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Vous avez sélectionné:
When She Cries
Partitions à imprimer
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When She Cries
Piano, Voix et Guitare
Guitar,Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1156960 By Restles…
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Guitar,Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1156960 By Restless Heart. This edition: scorch. Country,Pop. Score. 4 pages. Hal Leonard - Digital #4833. Published by Hal Leonard - Digital (HX.1156960).
$4.99
4.61 €
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Piano, Voix et Guitare
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Restless Heart
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When She Cries
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Hal Leonard - Digital
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SheetMusicPlus
When She Cries by Restless Heart - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Restless Heart: When She Cries Digital Sheetmusic - instantly downloadable s…
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Performed by: Restless Heart: When She Cries Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Piano;Voice;Guitar; 4 pages -- Country~~Adult Contemporary~~Contemporary Country
$5.50
5.09 €
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Piano, Voix et Guitare
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Restless Heart
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Piano/Vocal/Guitar
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Musicnotes
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) Piano
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730322 Composed by James …
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730322 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. 12 pages. James Nathaniel Holland #2891389. Published by James Nathaniel Holland (A0.730322). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestral accompaniment available, sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor and orchestra): https://www.youtube.com/watch?v=ry0b9cLOYc4 (The sample attached here includes a synthesizer.)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.50
4.16 €
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
13.82 €
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Orchestre
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
When A Blind Man Cries
Choral Alto Voice,Bass Voice,Choral,SATB Chorus,Soprano voice,Tenor Voice - Level 5 - Inte…
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Choral Alto Voice,Bass Voice,Choral,SATB Chorus,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.1459377 Composed by Ian Gillan, Jon Lord, and Ritchie Blackmore. Arranged by Billy Daniel. This edition: Interactive Download. Blues,Rock. 13 pages. Duration 169. Billy Daniel #4CenSWqU1G9OyhYxy9NTub. Published by Billy Daniel (A0.1459377). Key: B minor.One of Deep Purple's true electric blues songs. This arrangement technically features two soloists, a lead singer and a lead guitar. Feel free to add vocal percussion to bring it all together!
$3.99
3.69 €
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Ian Gillan, Jon Lord, and Ritchie Blackmore
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Billy Daniel
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When A Blind Man Cries
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Billy Daniel
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SheetMusicPlus
When A Blind Man Cries
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.729953 Composed by Ian Gillan, Jo…
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Piano,Violin - Level 3 - Digital Download SKU: A0.729953 Composed by Ian Gillan, Jon Lord, and Ritchie Blackmore. Arranged by Genti Guxholli. 20th Century,Broadway,Multicultural,Musical/Show,Pop,Rock,World. 7 pages. Genti Guxholli #6615415. Published by Genti Guxholli (A0.729953). Website: www.littlesheetmusic.comEmail: littlesheetmusic@gmail.com.
$6.99
6.46 €
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Violon et Piano
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Ian Gillan, Jon Lord, and Ritchie Blackmore
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Genti Guxholli
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When A Blind Man Cries
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Genti Guxholli
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SheetMusicPlus
Whenever A Teenager Cries
Piano, Voix et Guitare
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.293762 By Repa…
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.293762 By Reparata & The Delrons. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital (HX.293762).
$4.99
4.61 €
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Piano, Voix et Guitare
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Reparata & The Delrons
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Whenever A Teenager Cries
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Hal Leonard - Digital
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SheetMusicPlus
Restless Heart: When She Cries - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Restless Heart for voice, piano or guitar of MEDIUM ski…
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Instantly printable sheet music by Restless Heart for voice, piano or guitar of MEDIUM skill level. / country,pop
$6.97
6.45 €
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Piano, Voix et Guitare
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Restless Heart
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Virtualsheetmusic
Andy McKee: When She Cries - guitar (tablature)
Guitare notes et tablatures
Instantly printable sheet music by Andy McKee for guitar (tablature) of MEDIUM skill level…
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Instantly printable sheet music by Andy McKee for guitar (tablature) of MEDIUM skill level. / pop
$5.97
5.52 €
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Guitare notes et tablatures
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Andy McKee
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Virtualsheetmusic
Sonny LeMaire: When She Cries for guitar
Paroles et Accords
Instantly printable sheet music by Restless Heart for guitar (chords) of MEDIUM skill leve…
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Instantly printable sheet music by Restless Heart for guitar (chords) of MEDIUM skill level. / country,pop
$3.97
3.67 €
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Paroles et Accords
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Sonny LeMaire
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Virtualsheetmusic
The Hills Are Bare at Bethlehem (Downloadable Choral Score)
Chorale SATB
SATB choir divisi, 2 oboes/treble instruments, and keyboard or full orchestra - Medium - D…
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SATB choir divisi, 2 oboes/treble instruments, and keyboard or full orchestra - Medium - Digital Download SKU: MQ.50-1708-E Composed by Robert Scholz. Advent, Christmas, Christmas-Sacred. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-1708-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1708-E). This hauntingly beautiful setting celebrates new life and hope arising from barren hills and tired hearts. A quiet opening grows to a full, expressive climax whenhope renewed cries out, 'Amen. It is based on the folk tune Prospect with fragments of Wondrous Love and The First Nowell.This piece can be performed in one of three versions:a cappella choir with two oboes (or other treble instruments)choir, keyboard, and two oboeschoir and full orchestra.
$2.85
2.64 €
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Chorale SATB
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Robert Scholz
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The Hills Are Bare at Bethlehem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
When She Cries
Guitare notes et tablatures
By Andy McKee. Pop. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
By Andy McKee. Pop. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Guitare notes et tablatures
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Andy McKee
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When She Cries
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
When She Cries
Paroles et Accords
By Restless Heart. Country; Pop. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet…
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By Restless Heart. Country; Pop. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.84 €
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Paroles et Accords
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Restless Heart
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Pop
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When She Cries
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
MY LORD
Piano Facile
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.876408 Composed by Joe Proco…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.876408 Composed by Joe Procopio. Christian,Pop. Score. With ... Is a song inside of me I sing for all eternity And I can see The day that you love me Ahh - in a world where no one ever dies Or ever cries - MY LORD And you will always be The only one for me - MY LORD 2. MY LORD Is a sigh inside of me A word that. 2 pages. JoeCopio Music LLC #32647. Published by JoeCopio Music LLC (A0.876408). My Lord - My daughter Diane sings this praise to God when she was just a little girl. The track could be better but the lyrics more than make up for it. MY LORD 1. MY LORD ... Is a song inside of me I sing for all eternity And I can see The day that you love me Ahh - in a world where no one ever dies Or ever cries - MY LORD And you will always be The only one for me - MY LORD 2. MY LORD Is a sigh inside of me A word that speaks eternally And I can see My life with you and me Ahh - in a world where no one ever lies Or says goodbye - MY LORD And you will always be The only one for me - MY LORD Bridge: Sing song Sing away in me Tell me not to be afraid Help me find a way to say All I want in life each day is to live in you 3. MY LORD Is a lovely melody. I sing for all eternity And I can see The day that you love me Ahh - in a world where no one ever dies Or ever cries - MY LORD And you will always be The only one for me - MY LORD MY LORD ©1988 Joe Procopio ASC 7107 Drew Hill Lane Chapel Hill, NC 27514 joecopio@gmail.com.
$1.99
1.84 €
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Piano Facile
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Joe Procopio
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MY LORD
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JoeCopio Music LLC
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SheetMusicPlus
Song of Anna
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1297114 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1297114 Composed by Richard M. Walsh. 21st Century,Christian,Christmas,Sacred. 12 pages. Redstone House Press #887212. Published by Redstone House Press (A0.1297114). Unique, original-text setting for SSAATB Choir + Organ. Christmastide text inspired by Luke 2:36-38 (Anna the prophet sees the infant Jesus in the temple). In this imagining of what Anna said/sang when she beheld Jesus, scriptures from the Old Testament are referenced, interspersed with Anna's awestruck cries of Light! The Child! About 2.5 min. duration.
$2.00
1.85 €
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Chorale SATB
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Richard M
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Song of Anna
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Redstone House Press
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SheetMusicPlus
Allegories for Flute, Euphonium, and Piano
Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy B…
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Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.86 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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SheetMusicPlus
Allegories for Flute, Euphonium, and Percussion
Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by…
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Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.86 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Percussion
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Sy Brandon
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SheetMusicPlus
Now the Dove Flies
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Compo…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00
7.4 €
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.4 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.4 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Bid Adieu (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-5E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-5E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-5E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.77 €
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Juliana Hall
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Bid Adieu
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.77 €
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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