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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When I Was Eight
Sheetmusicplus
Non classifié
33
Piano & claviers
Piano seul
22
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Piano, Voix et Guitare
6
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1
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21
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6
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8
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Vents
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1
Clarinette et Piano
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Saxophone Soprano et Piano
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Flûte, Hautbois, Basson
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2 Flûtes traversières (duo)
1
Saxophone Baryton, Piano
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Flûte traversière et Piano
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Saxophone Alto et Piano
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Cor anglais, Piano
1
Flûte, Clarinette et Basson
1
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Cuivres
Quatuor de Cuivres
3
Trombone et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette
2
Ensemble de Tubas
1
Trompette, Piano
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Trombone basse et Piano
1
Tuba et Piano
1
Cor anglais, Piano
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
1
Alto, Piano
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
When I Was Eight
SheetMusicPlus
Partitions à imprimer
162 partitions trouvées
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151
Eight Shorter Preludes on American Hymns (for manuals only)
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Orgue
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INTERMÉDIAIRE
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Brian Joyce
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Eight Shorter Preludes on Amer
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce...
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Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95
When I Was Your Man
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Chorale 2 parties
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DÉBUTANT
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Pop musique
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Bruno Mars
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Matt Arnett
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When I Was Your Man
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Matt Arnett Music
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.1079571 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Matt Arnett. Pop....
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Choral Choir (SA) - Level 1 - SKU: A0.1079571 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Matt Arnett. Pop. Octavo. 7 pages. Matt Arnett Music #683749. Published by Matt Arnett Music (A0.1079571). Another solid title from Bruno Mars, Middle School students love this piece! If you've worked with them, you know that they love heartache and broken relationships, so this song definitely delivers. I kept this one very simple and it was just fun. Students really like and find accessible the easy alto harmonies throughout. There's definitely more of an opportunity to learn about dynamics and have a powerful moment in this piece than in most pop music, but make sure you have a big drop before the third verse - students love the feeling it gives them. The piece is also notated in cut time with swung eighths, so there are opportunities to teach some more complicated metric principles as well, though you can also easily ignore those details and keep it simple for a young group. The piano part is kept very simple throughout.
$1.99
When I Was Eight
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Chorale SATB
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Dominick DiOrio
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When I Was Eight
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus,Voice - SKU: HX.1490974 Composed by Dominick DiOrio. Edited by Richard Bjella. This edition: scorch. Concert,Poetry. 22 ...
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Choral Choir,Choral,SATB Chorus,Voice - SKU: HX.1490974 Composed by Dominick DiOrio. Edited by Richard Bjella. This edition: scorch. Concert,Poetry. 22 pages. Duration 300. Hal Leonard - Digital #354672. Published by Hal Leonard - Digital (HX.1490974).
$3.25
I'll Walk Alone
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Dinah Shore
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F
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th C...
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Piano, Voix
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AVANCÉ
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Francis Osentowski, music Jerr
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Original composition
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EIGHTEEN IN ITALY Movement I,
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Francis Osentowski
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. A...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99
When Will My Life Begin?
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Instruments en Do
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INTERMÉDIAIRE
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Rock
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Alan Menken and Glenn Slater
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Brad Powell
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When Will My Life Begin?
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Geofonica Artistworks
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1375566 Composed by Alan Menken and Glenn Slater. Arranged by Brad Powell. Broadway,Classical,Film/TV,Jazz,Musical/Show...
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C Instrument - Level 3 - SKU: A0.1375566 Composed by Alan Menken and Glenn Slater. Arranged by Brad Powell. Broadway,Classical,Film/TV,Jazz,Musical/Show,Pop. Lead Sheet / Fake Book. 4 pages. Geofonica Artistworks #960101. Published by Geofonica Artistworks (A0.1375566). This is a leadsheet (melody/chords/lyrics) from a solo guitar arrangement of When Will My Life Begin (from Tangled) created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. Brad played this for Rapunzel, her friends, and guests. It's an intermediate level leadsheet mixing pop, jazz and classical techniques and chord voicings. You can see & hear the full arrangement performed in the YouTube link provided. (the full arrangement with TAB is on the way!)ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
I Want A Hippopotamus For Christmas (Hippo The Hero)
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Noël
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John Rox
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Bob Coil
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I Want A Hippopotamus For Chri
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Polished Brass
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SheetMusicPlus
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Trombone,Double Bass,Drum Set,Drums,Euphonium,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C.,Tuba ...
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Trombone,Double Bass,Drum Set,Drums,Euphonium,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C.,Tuba - Level 3 - SKU: A0.961200 Composed by John Rox. Arranged by Bob Coil. 20th Century,Christmas,Contemporary,Jazz,Pop. Score and parts. 33 pages. Polished Brass #4409943. Published by Polished Brass (A0.961200). This arrangement for Trombone quintet with optional rhythm section should be played with swing eighth notes and a feeling that reflects the tongue-in-cheek humor of the lyrics. It can be performed with a vocalist, as well as just instruments. Letter D and E include some fun glissandos, so don't be shy about bringing them out. Whether you include the extra parts or just play it as a quintet, this is bound to be an audience pleaser. When Gayla Peevey recorded this song in 1953 she was just 10. It may have sounded like a strange Christmas wish; she wanted a Hippopotamus for Christmas. However, her recording became a hit that led to the purchase of a hippo for the Oklahoma City Zoo. The Bones of Cincinnatus found a welcome audience in 2018, with the birth a hippopotamus named, Fiona, at the Cincinnati Zoo.  The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$14.99
Gödel, Escher, Bach (2023)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Gödel, Escher, Bach
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Thomas Oboe Lee
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1377044 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 61 pa...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1377044 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 61 pages. Thomas Oboe Lee #961650. Published by Thomas Oboe Lee (A0.1377044). I came across Douglas R. Hofstadter's book Gödel, Escher, Bach when I was a doctoral student at Harvard University, 1977-81. I guess I bought it because I saw the name Bach on its cover. I have to confess however that I was unable to go through it all; the Gödel theorems and others were beyond my elementary knowledge of math and science. Early this summer I accidentally found an article in The Atlantic about a conversation between Sami Al-Suwailem and Professor Hofstadter regarding a question that the former presented to the LLM (large-language-model), ChatGPT: Why Did I Write GEB? NB: GEB is an acronym of Gödel, Escher, Bach. The conversation between them about ChatGPT was hilarious; basically Hofstadter said ChatGPT is ridiculously clumsy and inept. I, on the other hand, immediately thought: wouldn't it be fun to set excerpts of the GEB text in a song cycle for tenor and piano?I wrote to Prof. Hofstadter and he was enthusiastic about my idea of a GEB song cycle and encouraged me to go ahead.After reading through the tome of 700-plus pages (and skimming through the over my head mathematical parts), I came up with eight paragraphs of texts which I set to music.1. A Fugue is ...2. Fishes and Scales ...3. Bach and Cage ...4. The Carroll Dialogue ...5. Crab Canon ...6. The Brain's Ants ...7. Is 15 wondrous, or unwondrous?8. The Origin of Life ...
$9.99
English version of "Song of Autumn Fog"
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Piano, Voix
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Johnson K
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e-Pllination Inc
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English version of "Song
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Johnson Gao
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1006984 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Children,Concert,Contemporary,World. Score. 1 pages. Johns...
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Piano,Vocal,Voice - SKU: A0.1006984 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Children,Concert,Contemporary,World. Score. 1 pages. Johnson Gao #3372983. Published by Johnson Gao (A0.1006984). September 12, 1991, I met a fog in the city of Knoxville, Tennessee. Everything became very vague. Not only that the Great Smoky Mountain, which was clearly visible on the sunny day, was completely blocked by the fog, the neighbors' brick houses and flowers are also very hazy. But, the cricket's sound could be heard clearly. I wrote the Autumn fog in twenty eight Chinese characters. Twenty-three years later, when I was seventy-seven years old, I found the poem in the old manuscript and scanned it into an electronic version. I used two days to compose a song for the poem. February 2016, I visited New Orleans and added another 28 Chinese characters to form a longer poem as following. 秋霧 高é雄作: é 看白紗掩é’å±±, è¿‘è½ç§‹èŸ²é³´ç¿ 壇; 石屋朦朧隱芳è‰, 旋花迷離上窗欖。茫茫人生å«è‰±éšª, 旦夕ç¦ç¦èŽ«æ„天。良機åªå¾…有心人, 霾消日照彩雲邊。And I composed a longer song, published in my music sheet book. This is a short version of English translation of the original short poem.
$1.99
Good Morning Good Morning
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Ce...
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #414967. Published by RayThompsonMusic (A0.807933). Arranged standrard brass quartet: 2 tpts, tbn, tuba. Alt. horn in F for trombone. Transposed into Bb from original A to aid brass players.Melody and guitar break given to 1st trumpet. Trombone and 2nd take middle section. Tuba covers bass guitarGreat fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
$17.95
Good Morning Good Morning
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.867641 By The Beatles. By Jo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
$14.95
Good Morning Good Morning
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1273200 By The Beatles. By John Lennon and Paul McCartney. Arranged b...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1273200 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 9 pages. RayThompsonMusic #865366. Published by RayThompsonMusic (A0.1273200). Arranged standrard wind quartet: flute, oboe, clarinet and bassoonTransposed into Bb from original A to aid players.Melody given to oboe. guitar break to flute . Bassoon covers bass guitarInterest in all parts!!Great fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube vid is my brass quartet arrangement.
$17.95
Cavatina
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Stanley Myers
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Cavatina
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802559 Composed by Stanley Myers. Arranged by Derek Broadbent & Peet du Toit. Contemporary...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802559 Composed by Stanley Myers. Arranged by Derek Broadbent & Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #5791193. Published by Peet du Toit (A0.802559). Cavatina is a 1970 classical guitar piece by British composer Stanley Myers written for the film The Walking Stick (1970), and popularised as the theme from The Deer Hunter some eight years later. As the Italian diminutive of cavata, cavatina is a musical term frequently applied to any simple, melodious air.The piece had been recorded by classical guitarist John Williams, long before the film that made it famous. Cleo Laine wrote lyrics and recorded the song as He Was Beautiful, accompanied by Williams. It has been recorded since by many guitarists, such as Leona Boyd, Angel Romero, Norbert Kraft.Derek Broadbent's arrangements caught my soul when I was playing the flügelhorn solo in a brass band, so I decided to transcribe it for a brass quintet, having less players around but still being able to celebrate this wonderful composition and arrangement.
$15.50
Creature
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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George Willson
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Creature
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George Willson
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Publi...
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Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
In the Bleak Midwinter
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages....
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Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99
Good King Wenceslas
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Piano seul
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Kevin Frecker
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Kevin Frecker
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Good King Wenceslas
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Kevin Frecker
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1290006 By Kevin Frecker. By 13th Century Spring Carol, Tempus adest floridum. Arranged by Kevin Frecker. Christian,Chris...
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Piano Solo - Level 3 - SKU: A0.1290006 By Kevin Frecker. By 13th Century Spring Carol, Tempus adest floridum. Arranged by Kevin Frecker. Christian,Christmas,Holiday,Religious,Traditional. Score. 2 pages. Kevin Frecker #880697. Published by Kevin Frecker (A0.1290006). This arrangement was originally a Christmas gift to my family when I was 12 years old. The harmonic language is limited, which keeps the arrangement relatively easy. The melody is presented 3 times. The first time, the accompaniment proceeds in octaves only, and then both hands are repeated one octave higher. The final presentation of the melody occurs in octaves in the right hand, while the accompaniment provides more energy through eighth-note triplet broken chords.
$1.99
Spiritual Adaptation to Higher Altitudes for clarinet and vibraphone
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Contemporain
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William Grosvenor Neil
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parts) is a beautiful work
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Spiritual Adaptation to Higher
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - SKU: A0.980582 Composed by William Grosvenor Neil. Contemporary. Score and parts. 17 pages. Th...
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Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - SKU: A0.980582 Composed by William Grosvenor Neil. Contemporary. Score and parts. 17 pages. TheComposerStudio.Com, LLC #3517735. Published by TheComposerStudio.Com, LLC (A0.980582). Spiritual Adaptation to Higher Altitudes (2018) (score & parts) is a beautiful work. Bursts of excitement and moments of dialogue punctuate the long, seamless phrases, inviting the musicians to explore the remarkably rich palette of colors created by this pairing. William Neil has created a truly unique, much-needed addition to the clarinet and percussion repertoire!- Dr. Corey MackeyProgram NotesI was introduced to rock climbing by chance years ago, allured by the solo adventure of the climb, the management of ropes and the feel of the rock under my feet and fingers. Then, there was the fear of heights that could take your breath away when you were exposed to the vast openness below you and the feeling that you were really not supposed to be this high off the ground. And when the wind blows and you watch an eagle or hawk drift by, perfectly comfortable souring at these heights, you realize the importance of mind control in making your ascent. Over the years, I have gained more mental discipline while climbing and my spirit has been strengthened by the visual experience of these broad and deep horizons. The poet Diana Syder said it well in her poem The Mountaineer: From this height it’s safe to scan the earth for bigger things. The climbs of life are its meaning. WN Information on the composer: www.williamneil.net Audio Sample: Corey Mackey, Clarinet, Keith Lienert, Vibraphone
$30.00
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons, 2 trumpets, 2
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Thomas Oboe Lee
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Requiem Octet ... In Memoriam
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contempora...
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Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #431995. Published by Thomas Oboe Lee (A0.869389). I was in the midst of composing this octet for Eric Hewitt and the Boston Conservatory Wind Ensemble when I heard that Gunther Schuller died, on Sunday June 21, 2015. Gunther was my first composition teacher when I was a graduate student at the New England Conservatory of Music in Boston. On impulse I decided to redirect this work to Gunther Schuller, in memoriam. The title is Requiem Octet. All the melodies in the octet are coupled with the Latin text from the requiem. There are eight movements. 1. Requiem aeternam ... 2. Dies irae, dies illa ... 3. Tuba mirum ... 4. Recordare ... 5. Confutatis maledictis ... 6. Lacrimosa ... 7. Libera me ... 8. In paradisum ...RIP, Gunther Schuller, 1925-2015.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/requiem-octet-in-memoriam-gunther-schuller-2015
$9.99
Mon Homme
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Piano seul
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AVANCÉ
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Edith Piaf
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Timothy Stapay/Liberace
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Mon Homme
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broa...
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Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl It is arranged as performed by Barbra's good friend, Liberace. Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.
$8.99
Stompin' Jam - Trumpet Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99
Luther: Out of the Depths for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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