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Vous avez sélectionné:
Where Can I Go Without You
Partitions à imprimer
22 partitions trouvées
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1
Where Can I Go Without You
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.872095 Composed by Victor …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.872095 Composed by Victor Young. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5754031. Published by Latzko Muzic (A0.872095). POPULARIZED AND WRITTEN BY PEGGY LEE, THIS ARRANGEMENT OF A BEAUTIFUL RENDITION OF A GREAT LOVE BALLAD.
$5.99
5.49 €
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Chorale TTBB
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Victor Young
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Walter Latzko
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Where Can I Go Without You
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Latzko Muzic
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SheetMusicPlus
Won't Go Home Without You
2 Violons (duo)
Violin Duet Violin - Digital Download SKU: A0.955942 By Maroon5. By Adam Levine. Ar…
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Violin Duet Violin - Digital Download SKU: A0.955942 By Maroon5. By Adam Levine. Arranged by Adela Urcan ( CoversFor2Violins). Contemporary. 5 pages. Adela Urcan #6433251. Published by Adela Urcan (A0.955942). I know this is a very famous song and there's not much music transcribed for two violins( also pop music, rock, jazz - but also classical) so I will transcribe many more in the future so stay tuned. You can leave me a comment on my YouTube channel - Adela Urcan - where I play advanced arrangements and let me know what music you would like to play and I will transcribe it.I hope you like this one and have fun with it. The level is relatively easy, intermediate.
$4.99
4.58 €
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2 Violons (duo)
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Maroon5
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Won't Go Home Without You
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Adela Urcan
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SheetMusicPlus
Where Can I Go Without You? by Nat King Cole - Piano/Vocal/Chords
Piano, Voix
Performed by: Nat King Cole: Where Can I Go Without You? Digital Sheetmusic plus an intera…
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Performed by: Nat King Cole: Where Can I Go Without You? Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 2 pages -- Jazz~~Jazz Standards~~Swing~~Standards~~Traditional Pop
$5.50
5.04 €
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Piano, Voix
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Nat King Cole
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Piano/Vocal/Chords
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Musicnotes
Make You Feel My Love
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan…
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Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
9.17 €
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Violon et Piano
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
I'll Go Where You Want Me to Go
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1127621 Composed by C…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1127621 Composed by Carrie E. Rounsefell. Arranged by Leonora Hardy. Christian,Easter,Religious,Sacred,Standards. Score. 7 pages. Leonora Hardy #728223. Published by Leonora Hardy (A0.1127621). An easily learned arrangement for the church pianist who wants to bring something more to the music than what most hymnals offer for congregational singing accompaniment. The melody is retained, as well as traditional timing to help singers even if a song leader is not present. It can be slowed down a bit for use as preludes, offertories or communion. Lyrics and chords for guitar are included. There are 2 versions, one without the vocal line for fewer page turns. Worship. Intermediate level. Right hand melody.
$3.99
3.66 €
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Piano, Voix et Guitare
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Carrie E
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Leonora Hardy
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I'll Go Where You Want Me to Go
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Leonora Hardy
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SheetMusicPlus
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - Digital Download SKU: A0.576973…
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Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - Digital Download SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15 pages. David Warin Solomons #553513. Published by David Warin Solomons (A0.576973). The poet, David Andrew, is writing as he considers the future his daughter will make for herself. The sound sample is a live vocal performance against electronic versions of the instruments The pdf file contains score and parts. The song can also be performed without the flute and cello. You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.17 €
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David Warin Solomons
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Letter to Lydia for alto voice, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Wrecking Ball
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.5 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
C'è una favola triste
Piano seul
Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Sc…
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Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99
3.66 €
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Piano seul
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Monica Bergo
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C'è una favola triste
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Monica Bergo
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.66 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
AS DANTE (TO HELL AND BACK)
Piano seul
Piano Solo - Digital Download SKU: A0.1012728 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions your eyes when will my time I certainly find it my rebellious soul that more chains will not have over the time and distances Your light will follow and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You squeeze to hurt me think of me stronger and shalt see my colors It was death to turn me but you can repaint me and then I'll be whatever you want as in life if you want me wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On flames on hell as Dante that one day for that dark forest left dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is my curse as a mark on the skin but as said one on last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember only my face and will not be hell will be heaven ... Monica Bergo
$5.00
4.59 €
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Piano seul
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Monica Bergo
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your
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AS DANTE
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Moni Bergo
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SheetMusicPlus
What Now My Love
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1235275 By Elvis Presley. By Carl S…
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Piano Solo - Level 5 - Digital Download SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #830811. Published by Timothy Stapay (A0.1235275). This arrangement of What Now My Love is written as performed by legendary pianist, Liberace. It's in a moderate Bolero rhythmic style.What Now, My Love? is the English title of a popular song whose original French version, Et maintenant (English: And Now) was written in 1961 by composer Gilbert Bécaud and lyricist Pierre Delanoë. The recurring musical pattern in the background is the Boléro by Ravel. English lyrics and the title were written by Carl Sigma.Lyrics:What now my love, now that you've left meHow can I live through another dayWatching my dreams turn to ashesAnd my hopes turn to bits of clayOnce I could see, once I could feelNow I am numb, I've become unrealI walk the night, without a goalStripped of my heart and my soulWhat now my love, now that it's overI feel the world falling all around meHere come the stars, tumbling around meThere's the sky, where that sea should beWhat now my love, now that you're goneI'd be a fool to go on and onNo one would care, no one would cryIf I should live if I should live or dieWhat now my love, now there is nothingOnly my last, my last good-byeWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
8.25 €
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Piano seul
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Elvis Presley
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Timothy Stapay
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What Now My Love
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Timothy Stapay
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SheetMusicPlus
"Tumbleweed" - (Part Scores)
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
9.13 €
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Sydney Stevens
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"Tumbleweed" -
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Sydney Stevens, Water Music
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SheetMusicPlus
Back to the Heart
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.54 €
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Voix Alto, Piano
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Sacred Anthems for Choir 3, sacred choral music
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
17.42 €
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Chorale SATB
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Kevin G
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Sacred Anthems for Choir 3, sacred choral music
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Kevin G. Pace
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.93 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Sunday Bloody Sunday
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
18.34 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
A Journey of Growth
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.946919 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.946919 Composed by JP Wogaman II. 20th Century,Contemporary. 27 pages. JP Wogaman II #6209917. Published by JP Wogaman II (A0.946919). This piece is actually my first film score. It accompanied an animation, but unfortunately, the original artist has made the animation no longer available. The story is still powerful, and the message is still just as relevant. Two young foster children, brother and sister, go from the sadness and fear of being without parents, to the joy of finding a home with a loving family, all while doing their best to hang onto hope and onto each other. For these two young children, I can only imagine it feeling like the end of the world, and not an experience they could possibly grow from. However, this story is a true story, and it is the animator's story. And look where she ended up! A student at the University of Michigan that has since gone on to work for major companies such as Nickelodeon and even NASA. As an artist, I respect her decision to not continue sharing her animation, and I am so unbelievably grateful and humbled to have had the honor of writing the score to her story when I had the chance.More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
$50.00
45.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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JP Wogaman II
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A Journey of Growth
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JP Wogaman II
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SheetMusicPlus
Earmarks
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - Digita…
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and parts. 46 pages. NoteForge #3885237. Published by NoteForge (A0.1002829). Earmarks is a musical (and hopefully humorous) view of some of the issues in today's political climate, designed to make you make you laugh--or to make you think. And definitely to make you talk. It starts out with Echo Chamber, where everything you hear is everything you want to hear. As we move more and more of our lives online, we're at the mercy of algorithms that try to deliver more of what we like--and give us options for removing that which we don't. The more time we spend in these echo chambers, the less we hear from dissenters. (The piano tries to come in with a new idea later in the movement, but is largely ignored).The second movement, Filibuster, does what I initially intended. Although all three instruments do get to play, it's a lot of repeated, pleasant-sounding milquetoast stuff without a great deal of substance that never really resolves. And it has a repeat sign at the end that allows it to be played as many times as the performers wish. How long this movement is depends entirely on the whim of the pianist. A swing state is a state with a similar level of support for both parties that can go either way during an election. Likewise, Swing States is a piece for saxophone and piano, and a piece for clarinet and piano, and it's a struggle to see who's going to win. Will they sort out their differences? Will we?
$14.99
13.75 €
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Kyle Vanderburg
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Earmarks
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NoteForge
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SheetMusicPlus
The Impossible Dream
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mit…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Louke Publishing #3489035. Published by Louke Publishing (A0.736270). 2018 Chamber Music Contest EntryThe Impossible Dream from Man of La ManchaProgram Notes Low Flute Ensemble The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream, To fight the unbeatable foe, To bear with unbearable sorrow, To run where the brave dare not go. To right the unrightable wrong, To love pure and chaste from afar, To try when your arms are too weary, To reach the unreachable star. This is my quest, To follow that star No matter how hopeless, No matter how far. To fight for the right Without question or pause, To be willing to march Into hell for a heavenly cause. And I know if I'll only be true To this glorious quest That my heart will be peaceful and calm When I'm laid to my rest. And the world will be better for this, That one man scorned and covered with scars Still strove with his last ounce of courage. To fight the unbeatable foe. To reach the unreachable star. BroadwayMoviesPopularBalladMusicals Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/ Â
$14.00
12.84 €
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Mitch Leigh
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Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
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SheetMusicPlus
The Impossible Dream (the Quest)
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Standards. 12 pages. Louke Publishing #715479. Published by Louke Publishing (A0.1113567). Low Flute Ensemble The Impossible Dream from Man of La Mancha Program Notes The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream To fight the unbeatable foe To bear with unbearable sorrow And to run where the brave dare not go To right the unrightable wrong And to love pure and chaste from afar To try when your arms are too weary To reach the unreachable star This is my quest To follow that star No matter how hopeless No matter how far To fight for the right Without question or pause To be willing to march, march into Hell For that Heavenly cause And I know if I'll only be true To this glorious quest That my heart will lie peaceful and calm When I'm laid to my rest And the world will be better for this That one man, scorned and covered with scars Still strove with his last ounce of courage To reach the unreachable star This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. Broadway Movies Popular Ballad Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com. A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/.
$14.50
13.3 €
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Man Of La Mancha
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Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.25 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Impossible Dream for Flute Choir or Flute Quintet
Ensemble de Flûtes
Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Co…
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Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Contrabass Flute - Intermediate - Digital Download By Andy Williams. Arranged by Phyllis Avidan Louke. Score, Set of Parts. 13 pages. Published by Louke Publishing
2018 Chamber Music Contest Entry<br> The Impossible Dream from Man of La Mancha<br> Program Notes<br> <br> The Impossible Dream (The Quest) is the most popular song from the1965 Broadway musical Man of LaMancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh,with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’sHall of Fame.<br> <br> I have always found the lyrics of TheImpossible Dream extremely moving:<br> <br> Todream the impossible dream,<br> To fight the unbeatable foe,<br> To bear with unbearable sorrow,<br> To run where the brave dare not go.<br> <br> To right the unrightable wrong,<br> To love pure and chaste from afar,<br> To try when your arms are too weary,<br> To reach the unreachable star.<br> <br> This is my quest,<br> To follow that star<br> No matter how hopeless,<br> No matter how far.<br> <br> To fight for the right<br> Without question or pause,<br> To be willing to march<br> Into hell for a heavenly cause.<br> <br> And I know if I'll only be true<br> To this glorious quest<br> That my heart will be peaceful and calm<br> When I'm laid to my rest.<br> <br> And the world will be better for this,<br> That one man scorned and covered with scars<br> Still strove with his last ounce of courage.<br> To fight the unbeatable foe.<br> To reach the unreachable star.<br> <br> This arrangement for flute choir can be performed with asfew as 5 players or a full flute choir with multiple players on a part. It is scored for 3 flutes, alto flute, bassflute, and optional contrabass flute. <br> <br> Broadway<br> Movies<br> Popular<br> Ballad<br> <br> Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com <br> <br> A list of Phyllis Louke’s SMP publications with full lengthrecordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/
$14.00
12.84 €
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Ensemble de Flûtes
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Andy Williams
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Phyllis Avidan Louke
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The Impossible Dream for Flute Choir or Flute Quintet
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Louke Publishing
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SheetMusicPlus
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