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Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Voix Tenor
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.69 €
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Voix Tenor
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.69 €
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
The Sound of Living Waters
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727204 Composed by Bill Bur…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727204 Composed by Bill Burns, Carol Troutman Wiggins, and Marsha Burns. Christian,Contemporary,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Carol Troutman Wiggins #3078047. Published by Carol Troutman Wiggins (A0.727204). The Sound of Living WatersSAB/3-Part Mixed Voices w/SoloThis song was written when I read the words to a post written by Bill & Marsh Burns of Faith Tabernacle in Kremmling, CO. I asked permission to paraphrase the prophecy in this song and they graciously granted permission. The song describes how Living Waters are all around us, flowing through us, around us and in us. Slow Gospel/Worship styleSolo plus 3-Part harmony of your choiceComfortable singing range for small choirs but full bodied enough for large choirsRepetitive words and musical phrasesOos support melodyChords included for additional instruments or praise bandPiano Accompaniment Rehearsal Track available on this site.
$2.50
2.31 €
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Chorale 3 parties
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Bill Burns, Carol Troutman Wiggins, and Marsha Burns
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The Sound of Living Waters
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Carol Troutman Wiggins
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SheetMusicPlus
The Sound of Living Waters - Piano Accompaniment Track
Accompagnement Piano
Choir,Piano - Digital Download SKU: A0.1065413 Composed by Bill Burns, Carol Troutm…
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Choir,Piano - Digital Download SKU: A0.1065413 Composed by Bill Burns, Carol Troutman Wiggins, and Marsha Burns. Christian,Gospel,Praise & Worship. Accompaniment. Duration 177. Carol Troutman Wiggins #3078049. Published by Carol Troutman Wiggins (A0.1065413). The Sound of Living WatersSAB/3-Part Mixed Voices w/SoloThis song was written when I read the words to a post written by Bill & Marsh Burns of Faith Tabernacle in Kremmling, CO. I asked permission to paraphrase the prophecy in this song and they graciously granted permission. The song describes how Living Waters are all around us, flowing through us, around us and in us. Slow Gospel/Worship styleSolo plus 3-Part harmony of your choiceComfortable singing range for small choirs but full bodied enough for large choirsRepetitive words and musical phrasesOos support melodyChords included for additional instruments or praise bandSAB/3-Part Mixed Voices w/Solo arrangement available on this site.
$5.99
5.55 €
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Accompagnement Piano
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Bill Burns, Carol Troutman Wiggins, and Marsha Burns
#
The Sound of Living Waters - Piano Accompaniment Track
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Carol Troutman Wiggins
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SheetMusicPlus
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