatal illness and confined to bedrest for several months, during which he went into a deep depression. Yet out of his near-death experience, Dix wrote many hymns, including What Child Is This? It was later set to the traditional English tune Greensleeves.
$1.99
Do You Hear What I Hear
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Carrie Underwood
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Phyllis Avidan Louke
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Do You Hear What I Hear
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Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas,Holiday,Pop. 23 pages. Louke Publishing #3884835. Published by Louke Publishing (A0.736285). For Clarinet Choir Do You Hear What I Hear? Program Notes Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. Regney and Baker, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. It has become a Christmas classic, selling tens of millions of copies and has being covered by hundreds of artists. The song was originally recorded by the Harry Simeone Chorale, the group that had also popularized The Little Drummer Boy. This clarinet choir arrangement is scored for 5 Clarinets and Bass Clarinet. Optional Alto Clarinet part included for Clarinet 5. Performance Time: 3:30 minutes ChristmasHoliday ConcertChurch Service Peace Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP arrangements can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/  Â
$14.00
Do You Hear What I Hear
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Carrie Underwood
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Dennis Ruello
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Do You Hear What I Hear
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Chicory Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. Score and parts. 19 pages. Chicory Music #3690903. Published by Chicory Music (A0.734392). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Advanced Intermediate Level arrangement for Chamber orchestra is appropriate for holiday recitals, concerts and church services.Performance time is approx. 2 min. 40 sec. 2018 Holiday Contest Entry .
$18.99
Do You Hear What I Hear
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Christian contemporain
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Country
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Carrie Underwood
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Dennis Ruello
#
Do You Hear What I Hear
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.734387 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christia...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.734387 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. 10 pages. Chicory Music #3675241. Published by Chicory Music (A0.734387). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Intermediate Level arrangement for saxophone quartet (SATB) is appropriate for holiday recitals, concerts, church services or busking. The soprano saxophone part may be played on Bb Clarinet. Performance Time is Approx.2 min. 40 sec. 2018 Holiday Contest Entry
$12.99
Do You Hear What I Hear
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Carrie Underwood
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Dennis Ruello
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Do You Hear What I Hear
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Chicory Music
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SheetMusicPlus
Trombone - Level 4 - SKU: A0.1135593 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. 20th Century,Chamber,Christmas,Ho...
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Trombone - Level 4 - SKU: A0.1135593 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. 20th Century,Chamber,Christmas,Holiday. 12 pages. Chicory Music #735648. Published by Chicory Music (A0.1135593). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Adv. Intermediate Level arrangement for Trombone Quintet / Choir, including optional Electric Bass and Drum Set parts, is appropriate for holiday recitals, concerts, church services or busking. Performance time is approx. 2 min. 40 sec.
$17.99
Do You Hear What I Hear
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Rock
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Carrie Underwood
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Dennis Ruello
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Do You Hear What I Hear
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Chicory Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 4 - SKU: A0.734390 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Rock. Sco...
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Brass Ensemble Horn,Trombone,Tuba - Level 4 - SKU: A0.734390 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Rock. Score and parts. 10 pages. Chicory Music #3680099. Published by Chicory Music (A0.734390). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Adv. Intermediate Level arrangement for Brass Quintet is appropriate for holiday recitals, concerts, church services or busking. Performance time is approx. 2 min. 40 sec. 2018 Holiday Contest Entry .
$12.99
Do You Hear What I Hear
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Christian contemporain
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Country
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Carrie Underwood
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Dennis Ruello
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Do You Hear What I Hear
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.734391 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christia...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.734391 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. 11 pages. Chicory Music #3683421. Published by Chicory Music (A0.734391). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Intermediate Level arrangement for saxophone quintet (SATTB) is appropriate for holiday recitals, concerts, church services or busking. The soprano saxophone part may be played on Bb Clarinet. Performance Time is Approx.2 min. 40 sec. 2018 Holiday Contest Entry
$12.99
What Are You Doing New Year's Eve?
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Frank Loesser
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Bryan Kidd
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French Horn, F-sharp 5
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What Are You Doing New Year's
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 page...
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Full Orchestra - Level 4 - SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486). A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters. Full Orchestra with Vocal Soloist (G3 to A-flat 4) Brass high note: Trumpet F 5; French Horn, F-sharp 5; Trombone E 4 Saxophones are optional NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$65.00
What He Wrote by Laura Marling - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Laura Marling
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What He Wrote
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Musicnotes
Performed by: Laura Marling: What He Wrote Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...
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Performed by: Laura Marling: What He Wrote Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 8 pages -- British Folk~~Alternative Pop/Rock~~Pop Rock~~Singer-Songwriter
$5.75
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
#
Musique Sacrée
#
Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
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