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--INSTRUMENTS--
ACCORDEON
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What If It's You
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49
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7
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7
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6
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5
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4
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3
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3
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3
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2
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23
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16
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Quatuor de Cuivres
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Quatuor de cuivres: 4 cors
1
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25
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11
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10
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4
Alto (partie séparée)
4
Contre Basse
3
Alto seul
3
Violoncelle, Piano
3
Violoncelle
3
Ensemble d'Altos
2
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2
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2
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2
Contrebasse (partie séparée)
2
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1
Trio à Cordes: 2 violons, alto
1
Violon, Alto (duo)
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4 Contrebasses
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1
2 Violoncelles (duo)
1
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48
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22
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3
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3
Cloches
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Fanfare
2
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1
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
LEARN TO PLAY and improve your SIGHT READING. 100 EASY TUNES &10 EASY DUETS for OBOE in TREBLE CLEF
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Hautbois (partie séparée)
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FACILE
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Various
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Robert A KEATCH
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LEARN TO PLAY and improve your
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.1104796 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,Wo...
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Oboe Solo - Level 2 - SKU: A0.1104796 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708034. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1104796). If you're a beginner or looking to enhance your musical skills, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes. It's perfect for teacher-student play-along.ENDORSEMENTSProfessional musician Keith Walker highly recommends this book, wishing he had it 50 years ago. It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play.This book is a great source of inspiration and motivation for people of all ages and classrooms.A must-have for beginner instrumentalists of all ages.
$6.50
What If It Were Today
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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What If It Were Today
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1415153 By Sharon Wilson. By Leila N. Morris and Lelia Naylor Morris. Arranged by Sharon Wilson. 19th Century,Christian,P...
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Piano Solo - Level 3 - SKU: A0.1415153 By Sharon Wilson. By Leila N. Morris and Lelia Naylor Morris. Arranged by Sharon Wilson. 19th Century,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Sharon Wilson #996888. Published by Sharon Wilson (A0.1415153). Here is an intermediate piano solo arrangement of the classic Gospel hymn What If It Were Today by Leila Naylor Morris. This cheerful and uplifting arrangement inspires hope and joy as we wait for that glorious day when Jesus returns to take us to our home in heaven. An optional repeat is provided in case a longer selection is needed.  Flowing brightly throughout, this arrangement will be a treasured addition to the church pianist's worship repertoire. Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$4.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Stronger (What Doesn't Kill You)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Pop musique
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Kelly Clarkson
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Frank Pugh
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Written for
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Stronger
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Frank Pugh
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. 24 pages. Frank Pugh #3446223. Published by Frank Pugh (A0.942707). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for saxophone quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have all the saxes needed, then these substitute parts are included: the soprano part may be played on alto, and the alto 2 part may be played on tenor sax. The song comes in at around 3:14 in length.This arrangement is written in the same key as my brass quintet arrangement of Stronger, and so both arrangements are compatible with each other.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
Stronger (What Doesn't Kill You)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Pop musique
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Kelly Clarkson
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Frank Pugh
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Stronger
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Frank Pugh
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pu...
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Brass Ensemble - Level 3 - SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. Score and parts. 24 pages. Frank Pugh #3444699. Published by Frank Pugh (A0.942708). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for brass quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 3:14 in length.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel (Soprano & T
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Chorale SATB
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Adam Geibel, Evan Stephens, Gr
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Stacey Oakes
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Missionary Medley: Called to S
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Stacey Oakes at Whiting Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Ch...
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Choral Choir (SATB) - Level 2 - SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve. Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.
$3.99
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
It's Only Sex
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Basse electrique
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INTERMÉDIAIRE
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William James Barnes
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Daniel Roberts
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It's Only Sex
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #64...
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Bass Guitar - Level 3 - SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #640699. Published by Daniel P Roberts (A0.1035485). Car Seat Headrest, It's Only Sex note for note bass transcription 4 string bass with TAB. The other night I cried while thinking of having sex with you Not out of desire or shame but some subconscious impulse to feel pain I wiped my tears on my face and neck and the backs of my ears And said, Now it's sweat, now it's sweat, it's sweat now Just to see you It's such a treasure But when I feel you My flesh yields no pleasure And honey I'm cultured I'm very sex positive So what is this feeling? It ain't so positive I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only OK, so I've been reading all the sex blogs And they all talk about how OK it is to be gay And straight and bisexual and asexual And have sex however you like But I don't care about hundreds of hypothetical people And their hypothetical sex deals I care about me, and my sex deal! What about my problems? Baby, my body Constantly betrays me I try to betray it I only hurt myself Yeah, yeah I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex It's only It's only sex C'mon, sexual desire, speak! I want to hold you tight I want to feel your love physically I want to sleep with you But only in the literal sense I can't tell you if I like it, I like it What happens if I don't like it? I like you I can't tell you if I like it, I like it What happens if I don't like it? It's only- I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex (it's only sex) It's only- It's only sex (no, it's not) It's only sex It's only- It's only sex It's only sex It's only-.
$4.99
What I Like About You
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Chorale 2 parties
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FACILE
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The Romantics
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Joseph Hollings
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What I Like About You
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Joseph Hollings Publishing
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1448482 By The Romantics. By James Marinos, Michael Skill, and Wally Palamarchuk. Arranged by Jose...
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Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1448482 By The Romantics. By James Marinos, Michael Skill, and Wally Palamarchuk. Arranged by Joseph Hollings. 20th Century,Children,Pop,Rock. 6 pages. Joseph Hollings Publishing #1028373. Published by Joseph Hollings Publishing (A0.1448482). Duration: 2:30Energize your choir’s repertoire with an upbeat and spirited two-part (SA or soprano/alto) arrangement of What I Like About You by The Romantics. This choir sheet music arrangement, featuring easy yet driving piano accompaniment and the iconic hand claps from the original song, captures the infectious energy of this classic rock hit, making it a favorite for performers and audiences alike.Carefully written for young voices, the arrangement is ideal for school choirs and smaller vocal ensembles. The piano part is easy yet maintains a driving energy, meaning the pianist could conduct from the piano and retain the vitality of the original if necessary.What I Like About You is known for its upbeat and energetic vibe, making it a great choice for choir concerts, festivals, and special events. Its lively tempo and engaging arrangement make it a perfect opening number or closing piece for the first half of your program, setting a dynamic tone or leaving the audience energized. Written by Wally Palmar, Mike Skill, and Jimmy Marinos, this song became a staple on MTV in the early 1980s and remains a beloved rock anthem. With covers by artists like Michael Morales, Lillix, and 5 Seconds of Summer, the song’s widespread recognition ensures it will be a hit with any audience.Add What I Like About You by The Romantics to your choir's program and experience the infectious energy and joy of this rock classic. Perfect for school choirs and community ensembles, this arrangement will bring a burst of enthusiasm and fun to any performance, making it an excellent choice for an opening number or a closing piece for the first half.
$1.99
What The World Needs Now Is Love
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Piano seul
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INTERMÉDIAIRE
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Jackie DeShannon
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Timothy Stapay
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What The World Needs Now Is Lo
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,P...
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Piano Solo - Level 3 - SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #844110. Published by Timothy Stapay (A0.1249719). What The World Needs Now Is Love is written in a relaxed waltz style.What the World Needs Now Is Love is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. First recorded and made popular by Jackie DeShannon, it was released on April 15, 1965, on the Imperial label after a release on sister label Liberty records the previous month was canceled. It peaked at number seven on the US Hot 100 in July of that year. In Canada, the song reached number one. The song's success caught the two songwriters completely by surprise, since they were very aware of the controversy and disagreements among Americans about the Vietnam War, which was the subtext for David's lyrics. Bacharach has continuously used the song as the intro and finale for most of his live concert appearances well into the 2000s. Lyrics:What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No not just for some but for everyone.Lord, we don't need another mountain,There are mountains and hillsides enough to climbThere are oceans and rivers enough to cross,Enough to last till the end of time.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.Lord, we don't need another meadowThere are cornfields and wheat fields enough to growThere are sunbeams and moonbeams enough to shineOh listen, lord, if you want to know.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.No, not just for some, oh, but just for everyone.
$5.99
Toss A Coin To Your Witcher
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Jenny Klein and Sonya Belousov
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Tom Holtz
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Toss A Coin To Your Witcher
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Tom Holtz
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1287157 Composed by Jenny Klein and Sonya Belousova. Arranged by Tom Holtz. Film/TV,Folk,Po...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1287157 Composed by Jenny Klein and Sonya Belousova. Arranged by Tom Holtz. Film/TV,Folk,Pop. 14 pages. Tom Holtz #878166. Published by Tom Holtz (A0.1287157). From the first season of the Netflix series The Witcher comes a clever, catchy song sung by Jaskier the bard as he accompanies the title character, Geralt of Rivia, on his journeys. Toss A Coin To Your Witcher immediately earned a following from the show's fanbase after airing in 2019. This arrangement for brass quintet has an optional drum part which can be covered by whatever percussion is available, even if it's just a field drum and a tambourine.Â
$15.00
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Your Room At Midnight
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Violon
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INTERMÉDIAIRE
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Contemporain
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Antonio Garcia
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Your Room At Midnight
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Antonio GarcÃa
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.944584 Composed by Antonio Garcia. 20th Century,Contemporary. 2 pages. Antonio GarcÃa #4991815. Published by Antonio ...
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Violin Solo - Level 3 - SKU: A0.944584 Composed by Antonio Garcia. 20th Century,Contemporary. 2 pages. Antonio GarcÃa #4991815. Published by Antonio GarcÃa (A0.944584). Piece for violin solo where I experiment with a subtle extended technique, so it's perfect if you want to discover it. I highly recommend to listen to this record https://soundcloud.com/agarruiz/your-room-at-midnight then you can figure out how it could be a propper perform.If you're gonna play in public, or make a record of it, I'll appreciate if you contact me by email. contacto.antoniogarciaruiz@gmail.comWhat solutions to what problems does your music provide.What programming functions does it serve.Is it appropriate for schools and students?Does it work for church services? If so, which ones?Performance practice suggestions.Historical ContextDuration of WorkYour Performing Rights Organization
$6.00
Do you want to build a rocket?
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Chorale 2 parties
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FACILE
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Sally Whitwell
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Do you want to build a rocket?
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Sally Whitwell
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279....
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Choral Choir (2-Part) - Level 2 - SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279. Published by Sally Whitwell (A0.1099392). Do you want to build a rocket? was originally composed for a wonderful group of children I worked with at the Young Music Society Winter School in Canberra. The first day that I went in to meet them, I sat down with them on the floor and asked them what kind of performance they wanted to build. It was around the time that the Disney animated feature Frozen was very popular with kids. Or not, as it turns out, because one little boy’s hand shot up straight away and he said: “Tell you what I don’t wanna build: a stupid snowman!†He suggested we build a rocket instead. So that’s what we did. It’s a song about the wonder and curiosity we feel about the universe, of our desire to explore it, and of the determination and grit required to achieve that dream. It’s some very hard yards to build a rocket and to learn to fly it, but our dreams are always worth the work! I hope you have fun with this song. Teachers, I invite you to get as theatrical as you dare with it. In our original performance we had all these toy instruments, toy toolkits, and painted cardboard boxes. (So many boxes!). Let’s just say, if you think it’s gonna be ‘too much’, it’s probably exactly the right amount. Sally Whitwell August 2022.
$1.99
Do You Want To Build A Snowman?
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Kristen Bell
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Lisa Ochoco
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Do You Want To Build A Snowman
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00
Why You Blues
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Ensemble Jazz
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Jazz
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John Philips
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Why You Blues
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Come Home To You
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Ian Munsick
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Kyle Pudenz
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contem...
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Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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