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TRI ET FILTRES
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Tri et filtres :
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ACCORDEON
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Vous avez sélectionné:
When I Fall Asleep
Partitions à imprimer
14 partitions trouvées
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1
I Love You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1049167 By Billi…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1049167 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by John Sturt. Contemporary,Pop. Score and parts. 18 pages. John Sturt #653564. Published by John Sturt (A0.1049167). An intense, intermediate-advanced arrangement of the song i love you by Billie Eilish O'connell and Finneas O'connell from their album WHEN WE FALL ASLEEP, WHERE DO WE GO?.
$16.99
15.71 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Billie Eilish
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John Sturt
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I Love You
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John Sturt
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SheetMusicPlus
When I Fall Asleep
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1247241 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1247241 Composed by Mickie Wadsworth. A Cappella,Contemporary,Contest,Festival. Octavo. 8 pages. T.U.X. People's Music #841789. Published by T.U.X. People's Music (A0.1247241). Mickie Wandsworth paints a musical picture of how it feels to be physically separated from those you love, beginning with vulnerable, expressive melodies and harmonies that gradually reach an emotive climax. The delicate choral textures in this work are well-suited to showcase the skills of experienced ensembles and smaller chamber choirs.
$2.85
2.63 €
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Chorale SATB
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Mickie Wadsworth
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When I Fall Asleep
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T.U.X. People's Music
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SheetMusicPlus
The Quiet Way for clarinet quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.576530…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.576530 By Budapest Scoring Clarinet Ensemble. By David Warin Solomons. 20th Century,Contemporary. 12 pages. David Warin Solomons #35751. Published by David Warin Solomons (A0.576530). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The pdf file contains score and parts. This is one of several arrangements based on my lullaby song The quiet way you move me.Lyrics of the original song:Sometimes when you fall asleep, it seems you take me with you deep into a peaceful land far from all the heartache; that you'll understand one day, you will understand one day the quiet way quiet way you move me quiet way quiet way you move me. Sometimes when you fall asleep it seems you take me with you, deep into a peaceful land far from all the heart ache. I find myself complete; I find myself repeating a prayer and smiling at the sky: the quiet way you move me even when you cry. Now within your drowsy eyes I can see why the world has lost all its wonders. A new dream is rising, impatient to begin. A new dream is rising impatient to begin. And when the dream is through, your hungry feelings will find me. My comfort is you. My comfort is you. The quiet way quiet way you move me quiet way quiet way you move me
$10.00
9.24 €
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Quatuor de Clarinettes: 4 clarinettes
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Budapest Scoring Clarinet Ensemble
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The Quiet Way for clarinet quartet
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David Warin Solomons
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SheetMusicPlus
The Quiet Way you move me for clarinet quartet (mp3)
Quatuor de Clarinettes: 4 clarinettes
B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - Digital Download SKU: A0.1326658 B…
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B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - Digital Download SKU: A0.1326658 By Budapest Scoring Clarinet Ensemble. By David Warin Solomons. 20th Century,21st Century,Christmas,Contemporary. Full Performance. Duration 208. David Warin Solomons #914800. Published by David Warin Solomons (A0.1326658). This is one of several arrangements based on my lullaby song The quiet way you move me.Lyrics of the original song:Sometimes when you fall asleep, it seems you take me with you deep into a peaceful land far from all the heartache; that you'll understand one day, you will understand one day the quiet way quiet way you move me quiet way quiet way you move me. Sometimes when you fall asleep it seems you take me with you, deep into a peaceful land far from all the heart ache. I find myself complete; I find myself repeating a prayer and smiling at the sky: the quiet way you move me even when you cry. Now within your drowsy eyes I can see why the world has lost all its wonders. A new dream is rising, impatient to begin. A new dream is rising impatient to begin. And when the dream is through, your hungry feelings will find me. My comfort is you. My comfort is you. The quiet way quiet way you move me quiet way quiet way you move mePerformed by The Budapest Scoring Clarinet Ensemble.
$4.50
4.16 €
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Quatuor de Clarinettes: 4 clarinettes
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Budapest Scoring Clarinet Ensemble
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The Quiet Way you move me for clarinet quartet
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David Warin Solomons
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SheetMusicPlus
The quiet way you move me for wind quartet
Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapes…
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Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 219. David Warin Solomons #723324. Published by David Warin Solomons (A0.1122174). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The poem is by Nevil Frenkiel (from his play Barabbas) Sometimes when you fall asleep, it seems you take me with you deep into a peaceful land far from all the heartache; that you'll understand one day, you will understand one day the quiet way quiet way you move me quiet way quiet way you move me. Sometimes when you fall asleep it seems you take me with you, deep into a peaceful land far from all the heart ache. I find myself complete; I find myself repeating a prayer and smiling at the sky: the quiet way you move me even when you cry. Now within your drowsy eyes I can see why the world has lost all its wonders. A new dream is rising, impatient to begin. A new dream is rising impatient to begin. And when the dream is through, your hungry feelings will find me. My comfort is you. My comfort is you. The quiet way quiet way you move me quiet way quiet way you move me Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.
$4.50
4.16 €
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Budapest Scoring wind quartet
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The quiet way you move me for wind quartet
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David Warin Solomons
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SheetMusicPlus
Yuki-Onna (piano solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.54 €
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Piano seul
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Yuki-Onna (piano 4-hands)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.54 €
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1 Piano, 4 mains
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Bad Guy
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1472779 By Bil…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1472779 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Eric Weber. A Cappella,Contest,Disco,Festival,Pop,Singer/Songwriter. 10 pages. Eric Weber #1050404. Published by Eric Weber (A0.1472779). Bad Guy is a song by American singer-songwriter Billie Eilish and the fifth single from her first studio album, When We All Fall Asleep, Where Do We Go?. In the lyrics, Eilish mocks someone for being tough, while suggesting that she is a more resilient bad guy than he is. Experience this Billboard Hot 100 single as a must-have for your choir library. Four voices, a groovy bass and light body percussion are guaranteed to have the audience cheering and applauding. To make it easier to read, I have dispensed with repetitions and divided the lines for the body percussion in the B'' part into two. In the D' part, the tenor Tz part can be continued by optionally splitting another voice (e.g. alto) in two.Bad Guy ist die fünfte Single des Debutalbums When We All Fall Asleep, Where Do We Go? der amerikanischen Sängerin Billie Eilish. Im Songtext macht sich Billie darüber lustig, dass sich jemand für härter hält, als sie es ist. Dieser Chartstürmer ist ein Muss für Ihr Chorrepertoire! Vier Stimmen, ein grooviger Bass und einfache Bodypercussion sind ein Garant für ein begeistertes Publikum. Um das Lesen zu vereinfachen, habe ich auf Wiederholungen und Sprünge weitestgehend verzichtet und die Bodypercussion-Stimme im B''-Teil in zwei Zeilen gesplittet. Der Tz-Part des Tenors kann im D'-Teil von einer anderen Stimme übernommen werden (z.B. indem man den Alt teilt).
$1.99
1.84 €
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Chorale SATB
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Billie Eilish
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Eric Weber
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Bad Guy
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Eric Weber
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SheetMusicPlus
Theme & Variation On My Mum's Lullaby
Piano seul
Piano Solo - Digital Download SKU: A0.1033378 Composed by Unknown. Arranged by Marc…
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Piano Solo - Digital Download SKU: A0.1033378 Composed by Unknown. Arranged by Marc Micu. 20th Century,Children,Film/TV,Holiday,World. Score. 4 pages. Marc Micu #6401393. Published by Marc Micu (A0.1033378). Originally written for my mother for mother's day, this piano composition includes a theme and three variations. My mother made a lullaby melody when I was young to get me to fall asleep. She said that her inspiration for the melody is a culmination of Disney princess movies and Catholic church hymns. This piece reflects on my very spirited childhood with my mother, as well as feelings of tenderness, warmth, care and emotion.MP3 Audio Clip example played by Jackson Poling.
$5.99
5.54 €
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Piano seul
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Unknown
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Marc Micu
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Theme & Variation On My Mum's Lullaby
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Marc Micu
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SheetMusicPlus
Do You Hear How Many You Are?
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
78.58 €
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Orchestre d'harmonie
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Do You Hear How Many You Are?
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25
2.08 €
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Chorale SATB
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Billie Eilish - Wish You Were Gay
Piano, Voix
Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by …
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Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Wish You Were Gay" by Billie Eilish on piano!<br> <br> With this piano sheet music, you can play "Wish You Were Gay" from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?" (released in March 2019).<br> <br> It's an accurate piano transcription of the whole piece, it's not too hard to play, and it sounds fantastic!<br> The whole melody is included in the piano part of this arrangement, so it makes for a great instrumental solo piece. But of course, you can also use this sheet music to accompany a singer, or sing along yourself!<br> <br> These piano sheets come with a seperate system for the singer, including the song's full lyrics.<br> <br> "wish you were gay" was released in March 2019 as the fourth single from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?".<br> <br> Her inspiration for the song came from being unhappily in love at the age of 14, and wishing there would be a good reason for the boy not to love her...<br> <br> "Wish You Were Gay" is a great song for piano - with these piano sheets, you can play it, too!<br> <br> Here are the full lyrics to "Wish You Were Gay" by Billie Eilish:<br> <br> "Baby, I don't feel so good<br> Six words you never understood<br> I'll never let you go<br> Five words you'll never say (aw)<br> I laugh alone like nothing's wrong<br> Four days has never felt so long<br> If three's a crowd and two was us<br> One slipped away<br> I just wanna make you feel okay<br> But all you do is look the other way, mm<br> I can't tell you how much I wish I didn't wanna stay<br> I just kinda wish you were gay<br> Is there a reason we're not through?<br> Is there a 12 step just for you?<br> Our conversation's all in blue<br> 11 'Heys' (Hey, hey, hey, hey)<br> Ten fingers tearing out my hair<br> Nine times you never made it there<br> I ate alone at 7, you were six minutes away (yay)<br> How am I supposed to make you feel okay<br> When all you do is walk the other way?<br> I can't tell you how much I wish I didn't wanna stay<br> I just kinda wish you were gay<br> To spare my pride<br> To give your lack of interest an explanation<br> Don't say I'm not your type<br> Just say that I'm not your preferred sexual orientation<br> I'm so selfish<br> But you make me feel helpless, yeah<br> And I can't stand another day<br> Stand another day<br> I just wanna make you feel okay<br> But all you do is look the other way<br> I can't tell you how much I wish I didn't wanna stay<br> I just kinda wish you were gay<br> I just kinda wish you were gay<br> I just kinda wish you were gay"
$4.99
4.61 €
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Piano, Voix
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Billie Eilish
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Mario Stallbaumer
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Billie Eilish - Wish You Were Gay
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Mario Stallbaumer
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SheetMusicPlus
The Dark Garden, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1195174 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1195174 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 8 pages. Kevin G. Pace #794352. Published by Kevin G. Pace (A0.1195174). Somber, inspiring choral music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Kneeling in prayer in this dark garden, Friends here, but yet asleep, Facing a burden no mortal could bear, I look to heaven, for I have a promise to keep. Where art thou God in all my sorrow? Dost Thou not heed my pain? Send forth Thine angel to comfort my soul; Strength found in suffering will lead me back to Thee again. Whence comes this blood, from sin and anguish? Thus I atone for all. Having descended below ev'ry care, I am thy Savior, to rescue thy soul from The Fall.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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The Dark Garden, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
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