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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Crtitères actifs :
What You Meant
Partitions à imprimer
106 partitions trouvées
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101
What We Meant To Say for SATB a cappella
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Chorale SATB
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INTERMÉDIAIRE
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Leslie Kleen
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What We Meant To Say for SATB
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1004780 Composed by Leslie Kleen. A Cappella. Octavo. 3 pages. Music From Riverside #4367298. Published by Music...
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Choral Choir (SATB) - Level 3 - SKU: A0.1004780 Composed by Leslie Kleen. A Cappella. Octavo. 3 pages. Music From Riverside #4367298. Published by Music From Riverside (A0.1004780). All about tossing and turning at night, unable to get to sleep while you wonder whether you and that other person said what you each meant to say. Repetition invokes the feeling of the way the doubts go through your mind over and over.Finally, a humorous twist at the end.Barbershop-like harmonies.Words by Theodosia Garrison in public domain.
$1.99
What We Meant to Say for TTBB a cappella
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Chorale TTBB
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INTERMÉDIAIRE
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Leslie Kleen
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What We Meant to Say for TTBB
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Music From Riverside
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1004781 Composed by Leslie Kleen. A Cappella. Octavo. 3 pages. Music From Riverside #4367304. Published by Music...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1004781 Composed by Leslie Kleen. A Cappella. Octavo. 3 pages. Music From Riverside #4367304. Published by Music From Riverside (A0.1004781). All about tossing and turning at night, unable to get to sleep while you wonder whether you and that other person said what you each meant to say. Repetition invokes the feeling of the way the doubts go through your mind over and over.Finally, a humorous twist at the end.Barbershop-like harmonies.Words by Theodosia Garrison in public domain.
$1.99
Raise Your Glass
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Matt Brunner
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Raise Your Glass
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Matt Brunner
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SheetMusicPlus
Marching Band - Level 4 - SKU: A0.1515249 By Pink. By Alecia Moore, Max Martin, and Shellback. Arranged by Matt Brunner. 21st Century,Pop,Singer/Songwri...
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Marching Band - Level 4 - SKU: A0.1515249 By Pink. By Alecia Moore, Max Martin, and Shellback. Arranged by Matt Brunner. 21st Century,Pop,Singer/Songwriter. 22 pages. Matt Brunner #1089702. Published by Matt Brunner (A0.1515249). What part of party don't you understand?? This song was meant for a party! That's what your fans will have in the stands as you play this P!nk hit!
$75.00
Dreaming Of You
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Selena
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Dennis Benning
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Dreaming Of You
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Dennis Benning
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.925684 By Selena. By Franne Golde and Tom Snow. Arranged by Dennis Benning. Latin,Pop. Individual part. 4 pages. Dennis B...
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Flute Solo - Level 4 - SKU: A0.925684 By Selena. By Franne Golde and Tom Snow. Arranged by Dennis Benning. Latin,Pop. Individual part. 4 pages. Dennis Benning #6682649. Published by Dennis Benning (A0.925684). Dreaming Of You (for solo flute) is a transcription of the music video version of Selena's mega-hit. This download includes only a flute part, and is meant to be played with a karaoke backing track of the music video version of the track. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his YouTube, Facebook, and TikTok(Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
Tonight You Belong To Me
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Piano Facile
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DÉBUTANT
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Patience and Prudence
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Calum Wood
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Tonight You Belong To Me
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Calum Wood
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Ca...
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C Instrument - Level 1 - SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Calum Wood #736090. Published by Calum Wood (A0.1142820). Are you looking for the perfect piece of sheet music to capture the romantic essence of the classic song Tonight You Belong to Me? Look no further!Our music score for Tonight You Belong to Me is the ideal choice for anyone who wants to play or sing this beloved tune. Whether you're a beginner or an experienced musician, this sheet music is easy to follow and beautifully crafted, capturing the essence of the original song.With our music score, you'll be able to recreate the magic of the song as if you were transported back to the 1920s. The gentle melody and romantic lyrics are perfect for any occasion, from a wedding to a cozy night at home.What sets our music score apart is the attention to detail we've put into it. We've made sure that every note, every chord, and every lyric is accurate, so you can be confident that you're playing or singing the song just as it was meant to be.This music score is perfect for anyone who wants to capture the essence of a bygone era and share it with their audience. It's easy to read, easy to play, and a delight to listen to. Order your copy today and experience the romance and nostalgia of Tonight You Belong to Me like never before!Keywords: music score, sheet music, Tonight You Belong to Me, romantic, beginner, experienced musician, melody, lyrics, accurate, bygone era, nostalgia.
$1.99
What's New?
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Bob Crosby And His Orchestra
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John Fries
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What's New?
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499784 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by John Fries. 20th Century,Jazz,Stan...
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C Instrument - Level 4 - SKU: A0.499784 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113077. Published by John Fries (A0.499784). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. What's New? is a 1939 popular song composed by Bob Haggart, with lyrics by Johnny Burke. It was originally an instrumental tune titled I'm Free by Haggart in 1938, when Haggart was a member of Bob Crosby and His Orchestra. The tune was written with a trumpet solo, meant to showcase the talents of band-mate Billy Butterfield. Crosby's orchestra recorded I'm Free the same day it was written.
$3.99
What's New?
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bob Crosby And His Orchestra
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John Fries
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What's New?
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197384 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by John Fries. 20th Cent...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197384 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #796552. Published by John Fries (A0.1197384). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. What's New? is a 1939 popular song composed by Bob Haggart, with lyrics by Johnny Burke. It was originally an instrumental tune titled I'm Free by Haggart in 1938, when Haggart was a member of Bob Crosby and His Orchestra. The tune was written with a trumpet solo, meant to showcase the talents of band-mate Billy Butterfield. Crosby's orchestra recorded I'm Free the same day it was written.
$4.99
What's Up
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4 Non Blondes
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Brian Streckfus
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What's Up
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1510815 By 4 Non Blondes. By Linda Perry. Arranged by Brian Streckfus. Pop,Rock,Singer/Songwriter. Chords/Lyrics. 4 pages. Br...
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Guitar - Level 2 - SKU: A0.1510815 By 4 Non Blondes. By Linda Perry. Arranged by Brian Streckfus. Pop,Rock,Singer/Songwriter. Chords/Lyrics. 4 pages. Brian Streckfus #1086021. Published by Brian Streckfus (A0.1510815). Key: G MajorPages: 4Capo: 2 (Concert Key of A Major)If you are looking for 100% historical version, this may not be the arrangement for you. I tend to make coffee house versions that are meant for a soloist and not a band (could still be useful for either though). I'm not the greatest singer, so I like to play the vocal melody on guitar for a couple months, and then take it away when I feel like I am a good enough singer to just play the chords. I also make versions like these for solo guitarists who plan on never singing, but still want what the song is to be obvious to the audience, therefor, the sophisticated guitar work is neccessary.
$2.99
What a Friend We have in Jesus
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Grace Tuhy
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Grace Tuhy
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What a Friend We have in Jesus
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Grace Tuhy
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1296663 Composed by Grace Tuhy. Arranged by Grace Tuhy. Christian,Praise & Worship,Religious. Score. 2 pages. Grace Tuhy ...
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Piano Solo - Level 3 - SKU: A0.1296663 Composed by Grace Tuhy. Arranged by Grace Tuhy. Christian,Praise & Worship,Religious. Score. 2 pages. Grace Tuhy #886839. Published by Grace Tuhy (A0.1296663). This simple arrangement of What a Friend We have in Jesus is a joyful arrangement that is meant to be played with lots of energy.Tips for playing the arrangement:1. Play the first sample page before buying to be able to understand the feel of the arrangement.2. Read the hymns' original lyrics before playing through the arrangement. (Reading the lyrics will help you understand how the arrangement should be played) 3. Use the damper pedal as you deem fit for the arrangement.4. Play with lots of dynamics and with lots of energy.
$3.99
See What I'm Sayin'?
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Contemporain
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Boney James
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Dennis Benning
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See What I'm Sayin'?
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Dennis Benning
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - SKU: A0.925681 By Boney James. By David Allen Woods, James Oppenheim, and Paul Brown...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - SKU: A0.925681 By Boney James. By David Allen Woods, James Oppenheim, and Paul Brown. Arranged by Dennis Benning. Contemporary. Score and parts. 5 pages. Dennis Benning #6340033. Published by Dennis Benning (A0.925681). See What I'm Sayin' is a transcription of the song's solo saxophone part from Boney James' album Ride. This download includes only ta Bb instrument part, and is meant to be played with a karaoke backing track. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his TikTok, YouTube, and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
See What I'm Sayin'?
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Contemporain
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Boney James
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Dennis Benning
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See What I'm Sayin'?
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Dennis Benning
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SheetMusicPlus
Small Ensemble Flute,Oboe,Violin - SKU: A0.925680 By Boney James. By David Allen Woods, James Oppenheim, and Paul Brown. Arranged by Dennis Benning. Con...
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Small Ensemble Flute,Oboe,Violin - SKU: A0.925680 By Boney James. By David Allen Woods, James Oppenheim, and Paul Brown. Arranged by Dennis Benning. Contemporary. Score and parts. 5 pages. Dennis Benning #6340045. Published by Dennis Benning (A0.925680). See What I'm Sayin' is a transcription of the song's solo saxophone part from Boney James' album Ride. This download includes only ta Bb instrument part, and is meant to be played with a karaoke backing track. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his TikTok, YouTube, and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
Quod Deus Coniunxit (What God Has Joined)
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Orgue, Trompette (duo)
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INTERMÉDIAIRE
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Anthony Just
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The trumpet
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Quod Deus Coniunxit
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Justified Notes Music Group
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.1028814 Composed by Anthony Just. Christian,Contemporary,Sacred,Wedding. Score and...
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Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.1028814 Composed by Anthony Just. Christian,Contemporary,Sacred,Wedding. Score and parts. 2 pages. Justified Notes Music Group #4296771. Published by Justified Notes Music Group (A0.1028814). This piece for C-Trumpet and Organ was written as a Wedding Processional for the Cathedral of the Assumption in Louisville, KY, and first performed by the Cathedral's organist, Dr. Philip Brisson. It has since been added to the Cathedral's regular rotation of Mass processionals. Quod Deus Coniunxit is the first line of the verse Therefore what God has joined together, let no man put asunder. The piece shows two people as two voices (in this case, trumpet and organ) interweaving harmonies, passing the melody between them, symbolizing the joyful collaboration and triumphant celebration in two people becoming one. As the trumpet fades out in section D, the minor, discordant organ melody symbolizes difficulties and hard work. The symbolism continues as the trumpet fades back in, supporting the organ, ushering the melody back to a major chord in section E, as they work together towards a triumphant finish.Since this piece was composed as a processional for specific location, the length was written to fit the bride's 75 step procession. But it was deliberately written in sections to be flexible. The piece can (and should) be altered to fit the venue. The trumpet flourish in A, meant as a call to attention, can be omitted if desired. Section B can be repeated, and/or Section E can be omitted or repeated, to suit the necessary length.I hope you enjoy this piece!Anthony Just
$4.99
You Belong With Me
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Pop musique
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Taylor Swift
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Brian Streckfus
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You Belong With Me
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1143111 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Brian Streckfus. Country,Instructional,Pop,Singer/Songwrit...
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Guitar - Level 2 - SKU: A0.1143111 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Brian Streckfus. Country,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 4 pages. Brian Streckfus #743473. Published by Brian Streckfus (A0.1143111). People who want to train to be a better singer will like this version because you are constantly reminded of what the main vocal melody is. There is a lot of information on one treble clef so it is lead sheet style. This version is also meant to make the guitar work more complex but yet easier at the same time. It is still a work in progress and I am working on the bridge still.
$1.99
Believe On The Lord And You Will Be Saved - A-flat
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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Cody Weinmann
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Believe On The Lord And You Wi
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Cody Weinmann
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.835185 Composed by Cody Weinmann. Christian,Praise & Worship,Sacred. Score. 2 pages. Cody Weinmann #6430465. Publi...
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Piano,Vocal,Voice - Level 1 - SKU: A0.835185 Composed by Cody Weinmann. Christian,Praise & Worship,Sacred. Score. 2 pages. Cody Weinmann #6430465. Published by Cody Weinmann (A0.835185). This is the lead sheet for an original song Believe On The Lord and You Will Be Saved. This is taken directly from the scripture in the Bible that says the same thing. This means to believe on the Lord Jesus Christ and his sacrifice, death, burial and resurrection for the sins of the world for their salvation. That is what the entire song is about. This song can be sang in many congregations as one wishes. It is meant as a congregational worship song.
$1.99
May The Lord Be With You / Que el Señor esté contigo
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Piano, Voix et Guitare
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Musique Sacrée
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Shaun Parry
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May The Lord Be With You / Que
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MusicforMillions
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0....
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Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99
Believe On The Lord And You Will Be Saved
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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Christian contemporain
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Cody Weinmann
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Believe On The Lord And You Wi
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Cody Weinmann
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.835184 Composed by Cody Weinmann. Christian,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Cody Weinmann #6...
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Piano,Vocal,Voice - Level 1 - SKU: A0.835184 Composed by Cody Weinmann. Christian,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Cody Weinmann #6430455. Published by Cody Weinmann (A0.835184). This is the lead sheet for an original song Believe On The Lord and You Will Be Saved. This is taken directly from the scripture in the Bible that says the same thing. This means to believe on the Lord Jesus Christ and his sacrifice, death, burial and resurrection for the sins of the world for their salvation. That is what the entire song is about. This song can be sang in many congregations as one wishes. It is meant as a congregational worship song. It is in G major.
$1.99
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00
Vincent (Starry Starry Night)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Don McLean
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Timothy Stapay
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Vincent
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwrit...
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Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 10 pages. Timothy Stapay #1067707. Published by Timothy Stapay (A0.1490922). Vincent (Starry, Starry Night) is a song by Don McLean, written as a tribute to Vincent van Gogh.McLean wrote the lyrics in 1971 after reading a book about the life of Van Gogh. It was released on McLean's 1971 American Pie album; the following year, the song topped the UK Singles Chart for two weeks, and peaked at No. 12 in the United States, where it also hit No. 2 on the Easy Listening chart. Billboard ranked it as the No. 94 song for 1972.Lyrics:StarryStarry nightPaint your palette blue and greyLook out on a summer's dayWith eyes that know theDarkness in my soul.Shadows on the hillsSketch the trees and the daffodilsCatch the breeze and the winter chillsIn colors on the snowy linen land.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey did not know howPerhaps they'll listen now.StarryStarry nightFlaming flo'rs that brightly blazeSwirling clouds in violet haze reflect inVincent's eyes of China blue.Colors changing hueMorning fields of amber grainWeathered faces lined in painAre soothed beneath the artist'sLoving hand.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.Perhaps they'll listen now.For they could not love youBut still your love was trueAnd when no hope was left in sight on that starryStarry night.You took your lifeAs lovers often do;But I could have told youVincentThis world was neverMeant for oneAs beautiful as you.StarryStarry nightPortraits hung in empty hallsFrameless heads on nameless wallsWith eyesThat watch the world and can't forget.Like the stranger that you've metThe ragged men in ragged clothesThe silver thorn of bloody roseLie crushed and brokenOn the virgin snow.And now I think I know what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey're notList'ning stillPerhaps they never will.
$8.99
Renaissance Madrigals Arranged for Strings, set 2
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. ...
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String Ensemble - Level 3 - SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
Renaissance Madrigals Arranged for Strings, set 3
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. ...
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String Ensemble - Level 3 - SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
$29.99
Renaissance Madrigals Arranged for Strings, set 1
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Orchestre à Cordes
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INTERMÉDIAIRE
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371....
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String Orchestra - Level 3 - SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371. Published by Curtis Hanson (A0.719773). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals, lieder, and chansons in this collection are arranged for string quartet and quintet. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
STORM - Toccata for Pipe Organ.
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Orgue
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INTERMÉDIAIRE
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Bernd Förster
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Bernd Foerster
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STORM - Toccata for Pipe Organ
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Bernd Foerster
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1436104 By Bernd Förster. By Bernd Förster. Arranged by Bernd Foerster. 21st Century,Classical,Contem...
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Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1436104 By Bernd Förster. By Bernd Förster. Arranged by Bernd Foerster. 21st Century,Classical,Contemporary,New Age,Spiritual. Individual part. 7 pages. Bernd Foerster #1016261. Published by Bernd Foerster (A0.1436104). New Organ Music for 2024! STORM is a Toccata for Pipe Organ. Its main theme is consisting of sextuplets which should be played in both hands fifty-fifty and a sonorous theme in the pedal and it sounds like... a summer storm.There are suggestions for the registration in the sheet music, but as always they are meant to be guidelines - choose which stops fit your organ best. If you have two manuals start with the Grand Orgue forte and switch two times to the Swells (or whatever you have) with a mezzoforte mix of stops. Always feel free to contact me on my instagram if there are any questions (@berndfoerstermusik). I hope you enjoy playing my newest piece. Thank you so much for buying and playing my music!There will be a video on YouTube on May 15th 2024.
$10.99
The True Stars to Follow NAS. 10 for the left hand
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Adam Carlsen
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The True Stars to Follow NAS.
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1208965 By Adam Carlsen. By Adam Carlsen. Classical,Contemporary. Score. 9 pages. Adam Walter Carlsen #807072. Published ...
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Piano Solo - Level 3 - SKU: A0.1208965 By Adam Carlsen. By Adam Carlsen. Classical,Contemporary. Score. 9 pages. Adam Walter Carlsen #807072. Published by Adam Walter Carlsen (A0.1208965). I wrote this left hand piece based on a short narrative I made that has a question/observation followed by an answer. Here is the narrative below.                                     The True Stars to FollowI observed that stars from above may glow just as brilliantly in the sea as the ones above. So how can we fathom which stars show its true radiance?The only stars that have reliable radiance are the ones in the sky. All other stars are illusions meant to mimic the ones above. But we cannot let them deceive us. If you follow the stars in the sea, you will sink like the rocks. Down you will go into the abyss chasing an illusion you believed were the real stars. If you dig deeper until you are covered in mud, your eyes will become used to the abyss until you forget what you were even chasing. And if you look up at the stars above, you would quickly shy away from them as it causes affliction in your eyes. You would come to loathe the stars you thought you were pursuing.Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99
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