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When I Hear a Band
Partitions à imprimer
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When I Hear a Band
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.995189 Composed by Richard C…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.995189 Composed by Richard Chiarappa. Jazz. Score and parts. 47 pages. Richard J. Chiarappa #4797357. Published by Richard J. Chiarappa (A0.995189). A good ol' fashioned swing tune with a vocalist, a la Sinatra, that can be done by a good high school jazz band, community or professional jazz bands!
$40.00
36.67 €
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Ensemble Jazz
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Richard Chiarappa
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When I Hear a Band
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Richard J. Chiarappa
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SheetMusicPlus
Do You Hear How Many You Are?
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
77.93 €
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Orchestre d'harmonie
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, woodwind parts
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet…
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Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 92 pages. Musik Fabrik Music Publishing #62097. Published by Musik Fabrik Music Publishing (A0.540712). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains all of the woodwind parts The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available. The full score is available as a seperate item.
$59.95
54.96 €
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Orchestre d'harmonie
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, score
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet…
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Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music Publishing #62093. Published by Musik Fabrik Music Publishing (A0.540710). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item is the full score. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available.
$19.95
18.29 €
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Orchestre d'harmonie
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, percussion parts + harp and contrabass par
Orchestre d'harmonie
Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Bren…
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Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 36 pages. Musik Fabrik Music Publishing #62099. Published by Musik Fabrik Music Publishing (A0.540713). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains the percussion, harp, and contrabass parts. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available The fullscore is available as a seperate item..
$19.95
18.29 €
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Orchestre d'harmonie
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Gift From The Bower (Revised)
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 2…
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Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99
6.41 €
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Violoncelle (partie séparée)
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.83 €
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Orchestre d'harmonie
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A
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Stephen Davies
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
When I Was In Distress
Alto (partie séparée)
Viola Solo - Level 3 - Digital Download SKU: A0.1001211 Composed by Edigles Guedes.…
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Viola Solo - Level 3 - Digital Download SKU: A0.1001211 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 5 pages. Edigles Guedes #6096949. Published by Edigles Guedes (A0.1001211). It is a composition study. It is suitable for intermediate-level viola students. Work duration: 14:39 min. Inspired by the biblical verse: Hear me when I call, O God of my righteousness: thou hast enlarged me when I was in distress; have mercy upon me, and hear my prayer. (Psalm 4: 1 - KJV).
$1.99
1.82 €
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Alto (partie séparée)
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Edigles Guedes
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When I Was In Distress
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Edigles Guedes
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SheetMusicPlus
When I'm Sixty-four
Saxophone (partie séparée)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.588379 By The Beatles. By…
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.588379 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319403. Published by David McKeown (A0.588379). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Tenor Saxophone. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.58 €
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Saxophone (partie séparée)
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
When I'm Sixty-four
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.588378 By The Beatles. …
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Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.588378 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319401. Published by David McKeown (A0.588378). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Soprano Saxophone. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.58 €
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Saxophone (partie séparée)
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
When I'm Sixty-four
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.588383 By The Beatles. By John Lenn…
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Cello Solo - Level 3 - Digital Download SKU: A0.588383 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319411. Published by David McKeown (A0.588383). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Cello. Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.58 €
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Violoncelle (partie séparée)
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
When I'm Sixty-four
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.588376 By The Beatles. By John Lenno…
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Oboe Solo - Level 3 - Digital Download SKU: A0.588376 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319397. Published by David McKeown (A0.588376). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Oboe. Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.58 €
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Hautbois (partie séparée)
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
I Swear
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015657 By John Michael Montgom…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015657 By John Michael Montgomery. By Frank Myers and Gary Baker. Country. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015657. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015657). ISBN 9780739094877. UPC: 038081456898.Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).
$3.99
3.66 €
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Piano, Voix et Guitare
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John Michael Montgomery
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I Swear
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.16 €
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.16 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
When I'm Sixty-Four
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1415644 By The Beatles. By John Len…
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Easy Piano - Level 2 - Digital Download SKU: A0.1415644 By The Beatles. By John Lennon and Paul McCartney. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Comedy,Pop. Score. 6 pages. Colne Edition / BullardMusic #997360. Published by Colne Edition / BullardMusic (A0.1415644). Although When I’m Sixty-Four was first released on the Beatles album Sgt. Pepper's Lonely Hearts Club Band (1967) this song was written ten years earlier by the 14-year old Paul McCartney, and presents a quirky view of young love presented in a nostalgic vaudeville style. In this easy-to play arrangement, the left hand is mainly light and staccato with the melody singing out smoothly above. The Janet and Alan Bullard Piano Series is an ever-growing collection of arrangements at easy to intermediate level, designed to complement the authors’ Pianoworks series (Oxford University Press). With Christmas songs such as ‘Chestnuts Roasting on an Open Fire’ and ‘A Spaceman Came Travelling’, songs from the shows such as ‘You’ll Never Walk Alone’, jazz standards such as ‘The Wedding’ and ‘A Child is Born’ songs by bands like Abba and The Kinks, pieces from the classics, and even the theme tunes from James Bond, Desert Island Discs, and The Archers, there is something here for everyone who learns the piano! All arrangements are distributed by Sheet Music Plus and Sheet Music Direct, and are available as individual digital downloads. A full list is available at www.bullardmusic.co.uk
$4.99
4.58 €
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Piano Facile
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The Beatles
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When I'm Sixty-Four
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Colne Edition / BullardMusic
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SheetMusicPlus
Let It Snow ... But Quietly for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.955742 Composed by Text: Eduard E…
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Concert Band - Level 3 - Digital Download SKU: A0.955742 Composed by Text: Eduard Ebel, Music: unknown. Arranged by Phil Thrift. Christmas. Score and parts. 96 pages. Phil Thrift #6563217. Published by Phil Thrift (A0.955742). Leise rieselt der Schnee is a popular children’s Weihnachtslied. However, in this arrangement, cheekily translated as Let It Snow … But Quietly, the well-known melody in 6/8 time is presented in 4/4 time with a soul treatment. Other German Christmas tunes have also been worked into this medium-difficulty piece. Even those unfamiliar with the German originals will I hope be able to enjoy the holiday season spirit conveyed with the obligatory sleigh bells!This concert band reworking of my original big band chart has parts for the following instruments:Piccolo, Flutes 1/2, Oboe, BassoonEb Clarinet, Bb Clarinets 1/2/3, Eb Alto Clarinet, Bb Bass ClarinetEb Alto Saxophones 1/2, Bb Tenor Saxophones 1/2, Eb Baritone SaxophoneBb Trumpets 1/2/3, F Horns 1/2/3/4 (alternative Eb parts included),Trombones 1/2/3 (B.C. & Bb T.C.), Euphonium (B.C. & Bb T.C.),Tuba (alternative Eb T.C. & Bb T.C. parts included)Acoustic Bass, Drum Set, Glockenspiel,Percussion (1 or 2 players – shaker/sleigh bells & chimes/tambourine)For those bands without a full complement of players, key passages for instruments that may not be available are cued in other parts.The Open For Solos section will be familiar to big band players, perhaps less so to concert band players. Some guidance will be needed here so that musicians playing the backing parts know when to play.Suggested solos are notated in piccolo, flute, clarinet, alto saxophone, tenor saxophone, trumpet, and trombone. The harmonies are also included so that players with the necessary experience can improvise their own solos.At the end of the piece, let the players fade out one by one until the percussionist with the sleigh bells is left, walking off stage. Only when the sleigh bells can no longer be heard is this piece over!
$39.99
36.66 €
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Orchestre d'harmonie
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Text: Eduard Ebel, Music: unknown
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Phil Thrift
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Bb T
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Let It Snow ... But Quietly for Concert Band
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Phil Thrift
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SheetMusicPlus
Concerto for Concert Band (2011) full score
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Le…
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
9.16 €
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Orchestre d'harmonie
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
As I walked forth
Hautbois, Piano (duo)
Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Compos…
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Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Composed by Robert Johnson. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 19 pages. David Warin Solomons #26513. Published by David Warin Solomons (A0.576454). Arrangement for wind trio and piano of a romantic sad song by Renaissance composer Robert Johnson The original words are as follows: As I walked forth one summer's day, To view the meadows green and gay A pleasant bower I espied Standing fast by the river side, And in't a maiden I heard cry: Alas! alas! there's none e'er loved as I. Then round the meadow did she walk, Catching each flower by the stalk Such flow'rs as in the meadow grew, The Dead Man's Thumb, an herb all blue; And as she pull'd them still cried she: Alas! alas! there's none e'er loved as I. The flowers of the sweetest scents She bound about with knotty bents; And as she bound them up in bands She wept, she sigh'd, she wrung her hands; Alas! alas! alas! cried she, Alas! alas! there's none e'er loved as I. When she had fill'd her apron full Of such green things as she could cull, The green things served her for her bed, The flow'rs were the pillows for her head; Then down she laid her, ne'er more did speak; Alas! alas! with love her heart did break.
$12.00
11 €
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Hautbois, Piano (duo)
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Robert Johnson
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David Warin Solomons
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As I walked forth
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David Warin Solomons
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SheetMusicPlus
I'll Fly Away
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1219590 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1219590 Composed by Albert E. Brumley. Arranged by Lyndell Leatherman. Christian,Country,Religious. Score. 3 pages. Leatherman Music Services #815952. Published by Leatherman Music Services (A0.1219590). This standard gospel hymn is popular in both secular and religious contexts, having been recorded by hundreds of artists including Randy Travis. Here's an easy piano arrangement which includes the lyrics for singing along as well as the chord symbols (with fretboards) so that you can add a band if you'd like! The introduction and two verses are 1:25 in duration. For more information about the song and its writer, please visit our friends at The Hymnary: https://hymnary.org/text/some_glad_morning_when_this_life_is_oerIt has been my lifelong endeavor to provide fresh, yet accessible music for the churches and schools with whom I have been associated. During the slowdown caused by Covid-19, I finally had the time to start posting a lifetime's worth of custom arrangements on Sheet Music Plus. If you are curious about what else I've posted, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718>;; or slip over to Facebook <https://www.facebook.com/leathermanmusicservices>;; where you can see and hear more published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$4.99
4.58 €
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Piano, Voix et Guitare
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Albert E
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Lyndell Leatherman
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https://www
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I'll Fly Away
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Leatherman Music Services
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SheetMusicPlus
I'll Fly Away
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1086780 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1086780 Composed by Albert E. Brumley. Arranged by Lyndell Leatherman. Country,Spiritual,Traditional. Score. 3 pages. Leatherman Music Services #690966. Published by Leatherman Music Services (A0.1086780). This standard gospel hymn is popular in both secular and religious contexts, having been recorded by hundreds of artists including Randy Travis. Here's an easy piano arrangement which includes the lyrics for singing along as well as the chord symbols (with fretboards) so that you can add a band if you'd like! The introduction and two verses are 1:25 in duration. For more information about the song and its writer, please visit our friends at The Hymnary: https://hymnary.org/text/some_glad_morning_when_this_life_is_oer It has been my lifelong endeavor to provide fresh, yet accessible music for the churches and schools with whom I have been associated. Because of the 2020 slowdown caused by Covid-19, I finally had the time to start posting a lifetime's worth of custom arrangements on Sheet Music Plus (now ArrangeMe). If you are curious about what else I've posted, please try this link: < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718>;; or slip over to Facebook ;; where you can see and hear more published works. Thanks for your interest! God bless! Lyndell Leatherman, ASCAP.
$4.99
4.58 €
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Piano, Voix et Guitare
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Albert E
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Lyndell Leatherman
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I'll Fly Away
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Leatherman Music Services
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SheetMusicPlus
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