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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
What Star Is This with Beams So Bright
Partitions à imprimer
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1
What Star Is This with Beams So Bright
Cloches
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB955 That Ea…
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB955 That Easter Day with Joy Was Bright. Composed by Karen Thompson. Arranged by Karen Thompson. Christmas, Epiphany, Easter. With 3, 4, or 5 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB955. Published by Chorister's Guild - Digital (C7.CGB955). UPC: 749193022733.In this arrangement of All Creatures of Our God and King, the music reflects the imagery of the text: all creation praises God. The visual effect of handbells is in full force here; the music looks and sounds exciting! Dancing mixed-meter rhythms and surprising harmonies abound. The up-and-down cascading C major scales in the second stanza emulate the rushing wind and sailing clouds in the text. The music builds to an unexpected, triumphant Db major section, before leaping joyfully back into the key of C for the energetic finale. This arrangement can be used on Easter or for any joyous occasion.
$4.50
4.03 €
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Cloches
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Karen Thompson
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Karen Thompson
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What Star Is This with Beams So Bright
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Chorister's Guild - Digital
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SheetMusicPlus
What Star Is This, with Beams So Bright
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828262 Composed by Anonymous. Arran…
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Piano Solo - Level 5 - Digital Download SKU: A0.828262 Composed by Anonymous. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Christmas,Sacred. Score. 5 pages. Paul Thurmond #4969093. Published by Paul Thurmond (A0.828262). Tune: PUER NOBIS NASCITURUse: Prelude, PostludeThis is an Epiphany hymn that I set in the style of Handel's harpsichord variations. I recorded it on harpsichord, but it also works great on a piano.The theme is stated plainly.The first variation adds running eighth notes in the right hand.The second variations switches the eighth notes to the left hand, and changes the harmony a bit.The third variation adds triplets in the right hand, while the left hand plays the same pattern over and over, a technique known as a ground bass. In the recording, I play it using the lute stop.The fourth variation is a sarabande, a slow dance in triple meter with frequent emphasis on the second beat of the measure.The fifth and final variation states the melody in octaves in the left hand, while the right hand goes crazy with sixteenth notes. The first eight measures of the right hand are inverted and modified to form the second eight measures.I had a lot of fun writing this. I hope you have as much fun playing it.
$4.99
4.47 €
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Piano seul
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Anonymous
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Paul Thurmond
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What Star Is This, with Beams So Bright
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Paul Thurmond
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SheetMusicPlus
The Star of Heavenly Grace (Downloadable)
TTBB choir, English horn - Moderately Easy - Digital Download SKU: MQ.7877-E Compos…
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TTBB choir, English horn - Moderately Easy - Digital Download SKU: MQ.7877-E Composed by Paul Gibson. Christmas, Lessons and Carols. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #7877-E. Published by E. C. Schirmer Music Company - Digital (MQ.7877-E). English.This is the familiar text, “What star is this with beams so bright, more lovely than the noonday light.†The music, however, is original, unusual, and sublime. An introspective chant melody weaves its way through the text as the English horn (the sole accompaniment) dialogues, foreshadows, and comments. Starting with unison, then two part, then a rich TTBB texture, the vocal writing is stunning and not difficult. English Horn part included.
$1.55
1.39 €
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Paul Gibson
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The Star of Heavenly Grace
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
What Star is This With Beams so Bright?
Chorale SATB
Arranged by Kenneth Lowenberg. For SATB choir, Organ. Sacred Anthem. Epiphany. Published b…
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Arranged by Kenneth Lowenberg. For SATB choir, Organ. Sacred Anthem. Epiphany. Published by Sacred Music Press
$2.55
2.28 €
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Chorale SATB
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Kenneth Lowenberg
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What Star is This With Beams so Bright?
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Sacred Music Press
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SheetMusicPlus
What Star Is This, with Beams So Bright (Downloadable)
Orgue, Trompette (duo)
Composed by Dallas Blair. Ash Wednesday, Christmas, Epiphany. 6 pages. MorningStar M…
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Composed by Dallas Blair. Ash Wednesday, Christmas, Epiphany. 6 pages. MorningStar Music Publishers - Digital Sheet Music #20-245-5E. Published by MorningStar Music Publishers - Digital Sheet Music
$5.00
4.48 €
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Orgue, Trompette (duo)
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Dallas Blair
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What Star Is This, with Beams So Bright
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
That Easter Day with Joy Was Bright (3, 4 or 5 octaves)
Cloches
3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB870 On Jord…
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3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB870 On Jordan’s Banks the Baptist’s Cry; What Star Is This, with Beams So Bright. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Easter, Advent, Epiphany. Score. 8 pages. Chorister's Guild - Digital #CGB870. Published by Chorister's Guild - Digital (C7.CGB870). UPC: 749193020265.This latest publication in the Flexible Favorites series is useable throughout the Easter season as well as for Palm Sunday or Advent, using the alternate title Lift Up Your Heads, Ye Mighty Gates. The hymntune TRURO is given a fanfare introduction with full LV chords, then malleted bells accompany the first stanza. The melody moves to the bass in the second stanza, and the use of handchimes is an option. The malleted accompaniment returns for the joyous third stanza, which also features a treble descant. Parts for optional Bb, C, or F treble instrument, or C bass instrument are included.
$4.50
4.03 €
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Cloches
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Cathy Moklebust
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Cathy Moklebust
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That Easter Day with Joy Was Bright
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Chorister's Guild - Digital
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SheetMusicPlus
Christmas in Song
SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore …
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SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore Preuss. Instrumental. Sacred. Vocal songbook. With vocal score. 80 pages. Published by Rubank Publications (HL.4475350). ISBN 9781458421180. UPC: 073999753509. 6x9 inches.A treasury of 108 traditional songs, favorite hymns, and choice carols. 6″ x 9″ size is convenient for caroling! Arranged for mixed voices (S.A.T.B.) or unison singing.
Song List: Let Our Gladness Know No End Oh! Infant Jesus When Christ Was Born Of Mary Free O Come, All Ye Faithful Angels, From The Realms Of Glory Angels We Have Heard On High As Each Happy Christmas I Heard the Bells on Christmas Day As Joseph Was a-Walking As with Gladness Men of Old Away In A Manger Hey, Hey, Ho A Babe Is Born in Bethlehem In a Manger He Is Lying The Babe Of Bethlehem Jingle Bells Beautiful Savior Bring a Torch, Jeannette, Isabella Cantique de Noel The Cherry Tree Carol Child Jesus Came To Earth This Day Come, All Ye Children Everywhere, Everywhere, Christmas Tonight The First Noel From Every Spire On Christmas Eve From Heaven Above Gather Around the Christmas Tree Glad Christmas Bells The Golden Carol Good Christian Men, Rejoice Infant So Gentle Hark! The Herald Angels Sing O Little Town of Bethlehem O Come, Little Children Lullay, Though Little Tiny Child Silent Night Oh, How Joyfully O Christmas Tree Joy To The World Lo, How a Rose Little Children, Can You Tell? Hark the Glad Sound I Saw Three Ships It Came Upon the Midnight Clear We Wish You a Merry Christmas From Earthly Tasks Lift Up Thine Eyes As Lately We Watched God Rest You Merry, Gentlemen The Other Night A Child This Day Is born Sleep, Holy Babe Christ Was Born on Christmas Day Companions, All Sing Loudly The Seven Joys of Mary Deck the Hall Come, All Ye Shepherds In Bethlehem, The Lowly Immortal Babe Wassail, Wassail Jolly Old Saint Nicholas The Happy Christmas Comes Once More Oh! Night Among The Thousands While Shepherds Watched Their Flocks To Us Is Born A Little Child Hark Ye Shepherds Hark, from the Midnight Hills Around We Three Kindgs of Orient Are Good King Wenceslas Shepherds, Shake Off Your Drowsy Sleep Noel, Noel Here We Come A-Caroling Whence Comes This Rush of Wings? The Holly and the Ivy Oh! Dear Jesus How Brightly Beams The Morning Star What Child Is This? March Of The Three Kings On Christmas Night Joseph, O Dear Joseph Mine There Comes a Vessel Laden Mary, Dear Mother Of Jesus How Vain the Cruel Herod's Fear Rise Up, Shepherds, an' Foller Go, Tell It on the Mountains O Come, O Come Emmanuel Ring, Christmas Bells The Sleep of the Child Jesus My Sheep Were Grazing A Joyful Christmas Song O Holy Night We Do Worship Thee
$6.99
6.26 €
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Theodore Preuss
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Christmas in Song
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Rubank Publications
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.16 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.16 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
We Welcome Glad Easter
Cloches
3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB1057 Composed …
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3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB1057 Composed by Brian Childers. Arranged by Brian Childers. Easter, Eastertide. Score. 8 pages. Chorister's Guild - Digital #CGB1057. Published by Chorister's Guild - Digital (C7.CGB1057). UPC: 749193027288.Joyfully Ring is a wonderful, budget-stretching reproducible collection published in compatible editions for 2 or 3 and 3, 4 or 5 octaves. The collection includes joyous hymn arrangements and fun, upbeat originals by outstanding composers Cynthia Dobrinski, Sandra Eithun, Susan Geschke, Cathy Moklebust and Margaret Tucker. Ranging in difficulty from level 1 to level 2, these delightful and easily-learned pieces will be very useful both for developing ringers and for more experienced groups needing music they can learn quickly. Tune sources: DUKE STREET, FOUNDATION, Original, PUER NOBIS Contents: Jesus Shall Reign, Processional and Bell Chime, This Day of Gladness, That Easter Day with Joy Was Bright (On Jordan's Banks the Baptist's Cry, What Star Is This, with Beams So Bright), How Firm a Foundation.
$4.95
4.43 €
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Cloches
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Brian Childers
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Brian Childers
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We Welcome Glad Easter
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Chorister's Guild - Digital
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SheetMusicPlus
Yuki-Onna (piano solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.36 €
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Piano seul
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Yuki-Onna (piano 4-hands)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.36 €
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1 Piano, 4 mains
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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