What the Brass Band Played - Partitions musicales à imprimer

44 partitions trouvées

Piano, Voix

Piano and voice - Digital Download SKU: LV.7342 Composed by Theodore Morse. Portrai…(+)

$5.99 5.5 € #Piano, Voix #Theodore Morse #What the Brass Band Played #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)

Quintette de Cuivres: 2 trompettes, Cor, 2 trombones

Brass Quintet Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249438 Co…(+)

$30.00 27.55 € #Quintette de Cuivres: 2 trompettes, Cor, 2 trombones #Johann Sebastian Bach #Regis Bookshar #Three selections based on "Christ lag in Todesbanden" #Regis Bookshar #SheetMusicPlus

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249433(+)

$30.00 27.55 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Johann Sebastian Bach #Regis Bookshar #Three selections based on "Christ lag in Todesbanden" #Regis Bookshar #SheetMusicPlus

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)

Quintette de Cuivres: 2 trompettes, Cor, 2 trombones

Brass Quintet Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249435 Co…(+)

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249439 Co…(+)

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)

Quintette de Cuivres: 2 trompettes, Cor, 2 trombones

Brass Quintet Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249434 Co…(+)

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249436 Co…(+)

Heroic Music - A Suite of Twelve Marches (Complete) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba, T)

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1175705(+)

$128.00 117.54 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Georg Philipp Telemann #Regis Bookshar #No #Heroic Music - A Suite of Twelve Marches #Regis Bookshar #SheetMusicPlus

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 3 Trb)

Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249437 Compose…(+)

Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249437 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841731. Published by Regis Bookshar (A0.1249437). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.Â Â 4, BMVÂ Â 4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 3 Trbs) - Advanced/Intermediate - Digital Download.Cantata No.Â Â 4, BMVÂ Â 4, Christ lag in Todesbanden (also spelled Todes banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Banch and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which bothe the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.Â Â 4, BMVÂ Â 4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.Â Â 4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged, which Bach had placed in the middle of his Cantata No.Â Â 4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets and 3 Trombones. Included are a score and a complete set of part (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased by what you may find.
$30.00 27.55 € #Johann Sebastian Bach #Regis Bookshar #Three selections based on "Christ lag in Todesbanden" #Regis Bookshar #SheetMusicPlus

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Hrn)

Brass Quintet Horn,Trumpet - Level 4 - Digital Download SKU: A0.1249440 Composed by…(+)

Brass Quintet Horn,Trumpet - Level 4 - Digital Download SKU: A0.1249440 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #842463. Published by Regis Bookshar (A0.1249440). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.Â Â 4, BMVÂ Â 4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Hrns) - Advanced/Intermediate - Digital Download.Cantata No.Â Â 4, BMVÂ Â 4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. it was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.Â Â 4, BMVÂ Â 4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, this final chorus from his Cantata No.Â Â 4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has place the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.Â Â 4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 27.55 € #Johann Sebastian Bach #Regis Bookshar #Three selections based on "Christ lag in Todesbanden" #Regis Bookshar #SheetMusicPlus

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Trb)

Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249441 Compose…(+)

Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249441 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842483. Published by Regis Bookshar (A0.1249441). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.Â Â 4, BMVÂ Â 4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Trbs) - Advanced /Intermediate - Digital Download.Cantata No.Â Â 4, BMVÂ Â 4, Christ lag in Todesbanden (alsp spelled Todes banden) (Christ lay in death's bonds is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regsi Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.Â Â 4, BMVÂ Â 4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.Â Â 4, a straightforward chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.Â Â 4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. Ther are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 27.55 € #Johann Sebastian Bach #Regis Bookshar #Three selections based on "Christ lag in Todesbanden" #Regis Bookshar #SheetMusicPlus

Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…(+)

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra. A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy). "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway. On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team. There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora. The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent. Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree". Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences. In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.) The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason. You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it? If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".) My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger: Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments. The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Contact Publisher Related Scores
$8.99 8.26 € #Orchestre à Cordes #trad # Keith Terrett #Irish National Anthem #Music for all Occasions #SheetMusicPlus

Requiem for the Pequod
Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jor…(+)

Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahabâ€™s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahabâ€™s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailorâ€™s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue.Â
$50.00 45.91 € #Orchestre d'harmonie #Jay Jordan #Jay Jordan #Requiem for the Pequod #Pro Creations Music #SheetMusicPlus

Danse Macabre (Brass Band Version)
Ensemble de cuivres

Brass Ensemble - Digital Download SKU: A0.790955 Composed by Camille Saint-Saens. A…(+)

Brass Ensemble - Digital Download SKU: A0.790955 Composed by Camille Saint-Saens. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 74 pages. Kevin P Holdgate #4338385. Published by Kevin P Holdgate (A0.790955). The Versatile Brass Classical CollectionThis is the Full Brass Band ArrangementI did this arrangement originally for Versatile Brass, which we played on a number of concerts. This is not an arrangement for the 'faint of heart'. It is difficult, because the piece is difficult... but what a magnificent piece of music it is. According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by the trumpets). His skeletons dance for him until the rooster crows at dawn, when they must return to their graves until the next year.The original piece opens with a playing a single note, D, played twelve times on the Harp, in my arrangement this is played by Tuba and Tubular Bell (the twelve strokes of midnight). The trumpet enters playing the tritone, which was known as the diabolus in musica (the Devil in music). Out of interest in the original, the solo violin plays this, during the Medieval and Baroque eras, consisting of an A and an Eâ™-in an example of scordatura tuning, the violinist's E string was actually been tuned down to an Eâ™ to create the dissonant tritone., no need for such alterations here.
$39.99 36.72 € #Ensemble de cuivres #Camille Saint-Saens #Kevin P Holdgate #Danse Macabre #Kevin P Holdgate #SheetMusicPlus

Theme From "the A Team"

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…(+)

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: â€˜In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.â€™ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main ThemeÂ is for the UK-style brass band, with alternative parts forÂ piccoloÂ trumpet, horns in F and bass-clef lower brass.Â It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99 36.72 € #Mike Post and Pete Carpenter #Rob Bushnell #Theme From "the A Team" #RBMusic #SheetMusicPlus

King Of The Road for Classical Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …(+)

Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99 13.76 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Randy Travis, Roger Miller #Keith Terrett #King Of The Road for Classical Brass Quintet #Music for all Occasions #SheetMusicPlus

Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, woodwind parts
Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet…(+)

Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 92 pages. Musik Fabrik Music Publishing #62097. Published by Musik Fabrik Music Publishing (A0.540712). The composer writes : This work was premiÃ¨red on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de Lâ€™ArmÃ©e de Lâ€™Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 FlÃ»tes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone TÃ©nor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones TÃ©nors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse Ã cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains all of the woodwind parts The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available. The full score is available as a seperate item.
$59.95 55.05 € #Orchestre d'harmonie #Therese Brenet #Thérèse Brenet: #Musik Fabrik Music Publishing #SheetMusicPlus

Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, score
Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet…(+)

Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music Publishing #62093. Published by Musik Fabrik Music Publishing (A0.540710). The composer writes : This work was premiÃ¨red on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de Lâ€™ArmÃ©e de Lâ€™Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 FlÃ»tes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone TÃ©nor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones TÃ©nors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse Ã cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item is the full score. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available.
$19.95 18.32 € #Orchestre d'harmonie #Therese Brenet #Thérèse Brenet: #Musik Fabrik Music Publishing #SheetMusicPlus

Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, percussion parts + harp and contrabass par
Orchestre d'harmonie

Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Bren…(+)

Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 36 pages. Musik Fabrik Music Publishing #62099. Published by Musik Fabrik Music Publishing (A0.540713). The composer writes : This work was premiÃ¨red on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de Lâ€™ArmÃ©e de Lâ€™Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 FlÃ»tes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone TÃ©nor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones TÃ©nors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse Ã cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains the percussion, harp, and contrabass parts. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available The fullscore is available as a seperate item..
$19.95 18.32 € #Orchestre d'harmonie #Therese Brenet #Thérèse Brenet: #Musik Fabrik Music Publishing #SheetMusicPlus

Libera Me from "Requiem" (Faure) - Brass Band

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…(+)

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.
$44.99 41.31 € #Gabriel Fauré, Gabriel Faure #Rob Bushnell #Libera Me from "Requiem" #Rob Bushnell #SheetMusicPlus

March of the Shadows
Orchestre d'harmonie

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wi…(+)

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$8.00 7.35 € #Orchestre d'harmonie #Martin J #March of the Shadows #Imagine Music - Digital #SheetMusicPlus

March of the Shadows
Orchestre d'harmonie

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimm…(+)

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$40.00 36.73 € #Orchestre d'harmonie #Martin J #March of the Shadows #Imagine Music - Digital #SheetMusicPlus

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