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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
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What I Want, What I Don´t
Non classifié
19
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Piano, Voix et Guitare
55
Piano seul
22
Piano, Voix
7
Piano Facile
6
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4
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
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1
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5
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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Vous avez sélectionné:
What I Want, What I Don´t
Partitions à imprimer
185 partitions trouvées
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What I Want, What I Don´t
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Domina Petric
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Domina Petric
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What I Want, What I Don´
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Domina Petric
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1449618 By Domina Petric. By Domina Petric. Arranged by Domina Petric. Pop,Singer/Songwriter,Soul. Score. 6 pages....
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Piano,Vocal,Voice - Level 4 - SKU: A0.1449618 By Domina Petric. By Domina Petric. Arranged by Domina Petric. Pop,Singer/Songwriter,Soul. Score. 6 pages. Domina Petric #1029374. Published by Domina Petric (A0.1449618). Conceptual pop song: alto and keyboards.
$2.21
What I Want, What I Don´t
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DominaPetra
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What I Want, What I Don´
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Domina Petric
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SheetMusicPlus
Alto Voice,Bass Voice,Piano - Level 4 - SKU: A0.1449617 By DominaPetra (Domina Petric) featuring Sinisa Petric. By Domina Petric. Arranged by DominaPetr...
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Alto Voice,Bass Voice,Piano - Level 4 - SKU: A0.1449617 By DominaPetra (Domina Petric) featuring Sinisa Petric. By Domina Petric. Arranged by DominaPetra (Domina Petric) featuring Sinisa Petric. Pop,Singer/Songwriter,Soul. Full Performance. Duration 178. Domina Petric #1029373. Published by Domina Petric (A0.1449617). Conceptual ASCAP-registered pop song created by DominaPetra (Domina Petric: composition, lyrics, vocals, keyboards) feat. Sinisa Petric (bass guitar, production).
$2.11
I Don't Want To Set The World On Fire
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Anthony Newley
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Dave Gingras and John E
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I Don't Want To Set The World
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Dave Gingra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Dave Gingras and John E. Dosher. Jazz,Pop,Rock. Score. 3 pages. DAVID LEE GINGRAS #1084217. Published by DAVID LEE GINGRAS (A0.1508967). I Don't Want to Set the World on Fire is a pop song written by Bennie Benjamin, Eddie Durham, Sol Marcus and Eddie Seiler. It was written in 1938, but was first recorded three years later by Harlan Leonard and His Rockets. It was covered by several musicians and groups, most successfully by Horace Heidt on Columbia Records, whose version reached number one on the US pop chart; and by The Ink Spots on Decca in 1941, whose version reached number four on the same listing. The song, with its open line I don't want to set the world on fire / I just want to start a flame in your heart... became especially popular after the attack on Pearl Harbor in December 1941. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$5.99
Perchance to Dream...What Dreams May Come
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Piano seul
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AVANCÉ
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Classique
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Daniel Nicolae Dubei
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Perchance to Dream...What Drea
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Daniel Nicolae Dubei
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1154044 Composed by Daniel Nicolae Dubei. Classical. Score. 9 pages. Daniel Nicolae Dubei #754315. Published by Daniel Ni...
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Piano Solo - Level 5 - SKU: A0.1154044 Composed by Daniel Nicolae Dubei. Classical. Score. 9 pages. Daniel Nicolae Dubei #754315. Published by Daniel Nicolae Dubei (A0.1154044). I don't want it bogged down too much in the baggage of Hamlet, which is obviously impossible. The words in the title matter, and Shakespeare words is the best. The basic idea of the piece is death. In the first half, the protagonist feels death approaching. The middle march section is death's grasp, and the second half is the after-life dream. Sometimes we feel miserable with our lives and just simply desire that escape into a world that cannot harm us anymore. And sometimes it is okay to feel that, and to express that. Whatever may come after death, in the end, doesn't matter, because death is such a finality to life. I know for me, this piece lifts up my spirits and helps me enjoy life more. Our ability to express, particularly through music, the pains we may be feeling, is one of the greatest gifts we humans possess. I hope everyone is able to enjoy this music and my expression.
$4.99
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
I Don't Want To Miss A Thing
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Rock
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David Cook
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Lisa Ochoco
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I Don't Want To Miss A Thing
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559399 By David Cook. By Diane Warren. Arranged by Lisa Ochoco. Pop,Rock. 25 pag...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559399 By David Cook. By Diane Warren. Arranged by Lisa Ochoco. Pop,Rock. 25 pages. Lisa L Ochoco #2831989. Published by Lisa L Ochoco (A0.559399). I love rock ballads, and what better than a rock ballad by Aerosmith? I love them! This is a flute choir arrangement of one of the best rock ballads out there. There are optional cello and contrabass flute parts, which would give the piece a solid bass line, but they are optional.
$14.00
I Don't Want To Miss A Thing
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Rock
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David Cook
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Lisa Ochoco
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I Don't Want To Miss A Thing
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559445 By David Cook. By Diane Warren. Arranged by Lisa Ochoco. Pop,R...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559445 By David Cook. By Diane Warren. Arranged by Lisa Ochoco. Pop,Rock. 27 pages. Lisa L Ochoco #2877951. Published by Lisa L Ochoco (A0.559445). I love rock ballads, and what better than a rock ballad by Aerosmith? I love them! This is a clarinet choir arrangement of one of the best rock ballads out there. There are optional Eb and alto parts, if it's your preference.
$14.00
I Don't Want To Walk Without You
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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Walter Latzko
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I Don't Want To Walk Without Y
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871884 Composed by Jule Styne. Arranged by Walter Latzko. Contemporary. Octavo. 6 pages. Latzko Muzic #5454091. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871884 Composed by Jule Styne. Arranged by Walter Latzko. Contemporary. Octavo. 6 pages. Latzko Muzic #5454091. Published by Latzko Muzic (A0.871884). GREAT SONG, GREAT ARRANGEMENT. WHAT MORE CAN I SAY.
$7.99
I don't want to tell you (instrumental version)
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Paul Taylor
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I don't want to tell you
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Paul Taylor
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SheetMusicPlus
C Instrument,Instrumental Solo,Piano - Level 3 - SKU: A0.1151978 Composed by Paul Taylor. Broadway,Comedy,Musical/Show,Singer/Songwriter. Score and indi...
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C Instrument,Instrumental Solo,Piano - Level 3 - SKU: A0.1151978 Composed by Paul Taylor. Broadway,Comedy,Musical/Show,Singer/Songwriter. Score and individual part. 11 pages. Paul Taylor #752184. Published by Paul Taylor (A0.1151978). A silly song about bosses who can't resist telling us what to do. This version does not contain a singer, but only a treble part suitable for any treble instrument. The lyrics are included by not only the pitches sound on the recording. The other version (of the same title) which appears in this list of compositions by Mr. Taylor contains the vocal version (sung badly by the composer) .
$1.99
I'll Be Home For Christmas
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Piano seul
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INTERMÉDIAIRE
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Noël
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Brian McKnight
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Thomas Gunther
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I'll Be Home For Christmas
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 page...
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Piano Solo - Level 3 - SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 pages. Thomas Gunther Music Productions #906608. Published by Thomas Gunther Music Productions (A0.1317916). About my solo piano arrangement of I'll Be Home For ChristmasMy Solo Piano Arrangement of I'll Be Home For Christmas is written in a jazz-latin type style. I wrote it out note for note, and even included fingering and sustain pedal suggestions. I also included jazz chord symbols for those of you that either like to know what harmonies I was thinking, or want to add their own ideas based on those chords. The chords I used are pretty much based on the original harmony. When I started out arranging for solo piano I was especially curious about how to create a latin groove underneath a melody. I studied bossa and samba music as well as cuban music for that. The rumba is a great style to start with. That's also the bases for this arrangement. About the song I'll Be Home For ChristmasI have a very special relationship to this song. I first heard it after moving to the United States from Germany and spending my first Christmas in Chicago. On that Christmas Eve I was all alone for the first time, and when I turned on the radio this song came on. I don't easily cry, bad that was one of those moments when the floodgates just open up. It is such a sentimental song. And the closing lyrics I'll be home for Christmas, if only in my dreams are just so emotional in this context.Enjoy!
$6.99
Don’t Grumble
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Piano, Voix
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DÉBUTANT
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Amy Morales
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Don’t Grumble
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Amy J Morales
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1249014 Composed by Amy Morales. Children,Christian. Score. 3 pages. Amy J Morales #843488. Published by Amy J Mor...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1249014 Composed by Amy Morales. Children,Christian. Score. 3 pages. Amy J Morales #843488. Published by Amy J Morales (A0.1249014). A super fun kids song to help them remember to never grumble of complain. Things don't always go exactly our wayIt can be tempting for us to say that,Life's not fair and I don't want to share.But here's for you in all you do.Don't grumble, don't mumble,Stop and take a minute to be grateful and thankfulFor what God has given.Quit your whining and cryingTurn it into smiling and be joyful and hopefulBut whatever you do, don't grumble!Think of all the things that you've been given.Fam'ly, friends, a home, a life worth living.Everyday's a gift, so keep on sharingChrist through you in all you do. Don't grumble, don't mumble,Stop and take a minute to be grateful and thankfulFor what God has given.Quit your whining and cryingTurn it into smiling and be joyful and hopefulBut whatever you do, don't grumble!Don't ever grumble!
$1.99
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99
I Don't Have A Clue
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Bowen
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Jeffrey Bowen
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I Don't Have A Clue
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1400140 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 42 pages. Music Arrangemen...
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Concert Band - Level 4 - SKU: A0.1400140 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 42 pages. Music Arrangement Services Inc. #983355. Published by Music Arrangement Services Inc. (A0.1400140). An original song and arrangement by Jeffrey Bowen, first performed by “Sound FX†show choir of Hanover High School, Mechanicsville, VA.  This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about being scared, confused and not having a clue about what’s going on.  The song refers to things going wrong, being filled with fear, middle of the night, falling apart, stopping a beating heart, trying to find someone, searching, the eleventh hour, blindly looking, broken pieces, nothing making sense, running away, being paranoid, emotions, not wanting to lose a game, going back to the beginning.  This arrangement is designed for high school or college show choir, concert choir or community choir.  SATB/Piano Score also available.  Performance time is approximately 3:35.
$49.99
I Don't Have A Clue
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Bowen
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Jeffrey Bowen
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I Don't Have A Clue
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1400138 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 13 pages. Mu...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1400138 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 13 pages. Music Arrangement Services Inc. #983353. Published by Music Arrangement Services Inc. (A0.1400138). An original song and arrangement by Jeffrey Bowen, first performed by “Sound FX†show choir of Hanover High School, Mechanicsville, VA.  This song is about being scared, confused and not having a clue about what’s going on.  The song refers to things going wrong, being filled with fear, middle of the night, falling apart, stopping a beating heart, trying to find someone, searching, the eleventh hour, blindly looking, broken pieces, nothing making sense, running away, being paranoid, emotions, not wanting to lose a game, going back to the beginning.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available. Performance time is approximately 3:35.
$4.99
I Don't Have A Clue
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Bowen
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Jeffrey Bowen
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I Don't Have A Clue
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1400288 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 42 pages. Music Arrangemen...
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Concert Band - Level 4 - SKU: A0.1400288 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 42 pages. Music Arrangement Services Inc. #983471. Published by Music Arrangement Services Inc. (A0.1400288). An original song and arrangement by Jeffrey Bowen, first performed by “Sound FX†show choir of Hanover High School, Mechanicsville, VA.  This Concert Band Scores accompanies the SAB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about being scared, confused and not having a clue about what’s going on.  The song refers to things going wrong, being filled with fear, middle of the night, falling apart, stopping a beating heart, trying to find someone, searching, the eleventh hour, blindly looking, broken pieces, nothing making sense, running away, being paranoid, emotions, not wanting to lose a game, going back to the beginning.  This arrangement is designed for high school or college show choir, concert choir or community choir.  SAB/Piano Score also available.  Sample is from the SATB version.  Performance time is approximately 3:35.
$49.99
I Don't Have A Clue
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Bowen
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Jeffrey Bowen
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I Don't Have A Clue
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 4 - SKU: A0.1400287 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 14 pages. Mus...
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Choral Choir,Choral (SAB) - Level 4 - SKU: A0.1400287 By Jeffrey Bowen. By Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 14 pages. Music Arrangement Services Inc. #983470. Published by Music Arrangement Services Inc. (A0.1400287). An original song and arrangement by Jeffrey Bowen, first performed by “Sound FX†show choir of Hanover High School, Mechanicsville, VA.  This song is about being scared, confused and not having a clue about what’s going on.  The song refers to things going wrong, being filled with fear, middle of the night, falling apart, stopping a beating heart, trying to find someone, searching, the eleventh hour, blindly looking, broken pieces, nothing making sense, running away, being paranoid, emotions, not wanting to lose a game, going back to the beginning.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available. Sample is from the SATB version. Performance time is approximately 3:35.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Cor Anglais
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INTERMÉDIAIRE
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slid...
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English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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