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Whatever Is True
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Crtitères actifs :
Whatever Is True
Partitions à imprimer
33 partitions trouvées
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26
A Dream Is A Wish Your Heart Makes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Linda Ronstadt
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Timothy Stapay
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A Dream Is A Wish Your Heart M
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1190986 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Timothy Stapay. Broadway,Children...
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Piano Solo - Level 4 - SKU: A0.1190986 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Timothy Stapay. Broadway,Children,Film/TV,Musical/Show,Pop,Standards. Score. 4 pages. Timothy Stapay #790514. Published by Timothy Stapay (A0.1190986). This is an arrangement of A Dream Is A Wish Your Heart Makes from the Walt Disney movie Cinderella. It is written in a happy rhythmic style. This style of piano performance is often used by piano players at Disney World, to entertain the guests.Now you can learn to play this beloved classic song, in the same style as the famous Disney pianists.A Dream Is A Wish Your Heart Makes is a song written and composed by Mack David, Al Hoffman and Jerry Livingston for the Walt Disney film Cinderella (1950). In the song, Cinderella (voiced by Ilene Woods) encourages her animal friends to never stop dreaming, and that theme continues throughout the entire story. The song was inspired off of Franz Liszt’s Transcendental Etude No. 9 (Ricordanza).See the lyrics below:A dream is a wish your heart makesWhen you're fast asleepIn dreams you will loose your heartacheWhatever you wish for, you keepHave faith in your dreams and somedayYour rainbow will come smiling throughNo matter how your heart is grievingIf you keep on believingThe dream that you wish will come trueOh, that clock!Oh, killjoyI hear you, come on, get up you sayTime to start another dayEven he orders me aroundWell, there's one thingThey can't order me to stop dreamingAnd perhaps somedayThe dreams that I wish will come trueNo matter how your heart is grievingIf you keep on believingThe dream that you wish will come true
$5.99
Whatever Is True (Think About These Things) [Alto/Baritone Duet - Lead Sheet]
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Voix duo
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FACILE
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Musique Sacrée
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Cher & Gene Klosner
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Cherolyn Klosner-Lane
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Whatever Is True
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Cher & Gene Klosner
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SheetMusicPlus
Voice Duet Voice - Level 2 - SKU: A0.872137 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane. Praise & Worship,Religi...
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Voice Duet Voice - Level 2 - SKU: A0.872137 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane. Praise & Worship,Religious,Sacred. 7 pages. Cher & Gene Klosner #6613057. Published by Cher & Gene Klosner (A0.872137). Use for:27th Sunday in Ordinary Time A (ord27A) Themes:Truth/Grace/Purity/Justice/Loveliness/Peace/Perseverence/Blessing/Doing the Right Thing/Discernment/Integrity/Graciousness/Being an Example/Be Like Jesus/Worthiness/Dignity/Self-Respect/Graduation/Baccalaureate/Funeral Based on Philippians 4:8-9 (Phil. 4:8-9). This PDF contains the following versions:  - melody and chords for alto/baritone duet  - Assembly version (for director, worship aid makers) Also available as Soprano/Tenor duet (key of Eb), and available in P/G/V format.  Please report usage of this music to CCLI and/or OneLicense. See Assembly page for codes. Suggestion for duos:Buy the PGV version for the accompanist/director, then this Lead Sheet version for each of the soloists.
$3.99
Whatever Is True (Think About These Things) [Alto/Baritone Duet - P/G/V]
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Piano, Voix
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FACILE
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Musique Sacrée
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Cher & Gene Klosner
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Cherolyn Klosner-Lane
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Whatever Is True
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Cher & Gene Klosner
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.869942 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane. Praise & Worship,Relig...
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Piano,Vocal,Voice - Level 2 - SKU: A0.869942 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane. Praise & Worship,Religious,Sacred. Score. 10 pages. Cher & Gene Klosner #6613055. Published by Cher & Gene Klosner (A0.869942). Use for:27th Sunday in Ordinary Time A (ord27A)                                                              Themes:Truth/Grace/Purity/Justice/Loveliness/Peace/Perseverence/Blessing/Doing the Right Thing/Discernment/Integrity/Graciousness/Being an Example/Be Like Jesus/Worthiness/Dignity/Self-Respect/Graduation/Baccalaureate/Funeral Based on Philippians 4:8-9 (Phil. 4:8-9). This PDF contains the following versions:  - P/G/V for alto/baritone duet  - Assembly version (for director, worship aid makers) Also available as Soprano/Tenor duet (key of Eb), and available in Lead Sheet format.  Please report usage of this music to CCLI and/or OneLicense. See Assembly page for codes. Suggestion for duos: Buy this PGV version for the accompanist/director, then the Lead Sheet version for each of the soloists.
$4.99
Whatever is true
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Piano, Voix et Guitare
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FACILE
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Thea Wray
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Althea Wray
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Whatever is true
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Water II Wine Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1093817 By Thea Wray. By Althea Wray. Arranged by Althea Wray. Multicultural,Praise & Worship,Spiritual,Wor...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1093817 By Thea Wray. By Althea Wray. Arranged by Althea Wray. Multicultural,Praise & Worship,Spiritual,World. Score. 12 pages. Water II Wine Publishing #697903. Published by Water II Wine Publishing (A0.1093817).
$4.00
He is Risen (Easter Proclamation) [Lead Sheet G Major]
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Instruments en Do
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FACILE
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Stacey Plays Hymns
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Anastace
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He is Risen
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Anastace
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1395614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise and Worship,Religio...
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C Instrument - Level 2 - SKU: A0.1395614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise and Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #979054. Published by Anastace (A0.1395614). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the lead sheet version in the key of G major, to suit either very high or very low voices, with a 9-note range of G-A.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in G major [for lower voices]Full piano and vocal arrangement in F major [for higher voices, a true soprano range]Lead Sheet in D Major to match the original keyPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
He is Risen (Easter Proclamation) [F Major]
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Piano, Voix
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INTERMÉDIAIRE
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Stacey Plays Hymns
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Anastace
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He is Risen
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Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1395627 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Reli...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1395627 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Anastace #979066. Published by Anastace (A0.1395627). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the full piano vocal version in the key of F major, to suit a true soprano range, from F4-G5.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in G major [for lower voices or even higher than this copy]Lead Sheet in several keysPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
He is Risen (Easter Proclamation) [G Major]
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Piano, Voix
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INTERMÉDIAIRE
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Stacey Plays Hymns
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Anastace
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He is Risen
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1395623 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Reli...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1395623 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #979062. Published by Anastace (A0.1395623). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the full piano vocal version in the key of G major, to suit either very high or very low voices, with a 9-note range of G-A.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in F major [for higher voices, a true soprano range]Lead Sheet in several useful keysPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Philippians 4:8
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Musique Sacrée
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Melody Shipley
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Philippians 4:8
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Melody Shipley
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.773034 Composed by Melody Shipley. Children,Christian,Praise & Worship,Sacred. 2 pages. Melody Shipley #3461977. Pu...
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Vocal Solo,Voice - Level 1 - SKU: A0.773034 Composed by Melody Shipley. Children,Christian,Praise & Worship,Sacred. 2 pages. Melody Shipley #3461977. Published by Melody Shipley (A0.773034). Philippians 4:8 (ESV): Whatever is true, true, true,Whatever is honorable,Whatever is just, whatever is pure, whatever is lovely, Whatever is commendable,If there is any excellence,If there is anything worthy of praise, Think about these things.
$5.00
Think About These Things
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Nicholas White
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Think About These Things
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1258638 Composed by Nicholas White. 21st Century,Christian,Religious,Traditional. Octavo. 12 pages. Nicholas Whi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1258638 Composed by Nicholas White. 21st Century,Christian,Religious,Traditional. Octavo. 12 pages. Nicholas White Music #851896. Published by Nicholas White Music (A0.1258638). Commissioned in 2014 by the Shadyside Presbyterian Church Choir, Pittsburgh, PA, under the direction of Mark A. Anderson. This anthem is scored for choir and organ, and sets words from St. Paul's letter to the Philippians.Have no anxiety about anything, But in everything by prayer and supplication with thanksgiving Let your requests be made known to God. Finally, brethren, whatever is true, whatever is honorable, Whatever is just, whatever is pure, Whatever is lovely, whatever is gracious, If there is any excellence, if there is anything worthy of praise, Think about these things.
$2.00
For I Am the Bread of Life [Lead Sheet]
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Cher & Gene Klosner
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Gene Klosner
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For I Am the Bread of Life [Le
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Cher & Gene Klosner
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1315573 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & Worship,Rock....
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C Instrument - Level 4 - SKU: A0.1315573 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & Worship,Rock. Lead Sheet / Fake Book. 8 pages. Cher & Gene Klosner #904315. Published by Cher & Gene Klosner (A0.1315573). As featured on Cher & Gene Klosner's Whatever Is True (Whatever Is Lovely) NPM (National Association of Pastoral Ministers) Lunchtime Concert, which can be found at the attached YouTube link (about 26 minutes in).Use for any opening/closing or Communion, especially for:Lent 3A, 4B, 5AEaster 2ABC, 4C, 5AB, 6B, 7ACPentecost VigilTrinity ABody & Blood ABCOrdinary Time 15C, 17-21B, 21C, 31C, 32C, 33ASeptember 14: Exaltation of the Holy CrossNovember 2: All Souls’ DayThemes:Communion/Eucharist/Bread of Life/Raising Us Up/Eternal Life/Hunger & Thirst/Living Water/I am the Resurrection and the Life/The Way, the Truth, the Life/God's Voice/Calling/Word of God/Belief/Spirit and Life/Remain in GodScriptural Passages:Jn 4:14; Jn 5:24-29; Jn 6:29-63; Jn 7:37-38; Jn 11:25-26; Jn 14:6, 19-21; Jn 15:4.This PDF contains the following versions: - Lead Sheet (for lead tenor, guitar accompanist, piano chorders - similar to fake books) - Refrain Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.Parts also available for clarinets (or similar instruments) and for tubular bells.Also available as Reprise version (slow/meditative).www.facebook.com/ltfmusicwww.LTFMusic.comhttps://www.youtube.com/LighttheFireMusicKlosner.
$3.99
For I Am the Bread of Life [Tubular Bells]
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Cher & Gene Klosner
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Gene Klosner
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For I Am the Bread of Life [Tu
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Cher & Gene Klosner
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SheetMusicPlus
Instrumental Solo,Tubular Bells - Level 1 - SKU: A0.1315696 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Pra...
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Instrumental Solo,Tubular Bells - Level 1 - SKU: A0.1315696 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & Worship,Rock. Individual part. 2 pages. Cher & Gene Klosner #904440. Published by Cher & Gene Klosner (A0.1315696). As featured on Cher & Gene Klosner's Whatever Is True (Whatever Is Lovely) NPM (National Association of Pastoral Ministers) Lunchtime Concert, which can be found at the attached YouTube link (about 26 minutes in).Use for any opening/closing or Communion, especially for:Lent 3A, 4B, 5AEaster 2ABC, 4C, 5AB, 6B, 7ACPentecost VigilTrinity ABody & Blood ABCOrdinary Time 15C, 17-21B, 21C, 31C, 32C, 33ASeptember 14: Exaltation of the Holy CrossNovember 2: All Souls’ DayThemes:Communion/Eucharist/Bread of Life/Raising Us Up/Eternal Life/Hunger & Thirst/Living Water/I am the Resurrection and the Life/The Way, the Truth, the Life/God's Voice/Calling/Word of God/Belief/Spirit and Life/Remain in GodScriptural Passages:Jn 4:14; Jn 5:24-29; Jn 6:29-63; Jn 7:37-38; Jn 11:25-26; Jn 14:6, 19-21; Jn 15:4.This PDF contains the following versions: - Tubular Bells part w/Tenor Lead...with descriptions and tips for the director and musiciansFull song available separately in Lead Sheet and PGV formats and Full Octavo Package.Parts also available for clarinets (or similar instruments).Also available as Reprise version (slow/meditative).www.facebook.com/ltfmusicwww.LTFMusic.comhttps://www.youtube.com/LighttheFireMusicKlosner.
$1.99
For I Am the Bread of Life [Octavo - Complete Package]
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cher & Gene Klosner
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Gene Klosner
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For I Am the Bread of Life [Oc
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Cher & Gene Klosner
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1315565 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,P...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1315565 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & Worship,Rock. 35 pages. Cher & Gene Klosner #904307. Published by Cher & Gene Klosner (A0.1315565). As featured on Cher & Gene Klosner's Whatever Is True (Whatever Is Lovely) NPM (National Association of Pastoral Ministers) Lunchtime Concert, which can be found at the attached YouTube link (about 26 minutes in).Use for any opening/closing or Communion, especially for:Lent 3A, 4B, 5AEaster 2ABC, 4C, 5AB, 6B, 7ACPentecost VigilTrinity ABody & Blood ABCOrdinary Time 15C, 17-21B, 21C, 31C, 32C, 33ASeptember 14: Exaltation of the Holy CrossNovember 2: All Souls’ DayThemes:Communion/Eucharist/Bread of Life/Raising Us Up/Eternal Life/Hunger & Thirst/Living Water/I am the Resurrection and the Life/The Way, the Truth, the Life/God's Voice/Calling/Word of God/Belief/Spirit and Life/Remain in GodScriptural Passages:Jn 4:14; Jn 5:24-29; Jn 6:29-63; Jn 7:37-38; Jn 11:25-26; Jn 14:6, 19-21; Jn 15:4.This PDF contains the following versions: - Full Score (for director, piano accompanist) - P/G/V (for piano accompanist) - Lead Sheet (for lead tenor, guitar accompanist, piano chorders - similar to fake books) - Tenor Lead + SATB (for choir members) - Refrain Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats.Parts also available for clarinets (or similar instruments) and for tubular bells.Also available as Reprise version (slow/meditative).www.facebook.com/ltfmusicwww.LTFMusic.comhttps://www.youtube.com/LighttheFireMusicKlosner.
$1.99
For I Am the Bread of Life [P/G/V - Complete Package]
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Cher & Gene Klosner
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Gene Klosner
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For I Am the Bread of Life [P/
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Cher & Gene Klosner
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1315576 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & W...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1315576 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & Worship,Rock. Score. 12 pages. Cher & Gene Klosner #904318. Published by Cher & Gene Klosner (A0.1315576). As featured on Cher & Gene Klosner's Whatever Is True (Whatever Is Lovely) NPM (National Association of Pastoral Ministers) Lunchtime Concert, which can be found at the attached YouTube link (about 26 minutes in).Use for any opening/closing or Communion, especially for:Lent 3A, 4B, 5AEaster 2ABC, 4C, 5AB, 6B, 7ACPentecost VigilTrinity ABody & Blood ABCOrdinary Time 15C, 17-21B, 21C, 31C, 32C, 33ASeptember 14: Exaltation of the Holy CrossNovember 2: All Souls’ DayThemes:Communion/Eucharist/Bread of Life/Raising Us Up/Eternal Life/Hunger & Thirst/Living Water/I am the Resurrection and the Life/The Way, the Truth, the Life/God's Voice/Calling/Word of God/Belief/Spirit and Life/Remain in GodScriptural Passages:Jn 4:14; Jn 5:24-29; Jn 6:29-63; Jn 7:37-38; Jn 11:25-26; Jn 14:6, 19-21; Jn 15:4.This PDF contains the following versions: - P/G/V (for piano accompanist, vocalist) - Refrain Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.Parts also available for clarinets (or similar instruments) and for tubular bells.Also available as Reprise version (slow/meditative).www.facebook.com/ltfmusicwww.LTFMusic.comhttps://www.youtube.com/LighttheFireMusicKlosner.
$4.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
God's Family for Me (Demo MP3)
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Chorale Unison
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Joanne LeDoux and Milton LeDou
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God's Family for Me
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Growing In Grace - Digital
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SheetMusicPlus
Unison chorus, opt. Bb Clarinet - SKU: C6.636018003 Composed by Joanne LeDoux and Milton LeDoux. Christian, Children, Family. MP3. Growing In Grace - Di...
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Unison chorus, opt. Bb Clarinet - SKU: C6.636018003 Composed by Joanne LeDoux and Milton LeDoux. Christian, Children, Family. MP3. Growing In Grace - Digital #636018003. Published by Growing In Grace - Digital (C6.636018003). From the LeDoux writing team comes a cheerful piece celebrating the gift of family. Set in a relaxed shuffle, the melody will be quickly learned and is suitable for elementary choirs of any age. The middle section features lyrics that state whatever position we have in a family, the one thing that is true is God loves me and God loves you! A happy clarinet part is included.
$1.99
God's Family for Me (Accompaniment MP3)
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Chorale Unison
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Joanne LeDoux and Milton LeDou
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God's Family for Me
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Growing In Grace - Digital
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SheetMusicPlus
Unison chorus, opt. Bb Clarinet - SKU: C6.646018003 Composed by Joanne LeDoux and Milton LeDoux. Christian, Children, Family. MP3. Growing In Grace - Di...
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Unison chorus, opt. Bb Clarinet - SKU: C6.646018003 Composed by Joanne LeDoux and Milton LeDoux. Christian, Children, Family. MP3. Growing In Grace - Digital #646018003. Published by Growing In Grace - Digital (C6.646018003). From the LeDoux writing team comes a cheerful piece celebrating the gift of family. Set in a relaxed shuffle, the melody will be quickly learned and is suitable for elementary choirs of any age. The middle section features lyrics that state whatever position we have in a family, the one thing that is true is God loves me and God loves you! A happy clarinet part is included.
$9.99
Whatever Is True
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Piano, Voix et Guitare
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Enfant
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Suzie Kirby
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Whatever Is True
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Suzie Kirby. For piano, voice, and guitar (chords only). Children. 3 pages. Published by Hal Leonard - Digital Sheet Music...
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By Suzie Kirby. For piano, voice, and guitar (chords only). Children. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Alison Hedger: Whatever Is True for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Enfant
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Alison Hedger
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Virtualsheetmusic
Instantly printable sheet music by Suzie Kirby for voice, piano or guitar of MEDIUM skill level. / children
Instantly printable sheet music by Suzie Kirby for voice, piano or guitar of MEDIUM skill level. / children
$6.97
His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
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Whatever Is True
