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--INSTRUMENTS--
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What I Wouldn't Do
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Vous avez sélectionné:
What I Wouldn't Do
Partitions à imprimer
22 partitions trouvées
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1
What I Wouldn't Do
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Piano, Voix et Guitare
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DÉBUTANT
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Serena Ryder
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Joanna Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781356 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arr...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781356 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills. Contemporary,Pop,Rock. Score. 11 pages. Joanna Mills Music #4897853. Published by Joanna Mills Music (A0.781356). Serena Ryder's iconic, fast-paced pop anthem about love arranged for solo voice, piano accompaniment, and guitar chords in the original published key (D). Vocal range: F#3-A4Â Approximate performance time 3:26. Also available in more keys !
$7.99
What I Wouldn't Do
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Chorale SSAA
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INTERMÉDIAIRE
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Serena Ryder
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Joanna Mills, Kathleen Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.781341 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged...
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Choral Choir (SSAA) - Level 3 - SKU: A0.781341 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills, Kathleen Mills. A Cappella,Contemporary,Pop,Rock. Octavo. 17 pages. Joanna Mills Music #4729201. Published by Joanna Mills Music (A0.781341). This fast-paced pop song about falling in love, written and recorded by Serena Ryder, has been arranged for SSAA choir, and is perfect for high-school or community treble choirs looking for a fun challenge! The melody moves between all four parts, allowing every section a chance to shine, and notation is included for foot stomps (or bass drum) and hand claps (or wood block). Interest is added using counterpoint and canon harmonies as well as a beautiful chorale setting in the bridge. This piece has been arranged so that it can be sung a cappella by more experienced choirs, but piano accompaniment and guitar chords have been included for those choirs who wish to include instruments. Additionally, less experienced choirs may wish to have the foot stomps and hand claps played by percussionists.
$1.99
What I Wouldn't Do
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Piano, Voix et Guitare
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DÉBUTANT
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Contemporain
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Serena Ryder
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Joanna Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781361 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arr...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781361 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills. Contemporary. Score. 11 pages. Joanna Mills Music #4897873. Published by Joanna Mills Music (A0.781361). Serena Ryder's iconic, fast-paced pop anthem about love arranged for solo voice, piano accompaniment, and guitar chords in a higher key than the original published key (Aâ™). Vocal range: C4-Eâ™5 Approximate performance time 3:26. Also available in more keys!
$7.99
What I Wouldn't Do
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Piano, Voix et Guitare
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DÉBUTANT
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Contemporain
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Serena Ryder
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Joanna Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781362 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arr...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781362 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills. Contemporary. Score. 11 pages. Joanna Mills Music #4897875. Published by Joanna Mills Music (A0.781362). Serena Ryder's iconic, fast-paced pop anthem about love arranged for solo voice, piano accompaniment, and guitar chords in a higher key than the original published key (A). Vocal range: C#4-E5 Approximate performance time 3:26. Also available in more keys!
$7.99
What I Wouldn't Do
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Piano, Voix et Guitare
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DÉBUTANT
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Serena Ryder
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Joanna Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781358 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arr...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781358 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills. Contemporary,Pop,Rock. Score. 11 pages. Joanna Mills Music #4897861. Published by Joanna Mills Music (A0.781358). Serena Ryder's iconic, fast-paced pop anthem about love arranged for solo voice, piano accompaniment, and guitar chords one key higher than the original published key (E). Vocal range: G#3-B4 Approximate performance time 3:26. Also available in more keys !
$7.99
What I Wouldn't Do - Score Only
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jerrod Bettis and Serena Laure
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Josh Ball
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What I Wouldn't Do - Score Onl
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1305782 Composed by Jerrod Bettis and Serena Lauren Ryder. Arranged by Josh Ball. 21st Century,Pop,Rock. 1 pages...
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Percussion Ensemble - Level 3 - SKU: A0.1305782 Composed by Jerrod Bettis and Serena Lauren Ryder. Arranged by Josh Ball. 21st Century,Pop,Rock. 1 pages. The BeatCave #895229. Published by The BeatCave (A0.1305782). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
What I Wouldn't Do
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Piano, Voix et Guitare
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DÉBUTANT
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Contemporain
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Serena Ryder
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Joanna Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781359 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arr...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.781359 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills. Contemporary. Score. 11 pages. Joanna Mills Music #4897863. Published by Joanna Mills Music (A0.781359). Serena Ryder's iconic, fast-paced pop anthem about love arranged for solo voice, piano accompaniment, and guitar chords 2 keys higher than the original published key (F). Vocal range: A3-C5 Approximate performance time 3:26. Also available in more keys!
$7.99
What I Wouldn't Do
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Serena Ryder
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Ian Anderson
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What I Wouldn't Do
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SheetMusicPlus
By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Ian Anderson. Contemporary. Score and parts. 1...
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By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Ian Anderson. Contemporary. Score and parts. 15 pages. Ian Anderson #4298627. Published by Ian Anderson
$12.99
Lembranças do Brasil (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Lembranças do Brasil
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https://gildedmusicpress.com/
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SheetMusicPlus
Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158292 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Jazz,Multicultural,World. 30 pages....
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Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158292 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Jazz,Multicultural,World. 30 pages. Https://gildedmusicpress.com/ #758480. Published by https://gildedmusicpress.com/ (A0.1158292). Commentary written by the composer, Dr. Daniel N. Thrower: In July 2018 I spent nine days in Barra Mansa, Brazil, which lies a couple hours west of Rio de Janeiro. The occasion of my visit was the second annual International Music Festival. The festival coordinator, Vantoil de Sousa, Jr. brought me there to be the resident trumpet professor for the week, and to premiere my three-movement Concerto for Trumpet and Orchestra at the Closing Concert. As I speak Portuguese somewhat fluently, many of the 20 trumpet students of all levels became great friends. Throughout the week I kept mentioning that my next composition was going to be “Lembranças do Brasil†as yet another musical journal entry in my life’s soundtrack. Truly, I had a lifetime of extraordinary experiences in Brazil during that week, from the outstanding food to my humorous self-introduction to capivaras! Overall, that week was supremely memorable and definitely a highlight of my life. One morning in early November 2018, a 'feel-good' cool melody woke me up and wouldn’t leave. It developed in my mind and I was in a spectacular mood all day long. It felt like Bobby McFarrin’s 'Don’t Worry, Be Happy' or Pharrell Williams’ 'Happy,' though in a vastly different style from either. This was my happy song. Long hours flowed quickly through the next few days as I worked out the form and details of the music, which screamed for the promised title 'Lembranças do Brasil'! Happy memories of my beautiful week in Brazil, some of which are captured on the front cover collage, now have the perfect soundtrack in my musical journal. This version was tweaked from the original five flugelhorns, and lends itself very well (perhaps even better) in the brass quintet setting.
$24.95
What I Wouldn't Do by A Fine Frenzy - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock Alternatif
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A Fine Frenzy
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What I Wouldn't Do
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Musicnotes
Performed by: A Fine Frenzy: What I Wouldn't Do Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet mus...
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Performed by: A Fine Frenzy: What I Wouldn't Do Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar;Backup Vocals; 5 pages -- Adult Alternative~~Alternative Pop/Rock~~Singer-Songwriter
$5.50
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
The Promise PVG
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Piano, Voix
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INTERMÉDIAIRE
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going on a mission I was put i
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Steven H
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Ashley Ivers
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The Promise PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publis...
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Piano,Vocal,Voice - Level 3 - SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$3.99
The Promise Piano Minus Vocal
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Piano seul
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going on a mission I was put i
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Steven H
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Ashley Ivers
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The Promise Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #47...
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Piano - SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$1.99
My Shepherd Will Supply My Need
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Southern Harmony
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Paul Thurmond
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My Shepherd Will Supply My Nee
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmo...
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Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?
$4.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
Ukrainian Folk Tune Rondo УКРÐЇÐСЬКРÐÐРОДÐРМЕЛОДІЯ РОÐДО Viloin, Viola, Cello
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Folklorique/Traditionel
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Anon
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Alan Edgar
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Ukrainian Folk Tune Rondo У
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Alan Edgar Ted Moon
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1079813 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. Score and parts. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1079813 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. Score and parts. 22 pages. Alan Edgar Ted Moon #684009. Published by Alan Edgar Ted Moon (A0.1079813). Rondo featuring Ukrainian folk tunes. One cannot often find the origin of a folk tune or a definitive form, and bewares of modern arrangements( mine too!) The REFRAIN is Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by the violin with many smears. EPISODES are mostly sad love-songs: A. Чом ти не прийшов: a girl (Viola) sings Why did you not come and meet me in the moonlight? Wouldn't your mother let you? Dorian mode. B. Slow Waltz: I have seen this with G major accompaniment, but I have used G mixolydian: a popular mode in Ukraine.The Cello has the melody. C. O, in the cherry orchard Ой, у Вишневому Саду. A girl (Viola) sings that she begged her boyfriend to take her home from the orchard, as it was late, but he took a different girl. Mother (Violin) knows what has been going on, but is sympathetic. G minor. And D Tanietz: a very fast dance tune led by the Violin: I do not know its name. Then E a reprise of the Cherry Orchard. F.Ти ж мене підманула You tricked me and let me down. The Violin has the melody. I have seen and heard this sung cheerfully and very fast, but its lyrics are really sad. Players will choose. The basic melody was attributed to Semen Klimovski. DURATION: 11 minutes. INSTRUMENTATION: Violin,Viola, Cello.
$20.00
УКРÐЇÐСЬКРÐÐРОДÐРМЕЛОДІЯ РОÐДО Тріо кларнета UKRAINIAN FOLK RONDO Clarinet Trio
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Trad
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Alan Edgar
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УКРÐЇÐС
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 3 - SKU: A0.1144582 Composed by Trad. Arranged by Alan Edgar. Folk,Traditional. 22 pages. Alan Edg...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 3 - SKU: A0.1144582 Composed by Trad. Arranged by Alan Edgar. Folk,Traditional. 22 pages. Alan Edgar Ted Moon #744920. Published by Alan Edgar Ted Moon (A0.1144582). This arrangement was requested by clarinet aficionado Ian Franklin of Hull. A rondo featuring Ukrainian folk tunes. One cannot often find the origin of a folk tune or a definitive form, and bewares of modern arrangements (including mine!) The REFRAIN is Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by a clarinet with soft reed and many smears. EPISODES are mostly sad love-songs: A. Чом ти не прийшов: a girl sings Why did you not come and meet me in the moonlight? Wouldn't your mother let you? Dorian mode. B. Slow Waltz: I have seen this with G major accompaniment, but I have used G mixolydian: a popular mode in Ukraine.The bass has the melody. C. O, in the cherry orchard Ой, у Вишневому Саду. A girl (Clarinet) sings that she begged her boyfriend to take her home from the orchard, as it was late, but he took a different girl. Mother knows what has been going on, but is sympathetic. G minor. D Tanietz: a very fast dance tune led by the Clarinet: I do not know its name. E a reprise of the Cherry Orchard. F.Ти ж мене підманула You tricked me and let me down. I have seen and heard this sung cheerfully and very fast, but its lyrics are really sad. A young man complains that his girlfriend never turns up for their dates. Players will choose a tempo. The basic melody was attributed to Semen Klimovski. Here, the Bass sings the melody. DURATION: 11 minutes. INSTRUMENTATION: Two Bb CLarinets, Bass Clarinet.
$20.00
UKRAINIAN FOLK TUNE RONDO for Oboe, Clarinet, Bassoon
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Hautbois, Clarinette, Basson (trio d'anches)
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AVANCÉ
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Folklorique/Traditionel
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Anon
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Alan Edgar
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UKRAINIAN FOLK TUNE RONDO for
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.1079812 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. 15 pages. ...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.1079812 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. 15 pages. Alan Edgar Ted Moon #684008. Published by Alan Edgar Ted Moon (A0.1079812). BRIEF PROGRAMME NOTE: A rondo featuring Ukrainian folk tunes.The refrain is Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by the clarinet with soft reed and many smears. EPISODES are mostly sad love-songs: A. Чом ти не прийшов: a girl (Oboe) sings Why did you not come and meet me in the moonlight? Wouldn't your mother let you Dorian mode. B. Slow Waltz: I have seen this with G major accompaniment, but I have used G mixolydian: a popular mode in Ukraine.The Bassoon has the melody. C. O, in the cherry orchard Ой, у Вишневому Саду. A girl (Clarinet) sings that she begged her boyfriend to take her home from the orchard, as it was late, but he took a different girl. Mother (Oboe) knows what has been going on, but is sympathetic. G minor. And D Tanietz: a very fast dance tune led by the Clarinet: I do not know its name. Then E a reprise of the Cherry Orchard. F.Ти ж мене підманула You tricked me and let me down. I have seen and heard this sung cheerfully and very fast, but its lyrics are really sad. Players will choose. The basic melody is attributed to Semen Klimovski.
$20.00
The Heart's Deep Appetites NAS. 11 for the left hand
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Adam Walter Carlsen
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The Heart's Deep Appetites NAS
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #8416...
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Piano Solo - Level 3 - SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #841611. Published by Adam Walter Carlsen (A0.1246984). I wrote this left hand piano piece based on a short narrative I made that has a question/observation followed by the answer.The Heart's Deep AppetitesWe Hunger for more than food. There is also hunger for love and self-worth. We need food to sustain us, and love and self-worth to carry us. Therefore, wouldn't it be wise to do what it takes to satisfy our hunger?Hunger also exists for that which gives us only temporal pleasure. One cannot exist focusing on satisfying this hunger. Our potential should only be used to fulfill our purpose of showing love and self-worth, and sharing it with others. The support of loved ones will see you through adversity and failure, allowing you to chase your dream and achieve your potential. However, one must be careful not to pursue an identity that is cunsuming, as it may overshadow your dream. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99
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What I Wouldn't Do
