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--INSTRUMENTS--
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ALTO
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BANJO
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When the Final Journey Ends - Violin
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
When the Final Journey Ends - Violin
Partitions à imprimer
17 partitions trouvées
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1
When the Final Journey Ends - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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When the Final Journey Ends -
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - SKU: A0.572537 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Ea...
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Small Ensemble Flute,Piano - Level 3 - SKU: A0.572537 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Score and part. 6 pages. James M Stevens Music ASCAP #3578311. Published by James M Stevens Music ASCAP (A0.572537). This an original composition for Flute and Piano in the key of C major style in a beautiful sacred style. There is a separate flute part in the score and the piano can serve as a stand alone solo. The track as heard is available under When the Final Journey Ends Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. 2018 Instrumental Arranging Contest Entry https://youtu.be/LOaGI1ykKIM
$6.99
When the Final Journey Ends - Flute & Piano
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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When the Final Journey Ends -
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - SKU: A0.1061084 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. F...
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Flute,Piano - SKU: A0.1061084 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Full Performance. Duration 124. James M Stevens Music ASCAP #3578305. Published by James M Stevens Music ASCAP (A0.1061084). This is the Flute and Piano performance of Stevens' When the Final Journey Ends.
$1.99
When the Final Journey Ends Piano Track
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Piano seul
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James Michael Stevens
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James Michael Stevens
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When the Final Journey Ends Pi
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1061083 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Full Pe...
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Piano - SKU: A0.1061083 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Full Performance. Duration 124. James M Stevens Music ASCAP #3578251. Published by James M Stevens Music ASCAP (A0.1061083). This is the piano track of Stevens' When the Final Journey Ends which may be used for various instrumental solos.
$2.99
When the Final Journey Ends
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Piano seul
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James Michael Stevens
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James Michael Stevens
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When the Final Journey Ends
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1060929 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,World. Full Perfor...
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Piano - SKU: A0.1060929 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,World. Full Performance. Duration 125. James M Stevens Music ASCAP #3475319. Published by James M Stevens Music ASCAP (A0.1060929). This is the piano performance of Stevens' When the Final Journey Ends.
$1.99
Capriccio on the Departure of a Beloved Brother
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Piano seul
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AVANCÉ
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Johann Sebastian Bach
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Thomas Ling
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Capriccio on the Departure of
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Tho...
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Piano Solo - Level 5 - SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.
$8.00
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
The Palatka Port March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart...
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Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
Formations for Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...
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Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
When the Final Journey Ends
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Piano seul
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James Michael Stevens
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James Michael Stevens
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When the Final Journey Ends
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, World, Lent, Funeral. Sheet Music Single. 4 pages. Published by Jam...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, World, Lent, Funeral. Sheet Music Single. 4 pages. Published by James M Stevens Music ASCAP (S0.333879). - Sheet Music Single - Post-Romantic,Sacred,World,Lent,Funeral - James M Stevens Music ASCAP
$4.99
Perdido Bay Moon Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Donald Ashwander
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Perdido Bay Moon Rag
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Dona...
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Piano Solo - Level 4 - SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Donald Ashwander Estate (A0.1295715). Perdido Bay Moon Rag is a heartfelt and evocative solo piano composition dedicated to the memory of an elegant lady whose love for dance and a chance suggestion led to the creation of this beautiful piece. The composition pays homage to the serene beauty and cherished memories of Bear Point, Alabama, a place rich in history and personal significance to the composer, Donald Ashwander.The story behind Perdido Bay Moon Rag begins on a summer day when Donald, along with friends Edith and Edwin Zelnicker, found themselves on the picturesque Bear Point, Alabama. This tranquil peninsula on the shores of Perdido Bay held a special place in their hearts, as it was a locale where they had spent countless hours as children. They reminisced about their youth, playing beneath the majestic magnolia trees adorned with Spanish Moss and exploring ancient Indian mounds in search of pottery shards.It was during this nostalgic conversation that Edith, the elegant lady in question, suggested the title for a piano composition: Perdido Bay Moon Rag. Enchanted by the idea, Donald was determined to bring this vision to life. Upon returning to New York, he began crafting the piece, but it somehow eluded his grasp. Despite this initial challenge, he designed an appropriate cover for the composition and sent it to Edith and Edwin in Mobile.Over the years, Perdido Bay Moon Rag remained a fixture on Edith and Edwin's piano, a symbol of a cherished memory and unfulfilled promise. Edith confessed to her friend that she had attempted to play the piece but found it too complex, and so it remained unplayed.Time passed, and sadly, Edith fell ill. On a poignant visit to Mobile after Edith's passing, the atmosphere in their home was filled with her spirit. There, prominently displayed on the piano, lay Perdido Bay Moon Rag. In that moment, Donald knew that he needed to fulfill his promise and honor Edith's memory properly.With newfound determination and inspiration, Donald embarked on a journey to create a completely new composition that would capture the essence of Bear Point, Perdido Bay, and the moonlit nights they had cherished. This time, the music flowed effortlessly from his fingertips, as if guided by the memories and love he held for his dear friend.Perdido Bay Moon Rag is a testament to the enduring power of memories, friendship, and the creative process. It reflects the tranquility of Bear Point, the gentle sway of Spanish Moss, and the serenity of moonlit nights on the bay. Through its delicate melodies and intricate rhythms, the composition invites listeners to share in the deep emotions and fond recollections that inspired its creation.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
PIANO SONATA
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Piano seul
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AVANCÉ
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Aaron Robinson
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PIANO SONATA
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Music at Immanuel
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Mus...
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Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
$9.99
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
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Chorale SATB
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FACILE
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Gwyneth W
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Gospel Songs: Come and Go with
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, piano - Moderately Easy - SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published ...
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SATB choir, piano - Moderately Easy - SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.85
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
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Chorale 3 parties
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FACILE
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Gwyneth W
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Gospel Songs: Come and Go with
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSA choir, Piano - Moderately Easy - SKU: MQ.8224-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #8224-E. Published b...
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SSA choir, Piano - Moderately Easy - SKU: MQ.8224-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #8224-E. Published by E. C. Schirmer Music Company - Digital (MQ.8224-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.80
Waterloo Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Donald Ashwander
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Waterloo Rag
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1295718 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886015. Published by The Dona...
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Piano Solo - Level 4 - SKU: A0.1295718 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886015. Published by The Donald Ashwander Estate (A0.1295718). Waterloo Rag is a delightful solo piano composition that embodies the creative process of its composer, Donald Ashwander. This lively and spirited ragtime piece was born during a weekend getaway to the English countryside, as Donald embarked on a journey from Waterloo Station. The composition encapsulates the unique fusion of inspiration and happenstance that often characterizes the creative process.Donald Ashwander's adventure began when friends in England invited him for a weekend retreat in the picturesque countryside. Little did he know that this trip would provide the perfect backdrop for the birth of Waterloo Rag. As he made his way to Waterloo Station on that fateful morning, a catchy ragtime tune played in his mind.The journey itself proved to be a source of inspiration. As the train pulled out of Waterloo Station and began to gain speed, the rhythmic click-i-ty-clack of the wheels on the tracks seemed to harmonize with the tune that had been humming in Donald's head. In that serendipitous moment, he quickly jotted down the musical idea in his manuscript book, and the foundation of Waterloo Rag was laid.The composition captures the essence of the train journey itself, with its lively and rhythmic melodies mimicking the motion and energy of the locomotive. The piece seamlessly weaves together the clickety-clack rhythm of the train wheels with the vibrant ragtime style, resulting in a joyful and exhilarating musical experience.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
Dream in Foreign
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Ensemble Jazz
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INTERMÉDIAIRE
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Carson Yi Zhong
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VCHS MUSE
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Dream in Foreign
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VCHS MUSE
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.925099 Composed by Carson Yi Zhong. Arranged by VCHS MUSE. Contemporary,World. Score and parts. 46 pages...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.925099 Composed by Carson Yi Zhong. Arranged by VCHS MUSE. Contemporary,World. Score and parts. 46 pages. VCHS MUSE #4355687. Published by VCHS MUSE (A0.925099). The music describe a 21st century young traveller. The opening section describes his childhood, during which he had a dream of going out to other countris and view the scene that he had never seen. The second part displayed the beginning of his journey in his young age, surrounded with joy and excitement. The third section revealed the thought of the traveller, when he starts to miss his home. The fourth section shows his nostalgia, and the thoughts in tranquility. The last part ends the music with the travelling finally back home, and he has a new perspective and view towards the future.
$2.99
He Lives Today
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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He Lives Today
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Kevin Longley
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1019360 Composed by Kevin Longley. Christian,Easter,Praise & Worship. Octavo. 18 pages. Kevin Longley #6252461....
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Choral Choir (Mixed) - Level 3 - SKU: A0.1019360 Composed by Kevin Longley. Christian,Easter,Praise & Worship. Octavo. 18 pages. Kevin Longley #6252461. Published by Kevin Longley (A0.1019360). He Lives Today, choral church anthem composed in 2016 The Inspiration The anxiety, fear and anticipation felt by Mary as she approached the tomb of Jesus, only to be replaced by great joy! The Music Composed for choir, soprano soloist, flute and piano. The piece begins with a somber flute solo, depicting Mary's journey to the tomb of the Lord Jesus. When finally reached, the flute solo quietly ends and the glorious choir response begins Our Lord Has Risen! He Lives Today! followed by the directive Go Spread The News!. The soprano soloist then recounts the event at the tomb between Mary and the angel. A repeat of the initial chorus brings the piece to a joyous close Our Lord Has Risen! He Lives Today! Program Notes The piece was written specifically to be used at the beginnings of a church service, or at the end, with the flute solo omitted. Of course it can be used for both!
$1.99
Saxophonic Variability
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Quatuor de Saxophones: 4 saxophones
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Contemporain
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Zachary C
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Saxophonic Variability
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Divisi Labs
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1010677 Composed by Zachary C. Daniels....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1010677 Composed by Zachary C. Daniels. Contemporary. 41 pages. Divisi Labs #6563895. Published by Divisi Labs (A0.1010677). Score and PartsSaxophonic Variability is written with the intent of demonstrating the full set of colors and technical possibilities of a saxophone quartet. The opening movement, slow and sombre, reminds us of the time when saxophones were first brought to the public eye regularly, the late 1800s. The continual flow between harmony, and dissonance is representative of what is to come in the remaining movements. The second movement takes off immediately, and departs on a musical journey of its' own. The rhythmic drive being heavily inspired by bebop jazz, and similar styles of the mid-twentiethcentury. Listen, as moments of solace break out in reverence of the great ballads written for the instrument by many jazz composers of this era. This movement ends as abrubtly as it began as we enter the slow, lyrical third movement. This next movement is incredibly slow, and brings out the lyrical, singing quality of the instrument given the right timbre. The piece concludes with a fiery finale that develops ideas introduced earlier in the piece.This is a great piece to showcase the flexibility of an ensemble, and makes for a good finisher.
$4.99
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When the Final Journey Ends - Violin 
